Relevant bibliographies by topics / Quebec poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Quebec poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Quebec poetry"

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Pelard, Emmanuelle. "L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère." Quêtes littéraires, no. 6 (December 2, 2016): 108–17. http://dx.doi.org/10.31743/ql.218.

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The surrealist Quebec poet, painter and artists’ books editor Roland Giguère has based his entire work on a dialogue between poetry and visual arts (painting, serigraphy, typography) in order to experiment the iconicity of writing. He has composed a graphic poetry made of plastic and iconic signs as well as graphic signs, playing with the semiotic ambiguity to create poetic effects and sense. His polysemiotic experiment of the poem based on a specific use of serigraphy has impacted the readability, but has paradoxically shown a new kind of poeticity and the expressiveness of writing. The aim of this article is to establish how the writing subversion and the semiotic experiment allowed by an original use of serigraphy creates poetry.
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Sarkar, Mela, and Lise Winer. "Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity." International Journal of Multilingualism 3, no. 3 (2006): 173–92. http://dx.doi.org/10.2167/ijm030.0.

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Camlot, Jason, and Renaud Roussel. "Le Foster Poetry Conference (1963)." Dossier 40, no. 2 (2015): 59–75. http://dx.doi.org/10.7202/1030201ar.

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Cet article s’intéresse à un événement tenu en 1963 dans les Cantons-de-l’Est, le Foster Poetry Conference, qui avait réuni plusieurs poètes de langue anglaise, ainsi qu’au volume publié dans sa foulée, English Poetry in Quebec (1965). Aujourd’hui presque oubliée, cette rencontre poétique organisée par John Glassco, Frank Scott et A.J.M. Smith, qui bénéficia du soutien financier du Gouvernement du Québec, avait l’ambition de rapprocher les poètes anglophones et francophones du Québec, et cela à un moment charnière tant du développement des événements publics de poésie en Amérique du Nord que des politiques publiques et culturelles du Québec.
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Vaudrin-Charette, Julie. "Reading Silenced Narratives: A Curricular Journey into Innu Poetry and Reconciliation." in education 21, no. 2 (2015): 150–70. http://dx.doi.org/10.37119/ojs2015.v21i2.223.

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Using a life writing research methodology in this article, I seek to understand the complexities implicated in reading silenced narratives as a way towards reconciling internations relationships. To do so, I weave in the poetical territories of Josephine Bacon, Innu poet from Pessiamit, Quebec. I analyse how a poetic text has created spaces for reinterpreting silence[s], that journey into and beyond my whispered narratives as an emerging, settler scholar and curriculum theorist. As I tune into several layers of silences, I examine the pedagogical implications lying within public and intimate territories of silenced narratives and the narrative(s) of silence(s) in our various practices as educators.Keywords: Postcolonialism; Indigenous education; educator's role; pedagogyFigure 1. A visual abstract is offered here as an alternative way to enter the space of silenced narratives of symbolic literacies (see Battiste, 1986).
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Ravvin, Norman. "On Refusing Canada, Canlit and More: National and Literary Identity in All Its Varieties." Studia Anglica Posnaniensia 55, s2 (2020): 291–301. http://dx.doi.org/10.2478/stap-2020-0014.

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Abstract Two recent anthologies of Canadian writing – Refuse: CanLit in Ruins and Resisting Canada: An Anthology of Poetry – reflect stances of resistance to mainstream institutional understandings of Canadian writing culture. They highlight recent scandals in academia and in literary communities, as well as highlighting the voices of Indigenous and women writers. These stances echo earlier forms of cultural revolution in Canada, in particular the Refus global manifesto, which provoked conventional Quebec society in the late 1940s. This paper contrasts these forms of refusal with a period in the 1950s and 1960s when influential Jewish writers, including Leonard Cohen and Irving Layton, took a counter-cultural stance while appearing in mainstream venues offered to them by CBC television and radio.
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Wessels, Andries. ""A Rich and Rare Land": The Experience and Expression of Nationalism in Poetry among Reluctant Colonists in Ireland, South Africa and Quebec." Canadian Journal of Irish Studies 25, no. 1/2 (1999): 352. http://dx.doi.org/10.2307/25515280.

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Balestrini, Nassin W. "Sounding the Arctic in Chantal Bilodeau’s Climate Change Plays." Nordic Theatre Studies 32, no. 1 (2020): 66–81. http://dx.doi.org/10.7146/nts.v32i1.120408.

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Quebec-born playwright Chantal Bilodeau has been responding to the challenges of dramatizing anthropogenic climate change by developing an eight-part Arctic Cycle, each play of which is set in one of the nations that claims Arctic territory. Sila (2014) immerses audiences into a complex network of humans, animals, and mythical beings crisscrossing the Canadian Arctic. These movements circle around the Inuit concept of sila, which is the life-giving force of breath and voice. Thus, the sonic world of Sila focuses on voices speaking words, on performance poetry, and on the sounds of breath and wind. Bilodeau’ s second Arctic Cycle play, Forward (2016), addresses the long-term impact of Fridtjof Nansen’s polar exploration of the 1890s on Norway’s economy and society. In terms of sound, Forward features multiple musical performances rangingfrom traditional songs to European opera arias and Lieder to contemporary Norwegian electro-pop. The sonic features of both plays stress interdependence across time, space, as well as (non-)human, earthly, and metaphysical realms. Sila and Forward address climate change in a non-universalizing manner which promotes a heterarchical (rather than hierarchical) aesthetic fit for a growing awareness of planetary relationality.
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GARCÍA PEINADO, Miguel A. "Panorámica de la Poesía "Canadiense-Française" Contemporánea." Hikma 2, no. 2 (2003): 23. http://dx.doi.org/10.21071/hikma.v2i2.6752.

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Breve panorámica de la poesía contemporánea del Canadá francés, que se inicia en la práctica con la figura de Nelligan, sigue con la generación denominada de los “grands arnés”, configurándose posteriormente en cuatro grandes bloques: la poesía de estética surrealista, la influencia de la casa editorial "El Hexágono” y los poetas nacionalistas, la poesía femenina y el lirismo urbano de la poesía del actual Quebec.
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GARCÍA PEINADO, Miguel A. "Panorámica de la Poesía "Canadiense-Française" Contemporánea." Hikma 2, no. 2 (2003): 23. http://dx.doi.org/10.21071/hikma.v2i2.6760.

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Breve panorámica de la poesía contemporánea del Canadá francés, que se inicia en la práctica con la figura de Nelligan, sigue con la generación denominada de los “grands arnés”, configurándose posteriormente en cuatro grandes bloques: la poesía de estética surrealista, la influencia de la casa editorial "El Hexágono” y los poetas nacionalistas, la poesía femenina y el lirismo urbano de la poesía del actual Quebec.
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Rains, Charleen. "“You die for life”: On the use of poetic devices in argumentation." Language in Society 21, no. 2 (1992): 253–76. http://dx.doi.org/10.1017/s0047404500015281.

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ABSTRACTAnalysis of a sociolinguistic interview reveals repeated presentation of ideas, words, expressions, and structures. These recurrent devices and patterns increase the effect of arguments. The immediate purpose is the listener's acceptance of the speaker's views. There is also a concern to gain recognition of the speaker's opinion of self and his position in society. (Poetics in conversation, argumentation, repetition, Montreal French, Quebec)
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Dissertations / Theses on the topic "Quebec poetry"

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Carrière, Marie J. "Poetics of the other, five feminist writers from English Canada and Quebec." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/NQ45662.pdf.

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Frédette, Julie. ""Rare Poems Ask Rare Friends" : Literary Circles and Cultural Capital : The Case of Montreal's Jubilate Circle." Thèse, Université de Sherbrooke, 2014. http://savoirs.usherbrooke.ca/handle/11143/94.

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Abstract : The field of literature taken as a sociological phenomenon has enlightened and deepened our knowledge and appreciation of several national literatures, and the works of Pierre Bourdieu and Georg Simmel in this field are now considered ground-breaking. In Québec, the Groupe de recherche sur l’édition littéraire au Québec (now operating under the name « Groupe de recherche sur l’étude du livre au Québec ») has been particularly active in studying the sociological conditions that make literature possible in this Canadian province. Parallel to this, the Équipe de recherche interuniversitaire en littérature anglo-québécoise (ÉRILAQ) has gathered researchers interested in the “contact zone,” to borrow an expression from Catherine Leclerc and Sherry Simon, that is Anglo-Quebec literature. This dissertation will combine these two interests in order to study in greater depth the discourse and works of the poets of the Jubilate Circle, a network of poets writing in English in Québec at the turn of the twenty-first century. It will not only seek to prove the existence of a literary circle, it will attempt to showcase how the circle itself has contributed to advancing its members’ literary careers. In keeping with Pierre Bourdieu’s theories of cultural, symbolic and social capital, this dissertation will present, from the outset, a prosopographical sketch of the four poets that make up the Jubilate Circle, and examine the conditions in which they met, bonded as a group (of friends and of colleagues) and came to found the Jubilate Circle. Following this, the instances in which capital of all kinds (symbolic, cultural and social) were exchanged by the four poets will be examined through a close reading of correspondence, dedications, book jacket blurbs and even of the poetry itself. In an attempt to identify the homogeneous in the cacophony of discourse, to paraphrase Marc Angenot, the Jubilate Poets’ discourse on Canadian poetry, enunciated in interviews, essays, book reviews and in the press will then be examined. This will provide a better understanding of the position they hold, or wish to hold, within the field of Canadian poetry and indeed within its canon, existing or future. Finally, an analysis of the poetry they have produced will serve to underscore those aspects of their discourse that are deemed particularly relevant and will highlight areas in which some contradictions may be observed. As a whole, this dissertation will shed some light on the production of poetry, of its criticism and of its publication not only as a literary phenomenon, but also as a profoundly social one. // Résumé : L’étude du champ littéraire en tant que phénomène social a su éclairer et approfondir notre appréciation de plusieurs littératures nationales, et les travaux de Pierre Bourdieu et de Georg Simmel à cet égard sont aujourd’hui considérés fondateurs. Au Québec, le Groupe de recherche sur l’édition littéraire au Québec (aujourd’hui connu sous le nom « Groupe de recherche sur l’étude du livre au Québec ») a jeté les assises dans l’étude des conditions sociologiques qui rendent le phénomène littéraire possible dans cette province canadienne. Parallèlement, l’Équipe de recherche interuniversitaire en littérature anglo-québécoise (ÉRILAQ) réunit des chercheurs qui s’intéressent à cette “zone de contacte”, pour reprendre l’expression de Catherine Leclerc et de Sherry Simon, qu’est la littérature anglo-québécoise. Cette thèse combinera effectivement ces deux champs de recherche afin d’étudier de manière plus approfondie le discours et les œuvres des poètes du “Jubilate Circle”, un réseau de poètes publiant en anglais au Québec au tournant du vingt-et-unième siècle. Elle cherchera non seulement à prouver l’existence d’un cercle littéraire, mais tentera également de démontrer par quels moyens ce même cercle a pu contribuer à l’avancement des carrières littéraires de ses membres. Suivant les théories sur le capital culturel, symbolique et social énoncées par Pierre Bourdieu, cette thèse brossera, dans un premier temps, le profil prosopographique de chacun des acteurs du Jubilate Circle et se penchera sur les conditions qui ont favorisé leur rencontre, le bourgeonnement d’une amitié et d’une collaboration littéraire à long terme et la création du cercle littéraire. En second lieu, les instances dans lesquelles des échanges de capital ont lieu seront scrutées grâce à une lecture détaillée de la correspondance, des dédicaces, des textes de quatrième de couverture et même de la poésie elle-même. Dans le but de faire ressortir l’homogène que recèle la cacophonie du discours, pour paraphraser Marc Angenot, le discours tenu par les poètes du Jubilate Circle au sujet de la poésie canadienne contemporaine, énoncé lors d’entretiens, dans des essais littéraires, des comptes rendus et dans les quotidiens de ce pays sera examiné. Une telle étude permettra de faire la lumière sur leur posture et sur la position qu’ils occupent, ou souhaitent occuper, dans le champ de la poésie canadienne, voire dans son canon littéraire, présent ou futur. Enfin, une analyse de la poésie produite par ces quatre poètes sera l’occasion de souligner et d’illustrer certains aspects particulièrement significatifs de leur discours et révélera quelques instances dans lesquelles certaines contradictions peuvent être observées. Dans son ensemble, cette thèse vise à jeter un nouvel éclairage sur la production d’une poésie, de sa critique et de ses instances de publication non seulement en tant que phénomène littéraire, mais bien en tant que phénomène profondément social.
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Hanks, Jennifer R. "Myth Protagonist X." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2158.

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Mangus, Paul. "Match Bitten." University of Akron / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=akron1619134112811225.

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Strobel, Wesley/Kaileigh. "(TRANS)FORM: Spoken Word as Queer and Transgender Testimony." Otterbein University Distinction Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=otbndist1620462465460833.

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Bellew, Paul. "Ephemeral Arrangements: Materiality, Queerness, and Coalition in U. S. Modernist Poetry." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18538.

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This dissertation searches for a body of queer modernist poetry while at the same time attempting to rework the definition of “queer.” In chapter I, I use a reconceptualization of queerness not as an abstract, theoretical rendering of the breakdown of identity categories but in its fundamental, historical sense: a political coalition made up of individuals with different subjective sexual identities who are similarly marginalized in decidedly sexual terms. Thus, this project seeks to locate texts that demonstrate moments of empathy, intersection, and cooperation between LGBT speakers, characters, or editors and people with different sexualities, races, or abilities. In this project, I avoid traditional, well-known texts of modernism in favor of recovering forgotten work by non-heterosexual authors who have been at one time or another marginalized in the canon and in society at large—Amy Lowell, Langston Hughes, and Hart Crane. In order to rediscover this overlooked work by formerly forgotten poets, the project utilizes archival research and a material methodology in which I analyze poems not just in the abstract but in their original, ephemeral locations and venues: archival manuscripts, little magazines, and book-length collections. In chapter II, I uncover an experimental editorial method that Lowell pioneered in her Some Imagist Poets anthologies in which, rather than selecting and editing the selection as a traditional editor, she offered equal space to each contributor to choose and arrange their own suite of poetry. In chapter III, I analyze Hughes’ “A House in Taos” in both its first publication in a Mexico-based literary journal then in one of his own understudied collections, arguing that the poem represents an interracial, bisexual triad. In the chapter on Crane, I analyze several versions of a poem about a young man with a cognitive disability with whom Crane was acquainted while vacationing in Cuba, showing that, when the poem is set outside of the U. S. border, the speaker evinces a deep empathy for the marginalized young man.
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Sultan, Hazar. "Gender-queer Identity and Resistance to Gender Binary in Andrea Gibson's Poetry." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29630.

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The question of gender, specifically gender identity, is prominent in today’s society. It is highly debated and through the development of queer theory it is gaining more academic recognition. However, there is a gap regarding representation of the gender-queer identity of one contemporary poet, Andrea Gibson. Gibson provides a much needed perspective and voice in society and scholarly debates. This is why this essay uses queer theory along with Kate Bornstein and Judith Butler to examine three poems by Gibson, “Swing-Set, “The Jewelry Store” and “A Genderful Pep-Talk for my Younger Self”. The essay analyses the ways Gibson, through poetry, formulates a gender-queer identity and thus questions the generic gender binary system.
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Nunes, Jennifer Marie. "“Afternoon, a Fall”: Relationality, Accountability, and Failure as a Queer-Feminist Approach to Translating the Poetry of Yu Xiuhua." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494231761761609.

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Kramer, Max. "The poetry of inversion : Queer metaphor in Arthur Rimbaud, Stefan George, and Federico Garcia Lorca." Paris 4, 2008. http://www.theses.fr/2008PA040103.

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Baylis-Green, Caroline. "Queer subjectivities, closeting and non-normative desire in nineteenth-century women's poetry and life writing." Thesis, Manchester Metropolitan University, 2015. http://e-space.mmu.ac.uk/617012/.

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This thesis aims to elucidate previously obscured aspects of nineteenth-century women’s writing, through the development of original approaches to the reading of gender ambiguity, queer subjectivities and non-normative desire. It challenges the removal of the closet from feminist, historicist scholarship and constructions of female sexuality based on an adherence to romantic friendship and lesbian continuum models. This research proposes original work, which breaks the links between Michel Foucault’s dating of the disciplinary coding of homosexuality and the assumed relationship with the closet. New readings are proposed which acknowledge, define and foreground multi-functional closets, inside and outside of texts. In refusing this removal this study also aims to open up a space for the consideration of closets as protective and supportive spaces as well as symptoms of oppression. Underexplored links between literary form, the repelling of social restriction and the relationship between literary conventions and non-binary positions are also highlighted to emphasise the radical potential of performative subjects in women’s writing. This project proposes the recovery of queer selves and subjective forms of identification in the work of seven/eight women writers Anne Lister, Emily Brontë, Anne Brontë, Christina Rossetti, Adelaide Anne Procter, Michael Field and Amy Levy, spanning the long nineteenth century. It also offers new approaches by combining cross-genre analysis of poetry and life writing. Using activist language largely in advance of academic discourse, it asks questions about the changing significance of queerness as language and metaphor. This thesis uses diverse social, religious and literary bodies to illustrate the strength of same-sex communities and their role in providing safe spaces for queer, desiring interactions in the nineteenth century.
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Books on the topic "Quebec poetry"

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A Quebec City boyhood. Borealis Press, 2001.

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The Quebec battlefields. [s.n.], 1994.

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D'Alfonso, Antonio. Found in translation: An anthology of poets from Quebec. Ekstasis Editions, 2013.

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Nawrocki, Norman. Red: Quebec student strike and social revolt poems. Les Pages Noire, 2013.

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Mackay, J. Quebec hill, or, Canadian scenery: A poem : in two parts. Canadian Poetry Press, 1988.

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Bayard, Caroline. The new poetics in Canada and Quebec: From concretism to post-modernism. University of Toronto Press, 1989.

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Thomas, Cary. Abram's plains: A poem. Canadian Poetry Press, 1986.

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R, Bentley D. M., ed. Abram's plains: A poem. Canadian Poetry Press, 1986.

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Packer, Miriam. Take me to Coney Island. Guernica, 1993.

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Kokis, Sergio. La danse macabre du Québec. XYZ éditeur, 1999.

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Book chapters on the topic "Quebec poetry"

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Guy-Bray, Stephen. "Queer Studies." In A Companion to Renaissance Poetry. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch38.

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Damon, Maria. "Queer Cities." In A Concise Companion to Twentieth-Century American Poetry. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757680.ch5.

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Raha, Nat. "Queer Labour in Boston: The Work of John Wieners, Gay Liberation and Fag Rag." In Poetry and Work. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26125-2_7.

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Gardner, Callie. "‘Queer, Wonderful Misunderstandings’: Catachresis as Aesthetic in Contemporary Poetry." In Error, Ambiguity, and Creativity. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39755-5_7.

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Dunnigan, Sarah M. "Heretical Love-Words: The Poetry of William Fowler." In Eros and Poetry at the Courts of Mary Queen of Scots and James VI. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403932709_7.

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Wells, M. "The Queen Iceni Seeks Andraste." In Scholars and Poets Talk about Queens. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137534903_8.

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Padva, Gilad. "Black Nostalgia: Poetry, Ethnicity, and Homoeroticism in Looking for Langston and Brother to Brother." In Queer Nostalgia in Cinema and Pop Culture. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137266347_10.

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Baer, Brian James. "Keep the lyric queer, or poetic translation as reparative reading." In Queer Theory and Translation Studies. Routledge, 2020. http://dx.doi.org/10.4324/9781315514734-6.

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Donnelly, Mary Ruth. "Mary Queen of Scots in Hell." In Scholars and Poets Talk about Queens. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137534903_18.

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Czerwiec, Heidi. "GRACE: O’Malley Meets the English Queen (1593)." In Scholars and Poets Talk about Queens. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137534903_25.

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