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1

Li, He Qun, and Feng Yun Yu. "On the Bridges of the Qin and Han Dynasties." Advanced Materials Research 926-930 (May 2014): 601–4. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.601.

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During the Qin and Han Dynasties, there were several types of bridges, such as wooden poles and wooden beam bridges, arch bridges, gallery bridges, Zhandao, floating bridges and so on. These bridge remains are mainly located in Guanzhong area, Sichuan province and other areas. All these are important data for us to understand bridge shapes, construction technology, means of transportation, and social life of the Qin and Han Dynasties.
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2

Ren, Chunguang, and Xiaoming Yang. "On Textile Poetry in Textile Social History in Qin and Han Dynasties." Asian Social Science 16, no. 4 (2020): 65. http://dx.doi.org/10.5539/ass.v16n4p65.

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This paper begins with the textile poetry of the Qin and Han dynasties. Using the method of mutual proof of poetic history,as far as possible from the textile production, textile technology, textile trade and textile culture to outline a complete clue of the history of the textile society in the Qin and Han dynasties. Trying to clarify the changes of textile culture and costume system in ancient China and to explore the relationship between textile production and social-economic development.
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Jia, Qiong, Yue Zhou, and Yan Ni Shen. "Qin Brick and Han Tile in Chinese Ancient Construction - Aesthetic Analysis of the Ancient Chinese Building Materials in Qin and Han Dynasties." Applied Mechanics and Materials 357-360 (August 2013): 282–84. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.282.

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This paper discussed the decorative style of the building materials in Qin and Han dynasties which are of sleek shape, changing structure, united shape and spirit from the level of "brick and tile". These features reflected the unique style and strengths of ancient Chinese architecture whose deep aesthetic connotation was explored through the detailed analysis of Qin brick and Han tile.
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Deng, Yihan. "Characteristics of the Development of Early Empires Based on a Comparison of Rome and Qin Han." Communications in Humanities Research 4, no. 1 (2023): 375–80. http://dx.doi.org/10.54254/2753-7064/4/20220581.

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Rome in the west and the Qin and Han dynasties in the east became empires after a long period of warfare in a similar period. Although both shared the characteristics of empires, they still showed significant differences on the road to unification. Rome, driven by the growing power of the aristocracy, kept squeezing civilians and eventually had inner conflicts which transformed the empire into monarchies under the pressure of popular sentiment and aristocratic plutocracy. On the other hand, Qin and Han, under the premise of emphasizing blood ties, kept weakening the tradition of the previous period, laying down the logic of hereditary rule of the dynasty with divinely granted human rights and ensuring the stability of the dynasty with stable local administration and grassroots power under civil governance. This paper will take a comparative historical approach, focusing on Rome and the Qin and Han dynasties. It is illustrated from the formation of the empire and its early manifestations in politics, economy, culture, military administration, and local governance systems to explore what characteristics the early empire had.
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Lei, Meng. "The Wife’s Status in the Qin and Han Dynasties." Journal of Humanities, Arts and Social Science 6, no. 3 (2022): 426–29. http://dx.doi.org/10.26855/jhass.2022.09.020.

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Chen, Hanlin. "On the Formation of the Zhedong Canal during the Pre-Qin and Qin-Han Periods." Journal of Education, Humanities and Social Sciences 14 (May 30, 2023): 634–45. http://dx.doi.org/10.54097/ehss.v14i.8953.

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The natural environment of the Ningshao Plain, which is surrounded by mountains and faces the sea, and the terrain of high south and low north, determined the inevitability of the development of water transportation in the region. Based on this, local water conservancy development had existed for a long time. The Zhedong Canal, which originated from the comprehensive engineering of the Shanyin ancient waterway constructed by the State of Yue in the late Spring and Autumn period, was further developed with the opening of the ancient Jiangnan Canal after the unification of Qin. During the Eastern Han Dynasty, the Jian Lake system was constructed, followed by the successive development of the Westward Canal during the Six Dynasties. Thus, the complete picture of the Zhedong Canal, as known today, gradually took shape. Based on the analysis of the engineering projects throughout the dynasties, it is evident that the formation of the Zhedong Canal was not accomplished overnight nor based on a single foundation. Its functional design was not limited to transportation alone. The superimposition of engineering projects across different periods revealed the canal's development as being adaptive to the times and innovative in nature. This objectively reflects the historical choice of Chinese ancestors to proactively adapt to nature and transform the environment.
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Lim, Chung-Gi. "The Theory of Disaster in the Qin and Han Dynasties." Journal of the New Korean Philosophical Association 105 (July 31, 2021): 275–98. http://dx.doi.org/10.20433/jnkpa.2021.07.275.

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Amurskaya, M. A. "The Development of Chinese Statistical Accounting During the Qin and Han Dynasties." Accounting. Analysis. Auditing 8, no. 2 (2021): 71–83. http://dx.doi.org/10.26794/2408-9303-2021-8-2-71-83.

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The Chinese experience in the development of accounting thought and economic statistics is of a particular interest to Russian scientific thought, since China has been confidently demonstrating economic success for many years. The research was carried out using the methods of sampling, grouping, systematization, comparison and generalization. The historical approach was applied to the analysis of theoretical and practical materials in the Chinese language. The two periods of the development of Chinese statistical thought are distinguished: 1) the period of the Qin dynasty (221-207 BC), starting from which the Chinese state is usually regarded as centralized, and statistical accounting is regarded as national; 2) the period of the Han dynasty (206 BC — 220 AD), during which the active development of statistical accounting continued and a fairly effective system was formed that satisfies all the needs of the state at the central and local level. The practical significance of the work lies in highlighting the methods of centralizing the collection of statistical data and the organization of statistics in China, the regulation of statistical accounting and related accounting. The article presents ideas and practical recommendations of the main thinkers, academicians and scientists (such as Sima Qian, Xu Gan) in the field of statistical accounting in China at that time.
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9

Xue, Wang. "Investigating into the Culture Connotations of the Radical of Yu in the ShuoWenJieZi." Pacific International Journal 3, no. 4 (2020): 144–46. http://dx.doi.org/10.55014/pij.v3i4.107.

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 As the first dictionary analyzing the structures of Chinese characters, explaining the meanings and identifying the pronunciations, the book ShuoWenJieZi (literally means discussing writing and explaining characters) compiled by Xu Shen in the Eastern Han Dynasty is of important significance in the Chinese language history as well as social language history. By means of researches on the section headers related to “fish” in the book, the development of both the fishery and fish food culture in the Qin and Han Dynasties can be discussed. Based on the section headers related to “fish” in the book ShuoWenJieZi, this paper analyzes the fishery development in the Qin and Han dynasties and examines the tradition of food culture reflected by the section headers related to “fish” as well as the prosperity and development of fish-eating culture.
 
 
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10

Tianyu, Feng. "Society of Imperial Power: Reinterpreting China’s “Feudal Society”." Journal of Chinese Humanities 1, no. 1 (2014): 25–50. http://dx.doi.org/10.1163/23521341-01010003.

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Abstract To call the period from Qin Dynasty to Qing Dynasty a “feudal society” is a misrepresentation of China’s historical reality. The fengjian system only occupied a secondary position in Chinese society from the time of Qin. It was the system of prefectures and counties (junxianzhi) that served as the cornerstone of the centralized power structure. This system, together with the institution of selecting officials through the imperial examination, constituted the centralized bureaucracy that intentionally crippled the hereditary tradition and the localized aristocratic powers, and hence bolstered the unity of the empire. Feudalism in medieval Western Europe shares many similarities with that of China during the Shang and Zhou dynasties, but is quite different from the monarchical centralism since the time of Qin and Han. Categorizing the social form of the period from Qin to Qing as “feudal” makes the mistake of over-generalizing and distorting this concept. It runs counter to the original Chinese meaning of fengjian, and severely deviates from the western connotation of feudalism. Moreover, the decentralized feudalism in pre-Qin dynasties and the later centralized imperial system from Qin onwards influenced the generation and evolution of Chinese culture in vastly different ways.
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Mao, Ning. "Some Reflections on the Development History of Long-sleeved Dance." Arts Studies and Criticism 3, no. 2 (2022): 136. http://dx.doi.org/10.32629/asc.v3i2.901.

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Long-sleeved dance is one of the most representative forms of artistic expression in ancient China. It developed in the pre-Qin, Han and Tang dynasties. Researchers can clear the traces of ancient long-sleeved dance through many historical books and unearthed cultural relics. This paper mainly focuses on the development history of long-sleeved dance in the Han and Tang dynasties and discusses the external form and expressive elements of it with purpose of playing some role in better appreciation of the artistic value of Chinese classical dance and dance in the future.
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Demandt, Michèle H. S. "Reaching “the Southern Wilderness”: Expansion and the Formation of the Lingnan Transportation Network during the Qin and Han Dynasties." Journal of the Economic and Social History of the Orient 63, no. 1-2 (2019): 157–94. http://dx.doi.org/10.1163/15685209-12341507.

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AbstractThis article will focus on the incorporation of the Lingnan region into the territory of the Qin and Han Empire and will provide a deeper exploration of the role of “transportation networks” in expansionist politics and its effect on local socioeconomics. Through the study of historical and archaeological categories of evidence, the formation of the Lingnan transportation network and the specifics of Qin-Han frontier politics in the south will be discussed. It is argued that expansion and transport building were inspired by the same determinants, and transformed a selection of traffic “hot-spots” into socially-complex urban landscapes.
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13

Lee, eokil. "the eastern end of the Great Wall and the location of NakrangKun County." Barun Academy of History 19 (April 30, 2024): 145–90. http://dx.doi.org/10.55793/jkhc.2024.19.145.

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Since China's Warring States Period (403-221), successive dynasties have built great walls for various purposes. Among them, the Yan and Qin great walls were built to block the southward advance of the northern equestrian people, and this characteristic continues in the Han great walls. In this respect, the Great Wall of China is also a structure through which various Chinese dynasties marked their territory. It was also a border line, meaning that the inside of the Great Wall was the territory of the Chinese dynasty, and the outside was the territory of the northern equestrian people. Historically, the easternmost end of the Great Wall of China was Shanhaiguan, built during the Ming Dynasty (1368-1644). However, the Chinese National Museum now depicts the Great Wall as having reached near Pyongyang during the Qin and Han Dynasties. This was the logic of imperialist history first devised by Japanese colonial historian Inaba Iwagichi in 1910 as a peninsular view of history that sought to confine the power of Korean history to the Korean Peninsula. Inaba Iwagichi claimed in 『Treatise on the Eastern End of the Qin Great Wall and The Capital of Wangheom of Gojoson』 that the Qin Great Wall was connected to Suan of Hwanghae Province, present-day North Korea. In 1931, China's Wang Guo Liang accepted this theory of imperialist invasion in 『A History of the Chinese Great Wall』, slightly modifying it to say that the Qin Great Wall reached Pyongyang. Even after liberation, Korea's Kangdan History academia has been criticized for following the Japanese imperialist view of the history of invasion. Lee Byeong-do, who is considered to be the leader of the Korean Kangdan History academia, plagiarized the logic of Inaba Iwagichi in “Nakranggungo (樂浪郡考)” and claimed that the Qin’s Great Wall came down to Suan, Hwanghae Province of North Korea. Therefore, the claim that the eastern end of the Qin’s Great Wall, which is the logic of Japanese imperialism's invasion, reached all the way to the northern part of the Korean Peninsula is currently being accepted around the world. During the Ming Dynasty, the construction of Shanhaiguan, the easternmost mountain in history, was to prevent invasion by the Manchurians. The Qing Dynasty, founded by the Manchurian people, no longer built great walls. Not only the Qin general, but no Chinese general has ever entered the Korean Peninsula. The reason why the Qin Dynasty built the wall was to block the Huns and Gojoseon. The border between Jin and Gojoseon was near Galshi Mountain in present-day Hebei Province, and to the north of it are the remains of the Qin and Han Great Walls. There is evidence that says. The ancient Qin and Han generals could not climb this brown stone mountain. The eastern side of Galshi Mountain was the area of Gojoseon.
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14

Dong, Jun. "On Aesthetics in Chinese Calligraphy of Qin, Han, Wei and Jin Dynasties." International Journal of Culture and History 9, no. 2 (2022): 76. http://dx.doi.org/10.5296/ijch.v9i2.20212.

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Different historical periods in China had different artistic and cultural pursuits, as did calligraphy. Calligraphers of all ages practiced diligently, diligently pursuing a higher level of calligraphy art training, I can lament that this time in china is different from the past, in today's increasingly advanced science and technology, people have long forgotten to write this skill. Calligraphy has also sadly lost her dazzling glory of the times, there are now few calligraphy practitioners in the crowd. Therefore, with the passing of a group of modern calligraphy, there is no calligraphy in China for a hundred years to lead the times, it is really lamentable. In order to find the aesthetics in calligraphy, I had to start with ancient Chinese calligraphy. This paper will discuss the aesthetic features of Chinese calligraphy in Qin, Han, Wei and Jin dynasties.
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15

Kim, Jin Woo. "Writing and Popularity of Official Chronology in Qin and early Han Dynasties." CHUNGGUKSA YONGU (The Journal of Chinese Historical Researches) 136 (February 28, 2022): 1–31. http://dx.doi.org/10.24161/chr.136.1.

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16

Ling wen chaw. "A Study on Shidafu(士大夫) in Qin and Han Dynasties". DAEDONG MUNHWA YEON'GU ll, № 80 (2012): 49–84. http://dx.doi.org/10.18219/ddmh..80.201212.49.

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17

Korolkov, Maxim. "Arguing about Law: Interrogation Procedure under the Qin and Former Han dynasties." Études chinoises 30, no. 1 (2011): 37–71. http://dx.doi.org/10.3406/etchi.2011.956.

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18

Pingfang, Xu. "The Archaeology of the Great Wall of the Qin and Han Dynasties." Journal of East Asian Archaeology 3, no. 1 (2001): 259–81. http://dx.doi.org/10.1163/156852301100402822.

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19

Liu, Xin You, Meng Qi Lv, Mihaela Liu, Zhi Hui Wu, and Jiu Fang Lv. "Characterization and identification of lacquer films from the Qin and Han dynasties." BioResources 14, no. 4 (2019): 9509–17. http://dx.doi.org/10.15376/biores.14.4.9509-9517.

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A comprehensive investigation was undertaken of red–black lacquer films excavated from a tomb in the Qin and Han Dynasty period (221 BC to AD 8). Cross-sectional observation was conducted via metallomicroscopy and field-emission scanning electron microscopy (FE-SEM). Morphological characteristics were investigated via FE-SEM with energy dispersive X-ray spectrometry (EDX). X-ray diffraction (XRD) and Fourier transform infrared (FTIR) spectroscopy were also conducted. The results of the cross-sectional analysis showed that the finished lacquer films on the wood body included a ground layer with coarse materials and a lacquer layer with delicate materials. Both SEM and EDX indicated that carbon black was used as the main black pigment, and cinnabar was used as the main red pigment. Compared with the standard card test, the XRD patterns of the Chinese lacquer were similar to that of quartz (SiO2), indicating that SiO2 was used as a putty powder during lacquer finishing. Compared with the FTIR spectrum of the fresh lacquer film, only a small amount of free carbonyl was found in the degraded lacquer, and some organosilicates were likely generated during degradation spanning thousands of years.
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Beongduk Lim. "The Origins and Evolution of Statutes and Edicts in Qin and Han Dynasties." 법사학연구 ll, no. 58 (2018): 195–235. http://dx.doi.org/10.31778/lawhis..58.201810.195.

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Deng, Jun, Xuming Tan, Li Wang, Yunpeng Li, Jiangang Liu, and Bo Zhou. "Research on Protection and Utilization of Irrigation Works Heritage in Hetao Irrigation District in Inner Mongolia." E3S Web of Conferences 218 (2020): 04028. http://dx.doi.org/10.1051/e3sconf/202021804028.

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Hetao Irrigation District in Inner Mongolia was built in the Qin and Han Dynasties and has been fulfilling its good irrigation function. Through field investigation, data collection and visits to experts, scholars and management departments, this paper summarizes the historical evolution and composition of irrigation works heritage in Hetao Irrigation District and its historical, social and scientific values.
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Abbas, Syed Tahir. "Qin Shi Huang's Legacy: Assessing the First Emperor's Impact on Chinese History." Indonesian Journal of Applied and Industrial Sciences (ESA) 3, no. 2 (2024): 175–88. http://dx.doi.org/10.55927/esa.v3i2.8115.

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Qin Shi Huang, the first emperor of China, stands as a transformative figure in Chinese history, leaving a lasting impact that reverberates through millennia. This comprehensive exploration delves into the multifaceted dimensions of his rule, assessing his achievements, controversies, and enduring legacy. From his early life in the tumultuous Warring States period to the unification of China through ambitious military campaigns, Qin Shi Huang's journey unfolds against a backdrop of political intrigue and strategic brilliance. The examination of his governance reveals the imprint of Legalist philosophy, with centralization, administrative reforms, and standardized systems shaping the Qin Dynasty's brief but impactful existence. The study evaluates the cultural achievements that define Qin Shi Huang's legacy, notably the Terracotta Army and monumental constructions like the Great Wall. Beyond the archaeological marvels, the paper probes the controversies surrounding his rule, including harsh legal measures, the suppression of Confucianism, and the burning of books. Modern perspectives offer a nuanced reevaluation of his legacy in contemporary China, exploring the relevance of his governance structures and the cultural significance of his achievements in the 21st century. Qin Shi Huang's influence on subsequent dynasties, particularly the Han, is scrutinized, highlighting the enduring elements of his governance that shaped Chinese political thought. The abstract concludes by emphasizing the continued relevance of Qin Shi Huang's legacy, providing insights into the complexities of leadership, governance, and the continuity of Chinese history. As debates surrounding his legacy persist, Qin Shi Huang remains an enigmatic figure whose historical significance extends beyond his time, contributing to a dynamic discourse on China's past and its implications for the present and future
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Joonghyuk Im. "Differences between “Decree” and “Law” during Qin and Han Dynasties Found in Unearthed Literature." JOURNAL OF CHINESE STUDIES ll, no. 54 (2016): 1–33. http://dx.doi.org/10.26585/chlab.2016..54.001.

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Oh, Junseok. "The study of the lower system of Qin and Han Dynasties Central Administrative Documents." JOURNAL OF ASIAN HISTORICAL STUDIES 145 (December 31, 2018): 27–67. http://dx.doi.org/10.17856/jahs.2018.12.145.27.

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Kvapil, Ondřej. "Sacral and divine kingship in Seleucid Empire and Western Han." Graeco-Latina Brunensia, no. 2 (2023): 123–38. http://dx.doi.org/10.5817/glb2023-2-8.

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This article aims to compare sacral and divine aspects of rulership in ancient China during Western Han dynasty and in the ancient Seleucid empire, with a focus on the divine origin of rulers, rulers as the chief priests, rulers as gods, and divine legitimacy. The cultural evolution involving ideas about the sacral role of rulers and their divinity will be presented, from ancient Macedonia to Seleucid empire and from Shang and Zhou dynasties through the Warring States period and Qin dynasty to the state of Western Han. The article aims to explore the above-mentioned aspects of sacral kingship to find out what forms these aspects took in both respective empires. The article aims particularly at the participation of rulers in local cults, the differences between ruler cults, celestial gods as the supreme authority, and gods connected with conquest and territory in order to contextualize our views of both Seleucid and Western Han empires, and by proxy the views on ancient China and ancient Hellenistic states.
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Wang, Tongxin. "History of Chinese Classical Gardens." International Journal of Education and Humanities 4, no. 3 (2022): 235–37. http://dx.doi.org/10.54097/ijeh.v4i3.1814.

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From the beginning of Shang Dynasty to the end of Qing Dynasty the development of Chinese classical landscape gardens went through five periods: the formation period of Shang, Zhou, Qin and Han Dynasties, the transition period of Wei, Jin, Southern and Northern Dynasties, the heyday of Tang Dynasty, the maturity period of Song, Yuan, Ming and Qing Dynasties, and the middle and end of Qing Dynasty. Five thousand years of glorious Chinese culture makes Chinese classical gardens different from Western gardens and Islamic gardens. The unique garden system and style give rise to the unique and profound Chinese classical garden system in world history. Based on the history of Chinese classical gardens, the paper focuses on the historical background of the development of the Song garden, the characteristics of typical gardens and literati gardens in the two Song dynasties, in order to understand the development process of the Song garden more deeply. Under the condition of learning and understanding, the method and concept characteristics of classical garden design in Song Dynasty are inherited and applied to modern garden planning and design.
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서재선. "An Analysis of the figures of Seal-Characters on the Coinage in Qin-Han dynasties." Journal of North-east Asian Cultures 1, no. 48 (2016): 245–67. http://dx.doi.org/10.17949/jneac.1.48.201609.014.

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Hung, Wu. "From Temple to Tomb: Ancient Chinese Art and Religion in Transition." Early China 13 (1988): 78–115. http://dx.doi.org/10.1017/s0362502800005216.

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By exploring the shift of ancestral worship centers in ancient China and its impact on art, the author argues that the genealogical/political structure of the Three Dynasties found its religious form in temple worship; however, following the decline of this system during the Eastern Zhou and the Qin, the tomb of an individual increased in importance. This process culminated during the Eastern Han: Problems in dynastic succession forced the Eastern Han rulers to abandon temple ceremonies and transfer them to graveyards. But this new system was again renounced by the following Wei dynasty, and many funerary structures were destroyed in an “iconoclastic” movement. The author contends that this complex development in religion strongly influenced and even governed the course of ancient Chinese art: Corresponding to the shift in religious center, the tomb assumed new symbolic imagery, and pictorial funerary art replaced ritual vessels to become the dominant artistic genre of early imperial China.
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Yang (楊際平), Jiping, and Michael Broughton. "Dispelling the Myth of the “Tang-Song Transition Theory”." Journal of Chinese Humanities 6, no. 2-3 (2021): 129–52. http://dx.doi.org/10.1163/23521341-12340094.

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Abstract Administrative statutes in the Tang clearly recognized that the fields of commoners could be held through private ownership. Field ownership structures in the recently restored Tang Statutes, while seeming to support ideas of land nationalization, did not actually change the private landowning practices that had been in place since the Qin and the Han dynasties. Numerous tenancy contracts unearthed in Dunhuang and Turfan dating back to the Tang and Five Dynasties show ample evidence that, prior to the establishment of the double-tax system in 780, a highly developed system of contract tenancy was already in place. Tenancy was clearly the leading form of agricultural production outside subsistence farming. This proves that the labor force during the Sui and Tang dynasties consisted not of “slaves and tenant farmers” or “agricultural dependents and serfs” but of commoners who were legally free. The Sui, Tang, and Five Dynasties, as described by Japanese historian Naitō Konan, bear no resemblance to the historical reality of this period. In many instances, Naitō’s arguments have distorted the history of these dynasties in an effort to make China’s history fit neatly into the framework of medieval European history. Consequently, his premises, arguments, and his central conclusion are all wrong. It is crucial that we dispel the myth of Naitō’s “Tang-Song transition theory” and return to historical reality.
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Sun, Lan, and Tuo-yu Sun. "Research on the writing of landscape aesthetic image in poetry of pre Qin and Han Dynasties." JOURNAL OF CHINESE HUMANITIES 77 (April 30, 2021): 63–75. http://dx.doi.org/10.35955/jch.2021.04.77.63.

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Chen, Kun. "A Study on the Representation of Negative Image of Daobi Officer in Qin and Han Dynasties." CHUNGGUKSA YONGU (The Journal of Chinese Historical Researches) 131 (April 30, 2021): 37–58. http://dx.doi.org/10.24161/chr.131.37.

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王, 锐利. "Application in the Design of Textured Fabrics in the Tile Dangers of Qin and Han Dynasties." Chinese Traditional Culture 10, no. 04 (2022): 286–91. http://dx.doi.org/10.12677/cnc.2022.104046.

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Kim, Dongil. "Exchange between Jin-han and Qin and Han Dynasties in the Perspective of Adornments: Centering on the Adornments Excavated in Eoeun-Ri." Korean Ancient Historical Society 124 (May 30, 2024): 241–74. http://dx.doi.org/10.18040/sgs.2024.124.241.

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The purpose of this paper is to grasp the exchange patterns between Golbeol state of Jin-han and Qin and Han Dynasties through the adornments excavated from Yeongcheon Eoeun-Ri. Analysis methods are ‘Cognitive archaeology’ and ‘restoring the object to its original shape’. Even if it is the same object, its description may vary depending on how it is perceived, and the shape of relics may also be determined by descriptions expressed differently. Collective descriptions that are being repeated can be considered as group perceptions being expressed and can also be understood as the representation of the group. If not just currently discovered relics but if the whole relics are also restored, the entire shape can be recognized even with some parts of the relics. This is ‘the restoration of the object to its original shape’. Among the adornments excavated in Eoeun-Ri, chariot adornments are parts of chariots that are excavated only from royal tombs of Ancient China, and through this fact, it can be assumed that the presence of specific chariot adornments indicates that such chariots could only be used by royalties. Although belt hooks were originated from nomad culture, as Kingdom Zhongshan became feudal lords of Ancient China, belt hooks were developed in Kingdom Zhongshan and then were introduced into the Korean Peninsula after the collapse of Kingdom Zhongshan; in this process, belt hooks were also introduced to Nakrang, affected by the establishment of a new distribution network through the collapse of Ancient Joseon and the expansion of Han’s influence at the time. Through this distribution network, not only belt hooks but also chariots that royalties of Ancient China used were introduced into the area of Eoeun-Ri (Golbeol state). As for the type of exchange, the perspective of ‘supply and demand’ can be considered. Although the royal class of Ancient China existed as the closest consumers, the fact that chariots were distributed all the way to Yeongcheon Eoeun-Ri area which is far in distance shows that there was a demand for high-end chariots from the chieftains of Golbeol state in Eoeun-Ri area, and at the same time it shows that although the chieftains of Golbeol state might be different in hierarchy, it had a similar position and sufficient purchasing power from those of Ancient China. In addition, it proves that Golbeol state was considerably a powerful force that chariots which only royalties could use for Nakrang and Ancient China were supplied. Since Eoeun-Ri area was located among other countries of Qin and Han Dynasties and Nakrang as well as Byeon-han, it is judged that Golbeol state played an important role as a traffic route.
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Zhang, Jiayi. "Analysis of the Aesthetic Characteristics of the Cloud Shoulder Pattern in the Qing Dynasty." International Journal of Education and Humanities 12, no. 2 (2024): 229–32. http://dx.doi.org/10.54097/fam1n850.

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Yunjian is a patterned accessory in traditional Chinese clothing, used on the shoulders and collars. It originated in the Qin and Han dynasties and flourished in the Ming and Qing dynasties. In the Qing dynasty, it removed the mysterious cloak of royal power and nobility and spread to the people, becoming an accessory in ordinary folk clothing. Because it combines the expectations of the working people for a better life, the patterns on Yunjian have also gained richer cultural connotations, These cultural connotations carry a strong Chinese aesthetic taste. During the Qing Dynasty, craftsmen applied their design concepts through balanced composition, color contrast, and techniques such as pasting, embroidery, and embellishment to cloud shoulders, presenting a rich visual effect. Yunjian contain a wealth of artistic value that can be explored. This article will study the patterns of Yunjian from the perspective of Qing Dynasty aesthetics.
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Li, Xunpeng, Xiaolei You, Sen Lin, Wentong Zhang, Zeen Cheng, and Zhanghua Wang. "Late Holocene Climate Warming Events and Their Linkage to Hydraulic Engineering on the Coast of Hangzhou Bay, East China." Journal of Marine Science and Engineering 12, no. 1 (2023): 79. http://dx.doi.org/10.3390/jmse12010079.

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The coastal lowlands in East China are very sensitive to climate change and marine disasters, and much large-scale hydraulic engineering was recorded in the historical documents of the Late Holocene. In this study, AMS 14C and OSL were used to date three sedimentary profiles from the north and south coasts of inner Hangzhou Bay, and grain size and geochemical analyses including organic carbon, macro-elements, and alkaline earth metals were performed, while hydraulic engineering records in historical documents were compiled, in an attempt to reveal the sedimentary records of extreme climatic and hydrological events over the past 3000 years and to probe into the correlation between them and hydraulic engineering. The results show that the intensified chemical weathering during ca. 200 BCE to 900 CE in East China corresponded to the warm and humid climate during the Qin-Han and Sui-Tang dynasties. Salinity intrusion with rising local water levels occurred in the lowland plains along the south coast of Hangzhou Bay from 120 to 895 CE. Low-salinity water intrusion from 32 to 488 CE was also recorded in the stratigraphy of lowland plains along the north coast of Hangzhou Bay. The sedimentary records of the East Tiaoxi River basin show river floods about 2000 years ago. The above sedimentary records indicate that the relative sea level rose in the Hangzhou Bay area during the Qin-Han and Sui-Tang Warm Periods, resulting in frequent salinity intrusion and river floods, which coincided with the historical records of hydraulic engineering such as the construction of seawalls, river levees, and the enclosure of lakes for restoration of river floods during the Han and Tang dynasties. Such coincidence reflects that climate change profoundly affected the hydrological environment of the coastal areas in East China as well as the response of the human societies.
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Li, Yong. "The Relationship between the Unity of Length, Capacity and Weight and Society in Qin and Han Dynasties." CHUNGGUKSA YONGU (The Journal of Chinese Historical Researches) 125 (April 30, 2020): 35–61. http://dx.doi.org/10.24161/chr.125.35.

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Song, Jin. "Quanshu(券書) and the Imperial Management Systems of Physical Distribution during the Qin and Han Dynasties". JOURNAL OF ASIAN HISTORICAL STUDIES 134 (31 березня 2016): 65. http://dx.doi.org/10.17856/jahs.2016.03.134.65.

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38

Jinguang †, Zhang. "New Thoughts on the Social Forms of Ancient China (from the Zhou to Qing Dynasties)." Journal of Chinese Humanities 1, no. 1 (2014): 51–66. http://dx.doi.org/10.1163/23521341-01010004.

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Abstract The entire course of ancient Chinese history has centered on state power, which dominated and shaped the basic picture of social history. The key to Chinese state power has been the state ownership of land, and based on this we can divide the social forms of ancient China into four successive periods: the period of yishe 邑社時代 or village societies (Western Zhou Dynasty and the Spring and Autumn Period); the period of official communal system 官社時代 (Warring States Period to Qin Dynasty to the early Han Dynasty); the period of half official communal system 半官社時代 (Han to Tang Dynasty); and the period of state vs. individual peasants 國家個體小農時代 (Song to Qing Dynasty).
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Huang, Juan. "The unearthed bronze coin molds and the evolution of coin technology in the Warring States period and Qin-Han dynasties." Chinese Archaeology 20, no. 1 (2020): 158–66. http://dx.doi.org/10.1515/char-2020-0014.

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AbstractCoin-minting models and molds can be classified into grand master patterns, master patterns, and casting molds, based on function. The archaeological data available at present show that the bronze coin molds are mainly master patterns and casting molds. This paper makes an as complete as possible collection of archaeologically unearthed bronze molds from the Warring States period to the Qin-Han dynasty, and then classifies them based on coin-minting technology and their functions and forms. After that, the ways to make the molds and to use them to mint coins, as well as the development procedure from vertical mold assembly technology to stack-casting technology are observed. Finally, the social background of the evolution of the coin-minting technology in this period is discussed.
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40

Li, Wen. "Analysis of the Coupling Path of Qi Culture and Regional Economy." Financial Forum 9, no. 2 (2020): 118. http://dx.doi.org/10.18282/ff.v9i2.891.

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<p>At present, local culture is becoming more and more important in the developing process of national economy and society, increasing the significance of the development and reconstruction of local culture in various places as well. Local culture can promote the brand building, tourism and economic development. In the long history from the Spring and Autumn Period to the Qin and Han Dynasties and till now, Qi culture has been eclectic, becoming a symbol of Chinese culture, and forming a unique spiritual characteristic of self-improvement, kindness, virtue and wisdom. This paper analyzes the coupling path of Qi culture and regional economy.</p>
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Cho, Yong Jun. "A Research on the Shamanistic Medical Activities of the Traditional Chinese Classics in the Qin and Han Dynasties." CHUNGGUKSA YONGU (The Journal of Chinese Historical Researches) 115 (August 31, 2018): 53–75. http://dx.doi.org/10.24161/chr.115.53.

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42

Li, Mo, Jie Wang, Julin Wang, Qinglin Ma, and Zhiguo Zhang. "Synthesis and Raman study on needlelike silicates in ancient Chinese Pb-Ba glass in Qin and Han dynasties." Journal of Raman Spectroscopy 45, no. 8 (2014): 672–76. http://dx.doi.org/10.1002/jrs.4534.

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43

廖, 传龙. "Reflections on the Legal Status of Women in the Qin and Han Dynasties: Society in the New Era." Open Journal of Legal Science 11, no. 04 (2023): 2184–97. http://dx.doi.org/10.12677/ojls.2023.114313.

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44

Wu, Yu, and Zhidiankui Xu. "Six Rites of Allied Harmony: Changes in Ancient Chinese Wedding Ceremonies under the Influence of Confucianism." Religions 14, no. 12 (2023): 1528. http://dx.doi.org/10.3390/rel14121528.

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Ancient Chinese wedding ceremonies served as the solemn rituals for witnessing and establishing marriage, primarily aimed at forging kinship ties between two families and fulfilling the obligations of ancestral worship and lineage continuation. Within the Confucian tradition, the family and the state have always been interconnected, and ancient Chinese weddings, dating back to the Zhou dynasty, have maintained the fundamental order of both the family and society. This article primarily explores the influence of Confucianism on ancient Chinese wedding rituals and customs, as well as the historical evolution of wedding ceremonies throughout different dynasties. According to Confucian principles, the main procedures of the wedding ceremony included six rituals: “Nacai” (proposal ceremony), “Wenming” (name inquiry), “Naji” (betrothal gift ceremony), “Nazheng” (gifts for the selection of the auspicious day), “Qingqi” (asking for a wedding date), and “Qinying” (wedding procession). These six rituals were collectively known as the “Six Rites”. This study found that, during the Qin and Han dynasties and the Tang and Song dynasties, there were two important stages of reform of wedding ceremonies under the influence of Confucianism. The “Six Rites” were streamlined and merged into the “Three Rites”, gradually becoming more secular. During the Ming and Qing dynasties, the interaction between Confucianism and the wedding ceremony weakened until the Republic of China period, when traditional constraints were broken. It is evident that the “Six Rites” have continued to serve as the template of traditional Chinese weddings and have been the important basis for subsequent wedding customs.
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LIU, Yutong. "On the Supremacy of Confucianism and the Periodization of Confucian Classics Learning in the Han Dynasty." Asian Studies 12, no. 1 (2024): 87–112. http://dx.doi.org/10.4312/as.2024.12.1.87-112.

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Wang Baoxuan’s 王葆玹 argument that Emperor Wu of the Han dynasty respected the Five Confucian Classics and tolerated non-Confucian schools because the “supremacy of Confucianism” (獨尊儒術) was not implemented until the reign of Emperor Cheng can be disputed. Additionally, Wang’s premise that masters learning (子學) in the Warring States period was the source of classics learning (經學) in the Western Han dynasty, and the extinction of masters learning during the supremacy of Confucianism led to the decline of classics learning, can also be debated. This paper proposes that with regard to the supremacy of Confucianism, the focus was on the second founding of the Han dynasty, not on the relationship between classics learning and masters learning. Both the Qin dynasty and the Western Han dynasty had masters learning as their guiding ideology, but Emperor Wu found that solely relying on masters learning, which was a collection of ideas by important thinkers, was not sustainable. Instead, the Han dynasty needed to be based on classics learning, which represented the traditional Chinese civilization that was inherited from the three ancient and sacred Chinese dynasties of the Xia, Shang, and Zhou. The supremacy of Confucianism was thus a means of ensuring the continuity and stability of the Han dynasty that was applied by Dong Zhongshu and Emperor Wu.
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46

Jiang, Shaoyu. "A Further Consideration of the Pattern “NP1, NP2 + shi ye/shi” in Chinese Translations of Indian Buddhist Text." Bulletin of Chinese Linguistics 3, no. 2 (2009): 29–43. http://dx.doi.org/10.1163/2405478x-90000054.

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The pattern “NP1, NP2 + shi ye”, as found in the Chinese translations of Buddhist texts in the Han Dynasty, is not a direct imitation of, or derivation from, the pattern “NP1, NP2 (Subj) + shi (Pron) ye” of the pre-Qin era. Rather, it comes from the pattern “NP1, NP2 (Predicate N) + shi (Copula)” of the Western Han, Eastern Han, Wei, Jin, and Northern and Southern Dynasties periods. In the Chinese Buddhist translations of the Han Dynasty, “NP1, NP2 + shi” is a variant of “NP1, NP2 + shi ye”. The copious use of the two grammatical patterns in the Chinese translations is not intended to render the sentence-final copula in the original Sanskrit texts. Rather, when narrating stories that tell “the NP1 in the previous existence is in fact the NP2 in the present existence”, the Buddhist writings place a specific emphasis on the NP2 of the present existence. The Predicate NP appearing before the copula in these two patterns serves precisely that purpose. Hence, the use is most suitable for stories of this nature.
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Sun, Zhixin. "From Conception to Completion: The Organization and Installation of Age of Empires: Chinese Art of the Qin and Han Dynasties." Museum 1, no. 5 (2017): 104–11. http://dx.doi.org/10.3724/2096-1715.2017.001.005.104.

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LIU, Bingqing. "Re-explore the Alternate of Yi and Ye——On the usage of Characters in Qin and Han Dynasties by taking Qin Bamboo Strips from Shuihudi as an example." Journal of Chinese Character 32 (April 30, 2022): 279–98. http://dx.doi.org/10.14772/cscck.2022.32.279.

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Ribbing Gren, Magnus. "The Qinghua “Jinteng” Manuscript: What it Does Not Tell Us about the Duke of Zhou." T’oung Pao 102, no. 4-5 (2016): 291–320. http://dx.doi.org/10.1163/15685322-10245p01.

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This study suggests that the so-called “Jinteng” manuscript held by Qinghua University should be read independently of its received counterpart. When read on its own terms, the manuscript provides a straightforward account of rituals surrounding the Duke of Zhou’s ascension to the throne after the demise of King Wu. As such it represents a continuation of King Wu’s abdication in favor of his meritorious brother, as recorded in the Yi Zhou shu. Read in this light, the fourth century BCE manuscript provides further evidence for the prominence of abdication doctrines during the Warring States period, an intellectual tradition that was deemed subversive in the early empire and became gradually obliterated over the course of the Qin-Han dynasties. Cet article propose de lire le manuscrit dit “Jinteng” conservé à l’université Qinghua indépendamment des textes reçus qui lui correspondent. Considéré par lui-même, le manuscrit offre une relation claire des rituels ayant entouré l’accession au trône du duc de Zhou après la mort du roi Wu. De ce fait, il représente le prolongement de l’abdication du roi Wu en faveur de son vertueux frère telle qu’elle est relatée dans le Yi Zhou shu. Considéré sous cet angle, ce manuscrit du IVe siècle avant notre ère offre de nouveaux arguments en faveur de l’importance des doctrines sur l’abdication à l’époque des Royaumes Combattants, alors que cette tradition intellectuelle était considérée comme subversive au début de l’empire et qu’elle est progressivement tombée dans l’oubli sous les Qin et les Han.
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50

Qiu, Mubing. "Objects of the Funerary Cult in the Han Dynasty. Gold and Silver Items. Aesthetics of Gold and Silver in the Han Dynasty." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (2022): 19–28. http://dx.doi.org/10.36340/2071-6818-2022-18-4-19-28.

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The unification of China under the rule of the Han Dynasty and the subsequent prosperity of the state inevitably led to a sharp increase in the production of gold and silver items. The emperors of the Western Han Dynasty often rewarded officials who had served with gold to the extent that cast gold discs and gold bars were included in circulation. Looking at the gold and silver items that archaeologists find in the tombs of the Han period makes one see the superiority of utensils in this era over the items of previous periods both in quantity and in their typology, and possibly in terms of manufacturing complexity. Having become an independent craft, separate from traditional bronze casting, it strongly influenced the art of subsequent Chinese dynasties. Gilding technologies appeared in China as early as the early Zhanguo period. This highly commendable art used in the decoration of bronze, which was densely covered with gold, reached its maturity in the pre-Qin period and gained popularity during the Han Dynasty. Most importantly, in the Han Dynasty, the fine art of decorating with silver and gold reached a new, higher level and, no longer being part of the bronze casting craft, received independent development. Silver utensils of the Han period are found evenly throughout the territory of modern China. Silver caskets, funnel-shaped vessels and many ornaments were found in the tombs of the Jing king, Liu Sheng, in Zhongshan, the Huai king, Liu Xiu, and the Mu king, Liu Chan, in the same city district. Gold and silver vessels are evidence of the development of the art of working with gold and silver. Silver and gold vessels that archaeologists find in the graves of the highest tribal nobility of the Han Dynasty not only speak of the high level of this industry in the Han Dynasty but also testify to a unique culture and help us better understand the society of this time.
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