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Relevant bibliographies by topics / Qing men

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Academic literature on the topic 'Qing men'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Qing men"

1

Kim, YoungJin. "A collection of Joseon poems published in the Qing Dynasty in the 19th century." Daedong Hanmun Association 81 (December 31, 2024): 195–228. https://doi.org/10.21794/ddhm.2024.81.195.

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This thesis examines the collection of Joseon poems published in the 19th century. In the late 18th century, exchanges of Joseon-the Qing Dynasty culture and literature through Joseon missions to Imperial China became active. Thus, the understanding and influence of culture, history, and literature in Joseon and the Qing were enhanced. Literary men from both countries often wrote preface or epilogue on the other's works, and Joseon writers often received writing, criticism, calligraphy, and portraits from top scholars and writers of the Qing Dynasty. In Joseon, works were published with the in

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McMahon, Daniel. "Marking “Men of Iniquity”: Imperial Purpose and Imagined Boundaries in the Qing Processing of Rebel Ringleaders, 1786-1828." Journal of Chinese Military History 7, no. 2 (2018): 141–83. http://dx.doi.org/10.1163/22127453-12341330.

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Abstract This essay explores the administrative and ideological context of Qing borderland pacification through examination of the imperial response to apex rebel ringleaders. Presented are five cases of bureaucratic “discourse” (official description and physical management) processing Lin Shuangwen (1786-1788 Lin Shuangwen Revolt), Shi Sanbao (1795-1797 Miao Revolt), Liu Zhixie (1796-1804 White Lotus Rebellion), Lin Qing (1813 Eight Trigrams Revolt), and Khoja Jahāngīr (1826-1828 Jahāngīr Uprising). Considered comparatively, we find common procedures of identification, deposition, sentencing,

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Wang, Y. Yvon. ""Taking Life Too Lightly" or "Martyred for Righteousness"? Officials' Suicides in the High Qing." Late Imperial China 45, no. 1 (2024): 117–58. http://dx.doi.org/10.1353/late.2024.a930394.

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Abstract: This article is a preliminary examination of officials' suicides in the high Qing. While existing research has amply described specific aspects of suicide in the Qing law, especially among women commemorated in the "chastity cult," this piece presents a more systematic view of suicide's legal definitions and common tropes in suicide cases. It also considers how the economic and cultural backdrop of the high Qing shaped elite men's suicides. How did officials' lives lead them to seek death by their own hands, how did their circumstances contrast to the suicidality of non-elite men and

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McMahon, Keith. "Opium and Sexuality in late Qing Fiction." NAN NÜ 2, no. 1 (2000): 129–79. http://dx.doi.org/10.1163/156852600750072321.

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AbstractThis article examines opium smoking in two gendered contexts of the late Qing, as an activity among socializing men and in situations between men and women. The method is to use fiction to ask how male and female smokers differed and in general to show how opium came to symbolize an uncanny and ominous disruption of the social fabric. In terms of gender, the obscene enjoyment of the female smoker was exponentially more threatening in the prohibitionist's eyes than that of the male. As the sign of an unprecedented type of pleasure, opium addiction threatened to denaturalize the boundari

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Laing, Ellen Johnston. "Picturing Men and Women in the Chinese 1911 Revolution." Nan Nü 15, no. 2 (2013): 265–316. http://dx.doi.org/10.1163/15685268-0152p0003.

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In the late nineteenth and early twentieth century many Han Chinese, under the leadership of Sun Yatsen (1866-1925) and others sought to overthrow the Manchu Qing dynasty. This movement culminated in the Revolution which began in October 1911 and ultimately deposed the Qing imperial household, permitting the establishment of a republican government. As the Revolution progressed, the commercial popular print business, through inexpensive lithographs and woodblock prints, provided citizens with illustrations of important events in the Revolution, as well as portraits of male and female participa

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He, Yudan. "Translations and Publications of Russian Sources on the History of Sino-Russian Relations during the Qing Dynasty in China." Vestnik of Saint Petersburg University. Asian and African Studies 15, no. 4 (2023): 636–48. http://dx.doi.org/10.21638/spbu13.2023.401.

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At the beginning, the Qing Dynasty maintained a certain level of contacts with countries around the world. Later, China was closed for a while, but soon found itself forcibly opened. During this period, foreign missionaries, diplomats, merchants, military men, researchers and others began to flock to China. They were extremely surprised by life in Qing China, and therefore recorded everything they saw and heard. The number of their works, which are stored in libraries, archives, museums or private collections in various countries of the world, is incredibly large, and they are valuable materia

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Chan, Ying-kit. "A Private Secretary from Golden Gate: Lin Shumei in Jinmen (Quemoy), Taiwan and Xiamen." Ming Qing Yanjiu 23, no. 1 (2019): 93–107. http://dx.doi.org/10.1163/24684791-12340034.

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Abstract The exponential growth of the population from the founding decades of the Qing Dynasty to the early nineteenth century placed tremendous stress on the local bureaucracies, which increasingly depended on county clerks and runners and the nondegree-holding literati to reduce costs within the Qing Empire. This article investigates the life of Lin Shumei 林樹梅 (1808–1851), a private secretary, or muyou 幕友, from Jinmen who had served in semiofficial capacities in Taiwan and Xiamen, highlighting the kind of opportunities that were available to him in the imperial bureaucracy. By plotting the

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Yang (楊振紅), Zhenhong. "The Statute Regarding the Remarriage of Women in The Qin Bamboo Slips in the Collection of Yuelu Academy (Vol. 5) and the Scandal of Lao’ai." Bamboo and Silk 5, no. 1 (2022): 106–31. http://dx.doi.org/10.1163/24689246-00402017.

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Abstract Slips 001-008 in The Qin Bamboo Slips in the Collection of Yuelu Academy (Vol. 5) contain a legal statute issued on the wuyin day of the twelfth month of the twenty-sixth year of the First Emperor of Qin. It is related to re-establishing a family by means of a woman’s remarriage. The content includes the following: it was forbidden to call the husband in a remarriage as jiafu “substitute father.” It was forbidden for children to call each other as brothers and sisters if they were not fathered by the same man. A widow with children was not allowed to transfer the property of her decea

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Tian, Zhiwei, and Yu Liu. "A Study of the Feminization of Young Men's Dress in the Upper Class in the Late Qing Dynasty and the Early Republic of China." Asian Social Science 17, no. 9 (2021): 25. http://dx.doi.org/10.5539/ass.v17n9p25.

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When the decree to cut pigtails and change clothing was introduced in the late Qing and early Republican periods, there were many clothing changes. The feminization of men&#39;s clothing was widely discussed at the time as a distinctive dress code trend. This article looks at the historical documents that documented this event and analyses the specific manifestations of this phenomenon by looking at the groups and regions where the feminization of men&#39;s clothing took place. The article analyses the phenomenon of men wearing women&#39;s clothing to blur their gender and explore

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Li, Xintong. "A Study on Lin Zexus Translation Practice from the Perspective of Actor-Network Theory." Lecture Notes in Education Psychology and Public Media 106, no. 1 (2025): 24–32. https://doi.org/10.54254/2753-7048/2025.cb25056.

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This paper applies Actor-Network Theory to analyze Lin Zexus translation practice inAo-men Hsin-wen-chih, investigating how he constructed an actor-network to introduce Western knowledge into Qing Dynasty China. It demonstrates that Lin Zexu, as the central actor, mobilized both human actorssuch as translators and the Qing governmentand non-human actorsincluding the newspaper itself, translated texts, and anti-opium policiesforging new roles and meanings through translation. Rather than passively conveying the information from the source text, the translators acted as active mediators, adaptin

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Dissertations / Theses on the topic "Qing men"

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何宇軒. ""夫道" : 清代家訓所呈現的男性人格 =". HKBU Institutional Repository, 2013. http://repository.hkbu.edu.hk/etd_ra/1481.

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何宇軒. "明清女性在男性人格建構過程中角色研究 = A study of women's roles in constructing masculinities in Ming-Qing China". HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/433.

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當代女性及性別史權威學者曼素恩 (Susan Mann) 曾鄭重提出社會性別作為一種分析角度的重要性，以性別視角切入研究歷史，有助我們進一步了解歷史。"傳統社會女性為受害者" 的觀念已逐漸淡出主流學術界，以女性作為主要分析對象的性別史研究，成果甚豐。然而，研究性別史必須仔細地考察古代兩性關係及權力分配等議題，例如曼素恩指出在中國歷史文化研究的領域之中，我們應重視 "男性氣概"、男性的人際關係等課題。事實上，中國男性史的研究已日漸進入學者的視線，足證 "男性氣概" 的研究深具發展潛力。有見及此，本研究希望在前人的研究基礎上繼續開拓。另外，必須注意的是，過往男性研究較側重於採用男性文本及視野作為主要探討對象，似乎未有留意女性文本中有關男性的書寫。雷金慶 (Kam Louie)曾以五四前後女作家為分析對象，析論當時女性筆下如何塑造 "男性氣概"，是極具開拓性的探索。誠然，明清女性作品的探究已引起學術界的重視，一眾學者亦頗為致力於呈現明清女性作家的主體性 (subjectivity) 及能動性 (agency)。那麼，明清時期數量極其豐富的女性著作之中，女性有否對傳統男性人格加以討論？她們對社會中的男性角色有何看法？她們的著述中又如何塑造不同的男性形象？然而，此等書寫並未普遍為學者所注意，前人從女性著作切入來看男性人格的研究仍然相當缺乏。故此，本文之寫作盼能補苴罅漏。本研究將以兩個主要方向

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Choi, Po-ki. "Male images in the romantic stories in the chuanqi genre of the Tang dynasty Tang chuan qi ai qing xiao shuo de nan xing xing xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42926178.

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Tang, Yuchi. ""Self" in poetic narratives a study of contemporary Chinese long poems in Taiwan as exemplified by works of Luo Fu, Luo Men, Chen Kehua, and Feng Qing /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59684.pdf.

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Lee, Shwu-Ching. "The paintings of Mei Qing (1624-1697)." Thesis, SOAS, University of London, 1994. http://eprints.soas.ac.uk/29202/.

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Mei Qing (1624-1697), one of the most original painters in seventeenth-century China, created a unique style of depicting the topography of the Chinese landscape, especially that of Mt. Huang. He has been recognized as one of the three greatest masters of the Mt. Huang school, along with Hongren (1610-1664) and Shitao (1642 - 1707). Also he once was praised as the leader of painting of actual landscape in the Ming and Qing dynasties. But, hitherto no extensive and critical studies on his paintings have been undertaken. The present study is divided into six chapters. In the first chapter, Mei Q

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Bao, Shumei. "Qing mo Menggu wang gong yu Man Han da chen xin zheng chou Meng zou yi dui bi yan jiu." [Huhehaote shi] : Nei Menggu da xue, 2004. http://anulib.anu.edu.au/anuonly/ebooks/chinese_thesis_029.pdf.

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Thesis (Ma (Specialized History)) -- Nei Menggu da xue Menggu xue xue yuan, China, 2004.<br>Title from title page. Abstract also in English. Includes bibliography. Zhi dao jiao shi: Bailadugeqi. 880-02

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Tang, Jin master of music. "Gender fluidity : an alternative image of women (and men), and a critique of the colonialist legacy." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-08-4363.

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Chinese feudal women have long been identified as victims of the Chinese Confucian patriarchy and discussed in terms of notions of backwardness, dependency, female passivity, biological inferiority, intellectual inability, and social absence. This image of the victimized women, however, is a product of China’s modernization and Westernization processes since late-nineteenth and early-twentieth century. Its formation is inseparable from the appropriation of the colonialist categories of sex binarism by the May Fourth male “new intellectuals.” This binary, linear gender ideology, together with t

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Lee, Bo-Xian, and 李柏賢. "A Preliminary Study of The Relationships between the Banner Men and the Han Ethnic People at the Guangzhou Garrison During the Kangxi, Yongzheng, and Qianlong Reigns of the Qing Dynasty." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/52702629796310858591.

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碩士<br>東吳大學<br>歷史學系<br>101<br>A Preliminary Study of the relationships between the Banner Men and the Han Ethnic People at the Guangzhou garrison during the Kangxi, Yongzheng, and Qianlong Reigns of the Qing Dynasty Bo-Xian Lee Abstract In China, Guangzhou has been an important treaty port since ancient time. After the suppression of the Three Feudatories’ Rebellion (1673-1681) during the reign of Kangxi, the Qing government resumed the right to rule in Guangdong, and established the imperial army garrison. This thesis a

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SHIAO, CHING-YU, and 蕭慶餘. "A study of the "jin Ping Mei"Ximen Qing." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/m2dwws.

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碩士<br>銘傳大學<br>應用中國文學系碩士在職專班<br>94<br>“Jin pin mei” is an extraordinary realistic novel, which appears as an unique masterpiece in Chinese history. The novel is outstanding and it can easily fit in any generation. Even in our modern world, you can find concept, thought, and philosophy in this novel which is likely to describe from our modern aspect. . The novel basically is about the Ximen family’ s prosperity and decline. The main character “ Ximen Qing” is the key of the story. If one would like to really read through the whole story, or see through the culture of Ming Dynasty which is t

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Tseng, Wei-Ling, and 曾偉綾. "The Life and Art of Mei Qing（1623-1697）." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/z74vk4.

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碩士<br>國立中央大學<br>藝術學研究所<br>96<br>Tracing back the painting of the seventeenth century China, the relationships between Xuan-Cheng artist – Mei Qing with Xin-An mode, Mt. Huang Pictures, I-min painters and Shih-Tao are complicated; hence by studying the life and art works of Mei Qing will enhance understanding of the art history of early Ching Dynasty. Practically, the study of intrinsic nature of Mei Qing works remains obscure and unclear due to plenty of forgeries; thereupon, it is difficult to clearly define interrelation between his art style change and culture environment in further sta

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Books on the topic "Qing men"

1

Fei, Hongda. Qing ren men. Zuo jia, 1998.

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Zhang, Shufen. Ta men mei you qing chun. Wu qi xue she chu ban gong si, 2010.

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Guanghong, Ye, ed. Qian qing men nei. Wei lai chu ban she, 1986.

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Beijing Shi Haidian Qu wen xue yi shu jie lian he hui. Ji men qing si. Zhongguo he ping chu ban she, 1998.

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Chen, Guoping. Qing men kao yuan. Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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Liu, Yi. Ao men kuang qing. Helongjiang, 1998.

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Lin, Huai Yu. Hao men lie qing. SCMP, 2001.

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Yuzhen, Jiang, ed. Su qing zhi men. Mu ma wen hua shi ye gu fen you xian gong si, 2006.

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Dong, Shon Yi. Kua chu guo men-qing. Liao Ning, 1997.

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yin, Te pei wei, and Han yan. Rang ai qing lai qiao men. Zhe jiang ren min chu ban she, 2005.

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Book chapters on the topic "Qing men"

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Whyke, Thomas William, and Melissa Shani Brown. "Strange Men: Queerying Male Sexuality in Qing Dynasty Zhiguai." In Palgrave Series in Asia and Pacific Studies. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-4258-9_6.

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Su, Chian-Tang. "Exploration of the benefactive marker kang7 共 in Ming Qing Southern Min script." In Diachronic Perspectives and Synchronic Variation in Southern Min. Routledge, 2020. http://dx.doi.org/10.4324/9780429316517-6.

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Liu, Dun. "Mei Wending, Wang Xichan, and Xue Fengzuo: Chinese Scholars’ Attitude Toward Western Science in Early Qing Dynasty." In Western Influences in the History of Science and Technology in Modern China. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7850-2_1.

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"The Ming-Qing Period." In Men of Letters within the Passes. BRILL, 2008. http://dx.doi.org/10.1163/9781684174782_005.

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Wu, Yulian. "Cultured and Cosmopolitan Men (tongren)." In Luxurious Networks. Stanford University Press, 2017. http://dx.doi.org/10.11126/stanford/9780804798112.003.0007.

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The conclusion argues that the Huizhou salt merchants emerged as “cultured and cosmopolitan men” who distinguished themselves with knowledge and skill in a wide range of fields, being famed for their managerial prowess. Through their production and consumption of a variety of objects, these merchants played multiple roles in the fluid material world of High Qing China, whether as the emperor’s informal agents or arbiters of taste, lineage patrons or moral advocates. By playing these roles, these salt merchants also constructed a dynamic and fluid urban-rural and central-local relationship in t

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McMahon, Daniel. "Marking “men of iniquity”." In China’s Borderlands under the Qing, 1644–1912. Routledge, 2020. http://dx.doi.org/10.4324/9781003142737-12.

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Edwards, Louise P. "Preliminary Material." In Men and Women in Qing China. BRILL, 1994. http://dx.doi.org/10.1163/9789004482715_001.

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Edwards, Louise P. "Sinica Leidensia." In Men and Women in Qing China. BRILL, 1994. http://dx.doi.org/10.1163/9789004482715_016.

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Edwards, Louise. "Preface." In Men and Women in Qing China. BRILL, 1994. http://dx.doi.org/10.1163/9789004482715_002.

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Edwards, Louise P. "Index." In Men and Women in Qing China. BRILL, 1994. http://dx.doi.org/10.1163/9789004482715_015.

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Conference papers on the topic "Qing men"

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Sun, Yu xi, and Ariunaa Shajinbat. "Analysis of the female perspective in boudoir paintings in the late Ming and early Qing dynasties." In All-Russian scientific and practical conference with international participation. Publishing house Sreda, 2024. http://dx.doi.org/10.31483/r-112864.

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The art of Chinese painting is a product of the joint creation of men and women. However, based on the differences in the physiological structure and psychological feelings of male and female subjects, female painters naturally reveal their delicate feelings and unique perspectives in their paintings. Especially in the late Ming and early Qing dynasties, boudoir painters, by virtue of their close ties with family life, made introspective observations of life through a unique female perspective. In their works, they often presented subjects such as motherhood, love, and life in the boudoir, whi

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Xu, Xingwu. "THE COMMUNITY OF FOXES." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.07.

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Liao Zhai zhi yi (Strange Stories from a Lonely Studio) and Yue Wei Cao Tang Bi Ji (The Notes of Yuewei Cottage), two renown Classical Chinese novels of the Qing Dynasty, contain many stories about foxes. The former contains more than 70 such stories and the latter contains more than 130. Foxes in these stories vary greatly in terms of their types. More importantly, a noticeable phenomenon in these stories is that, just like human beings, foxes’ dwellings can be identified as rural and urban, domestic and wild. In other words, foxes from different communities bear overt differences concerning

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Kukeev, Dordzhi Gennadievich. ""History Of Borderlands" And Qing-Oirat Relations." In International Scientific Congress «Knowledge, Man and Civilization». European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.12.85.

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Zhang, Guodong. "The Painting Creation of Huangshan Mountain by Mei Qing." In 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022). Athena International Publishing B.V., 2022. http://dx.doi.org/10.55060/s.atssh.221107.022.

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Aude, Lucas. "UNREACHABLE IDEALS: BETWEEN SATIRE AND UTOPIA IN OTHER WORLDS OF LIAOZHAI ZHIYI." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.03.

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Luosha Haishi 羅殺海市 (Lz 132) is a very emblematic tale of Pu Songling’s (蒲松齡, 1640–1715), as it involves emblematic themes of Liaozhai zhiyi (聊齋誌異): a critical view of society, an adventure into enchanted lands, and a complex relationship to an independent, powerful woman. The tale tells about the journey of a man who, after having been lost at sea, visits two imaginary worlds. Luosha Haishi reveals its originality when comparing both these places. The first one, the Country of Rakshasas, is a state in which physical appearance determines one’s social status. This society is a satirical portray

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Wu Dongpan. "A Comparison between piano composition Mei Hua San Nong and qin qu Mei Hua San Nong-analysis of ethnic musical characteristic of piano composition Mei Hua San Nong." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730765.

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Zhou, Yisu, Zhongwei Huang, Zhuangzhuang Zhang, Tianwen Jiang, and Minghe Zhang. "Experimental Study and CFD Modeling of Flow Characteristics in an Annulus with a Tubing Collar." In 56th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2022. http://dx.doi.org/10.56952/arma-2022-0123.

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ABSTRACT: An experimental investigation based on Particle Image Velocimetry (PIV) technology is used to measure the annular flow with a tubing collar in a casing pipe. The main purpose of this paper is to study variable cross-section annular flow characteristics with different Reynolds numbers through the visualization experiment. Streamlines distribution, velocity distribution, the vortex identification by the Q-criterion and TKE are displayed. The Reynolds number influence on the flow characteristics is discussed. A CFD modeling is established to verify the accuracy of the experiment. The re

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Zhang, R., G. S. Li, X. Z. Yao, et al. "An Interpretable Method for Formation Pressure Calculation with Embedding Mechanism." In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0094.

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ABSTRACT Formation pressure is a key parameter in the process of oilfield exploration and development. In this study, a novel deep learning model is proposed for accurate calculation of formation pressure. Particularly, making use of the long short-term memory (LSTM) network in solving sequential-data based regression problems, this paper considers the specific domain knowledge of logging and develops a self-interpretable LSTM (SI-LSTM) to calculate the formation pressure. It can dynamically capture the potential correlation between the formation pressure and input variables, and interpretabil

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