Relevant bibliographies by topics / Qin Shi Huang

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Qin Shi Huang'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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Journal articles on the topic "Qin Shi Huang"

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Abbas, Syed Tahir. "Qin Shi Huang's Legacy: Assessing the First Emperor's Impact on Chinese History." Indonesian Journal of Applied and Industrial Sciences (ESA) 3, no. 2 (March 14, 2024): 175–88. http://dx.doi.org/10.55927/esa.v3i2.8115.

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Qin Shi Huang, the first emperor of China, stands as a transformative figure in Chinese history, leaving a lasting impact that reverberates through millennia. This comprehensive exploration delves into the multifaceted dimensions of his rule, assessing his achievements, controversies, and enduring legacy. From his early life in the tumultuous Warring States period to the unification of China through ambitious military campaigns, Qin Shi Huang's journey unfolds against a backdrop of political intrigue and strategic brilliance. The examination of his governance reveals the imprint of Legalist philosophy, with centralization, administrative reforms, and standardized systems shaping the Qin Dynasty's brief but impactful existence. The study evaluates the cultural achievements that define Qin Shi Huang's legacy, notably the Terracotta Army and monumental constructions like the Great Wall. Beyond the archaeological marvels, the paper probes the controversies surrounding his rule, including harsh legal measures, the suppression of Confucianism, and the burning of books. Modern perspectives offer a nuanced reevaluation of his legacy in contemporary China, exploring the relevance of his governance structures and the cultural significance of his achievements in the 21st century. Qin Shi Huang's influence on subsequent dynasties, particularly the Han, is scrutinized, highlighting the enduring elements of his governance that shaped Chinese political thought. The abstract concludes by emphasizing the continued relevance of Qin Shi Huang's legacy, providing insights into the complexities of leadership, governance, and the continuity of Chinese history. As debates surrounding his legacy persist, Qin Shi Huang remains an enigmatic figure whose historical significance extends beyond his time, contributing to a dynamic discourse on China's past and its implications for the present and future
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Guo, Yanzi. "Contingency and Historical Inevitability in the Development of the Qin Dynasty." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 1367–72. http://dx.doi.org/10.54097/ehss.v8i.4488.

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The history of the Qin dynasty is highly contingent and inevitable, with many historical events occurring with a strong sense of fatalism and sometimes quite inexorably. The rise of the Qin dynasty began with the reappointment of Shang Yang by King Xiao of Qin. It was a fortuitous decision, but the encouragement of agriculture and the emphasis on the army met the requirements of historical development. King Huiwen of Qin continued to follow Shang Yang’s changes and expanded Qin’s lands, and Qin continued to grow stronger. For various reasons, Ying Zheng, the later emperor Qin Shi Huang, also ascended to the throne and unified the other six states by defeating six other states one after another. The cause of unification would have been accomplished by the Qin or other state by contingency, but the unification of the late Warring States was inevitable. However, after the establishment of the Qin dynasty, Qin Shi Huang made significant mistakes in the political and cultural policies, and the empire soon fell. It was inevitable that tyranny would lead to the state’s downfall, but the end of the dynasty in just 15 years was somewhat contingent.
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Sun, Qianqi. "Qin Shi Huang Mausoleum Shouldn’T Be Completely Excavation." Frontiers in Humanities and Social Sciences 3, no. 10 (October 23, 2023): 43–49. http://dx.doi.org/10.54691/fhss.v3i10.5681.

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This paper mainly discusses whether the current level of archaeology can fully open Qin Shi Huang Mausoleum. It discusses from four aspects: existing technology, resource investment, social influence and relevant policies. Considering that it still lacks the ability for comprehensive archaeological excavation, the partial excavation is still a better choice.
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Liu, Charles Y., Veronica Pagán, and Nelson H. S. Liu. "The Terra Cotta Army of Qin Shi Huang." World Neurosurgery 75, no. 3-4 (March 2011): 352–53. http://dx.doi.org/10.1016/j.wneu.2011.02.028.

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Zilin, Wu. "The Museum of Qin Shi Huang Terracotta Warriors and Horses." Museum International 37, no. 3 (September 1985): 140–47. http://dx.doi.org/10.1111/j.1468-0033.1985.tb00572.x.

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Zilin, Wu. "The Museum of Qin Shi Huang Terracotta Warriors and Horses." Museum International (Edition Francaise) 37, no. 3 (April 24, 2009): 140–47. http://dx.doi.org/10.1111/j.1755-5825.1985.tb00978.x.

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A., Kovalev. "THE DATING OF TILES AND TILE-ENDS COLLECTED DURING THE ARCHAEOLOGICAL SURVEY OF PRE-HAN “LONG WALL” IN THE NORTH OF THE SHAANXI PROVINCE." Teoriya i praktika arkheologicheskikh issledovaniy 35, no. 1 (2023): 182–96. http://dx.doi.org/10.14258/tpai(2023)35(1).-11.

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The article is devoted to the problem of dating a segment of a long (or “great”) wall built in the pre-Han time within the borders of the present Shaanxi province. Traditionally, the construction of this fortified line, going to the North across the Ordos plateau (including the north of Shaanxi), is attributed to the reign of the Qin Zhao-hsiang-wang (after 272 BC). However, the author previously formulated a hypothesis that the wall of Zhao-hsiang-wang ended no further than the Suide county, and the northern section of the wall across the Jingbian, Hengshan, Yulin and Shenmu counties was subsequently built by order of Qin Shi-huang, which, thus, in 214–210 BC did not hold the entire Ordos, but only a narrow strip of land on its eastern outskirts. The article deals with dating finds (tile fragments) obtained from the first archaeological survey of these long walls in Shaanxi (published in a two-volume report in 2015). The author concludes that all found fragments of tile-ends find analogies in the antiquites of the Qin and Han periods, including two tile-ends made by craftsmen resettled from the Qi kingdom conquered by Shi-huang in 221 BC. Technological imprints on tile gutters either have a wide dating within the 4th–2 nd centuries BC, or unambiguously date back to the Han time. This refutes the assertion of the authors of the 2015 report that the tile finds allegedly indicate the construction of walls in the pre-Qin period.
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Yu, Yi Kyong. "Rhetorical inquiry of the Qin Shi Huang’ carved stone : A focus on Song." EASTERN CLASSIC STUDIES 44 (February 28, 2021): 165–96. http://dx.doi.org/10.25086/hsdy.2021.44.165.

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Yuan, B., S. Liu, and G. Lu. "An Integrated Geophysical and Archaeological Investigation of the Emperor Qin Shi Huang Mausoleum." Journal of Environmental & Engineering Geophysics 11, no. 2 (June 1, 2006): 73–81. http://dx.doi.org/10.2113/jeeg11.2.73.

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Yong, Chang, and Li Tong. "Application of mercury survey technique over the mausoleum of emperor qin shi huang." Journal of Geochemical Exploration 23, no. 1 (January 1985): 61–69. http://dx.doi.org/10.1016/0375-6742(85)90016-0.

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Dissertations / Theses on the topic "Qin Shi Huang"

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Wu, Jonathan. "A Historiographical Examination of Qin Shi Huang." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/365.

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The purpose of this thesis is to examine the historiography of Qin Shi Huang. I will focus my analysis on the perspectives of scholars from three periods: the Han Dynasty, late 19th century to early 20th century, and last the 30 to 40 years of Communist Party rule. Through analysis of sources from each of the three periods, I will trace the evolution of the shifting perspectives on Qin Shi Huang to explain why this controversial figure has remained relevant throughout the ages.
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Sun, Yingying, and 孙莹莹. "Cultivation through classical poetry : the poetry and poetic studies of Huang Jie (1873-1935) = "Yi shi wei jiao" : Huang Jie (1873-1935) shi ge ji shi xue yan jiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/209557.

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This dissertation examines the cultural dilemma that Chinese intellectuals are forced to confront with between tradition and Western Scholarship in Late Imperial and Modern China. As a traditional poet and scholar, Huang Jie (1873-1935) believed that the Manchurian reign was the reason for China’s collapse during Late Qing Era, and Chinese traditional culture would be the only remedy for the rapidly decaying society. Therefore, Huang initiated the campaign named “Nationality Conservation” in the aim of overthrowing the Manchu Empire. While sticking to “conservative” values, Huang adopted foreign/ Western cultural concepts and attempted to rephrase them with Chinese scholarship. All these endeavors had made Huang’s cultural identity confusing. Hence, this dissertation attempts to deal with Huang Jie’s understanding of culture through analyzing his poetry writings and poetic studies. Immersed by Confucian doctrines about the relationship between poetry and politics, Huang paid special attention to the cultural cultivating function of classical poetry. This ideology of “Cultivation through Poetry” was specifically generated from the Mao Shixu in Eastern Han Dynasty, and then repeatedly expressed in Huang’s poetic works in order to change the corrupt Modern society. In spite of this, Huang still respected and paid serious attention to the literariness of poetry, either in poetry writings or poetic studies. He spent great efforts on the prosody and therefore was well commended among Late Qing and Early Republican poets. Hence, this dissertation thoroughly examines how Huang Jie negotiated the tension between political and literary aspects of classical poetry. After introducing his life history and the ideology of “Cultivation through Classical Poetry”, chapter two and three focus on themes and characteristics of Huang’s poetry. These two chapters explore how Huang established his own poetic style under the trend of Song Poetry Movement commencing from Late Qing. The last chapter investigates Huang’s view on the evolution of literature and focuses on his abundant studies of classical poetry. In the conclusion, this dissertation would like to demonstrate that as a poet and scholar, Huang Jie established the traditional cultural identity, same as his friends in Nanshe, while his faith of “Cultivation through classical poetry” was well challenged at that tumultuous Modern time.
published_or_final_version
Chinese
Doctoral
Doctor of Philosophy
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Zheng, Ellen Yue. "Construction of international news: a study of Libya Crisis coverage in Chinese newspapers." HKBU Institutional Repository, 2013. https://repository.hkbu.edu.hk/etd_oa/93.

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In the past three decades, the Chinese news media has experienced great leaps from a propaganda machine to market-oriented industry. Although the state has managed to strengthen the information control, heterogeneity in journalistic value orientations has constructed different media discourses. This thesis discusses the diversity within different news organizations in China, and the influence of state-media dynamics on the quality and role of journalism. Previous literature in the area of media-power relations fQ us on the general landscape of Chinese media shaped by the three forces: the state, the market and the professionalism while neglecting individual cases which contribute for the complexity of the intertwined mechanisms. Supported by the sociological theory of news production and concepts from international relations, this study uses a micro approach to examine the process of international news making in two newspapers. The arguments in this study are based on in-depth interviews with 25 journalists, participant observation, and textual analyses of news reports on Libya Crisis. This study has three major findings. Firstly, the intricate power relations of social forces within China's social context produces much space, as well as obstacles, for the professional practice of journalism. The liberal newspapers keep challenging the state and pushing the boundary of media autonomy while the party organs still serve for maintaining CCP's legitimacy but package the "old wine" in a new way. Secondly, the old Chinese ideology dominated by official communism has been broken up by the emergence of neo-conservatism, old and new-leftism, liberalism and other intellectual discourses which influence the government's decision-making on domestic and international issues. Accordingly, international news reports in newspapers with various interests are manifestations of the divides. Thirdly, the different value preference of newspapers decides the media behaviors. Some choose to speak for the party and help maintain existing social order, while some others serve for public interests. Although both of them practice self-censorship, the former enjoy commercial benefits from seeking refuge from the authority and the latter promote social development by using tactics in news reports. The discrepancy creates space for diversified discourses that added to the complexity of power structures in Chinese media.
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Chen, Chia-wen, and 陳加雯. "Museum Exhibition and the Shaping of Knowledge: A Study of ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor''." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/49925969355261631161.

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碩士
國立臺灣師範大學
社會教育研究所
89
Museum exhibition, both cultural and aesthetic, is constituted social practices that deploy power and shape knowledge. Accordingly, this study undertakes to investigate the National Museum of History''s 2000 ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor'' exhibitiion. A multi-method research that includes interviews, participation observation, library research and documentary analysis is set out in an attempt to examine the exhibition making in the cultural, historical and social contexts. It is evident that confrontations rage inside the professional museum community. For example, exhibition teams including native curators, designers and museum professionals from Mainland China are in ''culture wars'' whether they are in the selection of ''story-centered'' and ''story-centered'' exhibitions, or in the deployment of exhibition elements. Since the visitors decide to experience the ''aura'' of exhibition, museum authority has a privilege in epistemic guidance. Nevertheless, the visitors are host to a multitude of expressive styles. Like a literature, ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor'' exhibition represents a variety of meanings in which many voices, such as ''great emperor'', ''male'', ''ancient Chinese civilization'', ''motherland'', ''objects in museum'' and ''you are invited'' etc. are created. The National Museum of History has a tradition in partnering with profit and cultural organizations. Not surprisingly, ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor'' exhibition incorporates along with entrepreneurs and third sectors, to undertake joint promotion, advertising and marketing campaigns, especially, the United Daily News. As a consequence, the ''blockbuster'' exhibition is becoming more theatrical, more dramatically and more recreational. The aim professed by contemporary museums is to fit people into the public sphere that whoever they are can equally gain access to. Finally, I suggest that museums have a social obligation to scrutinize self-knowledge and elaborate the semiotic display in the pursuit of intellectual, moral and aesthetic values, rather than compete to attract audiences and glorify to break the records of museum admission.
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Pei-ShanWu and 吳佩珊. "Research on the Art of Rhetoric in Shiji─from Emperor Qin Shi Huang to Emperor Han Wu." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/14231068631166829315.

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碩士
國立成功大學
中國文學系碩博士班
100
“Art of Rhetoric “is particular about the skills and application of spoken words. It will reach the expected goals if used properly. The research is based on the records in Shiji, from the period of Emperor Qin Shi Huang to Emperor Han Wu, and is categorized to ten types in three classifications: mental analysis class, option style, circuitous style; human mind style, empathy style, emotional style, circumflex style, interest type; punch class, pay attention to words of the Analysis, Conquer mind, Wit, and for a total of 23specking techniques: Selective analysis classification with the attack method, the pros and cons of law, requires the speaker to choose one or the pros and cons of the way, by giving choices; the pretext of the type that contains the transferee law, by the words law, resorting to speaker skillfully by the other party statements were made for its own purposes, and then put forward the demands or ideas; layer management style includes stripping bamboo method, production, focus on gradually to allow each other to understand the demands; circuitous style contains politely sideswipe law, take turning roundabout to express their demands for defending other side’s self-esteem. The type of empathy in the hearts and minds of the classification that contains the translocation method, find the same law, to resort to the same positions of the parties or ideas; emotional type contains the crying method, cast a good method to attack the human emotional weakness; circumflex type contains attemp to rally appreciative stick to drinking and to take appropriate stimulus, the way of eulogy or wake-up call, impressed by the other party; type of interest contains the inducement method to intimidate law, resorting to the nature of the human while avoiding disadvantages. Wit classification contains the analogy method, the speaker in vivid metaphor and extended instructions aspirations; Proverbs, the Code of law, the burden of proof method, the characters method, widely cited to increase the credibility of the rhetoric and win the trust. In addition to talking all kinds of Art of Rhetoric, this article also discusses the Shiji , summarized three major directions: Forward-looking and Looking Back, Root. Forward means that the other development priorities focus on the future, in order to promote each other's achievements, and be recommended and implemented, the specific performance: again revealing words Forward-looking and Looking Back, which refers to organizations or leader, after a successful career, trying to be Conservative, while the continuation of the results of specific performance: about governance policies, avoid misfortune and to seek happiness; rooted means the leader or the other party is willing to take the speaker's recommendation or strategy, established the basic target process to take down root to open branches and leaves, as follows: base, location.
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Hui, Chen Hsu, and 許慧真. "The Intitial Exploration of Cultural Industry of Museum''''''''s Blockbuster-An Example of Terra Cotta Warriors and Horses of Qin Shi Huang,The First Qin Emperor." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/13717113109735958114.

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碩士
臺南藝術學院
博物館學研究所
91
Abstract At the end of 2000, the National Museum of History held a blockbuster exhibition ,Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor. This exhibition attracted more than one million and fifty thousand people to pay a visit. It was the peak of super blockbusters since 90''''''''s in Taiwan''''''''s museum area. But how much did we have to reflect on this exhibition? It''''''''s simply the subject we''''''''d like to discuss here in this thesis. The blockbuster exhibitions were considered to be the productions of the cooperation between museums and the media in Taiwan. The media plays an important role in these blockbusters. It''''''''s like a catalysis which causes the field of museum getting hotter and hotter to do it over and over again. What contradictory is , the media is the cultural producer as well as transmitter, the dualism predicts that the cooperation with media will be advantaged and also congenital biased. The museum tries to use the media to make the shows more successful, but are they actually caught in a trap because the media controls everything in their cooperation? They don''''''''t even know that they have been trapped into the fence of cultural commercialization? If get profit is the first rule, in what way should the professional ethics of museum get balanced? It seems to be the obvious prolbem that the field of museums intend to ignore. The case in this thesis studied through collecting the related persons in this case, the related news data and the visitors'''''''' messages on web site. By doing so, we deduced the fact that the media are manipulating and booming the blockbusters. I realized that the decency and reasonability of the role that media played in the blockbusters. Therefore, I examined the blockbuster by using the viewpoint of Frankfurt school. This school has strongly criticized on cultural industry, including the aspects of cultural commercialization, standardization, compulsory. It is similar to the phenomenon of our case. In this thesis I have discoursed it step by step in order to figure out if a blockbuster actually a cultural industry? What kind of role the media is playing in a blockbuster? And how does the audience view on this blockbuster.
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Wang, Yea Ling, and 王雅玲. "A Study of the Interaction between "Blockbuster" Art Exhibitions and the Media ─A Case-study of two Special Exhibitions: "L''Age D''or De l''impressionnisme, Chefs-D''oeuvre Du Musée D''Orsay" and "The Terracotta Warriors and Horses of Qin Shi Huan." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/43563382015690510525.

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Books on the topic "Qin Shi Huang"

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Qin shi huang. Taibei Shi: Gu xiang chu ban she, 1985.

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Qin shi huang. Beijing: Zhongguo guo ji guang bo chu ban she, 2003.

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Qin shi huang. Beijing: Zhongguo she hui ke xue chu ban she, 2007.

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Jinkun, Li, and Zhang Mingzhu, eds. Qin shi huang. [Taibei Shi]: Niudun chu ban gu fen you xian gong si, 2005.

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Xingwen, Guo, ed. Qin shi huang di. Xi'an Shi: Xi bei da xue chu ban she, 1986.

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Qin shi huang di. Ha'erbin Shi: Bei fang wen yi chu ban she, 2005.

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Qin shi huang zhi qian quan. Hefei: Shi dai chu ban chuan mei gu fen you xian gong si, 2010.

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Hongfu, Yang, ed. Qin shi huang hua zhuan. Shanghai: Shanghai gu ji chu ban she, 2003.

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Yuancai, Ma. Qin shi huang di zhuan. [Beijing: Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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1896-, Ma Yuancai, ed. Qin shi huang di zhuan. [Nanjing shi]: Jiangsu gu ji chu ban she, 1985.

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Book chapters on the topic "Qin Shi Huang"

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Wasserstrom, Jeffrey N., and Maura Elizabeth Cunningham. "Imperial China." In China in the 21st Century. Oxford University Press, 2018. http://dx.doi.org/10.1093/wentk/9780190659073.003.0002.

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What were the main early dynasties? A standard way to break up Chinese history is to start with 221 b.c.e., the year that Qin Shi Huang transformed various small states into something big enough to qualify as an empire. There were earlier...
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Noble, Denis. "The Organ of 30000 Pipes." In The Music of Life, 23–32. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199295739.003.0002.

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Abstract Over 2000 years ago, the story goes, a Chinese Emperor was saved in battle by the action of a lowly farmer. Perhaps it was the Emperor Qin-Shi-Huang, who is sometimes called the ‘First Emperor’ because he was the first to unite China into something resembling the huge country we know today, and he must have fought many bloody battles to do so. Anyway, the story continues that when the battle was over and the Emperor had returned to his palace, he decided to summon the farmer for him to be rewarded. ‘You saved my life.
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"Mercury." In Around the World in 18 Elements, 133–40. The Royal Society of Chemistry, 2014. http://dx.doi.org/10.1039/bk9781849738040-00133.

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Mercury has always provoked a sense of wonder and so it is not surprising that it was to play a central role in alchemy. It is said that the mausoleum of the Chinese emperor Qin Shi Huang (259–210 BCE) contains rivers of mercury representing the rivers of his realm; although, even today, the site has yet to be excavated. It is even possible that he may have drunk mercury in an attempt to achieve the immortality mentioned by Ko Hung 600 years later. Not surprisingly he lived to the ripe old age of 49. In medieval Europe mercury was known as quicksilver (quick in this case implying alive in some sense) and, with sulfur and salt, was again considered by Paracelsus to be one of the three fundamental substances. Given such mystical beginnings, it is ironic that mercury was to play a central role in some of the most important scientific developments. It was an important component in Michael Faraday's first electro-magnetic induction motor—the liquid metal enabling an electrical circuit to be complete, whilst allowing the wire to move. Mercury II oxide was the source of Joseph Priestley's “dephlogistigated air”, later re-conceptualized as oxygen, which was to be pivotal in restructuring chemistry as a modern science. It was also important in the developing technology of instrumentation, including barometers and thermometers, and is still used to quantify the unit of electrical resistance, the ohm. Today, students of chemistry are very unlikely to see liquid mercury in the lab as it is highly toxic, but internet video clips abound showing iron bolts and blocks of lead floating on mercury and it continues to fascinate.
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"Chapter 18. Camp [Qi] and Guard [Qi] – Generation and Meeting." In Huang Di Nei Jing Ling Shu, 259–68. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-019.

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"Chapter 40. Yin and Yang [Qi], Clear and Turbid [Qi]." In Huang Di Nei Jing Ling Shu, 405–8. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-041.

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"Chapter 16. The Camp Qi." In Huang Di Nei Jing Ling Shu, 249–52. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-017.

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"Chapter 52. The Guard Qi." In Huang Di Nei Jing Ling Shu, 501–8. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-053.

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"Chapter 19. The Four Seasonal Qi." In Huang Di Nei Jing Ling Shu, 269–74. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-020.

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"Chapter 24. The Receding [Qi] Diseases." In Huang Di Nei Jing Ling Shu, 305–10. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-025.

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"Chapter 30. Differentiation of the Qi." In Huang Di Nei Jing Ling Shu, 351–54. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-031.

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Conference papers on the topic "Qin Shi Huang"

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Shiyi, Liu, Lv Guoyin, Yuan Bingqiang, Duan Qingbo, and Hu Ping. "Application of geophysical methods to explore the underground palace of the Emperor Qin Shi Huang Mausoleum." In SEG Technical Program Expanded Abstracts 2006. Society of Exploration Geophysicists, 2006. http://dx.doi.org/10.1190/1.2370304.

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Zhang, Yanmei, Han Ding, Lingzhi Zhang, and Yongping Luo. "Why the Emperor Qin Shi Huang Took qZHENq as the First Exclusive Person Pronoun of the Emperors." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.117.

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Bi, Yansen, Deli Gao, Baoan Xian, and Guichuan Li. "Study on Fracture Propagation of Hydraulic Fracturing with Cyclic Shock Wave Pre-Cracking for CBM Horizontal Wells." In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0072.

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ABSTRACT A novel stimulation method of the hydraulic fracturing with cyclic shock wave pre-cracking for CBM horizontal wells is proposed to extend the control range of artificial fractures. The results of rock mechanics and physical tests show that the permeability, porosity and strength of the coal in Fukang of Xinjiang are very low. Based on rock fatigue damage mechanism, maximum tensile stress criterion and Mohr-Coulomb criterion, the formation of radial fractures in near-hole coal under cyclic shock is simulated by numerical method. The results show that 2-6 obvious radial cracks were formed by cyclic shock wave, and the rest were microcracks. And the pulse width, peak strength and frequency of cyclic shock wave have the best values for the crack propagation in coal. The fracture propagation of hydraulic fracturing with cyclic shock wave pre-cracking is simulated by numerical method. The results show pre-cracks weaken the influence of the in-situ stress difference on the fracture propagation. In the process of hydraulic fracturing, only 2-3 pre-cracks are propagated obviously. The hydraulic fracture propagation with pre-crack azimuth of 60°-90° is less affected by the in-situ stress. The hydraulic fracture turns to the maximum stress direction earlier with the increase of pre-crack length and width. INTRODUCTION Horizontal well completion and stimulation have gradually become the key technologies for efficient development of low permeability coalbed methane (CBM) reservoir. (Gao et al., 2022). Connection of the natural cracks and articular fractures is the key to the CBM horizontal well stimulation (Cao, M., 2022). At present, scholars have proposed many technologies such as directional perforation, cluster perforation, volume fracturing and fracture steering for CBM horizontal wells to form complex artificial fractures (Cao et al., 2020; Huang et al., 2022; Wang et al.,2018; Cao, M., 2022). The in-situ stress difference between vertical and horizontal is an important factor affecting the propagation of artificial fractures during hydraulic fracturing of CBM horizontal wells. When the vertical stress is greater than the horizontal stress, the artificial fractures propagate vertically to the roof and floor of coal seam, which will form T-shaped fractures and reduce the control range of artificial fractures (Li et al.,2020). Excessive in-situ stress difference between vertical and horizontal even causes hydraulic fractures penetrating into adjacent aquifers, which leads to high water production and low gas output (Baskoro I. K. et al., 2015). A pulse technology (Qin et al., 2012; Zhang et al., 2016) for unconventional reservoir stimulation has been proposed to form fractures of different scales in coal seam and promote coalbed methane production (Shi et al., 2016; Zhang et al., 2017; Zhang et al., 2019). Qin et al. (2014; 2021) and Li et al. (2015) conducted experiments and numerical simulations on cyclic shock wave fracturing coal, and analyzed the laws of crack propagation in coal. The new test results show that the shock wave can fracture the rock without the completion string failure (Li et al., 2022). Xian (2022) and Bi (2016) proposed an integrated technology with screen completion and coal seam permeability enhancement to maintain wellbore and increase gas production. The author proposes a horizontal well completion method with composite strings in coal seam, which provides conditions to implement multi-type reservoir stimulation technologies for single well (Bi et al., 2023). Gao et al. (2020) proposed a fracturing method of hydraulic pre-splitting blasting in coal seam. The effective influence radius of the hole with the new method can reach 6.98 m after, and its gas emission quantity is 3.18 times that of conventional blasting hole. Based on the finite element software, Li analyzed the cumulative effect of rock damage under cyclic blasting, and demonstrated the feasibility of rock cyclic blasting failure (Li et al., 2019).
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