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Dissertations / Theses on the topic 'Qing men'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

何宇軒. ""夫道" : 清代家訓所呈現的男性人格 =". HKBU Institutional Repository, 2013. http://repository.hkbu.edu.hk/etd_ra/1481.

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2

何宇軒. "明清女性在男性人格建構過程中角色研究 = A study of women's roles in constructing masculinities in Ming-Qing China". HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/433.

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當代女性及性別史權威學者曼素恩 (Susan Mann) 曾鄭重提出社會性別作為一種分析角度的重要性，以性別視角切入研究歷史，有助我們進一步了解歷史。"傳統社會女性為受害者" 的觀念已逐漸淡出主流學術界，以女性作為主要分析對象的性別史研究，成果甚豐。然而，研究性別史必須仔細地考察古代兩性關係及權力分配等議題，例如曼素恩指出在中國歷史文化研究的領域之中，我們應重視 "男性氣概"、男性的人際關係等課題。事實上，中國男性史的研究已日漸進入學者的視線，足證 "男性氣概" 的研究深具發展潛力。有見及此，本研究希望在前人的研究基礎上繼續開拓。另外，必須注意的是，過往男性研究較側重於採用男性文本及視野作為主要探討對象，似乎未有留意女性文本中有關男性的書寫。雷金慶 (Kam Louie)曾以五四前後女作家為分析對象，析論當時女性筆下如何塑造 "男性氣概"，是極具開拓性的探索。誠然，明清女性作品的探究已引起學術界的重視，一眾學者亦頗為致力於呈現明清女性作家的主體性 (subjectivity) 及能動性 (agency)。那麼，明清時期數量極其豐富的女性著作之中，女性有否對傳統男性人格加以討論？她們對社會中的男性角色有何看法？她們的著述中又如何塑造不同的男性形象？然而，此等書寫並未普遍為學者所注意，前人從女性著作切入來看男性人格的研究仍然相當缺乏。故此，本文之寫作盼能補苴罅漏。本研究將以兩個主要方向

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Choi, Po-ki. "Male images in the romantic stories in the chuanqi genre of the Tang dynasty Tang chuan qi ai qing xiao shuo de nan xing xing xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42926178.

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Tang, Yuchi. ""Self" in poetic narratives a study of contemporary Chinese long poems in Taiwan as exemplified by works of Luo Fu, Luo Men, Chen Kehua, and Feng Qing /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59684.pdf.

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5

Lee, Shwu-Ching. "The paintings of Mei Qing (1624-1697)." Thesis, SOAS, University of London, 1994. http://eprints.soas.ac.uk/29202/.

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Mei Qing (1624-1697), one of the most original painters in seventeenth-century China, created a unique style of depicting the topography of the Chinese landscape, especially that of Mt. Huang. He has been recognized as one of the three greatest masters of the Mt. Huang school, along with Hongren (1610-1664) and Shitao (1642 - 1707). Also he once was praised as the leader of painting of actual landscape in the Ming and Qing dynasties. But, hitherto no extensive and critical studies on his paintings have been undertaken. The present study is divided into six chapters. In the first chapter, Mei Q

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6

Bao, Shumei. "Qing mo Menggu wang gong yu Man Han da chen xin zheng chou Meng zou yi dui bi yan jiu." [Huhehaote shi] : Nei Menggu da xue, 2004. http://anulib.anu.edu.au/anuonly/ebooks/chinese_thesis_029.pdf.

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Thesis (Ma (Specialized History)) -- Nei Menggu da xue Menggu xue xue yuan, China, 2004.<br>Title from title page. Abstract also in English. Includes bibliography. Zhi dao jiao shi: Bailadugeqi. 880-02

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7

Tang, Jin master of music. "Gender fluidity : an alternative image of women (and men), and a critique of the colonialist legacy." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-08-4363.

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Chinese feudal women have long been identified as victims of the Chinese Confucian patriarchy and discussed in terms of notions of backwardness, dependency, female passivity, biological inferiority, intellectual inability, and social absence. This image of the victimized women, however, is a product of China’s modernization and Westernization processes since late-nineteenth and early-twentieth century. Its formation is inseparable from the appropriation of the colonialist categories of sex binarism by the May Fourth male “new intellectuals.” This binary, linear gender ideology, together with t

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8

Lee, Bo-Xian, and 李柏賢. "A Preliminary Study of The Relationships between the Banner Men and the Han Ethnic People at the Guangzhou Garrison During the Kangxi, Yongzheng, and Qianlong Reigns of the Qing Dynasty." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/52702629796310858591.

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碩士<br>東吳大學<br>歷史學系<br>101<br>A Preliminary Study of the relationships between the Banner Men and the Han Ethnic People at the Guangzhou garrison during the Kangxi, Yongzheng, and Qianlong Reigns of the Qing Dynasty Bo-Xian Lee Abstract In China, Guangzhou has been an important treaty port since ancient time. After the suppression of the Three Feudatories’ Rebellion (1673-1681) during the reign of Kangxi, the Qing government resumed the right to rule in Guangdong, and established the imperial army garrison. This thesis a

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9

SHIAO, CHING-YU, and 蕭慶餘. "A study of the "jin Ping Mei"Ximen Qing." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/m2dwws.

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碩士<br>銘傳大學<br>應用中國文學系碩士在職專班<br>94<br>“Jin pin mei” is an extraordinary realistic novel, which appears as an unique masterpiece in Chinese history. The novel is outstanding and it can easily fit in any generation. Even in our modern world, you can find concept, thought, and philosophy in this novel which is likely to describe from our modern aspect. . The novel basically is about the Ximen family’ s prosperity and decline. The main character “ Ximen Qing” is the key of the story. If one would like to really read through the whole story, or see through the culture of Ming Dynasty which is t

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10

Tseng, Wei-Ling, and 曾偉綾. "The Life and Art of Mei Qing（1623-1697）." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/z74vk4.

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碩士<br>國立中央大學<br>藝術學研究所<br>96<br>Tracing back the painting of the seventeenth century China, the relationships between Xuan-Cheng artist – Mei Qing with Xin-An mode, Mt. Huang Pictures, I-min painters and Shih-Tao are complicated; hence by studying the life and art works of Mei Qing will enhance understanding of the art history of early Ching Dynasty. Practically, the study of intrinsic nature of Mei Qing works remains obscure and unclear due to plenty of forgeries; thereupon, it is difficult to clearly define interrelation between his art style change and culture environment in further sta

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11

Lin, Chun-wei, and 林峻煒. "Confucianist Perspectives on the Heaven-Man relationship and Governance in the Ming-Qing Transition." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/z3vuu2.

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博士<br>國立臺灣大學<br>政治學研究所<br>107<br>This thesis aims to elaborate on a way to think about “Confucianism on the basis of Heaven(天),” focuses on “Heaven-Man Relationship” and “Connection between Heaven(天) and Statecraft,” and especially offers a different vision that is different from major scholars’ view of Enlightenment to understand Ming-Qing transition. I argue that “Heaven-Man Relationship” should be emphasized since it will deepen our understanding about statecraft, that is to say the fulfillment of a Man’s calling ordained from Heaven(天命) is based on the intellectual foundation of governance

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12

Chia-wen, Wu, and 武嘉文. "The Translation of Mei-Shu and Cultural Politics: The Late Qing Topics (1897-1910's)." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/34045458797168408058.

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碩士<br>東海大學<br>美術學系<br>96<br>This thesis deals with the knowledge formation on the loanword Mei-shu 美術 from 1897 to 1910’s during the late Qing and early Republican periods. By referring to the Culture Translation theory, it explores topics like transition of Mei-shu as a concept, negotiation of Mei-shu as a signifier, power structure and intelligence legality. Meanwhile, this research starts from the literature review of Yi-shu 藝術 in classical Chinese language. By examining the problem of Dao/ Yi 道∕藝 order in the previous episteme, it suggests from Chinese concept of Yi-shu to perceive Mei-

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Lee, Yueh-chun, and 李月春. "A Study of Dorgon and the Establishment of the Qing Dynasty in China－Based on the Perspective of Man-Han Relations." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/pjua6h.

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碩士<br>國立中央大學<br>歷史研究所碩士在職專班<br>97<br>This study attempts to investigate how Dorgon, the supreme ruler of the early Qing, conducted a series of non-military policies that consolidated the rule of Qing in the crucial years of the Ming-Qing transition. During that period, his ruling ideas and the policies had been considered over the relations between the Manchus and the Han people.The implement of these policies had a significant impact on China and also injected a new element in the Manchu ruling in the following time. This thesis will examine Dorgon’s policies through the perspective of the Ma

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14

Liao, Sheng-Hao, and 廖聖豪. "Investigation of the Technology of Taiwan’s “Ever-victorious Man” in Tea Competition: The case study of tea master Zhang Qing Song from Zhushan Township." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/dk4n2u.

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碩士<br>亞太創意技術學院<br>茶陶創意研究所<br>103<br>Tea originated in China, but it is an economically important crop for Taiwan. Mechanization of Taiwanese tea manufacturing began after the Japanese occupation of Taiwan, during which the volume of Taiwan’s tea exports to Japan increased. World War II also greatly influenced the volume of Taiwan’s tea trade. Although the export volume peaked in the 1970s, factors such as the rapid appreciation of the New Taiwan dollar (NT$) and increasing production costs led to setbacks in tea exports and triggered the transformation of the tea trade from one that was export

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15

Wang, Wan-Chun, and 王萬雋. "Man Peoples and the Chinese State from the Qin-Han period to Southern Dynasties." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/74417745880627102936.

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Huang, Tzu-Chun, and 黃子純. "Courtesan Novels in the Early Stage of the Late Qing Dynasty for Imitation and Reconstruction of Human Novels-" Fengyue Meng " and " Pinhua Baojian " as Examples." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/k854py.

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博士<br>淡江大學<br>中國文學系博士班<br>104<br>Most of the studies on Courtesan Novels are recent and focus on Haishanghua Liezhuan and the later works. However, there are many researchers staging Courtesan Novels to Early and Late Stage for discussing. Besides, Lu Xun and the other researchers find the relevance between Courtesan Novels in the early stage and Family-Society novels, especially the Courtesan Novels in the early stage inherited from Family-Society novels, different to the late stage, which is written based on the era of social change. Therefore, Haishanghua Liezhuan couldn’t be the representa

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17

Huang, Chao-hsin, and 黃兆欣. "The inheritance and dialectic in Dan of Jing-ju: The discussion of Chen De-lin, Wang Yao-qing, Mei Lan-fang, and Cheng Yan-qiu." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/32731435330364676421.

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博士<br>國立中央大學<br>中國文學系<br>102<br>This thesis is to research from the point of view of “ Body” to discuss the essence of the performing art of the Dan/旦 in Jing-ju/京劇, and to analyze the factors and effects in the process of developing the performing technics of the Dan in Jing-ju. Males, who construct the performing art of Dan in Jing-ju, and try to overcome the embarrassment of the trans-gender acting. However, the country fell in political turbulence and culture impact after 1912. So there is the dialectical and intricate relationship in the Jing-ju actors’ technics between the society and th

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Lou, Wen-Heng, and 婁文衡. "Scent Narrative in Ming-Qing Fictions: A Discussion Based on the Description of Aroma and Odour in Jin Ping Mei and The Story of the Stone." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/qfhz95.

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碩士<br>國立政治大學<br>中國文學系<br>107<br>The special status of novels in Ming and Qing dynasties is that the authors extended the caring vision from the family and the country to the tiny individuals under a relatively conservative ideological environment to build a rich social life and imagination world.In the process of character behavior, the movement and static of sense organ' and the rationality of sense organ logic are the key for the author to make the character come to life. Odor, as the experience object of human senses, appeared repeatedly in novels of Ming and Qing dynasties, which showed th

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19

Liang, Jeng-I., and 梁正一. "The Event of “Cadenza” in Liu Shui of Pan-Chuan Qin School and Ping Sha of Mei An Qin School: A Thesis on the Great Changes of Qin Music at the Transition from the Old to the New." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/58rsu2.

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碩士<br>國立臺北藝術大學<br>音樂學研究所碩士班<br>100<br>It is apparent that the continuity between qin masters, qin schools, qin anthologies and qin compositions can be found in Liu Shui (“Flowing Water”) of Pan-Chuan Qin School and Ping Sha (“Wild Geese Landing on the Sandy Shore”) of Mei An Qin School, and the appearance of “cadenza” in Liu Shui and Ping Sha is also a newly occurred event for history of music style. During the late Qing Dynasty and early Republic, Liu Shui of Pan-Chuan Qin School and Ping Sha of Mei An Qin School were presented to public, and they have became repertories for elegant meetings,

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20

LIN, WEI-SHU, and 林偉淑. "A Study of Time in Domestic Fiction of Ming and Qing Dynasties： Reflection on Chin Ping Mei, Xing Shi Yin Yuan, Lin Lan Xiang, and The Dream of the Red Chamber." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/73264240487890583999.

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博士<br>輔仁大學<br>中文系<br>97<br>As Chin Ping Mei, Xing Shi Yin Yuan, and the Dream of the Red Chamberto be the objects, this study is to reflect these four domestic fictions in Ming and Qing dynasties for the theme of time and cultural meanings they represented Along with readers’ prior exiting knowledge, a conception of eras which ordinarily established in domestic fictions is developing to be a metaphor of the time period. There is usually a close relationship between an individual and his family, and wax and wane in a family mainly bound with its nation; however, fatalism is not presented in the

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21

Grillo, Tyran C. "Red Letters: Translation as Detection in a Sino-Japanese Murder Mystery." 2010. https://scholarworks.umass.edu/theses/445.

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In 2004 Japanese author Ashibe Taku published his novel Murder in the Red Chamber, in which he adapted Cao Xueqin’s eighteenth-century Chinese classic Dream of the Red Chamber as a compelling murder mystery. In 2008 I would take on the challenge of translating Ashibe’s novel into English. This required me to draw on a wealth of primary and secondary materials. Not only did I have to familiarize myself with the novel’s peculiarities, but also with those of its Chinese source. Over these layers of text I fashioned yet another from my own engagements with Western detective fiction. In order to re

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22

How, Zhan-jie, and 侯展捷. "View of the Sage and the Awareness of the Transmission of Dao in Pre-Qin Confucian Philosophy: A Critical Study of The Analects, The Mencius and The Doctrine of the Mean." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/7u96j2.

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碩士<br>國立臺灣大學<br>哲學研究所<br>103<br>Adhering strictly to the threefold research methodology of “defining key conceptual terms”, “clarifying the basis of propositions for value judgement” and “reconstructing the philosophical system”, this thesis engages in a comprehensive study of Pre-Qin Confucian texts with the intention of achieving the following objectives: (1) examine and elucidate the rich intellectual content of important concepts such as “sagely” 聖, “the sage” 聖人 and “the Way of the sages” 聖人之道; (2) explicate the appropriate conceptual relationship between “the Way of the Junzi” 君子之道and “t

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23

"Clothes make the wo/man: cross-dressing and gender on the English renaissance stage and in the late Imperial Chinese theatre." 2004. http://library.cuhk.edu.hk/record=b6073650.

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Liao Weichun.<br>"August 2004."<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2004.<br>Includes bibliographical references (p. 249-268).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.

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