Academic literature on the topic 'Qin shi huang ling'
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Journal articles on the topic "Qin shi huang ling"
Mubing, Qiu. "Statues of Warriors and War Horses of the Han Dynasty." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (December 10, 2019): 63–81. http://dx.doi.org/10.36340/2071-6818-2019-15-4-63-81.
Full textLiu, Charles Y., Veronica Pagán, and Nelson H. S. Liu. "The Terra Cotta Army of Qin Shi Huang." World Neurosurgery 75, no. 3-4 (March 2011): 352–53. http://dx.doi.org/10.1016/j.wneu.2011.02.028.
Full textZilin, Wu. "The Museum of Qin Shi Huang Terracotta Warriors and Horses." Museum International 37, no. 3 (September 1985): 140–47. http://dx.doi.org/10.1111/j.1468-0033.1985.tb00572.x.
Full textZilin, Wu. "The Museum of Qin Shi Huang Terracotta Warriors and Horses." Museum International (Edition Francaise) 37, no. 3 (April 24, 2009): 140–47. http://dx.doi.org/10.1111/j.1755-5825.1985.tb00978.x.
Full textYu, Yi Kyong. "Rhetorical inquiry of the Qin Shi Huang’ carved stone : A focus on Song." EASTERN CLASSIC STUDIES 44 (February 28, 2021): 165–96. http://dx.doi.org/10.25086/hsdy.2021.44.165.
Full textYuan, B., S. Liu, and G. Lu. "An Integrated Geophysical and Archaeological Investigation of the Emperor Qin Shi Huang Mausoleum." Journal of Environmental & Engineering Geophysics 11, no. 2 (June 1, 2006): 73–81. http://dx.doi.org/10.2113/jeeg11.2.73.
Full textYong, Chang, and Li Tong. "Application of mercury survey technique over the mausoleum of emperor qin shi huang." Journal of Geochemical Exploration 23, no. 1 (January 1985): 61–69. http://dx.doi.org/10.1016/0375-6742(85)90016-0.
Full textVladymyrov, Volodymyr. "The History of Chinese Pre-Journalism by Professor Li Liangrong: from Emperor Qin Shi Huang to Qin Dynasty." Scientific notes of the Institute of Journalism, no. 3/4 (72/73) (2018): 11–21. http://dx.doi.org/10.17721/2522-1272.2018.73.1.
Full textParveen, Khalida, and Huma Akram. "Insight of Chinese culture by viewing historical picture of Qin Dynasty." Journal of Social Sciences Advancement 2, no. 1 (March 20, 2021): 17–24. http://dx.doi.org/10.52223/jssa21-020103-08.
Full textSo, H., I. T. Cheng, S. L. Lau, E. Chow, T. Lam, V. W. Hung, E. Li, et al. "POS0094 EFFECTS OF RANKL INHIBITION ON PROMOTING HEALING OF BONE EROSION IN RHEUMATOID ARTHRITIS USING HR-pQCT: A 2-YEAR, RANDOMIZED, DOUBLE-BLIND, PLACEBO-CONTROLLED TRIAL." Annals of the Rheumatic Diseases 80, Suppl 1 (May 19, 2021): 257. http://dx.doi.org/10.1136/annrheumdis-2021-eular.2752.
Full textDissertations / Theses on the topic "Qin shi huang ling"
Wu, Jonathan. "A Historiographical Examination of Qin Shi Huang." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/365.
Full textChen, Chia-wen, and 陳加雯. "Museum Exhibition and the Shaping of Knowledge: A Study of ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor''." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/49925969355261631161.
Full text國立臺灣師範大學
社會教育研究所
89
Museum exhibition, both cultural and aesthetic, is constituted social practices that deploy power and shape knowledge. Accordingly, this study undertakes to investigate the National Museum of History''s 2000 ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor'' exhibitiion. A multi-method research that includes interviews, participation observation, library research and documentary analysis is set out in an attempt to examine the exhibition making in the cultural, historical and social contexts. It is evident that confrontations rage inside the professional museum community. For example, exhibition teams including native curators, designers and museum professionals from Mainland China are in ''culture wars'' whether they are in the selection of ''story-centered'' and ''story-centered'' exhibitions, or in the deployment of exhibition elements. Since the visitors decide to experience the ''aura'' of exhibition, museum authority has a privilege in epistemic guidance. Nevertheless, the visitors are host to a multitude of expressive styles. Like a literature, ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor'' exhibition represents a variety of meanings in which many voices, such as ''great emperor'', ''male'', ''ancient Chinese civilization'', ''motherland'', ''objects in museum'' and ''you are invited'' etc. are created. The National Museum of History has a tradition in partnering with profit and cultural organizations. Not surprisingly, ''Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor'' exhibition incorporates along with entrepreneurs and third sectors, to undertake joint promotion, advertising and marketing campaigns, especially, the United Daily News. As a consequence, the ''blockbuster'' exhibition is becoming more theatrical, more dramatically and more recreational. The aim professed by contemporary museums is to fit people into the public sphere that whoever they are can equally gain access to. Finally, I suggest that museums have a social obligation to scrutinize self-knowledge and elaborate the semiotic display in the pursuit of intellectual, moral and aesthetic values, rather than compete to attract audiences and glorify to break the records of museum admission.
Pei-ShanWu and 吳佩珊. "Research on the Art of Rhetoric in Shiji─from Emperor Qin Shi Huang to Emperor Han Wu." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/14231068631166829315.
Full text國立成功大學
中國文學系碩博士班
100
“Art of Rhetoric “is particular about the skills and application of spoken words. It will reach the expected goals if used properly. The research is based on the records in Shiji, from the period of Emperor Qin Shi Huang to Emperor Han Wu, and is categorized to ten types in three classifications: mental analysis class, option style, circuitous style; human mind style, empathy style, emotional style, circumflex style, interest type; punch class, pay attention to words of the Analysis, Conquer mind, Wit, and for a total of 23specking techniques: Selective analysis classification with the attack method, the pros and cons of law, requires the speaker to choose one or the pros and cons of the way, by giving choices; the pretext of the type that contains the transferee law, by the words law, resorting to speaker skillfully by the other party statements were made for its own purposes, and then put forward the demands or ideas; layer management style includes stripping bamboo method, production, focus on gradually to allow each other to understand the demands; circuitous style contains politely sideswipe law, take turning roundabout to express their demands for defending other side’s self-esteem. The type of empathy in the hearts and minds of the classification that contains the translocation method, find the same law, to resort to the same positions of the parties or ideas; emotional type contains the crying method, cast a good method to attack the human emotional weakness; circumflex type contains attemp to rally appreciative stick to drinking and to take appropriate stimulus, the way of eulogy or wake-up call, impressed by the other party; type of interest contains the inducement method to intimidate law, resorting to the nature of the human while avoiding disadvantages. Wit classification contains the analogy method, the speaker in vivid metaphor and extended instructions aspirations; Proverbs, the Code of law, the burden of proof method, the characters method, widely cited to increase the credibility of the rhetoric and win the trust. In addition to talking all kinds of Art of Rhetoric, this article also discusses the Shiji , summarized three major directions: Forward-looking and Looking Back, Root. Forward means that the other development priorities focus on the future, in order to promote each other's achievements, and be recommended and implemented, the specific performance: again revealing words Forward-looking and Looking Back, which refers to organizations or leader, after a successful career, trying to be Conservative, while the continuation of the results of specific performance: about governance policies, avoid misfortune and to seek happiness; rooted means the leader or the other party is willing to take the speaker's recommendation or strategy, established the basic target process to take down root to open branches and leaves, as follows: base, location.
Hui, Chen Hsu, and 許慧真. "The Intitial Exploration of Cultural Industry of Museum''''''''s Blockbuster-An Example of Terra Cotta Warriors and Horses of Qin Shi Huang,The First Qin Emperor." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/13717113109735958114.
Full text臺南藝術學院
博物館學研究所
91
Abstract At the end of 2000, the National Museum of History held a blockbuster exhibition ,Terra Cotta Warriors and Horses of Qin Shi Huang, The First Qin Emperor. This exhibition attracted more than one million and fifty thousand people to pay a visit. It was the peak of super blockbusters since 90''''''''s in Taiwan''''''''s museum area. But how much did we have to reflect on this exhibition? It''''''''s simply the subject we''''''''d like to discuss here in this thesis. The blockbuster exhibitions were considered to be the productions of the cooperation between museums and the media in Taiwan. The media plays an important role in these blockbusters. It''''''''s like a catalysis which causes the field of museum getting hotter and hotter to do it over and over again. What contradictory is , the media is the cultural producer as well as transmitter, the dualism predicts that the cooperation with media will be advantaged and also congenital biased. The museum tries to use the media to make the shows more successful, but are they actually caught in a trap because the media controls everything in their cooperation? They don''''''''t even know that they have been trapped into the fence of cultural commercialization? If get profit is the first rule, in what way should the professional ethics of museum get balanced? It seems to be the obvious prolbem that the field of museums intend to ignore. The case in this thesis studied through collecting the related persons in this case, the related news data and the visitors'''''''' messages on web site. By doing so, we deduced the fact that the media are manipulating and booming the blockbusters. I realized that the decency and reasonability of the role that media played in the blockbusters. Therefore, I examined the blockbuster by using the viewpoint of Frankfurt school. This school has strongly criticized on cultural industry, including the aspects of cultural commercialization, standardization, compulsory. It is similar to the phenomenon of our case. In this thesis I have discoursed it step by step in order to figure out if a blockbuster actually a cultural industry? What kind of role the media is playing in a blockbuster? And how does the audience view on this blockbuster.
Books on the topic "Qin shi huang ling"
Qin shi huang ling ji bing ma yong: Qin shi huang emperor mausoleum and terra-cotta warriors. Xian Shi: San qin chu ban she, 2004.
Find full textQin shi huang di ling yu bing ma yong: Qinshihuangdilingyubingmayong. Xi'an Shi: San Qin chu ban she, 2003.
Find full textQin shi huang di ling yuan kao gu yan jiu. Beijing Shi: Beijing da xue chu ban she, 2011.
Find full textDi gong mi zong: Qin shi huang ling de qian gu chuan shuo. Taibei Xian Zhonghe Shi: Jiu you da wen hua shi ye you xian gong si, 2008.
Find full textQin shi huang ling de kao gu fa xian yu yan jiu. Xi'an: Shanxi ren min chu ban she, 2002.
Find full textXuezhi, Wang, Nanjing da xue wen hua yu zi ran yi chan yan jiu suo., and Xiao ling bo wu guan., eds. Shi jie yi chan lun tan: Ming Qing huang jia ling qin zhuan ji. Beijing: Ke xue chu ban she, 2004.
Find full textQin shi huang ling er hao bing ma yong keng fa jue bao gao. Beijing: Ke xue chu ban she, 2009.
Find full textHuang ling mi wu: Cong Qin shi huang dao Cixi di xia xuan gong de chuan qi yu hao jie. Taibei Shi: Zhi ben jia wen hua shi ye you xian gong si, 2008.
Find full textBook chapters on the topic "Qin shi huang ling"
"Chapter 18. Camp [Qi] and Guard [Qi] – Generation and Meeting." In Huang Di Nei Jing Ling Shu, 259–68. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-019.
Full text"Chapter 40. Yin and Yang [Qi], Clear and Turbid [Qi]." In Huang Di Nei Jing Ling Shu, 405–8. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-041.
Full text"Chapter 16. The Camp Qi." In Huang Di Nei Jing Ling Shu, 249–52. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-017.
Full text"Chapter 52. The Guard Qi." In Huang Di Nei Jing Ling Shu, 501–8. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-053.
Full text"Chapter 19. The Four Seasonal Qi." In Huang Di Nei Jing Ling Shu, 269–74. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-020.
Full text"Chapter 24. The Receding [Qi] Diseases." In Huang Di Nei Jing Ling Shu, 305–10. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-025.
Full text"Chapter 30. Differentiation of the Qi." In Huang Di Nei Jing Ling Shu, 351–54. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-031.
Full text"Chapter 76. The Movements of the Guard Qi." In Huang Di Nei Jing Ling Shu, 699–710. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-077.
Full text"Chapter 59. When the Guard Qi Lose their Regularity." In Huang Di Nei Jing Ling Shu, 537–46. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-060.
Full text"Chapter 75. Piercing to Regulate True and Evil [Qi]." In Huang Di Nei Jing Ling Shu, 677–98. University of California Press, 2019. http://dx.doi.org/10.1525/9780520965829-076.
Full textConference papers on the topic "Qin shi huang ling"
Shiyi, Liu, Lv Guoyin, Yuan Bingqiang, Duan Qingbo, and Hu Ping. "Application of geophysical methods to explore the underground palace of the Emperor Qin Shi Huang Mausoleum." In SEG Technical Program Expanded Abstracts 2006. Society of Exploration Geophysicists, 2006. http://dx.doi.org/10.1190/1.2370304.
Full textZhang, Yanmei, Han Ding, Lingzhi Zhang, and Yongping Luo. "Why the Emperor Qin Shi Huang Took qZHENq as the First Exclusive Person Pronoun of the Emperors." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.117.
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