Relevant bibliographies by topics / Pushto fiction

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  2. Books
  3. Book chapters
  4. Conference papers

Academic literature on the topic 'Pushto fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Pushto fiction"

1

Pepper, Andrew. "‘Complex’ Crime Fiction and the Politics of Ongoing-ness: Don Winslow's War against Endings." Crime Fiction Studies 1, no. 1 (March 2020): 130–45. http://dx.doi.org/10.3366/cfs.2020.0011.

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In pointing out that beginnings and endings merge in Don Winslow's ‘drug war’ trilogy – The Power of the Dog (2005), The Cartel (2015), and The Border (2019) – I argue that his narratives, like the ‘war on drugs’ itself, are ‘ongoing.’ Taking the resulting tension whereby this open-endedness or ongoing-ness is set against crime fiction's more typical generic push to resolution, as a starting point, I use and develop Mittell's concept of ‘complex TV’ to account for the complexities and continuities of Winslow's fiction. In one sense, this ongoing-ness is occasioned by Winslow's subject matter: it is the sociopolitical realities of the ‘war on drugs’ which determine the trilogy's structural and generic qualities. But what makes Winslow such an important writer are the particular ways he reshapes and pushes against the limits of narrative and genre, something that is made possible by and in turn makes possible a particular understanding of political struggle as ongoing and irresolvable. In my essay I explore the political implications of Winslow's fiction through a close examination of narrative and genre and where the emphasis is placed on breakdown and glitch rather than the successful realisation of totality.
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2

Sinwell, Sarah E. S. "Bosom friends and kindred spirits: Reimagining girlhood, bisexuality and queerness in Anne with an E." Queer Studies in Media & Popular Culture 8, no. 3 (September 1, 2023): 351–67. http://dx.doi.org/10.1386/qsmpc_00110_1.

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Questioning traditional ideas of hegemonic femininity, queerness and heteronormativity, this article examines Moira Walley-Beckett’s Anne with an E (2017–19, CBC and Netflix) as a means of revisiting queer and female histories in contemporary television. Reinvestigating classic Anne of Green Gables, this series pushes the boundaries of history by modernizing historical ideas about gender, sexuality, class and race in the early twentieth century. Using feminist theory, queer theory and critical cultural studies approaches, this article argues that these coming-of-age narratives of girlhood, bisexuality and femininity interrogate binary notions of past and present, childhood and adulthood, fact and fiction. By blending and blurring literary and fictional histories, this series pushes up against the whiteness and heteronormativity within media culture, drawing attention not only to the absence of people of colour and LGBTQ+ characters within literary and media histories more generally but also to alternative possibilities for more inclusive media representation. In this way, this series is rethinking historical and literary representations of girlhood, (bi)sexuality and feminist empowerment by putting queer people and women at the centre of its storytelling.
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Sallehuddin, Muhammad Afnan Bin Mohd, Su-Cheng Haw, and Kok-Why Ng. "Write-Deck: An Enriched Social Reading Fan Fiction Site With Recommendation System." Applied and Computational Engineering 2, no. 1 (March 22, 2023): 685–94. http://dx.doi.org/10.54254/2755-2721/2/20220647.

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The Covid-19 pandemics have pushed individuals away from having any personal contact with each other, in a long period of isolation. Spending time on relaxing activities such as writing fan fiction help alleviate the negative effects of long isolation. Writer-Deck is a system to read fan and original fiction online which is enriched with a recommender system. Writer-Deck aims to provide users with simple ways to find the most likely fiction for leisure reading, simple navigation to access information on their favourite fiction, the ability to save to the library to read later and notification of a new chapter to be released. In addition, the review and rating functions are available for writers to gauge their writing skills. The usability test on 30 respondents indicated that on average 76.6% of respondents respond positively in terms of navigation, design and layout, features, search and recommendation.
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Pakhsaryan, Natalia. "THE CROSSROADS OF CULTURES AND METAMORPHOSES OF TIME IN ANDREI' MAKINE 'S NOVELS." Herald of Culturology, no. 2 (2022): 111–26. http://dx.doi.org/10.31249/hoc/2022.02.06.

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The article discusses several novels by Andrei' Makine, a modern writer, in whose work Russian and French cultures are closely intertwined. The author of such works as The French Testament, Requiem for the East, The Woman Who Waited, etc., having emigrated to France in 1987, writes his novels in French. But in all his works the Russian theme is presented in one way or another. Besides the Russian literary tradition is important for the writer. The experience of I.A. Bunin, in particular, is especially revered by Andrei Makine. In his novels, this Franco-Russian author refers to different stages of Russian history of, including those that had occurred before his birth. On the one hand, he relies on the events of his own biography, introduces autobiographical elements into the plot of novels, on the other hand he constantly mixes these elements with fiction, shifts and pushes the boundaries of time. Fictional metamorphoses in A. Makine’s works allow him to express nostalgia for Russia in the artistic canvas of the text in French.
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Dusaillant-Fernandes, Valérie. "Le récit de survivance de Serge Amisi : modalités d’adaptation textuelle et stratégies d’ajustement." Dialogues francophones 21, no. 1 (December 1, 2015): 107–20. http://dx.doi.org/10.1515/difra-2015-0006.

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Abstract In the narrative of survival, Souvenez-vous de moi, l’enfant de demain (2011), Serge Amisi, former child soldier in the Democratic Republic of Congo from 1997 to 2011, recounts his story of forced recruitment in Kabila’s rebel troops. A hybrid text that pushes the boundaries between fiction as well as historical and personal truth, this testimony turns out to be a privileged writing space where the social and psychic reconstruction of the narrator can be achieved. In the first part, the article explores Amisi’s singular and powerful writing which blurs the lines between reality and fiction. In the second part, the paper demonstrates how Amisi summons his memory to restore the coping mechanisms which allowed him to adapt to the living conditions around him or to face the barbaric punishments while taking a childlike look at a dehumanizing historical reality.
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Chaudhary, Fariha, and Syeda Amarah Zahid. "The Interplay of Simulacrum, Hyper-reality and Distorted Identity in Hamid’s Fiction: A Postmodern Paradigm." International Journal of Linguistics and Culture 2, no. 2 (December 24, 2021): 117–34. http://dx.doi.org/10.52700/ijlc.v2i2.44.

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The present research is an exploration of the interplay between simulacrum, hyper-reality and identity as presented in Hamid’s fiction. Simulation and hyper-reality created through media and globalization profoundly affect the socio-cultural identities of the various male and female characters in the novel in both positive and negative ways. Furthermore, consumer capitalism, westernization and hyper-mediated experiences make the characters believe in false realities thus leading them to chaos and identity crisis. These hyper-realties push the characters to undergo mental, emotional, psychological and socio-cultural conflicts. Thus, in an attempt to seek their identity and true self through blind imitation of the western culture, they are led further away from their cultural roots. The theoretical insights for this study shall be drawn from postmodern theory, specifically Baudrillard’s concept of simulacrum and hyper-reality. This qualitative inquiry shall be carried out by close reading and analysis of the selected textual lines in the context of the chosen framework. The significance of this research lies in the fact that it demonstrates how fictional characters specifically and humans generally are increasingly pushed to dwell in a hyper-reality created through simulation due to globalization. The repercussions of which are far reaching including a crisis of one’s own identity and perception of self in a society that is increasingly being disoriented due to the flux of globalization.
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Patte, Michael M. "Is it still OK to play?" Journal of Student Wellbeing 4, no. 1 (November 15, 2010): 1. http://dx.doi.org/10.21913/jsw.v4i1.641.

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This essay provides a personal account of my experience working in a school climate of increased student and teacher accountability where play, recess and extra-curricular activities were devalued and pushed to the brink of extinction. The two works of fiction explored in the essay, Santa Claus is comin’ to town and ‘All summer in a day’, serve as powerful metaphors exploring how devaluing play can adversely affect the overall wellbeing of children.
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Bruveris, Klara. "THE “CREATIVE TREATMENT OF ACTUALITY”: POETICS AND VERISIMILITUDE IN LAILA PAKALNIŅA’S FILMS." Culture Crossroads 10 (November 10, 2022): 85–90. http://dx.doi.org/10.55877/cc.vol10.144.

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Laila Pakalniņa is a contemporary Latvian filmmaker who works across both documentary and fiction film. Her films are often regarded as avant-garde, experi- menting with genre conventions, challenging her audiences to reconsider their understanding of narrative and the cinematic form. Her work also pushes the boundaries between what constitutes fiction film and what constitutes documen- tary. This arguably occurs because of her engagement with the tropes of poetic documentary cinema, of which there is a strong tradition in Latvia due to the famous Riga School of Poetic documentary established in the 1960s. This paper examines her documentary film Čau, Rasma (“Hi, Rasma”, 2014) as a continu- ation of the poetic documentary tropes developed by John Grierson, and argues that verisimilitude can be found in her documentaries through an application of Grierson’s philosophical work. The paper aims to contribute to a broader discus- sion of poetic documentary practices in the current era, and how this documentary approach has developed from its modernist beginnings.
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Liao, Xinyu. "A Study of Robot Identity Writing in Isaac Asimov’s Fiction." Communication, Society and Media 7, no. 1 (June 30, 2024): p64. http://dx.doi.org/10.22158/csm.v7n1p64.

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Isaac Asimov, a famous contemporary American science fiction writer, constructs the identity of robots through describing entities and dialogues in his short story “The Last Question”. If we compare and analyze the author’s other short stories with conceptual metaphor theory and Bakhtin’s theory of dialogue, we will find that the author pushes the development of the storyline through the constructing the robot’s identity and the blurring of the boundaries, and from then on, maps the development of the relationship between man and machine and the course of its development. The purpose of this paper is to explore the special significance of the construction of robot identity and its contribution to the development of the narrative, as well as to analyze the expectations of the human-machine relationship embedded in the novel.
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Purnell, David. "Corporal Hauntings." Departures in Critical Qualitative Research 4, no. 4 (2015): 65–82. http://dx.doi.org/10.1525/dcqr.2015.4.4.65.

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This narrative focuses on the use of fiction in conjunction with autoethnography in order to possibly change narrative inheritance. I use speculative autoethnography to seek out alternate outcomes of past life events. In this writing, fictionalized conversations take place with the hauntings of my child self during fragments of past experiences that I consider contributors to a failed familial relationship. I use this method to offer an alternative to the assumed social constructs of needing to “repair” such relationships. Through this account, I suggest ways to redirect the narrative momentum that pushes narrative inheritance into the future.
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Books on the topic "Pushto fiction"

1

Aʻz̤am, Anītā. Da Puṣhto pah afsānwī adab kṣhe da ṣhaże ūlasī maqām aw kirdār: Depiction of women in modern Pashto fiction : da Pī. Ech. Ḍī maqālah. Peṣhawar: Yūnīwarsiṭī Buk Ejansī, 2010.

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Anżūr, Zarīn. Puṣhto maʻāṣir dāstānī adabiyāt: Tārīkhī, intiqādī katanah. Jarmanī: Da Afghānistān da Kultūrī Wade Ṭolanah, 2014.

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Sāḥil, Muḥammad Yūsuf. Pah suhelī Puṣhtūnkhwā kṣhe da Pushto nāwil taḥqīqī aw tanqīdī jāyzah: Cirtical & research analysis of Pashto novel in Southern Pashtoonkhwa : da Em. Fil taḥqīqī maqālah. Koṭah: Puṣhto Adabī Ghūrżang, 2018.

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Asīr, Aḥmad ʻAlī. Puṣhto nāwil aw nāwilūnah: Taḥqīq aw tanqīd. Peṣhawar: Yūnīwarsiṭī Buk Ejansī, 2013.

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Ḥaqmal, Bism Allāh. Pah Puṣhto zhabah ke dāstānī adabiyāt: Da ṡeṛandwī ʻilmī rutbe tah da tarfīʻ lapārah. Kābul: Da Afghānistān da ʻUlūmo Akāḍemī, Da Basharī ʻUlūmo Muʻāwanīyat, Da Zhabo aw Adabiyāto ʻIlmī Markaz, Da Puṣhto Zhabe aw Adabiyāto Instītiyūt, 2012.

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Muḥammad, Shahbāz. Da Malakanḍ afsānah. Tāṇah, Malākanḍ: Idārah Mat̤būʻāt Malākanḍ, 2020.

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Sahīm, Nur Muḥammad. Pah Puṣhto lanḍo kīso ke riyālīstī afkār. Kābul: Da Afghānistān da ʻUlūmo Ikāḍayme, da Zhabo aw Adabiyāto Markaz, 1986.

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Kāshifī, Ḥusayn Vāʻiẓ. Dabīr dānish, tarjumah da Anvār-i Suhaylī. [Peshawar]: Puṣhto Akeḍemī, Peṣhawar Yūnīwarsiṭī, 1993.

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Khalīl, Ḥanīf. Puṣhto nāwal: Taḥqīqī aw tanqīdī jāʼizah. Peṣhawar: Bāgrām Puṣhto Adabī Jirgah, 2000.

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Balochistān, Puṣhto Ikayḍīmī, ed. Da Puṣhto nāwal pah wadah kṣhe da mermano barkhah: Puṣhtane nāwal nigārī aw da haghwī nāwalūnah. Koṭah: Puṣhto Ikayḍīmī Balochistān, 2018.

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Book chapters on the topic "Pushto fiction"

1

Kupperman, Karen Ordahl. "How [Not] to Run a Colony in the Distant Past and the Future." In History and Speculative Fiction, 101–19. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_6.

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AbstractColonialism always rests on a false premise: we will bring our superior culture to a new region. The beings who inhabit the territory may be useful to us, but they certainly can be pushed out of the way. Such was the case in England’s first attempts in North America 400 years ago, and now fictional accounts of colonization in outer space see humans repeating their mistakes. This chapter uses pamphlets, letters, and official documents written in the beginning decades of English colonization in North America. It also draws on two modern science fiction accounts, one from the mid-twentieth century, Harry Martinson’s Aniara, and the other recently published, Charlie Jane Anders’ The City in the Middle of the Night.
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Farmer, Paul. "10. ‘How much easier it is to honour the dead than to value the living’—The Tale of Trevithick’s Tower." In After the Miners’ Strike, 119–34. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0329.12.

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A key concept for the new show is ‘levels of pretence’—the principle derived from McGrath’s observations on the sophistication of popular engagement with issues of identity in the performance of pantomime. In One & All!, for example, who were we being when we were narrating? We could push the new show up one ‘layer of pretence’ and remove any implied authority figures: rather than ask audiences to take anyone on trust, we could insist they distrusted everybody. So we formulate the new show not as a play, but as a public meeting. In the real world the plan is afoot to take over Truro City Hall and turn it into a prestigious theatre. Our public meeting is part of a fictional campaign to demolish the City Hall to build the tower Trevithick designed in 1833 to commemorate the passing of the Reform Laws. Having pushed the execution of the play away from ourselves and into movement between the onion skins of ‘layers of pretence’, we use three bizarre contemporary characters to implicitly critique contemporary society and government. The Tale of Trevithick’s Tower premieres on Camborne Trevithick Day 1986 and tours Cornwall.
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Prideaux, Desirée. "Introduction." In Sleuthing Miss Marple, 1–12. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800854642.003.0001.

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The Introduction uncovers a recurrent peculiarity in crime fiction scholarship: Marple is often noted as an ‘obvious exception’ in the masculine world of golden age crime fiction; yet, this observation usually precedes a movement away from consideration of the character. Analysis is informed by the recognition of three striking aspects of the texts. The first is the range and scope of women characters and the gentle subversion of masculine-centred crime fiction which is evident from the earliest stories. The second is Christie’s quite remarkable experimentation with genre. It is widely acknowledged that her engagements with the clue-puzzle pushed the form to its limits; however, Christie’s incursions into other genres, within her crime fictions, are rarely examined. The third is the variety of underhanded ways that Christie devised to grant agency to her spinster-sleuth and other female characters. This substantiates the enquiry into gender, genre, and agency in the Marple mysteries.
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Bors, Edit. "Beaucoup de bruit pour … un microrécit. Lire la littérature courte." In Plaisirs de lire: é/etats de l’art, 47–55. FLUP-ILC, 2021. http://dx.doi.org/10.21747/978-989-54784-9-1/lib27a4.

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In order to capture their readers’ attention, micro-fictions integrate implicit and allusive meanings, among other things, into the adopted tone, the chosen narrative structure or the generic hybridation. Their reception is also determined by limited special conditions: in a short time and in few words, micro-fiction have an effect or remains absolutely imperceptible. Some of the stories are not only enjoyable to read but also push the reader to reflect on his reading skills.
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Watts, Michael John. "Land Fictions in the Longue Durée." In Land Fictions, 257–70. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753732.003.0014.

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This chapter argues that the book is dependent on Karl Polanyi and commodity fictions but also pushes well beyond empirical definitions of commodities, entering the sanctum of the fetish broadly construed. It notes that the Land Fictions lays out a rather broad palette of fictions. Sometimes it is not clear whether and how they share family resemblances. The chapter then presents the largely contemporary land fictions explored in the preceding chapters in a longer historical context: specifically, Marxian reflections on the commodity fetish, the historical challenge of peasant production to agroindustry (the agrarian question), and the biological underpinnings and specificities of agriculture. The chapter focuses on the longue durée of the creation of land as a commodity and its various fictional expressions. It indicates ways in which the study of land fictions might be productively expanded from viewing land as a horizontal domain of property into closer consideration of land's vertical properties, including both the subterranean and the aerial.
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"The Empty Field (Puste pole)." In Handbook of Polish, Czech, and Slovak Holocaust Fiction, 172–74. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110671056-037.

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Gloag, Oliver. "6. Camus and Algeria." In Albert Camus: A Very Short Introduction, 86–101. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198792970.003.0006.

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Camus was always ambivalent about colonialism in Algeria and this ambivalence greatly affected him. Camus pushed for more rights to be granted to Algerians after the war, but stopped short of asking for voting rights for all. Camus was to be the advocate for peace and compromise, with one objective in mind: for Algeria to remain French. ‘Camus and Algeria’ considers how the long-repressed colonial reality began slowly to emerge in Camus’s fiction, until it eventually took centre stage. It discusses The Exile and the Kingdom, a collection of short stories that was the last of Camus’s fiction published in his lifetime, and his posthumous novel, The First Man.
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O’Malley, Austin. "Making Texts Speak." In The Poetics of Spiritual Instruction, 163–89. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474475112.003.0006.

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Chapter 5 further examines the self-reflexivity of the Conference of the Birds’ frame-tale structure, demonstrating how the text itself is conflated with the fictional homiletic assembly that it depicts. Characters within the frame-story and anecdotes become avatars and reception figures, fictive listeners calibrated to guide readers’ responses. The self-reflexive potential of the frame-tale is pushed to its limit at the end of the poem, when the birds themselves read a manuscript that narrates a scene from the story of Joseph’s reunion with his brothers, a story that is allegorically reduplicated in the birds’ subsequent reconciliation with the Simorgh. The paradoxical implication of these recursively nested textual encounters is that the Conference of the Birds, too,will be re-enacted in the lives of its readers and listeners.
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Der Manuelian, Peter. "Fiction, Fundraising, and Hoisting Sarcophagi." In Walking Among Pharaohs, 597—C20.P164. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197628935.003.0021.

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Abstract Noel Wheeler alternated between Second Cataract forts work interspersed with Giza excavations in the Eastern Cemetery. Several exquisite stone sarcophagi had to be raised from their burial shafts and divided between the Cairo Museum and the Museum of Fine Arts, Boston. In the Sudan, the expedition moved on from Semna/Kumma to Uronarti fort, a short distance to the north. Reisner returned to Boston in 1929, where a push for endowing the expedition collapsed due to the Depression. Ashton Sanborn married into the Goldman Sachs family, which took an archaeological voyage up the Nile in early 1930. Reisner entertained Belgian and Romanian royalty at the Pyramids, and as the German/Egyptian scandal over the bust of Nefertiti simmered, he submitted his opinion on proposed solutions for returning the bust to Egypt. Polyglot clerical assistant Evelyn Perkins joined the expedition in 1933, and the Mycerinus (Menkaure) temples publication finally appeared in 1931, the same year that Reisner lost another reis, Mahmud el-Meyyit. His third Naga ed-Deir publication appeared in 1932. Amid more political unrest in Cairo, the expedition explored more Second Cataract forts at Shalfak and Mirgissa. Reisner composed fiction, including an opera—a collaboration with British playwright Ethel Beal. It was loosely based on the reconstruction of his version of Fourth Dynasty history. Reisner also helped found the Cairo chapter of the Rotary Club in 1929, and he attended the lunches and dinners faithfully for years. Eye troubles (cataracts) arose early in the new decade.
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Aitchison, David, and David Aitchison. "Darkness as Heuristic." In The School Story, 91–122. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496837622.003.0004.

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Chapter 3, “Darkness as Heuristic: Care and Development in Pathological School Fiction,” considers what happens when the school story and what is currently known as the rape story converge in two popular but controversial works, Sapphire’s Push and Laurie Halse Anderson’s Speak. In response to children’s book critic Meghan Cox Gurdon’s criticism of “dark” and “pathological” teen fiction, this chapter asks whether pathologies—instances of abuse and harm—in teen fiction might figure less as dangerous lures for careless readers and more as promising heuristics for gauging provisions of care and possibilities for development (for students and teachers alike) in an age of neoliberalism. Tracing routines and patterns of growth in and out of school, both works invite us to scrutinize the temporal forms by which school institutions increasingly bolster neoliberal understandings of young adult and adult development.
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Conference papers on the topic "Pushto fiction"

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Blandino, G. "Workload and stress evaluation in advanced manufacturing systems." In Italian Manufacturing Association Conference. Materials Research Forum LLC, 2023. http://dx.doi.org/10.21741/9781644902714-7.

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Abstract. Industry 5.0 emphasizes the development of human-centred work environments, shifting the focus from technologies embedded in manufacturing systems to workers. Efforts in the literature focus on operators' well-being for workstation configuration or on stress in collaborative environments, but few papers consider stress induced by management practices in advanced manufacturing contexts, although “lean” or “agile” for instance could in principle lead to more stressful workplaces. This paper reviews the literature, evaluating the mental and physical workload of production line operators who perform mentally demanding tasks and experience stress in advanced manufacturing systems. The goal is to design and to perform a pilot test on an innovative and rigorous research protocol, to be adopted in ‘non-fictional’ experiments, and able to compare push vs pull settings and their effects on workers’ workload and stress (WLS). The results will highlight new sources of stress, contributing to the development of human-centred and socially sustainable manufacturing systems.
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