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Dissertations / Theses on the topic 'Quatrain'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Baradié, Mouna. "Pibrac et le genre du quatrain moralisateur au XVIe siècle." Grenoble 3, 1999. http://www.theses.fr/1999GRE39016.

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Des auteurs moraux de la fin du xvie siecle et du debut du siecle suivant ont voulu instruire la jeunesse par la diffusion des conseils instructifs et pedagogiques. Ils ont traite des sujets differents qui touchent presque tous les cotes de la vie de l'homme. Le lieu commun a ces sujets se trouve dans le choix des auteurs du genre de quatrain en tant que forme poetique commode a transmettre leurslecons. Il s'agit dans cette these d'etudier les recueils de trente auteurs parmi lesquels guy du faur de pibrac est le plus connu. Pendant de longues annees, ses quatrains etaient consideres comme un

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2

Dumery, Aline. "Les mises en musique du Bestiaire ou Cortège d'Orphée (1911) d'Apollinaire par Francis Poulenc, Louis Durey et d'autres compositeurs : Analyse et étude stylistique." Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2029.

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Le Bestiaire ou Cortège d’Orphée (1911) d’Apollinaire attire toujours les mélodistes de notre temps. S’inscrivant dans une tradition ancestrale, les mises en musique des petits poèmes d’animaux guidés par Orphée constituent en effet un inestimable « jardin zoologique » pour les musiciens. Apollinaire imaginait-il une exploration de ce type ? Ces créations musicales à partir du Bestiaire sont-elles, à titre posthume, un hommage au poète ? Des plus célèbres, celles de Poulenc et Durey (1919), à celle de Régis Campo (2008) en passant par les recueils de Claude Ballif et Robert Caby (1945), chacun

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3

Carlstedt, Anna. "La poésie oraculaire de Nostradamus : Langue, style et genre des Centuries." Doctoral thesis, Stockholm University, Department of French, Italian and Classical Languages, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-719.

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<p>This dissertation is a study of the work of Michel de Nostredame (Nostradamus). Born in Provence, France in 1503, this true "Renaissance man” (astrologer, doctor of medicine and translator) achieved fame with the publication of his Centuries or “Prophecies”. This work presents 10 centuries of quatrains – almost a thousand short poems of only four rhymed lines each. The first third was published in 1555, another third in 1557 and finally the ten Centuries all together, posthumously, in 1568. The present study concentrates on the first edition, consisting of the first 353 quatrains.</p><p>The

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4

Tourrette, Éric. "Les formes brèves de la description morale : quatrains, maximes, remarques /." Paris : H. Champion, 2008. http://catalogue.bnf.fr/ark:/12148/cb412687211.

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Texte remanié de: Thèse de doctorat--Langue et littérature française--Lyon 3, 2004. Titre de soutenance : Une écriture du discernement : enquête sur les formes brèves de la description morale, 1574-1701.<br>Bibliogr. p. 501-511. Index.

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5

Quatrario, Giovanni Di Iorio Ilio Napoleone Paola. "Natura e ambiente nell'opera poetica di Giovanni Quatrario da Sulmona : carmi scelti /." Sulmona : Accademia degli agghiacciati, 1994. http://catalogue.bnf.fr/ark:/12148/cb37181713p.

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6

Honrado, Álvaro Miguel Damas. "Décimas e quadras populares do concelho de Vidigueira: tradução para a língua francesa." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/18559.

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No presente relatório, apresento um trabalho que foca parte dos elementos representativos do património popular, oral, poético e cultura do concelho de Vidigueira, composto por uma abordagem que respeita o trabalho dos seus poetas populares e por um processo que se prende com a tradução destas poesias populares na sua passagem da língua portuguesa para a língua francesa. É através destas formas poéticas, décimas e quadras, que cinco poetas e uma poetisa, todos eles autóctones e residentes neste concelho, retratam as suas matrizes sócio-culturais, espaciais e intelectuais. Quanto à tradução dos

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7

Nakhaeï, Bentolhoda. "Critical Analysis of the Stylistic Transformations in the 19th and 20th-century English and French Translations of Omar Khayyám’s Rubáiyát : exploring the Common Quatrains in FitzGerald, Arberry, Nicolas, and Lazard." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA144.

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Cette thèse vise à procéder à une analyse minutieuse de la transformation de la forme et du sens dans la traduction des Robâïât de Omar Khayyám, dans quatre importantes traductions – deux en anglais et deux en français, des XIXe et XXe siècles. Les traducteurs des traductions sélectionnées sont Edward FitzGerald, Arthur John Arberry, Jean-Baptiste Nicolas et Gilbert Lazard. Les traductions réalisées par ces traducteurs ont offert des possibilités d’investigation dans un cadre linguistique donné. En effet, on peut se demander si les traducteurs ont transformé la signification et la forme des qu

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8

Defay, Pierre-Olivier. "Prospectives de recherche du quark de quatri��me g��n��ration u4 avec le d��tecteur ATLAS aupr��s du LHC." Phd thesis, Universit�� Blaise Pascal - Clermont-Ferrand II, 2008. http://tel.archives-ouvertes.fr/tel-00730181.

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Le Mod��le Standard, qui r��git la physique des particules, a ��t�� jusqu'�� pr��sent confirm�� par l'exp��rience. Cependant, les questions qu'il laisse en suspens ont conduit �� proposer plusieurs mod��les permettant son extension. L'un de ces mod��les postulant l'existence d'une quatri��me famille de fermions permet de r��soudre certaines des lacunes du Mod��le Standard. Ce travail, effectu�� dans le cadre de l'exp��rience ATLAS au LHC, pr��sente des m��thodes permetttant de d��couvrir le quark up de quatri��me g��n��ratition u4 produit par paire qui se d��sint��gre de mani��re semileptoniqu

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9

Sane, Fatou Bintou. "Measurement or the fourth cumulant of photo-assisted noise in a tunnel junction in the classical regime." Mémoire, Universit?? de Sherbrooke, 2013. http://savoirs.usherbrooke.ca/handle/11143/59.

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Les statistiques des fluctuations de courant dans un ??chantillon m??soscopique sous irradiation n'ont jamais ??t?? explor??es au-del?? de la variance et du troisi??me moment. Nous rapportons la premi??re mesure du quatri??me cumulant de bruit dans une jonction tunnel dans le r??gime classique (c'est-??-dire k [indice inf??rieur B]T >> h f) en pr??sence d'un courant continu et d'une excitation micro-onde en utilisant deux m??thodes. Tout d'abord, nous avons ??tudi?? la corr??lation entre les fluctuations de puissance ?? deux fr??quences, f [indice inf??rieur 1] = 4,5 GHz et f [indice inf??rieu

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10

Yang, Jing Huey. "The study of Wang Changling’s seven-character quatrain." Thesis, 1993. http://hdl.handle.net/2429/5242.

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Wang Changling, though not a major poet in Chinese literary history, is considered the grand master of a major poetic form, giyan jueju. His achievement in gijue consists in his craftsmanship in writing the form and his contribution in establishing the aesthetic criteria for the later generations to follow. In order to present Wang Changling’s poetic achievement in qijue, this thesis constructs a historical framework to examine the evolution of the gijue form from its beginning up to the poet’s times, focusing on thematics and formal techniques. Chapter I defines Wang Changling’s histori

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11

Wei-Yuan, Chen, and 陳威遠. "Linguistic Stylistics Analyzing on the Five-Character Quatrain Poems Inspired by Wei Ying-Wu." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/59991910888348120329.

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碩士<br>臺北市立教育大學<br>中國語文學系<br>99<br>Wei Ying-Wu is a Chivalrous and positive poet, but there is also quiet, leisure, and archaic style in his poetry. People called Wei Ying-Wu as ” Tao- Wei” or “Wang- Meng -Wei- Liu”,and classified him a pastoral poet. Tang Dynasty is considered a prosperous time for Chinese poetry and Wei Ying-Wu is well-known for his poetry. Most researches into Wei Ying-Wu focused on the Emotional Criticism and the Style Criticism of his poetry. Therefore, this paper attempts to study his poetry from the perspective of language style, in hope to provide a new viewpoint based

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12

De, Villiers Albert Rick. "‘The concitation of the backward devils’ : a revaluation of the quatrain poems in T.S. Eliot’s poems (1920)." Diss., 2011. http://hdl.handle.net/2263/31386.

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In relation to the existing body of criticism on T.S. Eliot's other works, the quatrain poems contained in Poems (1920) have elicited relatively scant study. While they are highly allusive and dense, they are no more so than the majority of Eliot's subsequent works; indeed, it may be argued that the mode of dislocation in The Waste Land has its origins in the palimpsest techniques applied in the quatrain poems. Whatever the reason for the comparative neglect these works have suffered, they nonetheless form a crucial component of Eliot's corpus. The aim of this study is to provide a detai

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13

王美心. "Study on the Language Style of Liu Yu-Xi’s Seven-character-quatrain -- with focus on Phonology and Dictions." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/35772508558767773541.

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碩士<br>臺北市立教育大學<br>中國語文學系碩士班<br>99<br>Tang Dynasty is considered a prosperous time for Chinese poetry and Liu Yu-Xi is well-known for his poetry at that time. Bai Ji-Yi called Liu Yu-Xi as “the Notable and Liberal Poet”. Su Shi praised him as “No one can surpass him.” Liu Ke-Zhuang commented his poetry as “sentimental and leaving a pleasant aftertaste”. Most researches into Liu Yu-Xi focused on the appreciation and the artistic conceptions of his poetry. Therefore, this paper attempts to study his poetry from the perspective of language style, in hope to provide a new viewpoint based on syntax

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14

Ya-Hui, Lin, and 林雅惠. "Study on the linguistic stylistics of Wang Chang-Ling’s Seven-character-quatrain-based on scopes of phonology and lexicology." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/40766185402095457481.

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碩士<br>臺北市立教育大學<br>應用語言文學研究所<br>94<br>Wang Chang-Ling’s poems are dense in the mind and pure in the thought. His seven-character-quatrain is still more affectionate with hidden bitterness. The poetic rhyming lays rather great stress on the continuous burgeoning of life. Since Tang Dynasty, Wang Chang-Ling’s quatrain remained top of the list in both the choice for poetry collection and poetry commentaries. Later generations highly praised his works as “heavenly works”. He was paralleled with Poet Li Bai. However, many successors who studied on Wang Chang-Ling’s works merely focused on analysis o

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15

Huang, Han-Wen, and 黃翰文. "The Learning Effects of Elaboration Strategies Instruction on Five-Character Quatrain Poemsfor Junior High School Students with Intellectual Disabilities." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/r2bfba.

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碩士<br>國立臺北教育大學<br>特殊教育學系碩士班<br>107<br>The purpose of the study explored the learning effects on Five-Character Quatrain Poems by applying the elaboration strategies instruction on three junior high school students with intellectual disabilities. This research adapted the single subject, A-B-M design. The participants were three junior high school students with intellectual disabilities. In this study, three participants received elaboration strategies instruction of learning five-character quatrain poems and learned one five-character quatrain poems a week. A self-developed research instrum

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16

Lee, Jia-Yu, and 李家毓. "A Study of Zheng Qian’s “Thirty Quatrains on Ci(Poetry)”." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/41404350768059529933.

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17

Lin, Hsin-Yi, and 林欣怡. "A Study on Discussing the “Quatrains on Poetry” of Qian, Qian-Yi." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/82393524609064978580.

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碩士<br>中興大學<br>中國文學系所<br>99<br>“Poems on Poetry” is a form of literary criticism in ancient China and the appearance of Du Fu’s “Six Quatrains Written in Jest” is considered an important milestone in the development of quatrains on poetry. After Du Fu, there are several other poets contributing to this literary form such as Yuan Hao-Wen’s “Thirty Quatrains on Poetry,” Qian Qian-Yi’s “Sixteen Quatrains Written in Jest with Yao Shu-Xiang in Discussion of Contemporary Poets in Ming-Fa-Tang,” and Wang Yu-Yang’s “Thirty Two Quatrains Written in Jest to Imitate Yuan Yi-Shan’s Poems on Poetry.” At thi

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18

Tung, Wen-Ni, and 童文妮. "A Study on Discussing the “Thirty-Four Quatrains on Poetry” of Qu Fu." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/15101459222399418642.

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碩士<br>國立中興大學<br>中國文學系所<br>102<br>“Quatrains on Poetry” is a way to criticize or do research on metrical poems. It is recognized as one of the methods in Chinese literary criticism. The form was originated from Du–Fu’s “Six Quatrains Written in Jest” in Tang Dynasty and matured by Yuan Hao-Wen’s “ Thirty Quatrains on Poetry”in Jin Dynasty. The following generations of scholars continuously wrote poems in this form, especially those from Ching Dynasty and they acheived a remarkable accomplishment. Qu Fu’s poems are energetic and very primitive. In his work “Thirty-four Quatrains on Poetry”, Qu F

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