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1

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan performance of history. New York: Cambridge University Press, 2009.

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2

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan performance of history. Cambridge, UK: Cambridge University Press, 2009.

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Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan performance of history. New York: Cambridge University Press, 2009.

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Shakespeare, the Queen's Men, and the Elizabethan performance of history. New York: Cambridge University Press, 2009.

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5

Helen, Ostovich, Syme Holger Schott, and Griffin Andrew, eds. Locating the Queen's Men, 1583-1603: Material practices and conditions of playing. Aldershot, Hants, England: Ashgate, 2009.

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6

The Shakespeare Company, 1594-1642. Cambridge, UK: Cambridge University Press, 2004.

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7

Edward, Marston. The queen's head. Scottsdale, AZ: Poisoned Pen Press, 2000.

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8

The repertory of Shakespeare's company, 1594-1613. Fayetteville: University of Arkansas Press, 1991.

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9

The best actors in the world: Shakespeare and his acting company. Westport, Conn: Greenwood Press, 2002.

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10

Gurr, Andrew. Shakespeare's opposites: The Admiral's company, 1594-1625. Cambridge: Cambridge University Press, 2009.

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11

Gurr, Andrew. Shakespeare's opposites: The Admiral's company, 1594-1625. Cambridge: Cambridge University Press, 2009.

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12

Woelfle, Gretchen. All the world's a stage: A novel in five acts. New York: Holiday House, 2011.

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13

Gooden, Philip. Alms for oblivion. New York: Carroll & Graf Publishers, 2003.

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14

Gooden, Philip. The pale companion: A Shakespearean murder mystery. New York: Carroll & Graf Publishers, 2002.

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15

Griffin, Andrew, Helen Ostovich, and Holger Schott Syme. Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing. Taylor & Francis Group, 2016.

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16

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan Performance of History. Cambridge University Press, 2009.

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17

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan Performance of History. Cambridge University Press, 2010.

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18

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan Performance of History. Cambridge University Press, 2009.

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19

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan Performance of History. Cambridge University Press, 2009.

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20

Walsh, Brian. Shakespeare, the Queen's Men, and the Elizabethan Performance of History. Cambridge University Press, 2013.

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21

Griffin, Andrew, Helen Ostovich, and Holger Schott Syme. Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing. Taylor & Francis Group, 2016.

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22

Griffin, Andrew, Helen Ostovich, and Holger Schott Syme. Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing. Taylor & Francis Group, 2016.

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23

Griffin, Andrew, Helen Ostovich, and Holger Schott Syme. Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing. Taylor & Francis Group, 2016.

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24

MacLean, Sally-Beth, and Scott McMillin. The Queen's Men and their Plays. Cambridge University Press, 2006.

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25

Gurr, Andrew. Shakespeare's Opposites: The Admiral's Company 1594-1625. Cambridge University Press, 2021.

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26

Gurr, Andrew. Shakespeare's Opposites: The Admiral's Company 1594-1625. Cambridge University Press, 2012.

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27

Shakespeare Company, 1594-1642. Cambridge University Press, 2010.

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28

Munro, Lucy. Shakespeare in the Theatre: The King's Men. Bloomsbury Publishing Plc, 2021.

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29

Shakespeare in the Theatre: The King's Men. Bloomsbury Publishing Plc, 2020.

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30

The Queen's Head. Bantam Books, 1989.

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31

Edward, Marston. The Queen's head. Bantam, 1988.

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32

Edward, Marston. The Queen's head. Corgi, 1988.

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33

The Admiral's Company of Shakespeare's Time. Cambridge University Press, 2008.

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34

A Jacobean Company And Its Playhouse The Queens Servants At The Red Bull Theatre C 16051619. Cambridge University Press, 2013.

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35

Marino, James J. Owning William Shakespeare: The King's Men and Their Intellectual Property. University of Pennsylvania Press, 2013.

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36

Owning William Shakespeare: The King's Men and their intellectual property. Philadelphia: University of Pennsylvania Press, 2011.

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37

Marino, James J. Owning William Shakespeare: The King's Men and Their Intellectual Property. University of Pennsylvania Press, 2011.

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38

Rutter, Tom. Shakespeare and the Admiral's Men: Reading Across Repertories on the London Stage, 1594-1600. Cambridge University Press, 2017.

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39

Shakespeare and the Admiral's Men: Reading Across Repertories on the London Stage, 1594-1600. Cambridge University Press, 2017.

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40

Rutter, Tom. Shakespeare and the Admiral's Men: Reading Across Repertories on the London Stage, 1594-1600. Cambridge University Press, 2017.

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41

Rutter, Tom. Shakespeare and the Admiral's Men: Reading Across Repertories on the London Stage, 1594-1600. Cambridge University Press, 2021.

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42

Gooden, Philip. Alms for Oblivion. Little, Brown Book Group Limited, 2012.

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43

Gooden, Philip. The Pale Companion: A Shakespearean Murder Mystery. Carroll & Graf, 2003.

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44

Shakespeare's theatre. 2nd ed. London: Routledge, 1992.

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45

Grote, David. The Best Actors in the World. Praeger, 2002. http://dx.doi.org/10.5040/9798400617621.

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Shakespeare knew actors because he was one. The first book-length study of its kind, this volume investigates Shakespeare as a member of his acting company, dating and casting all the plays they presented from 1594 to 1614, and exploring the effects of actors on his writing. Much has been written about Shakespeare and a great deal is known about the Elizabethan theater. Yet little has been done to examine Shakespeare in relation to his acting company. This book casts light on Shakespeare's life in drama and the creation and staging of his plays. More precisely than any other work, it establishes the dates for his company's productions, exploring the varied and profound influences actors had on the works of Renaissance dramatists, and giving us a unique look at the man who knew his actors best of all. As a member of the newly organized Chamberlain's Men, a company that rose to fame in the London theater, Shakespeare experienced the numerous crises, both personal and political, that nearly destroyed the company at the construction of the Globe. Grote describes the company's reorganization as the King's Men, which led to the writing of Shakespeare's great tragedies, as well as the trials of the plague years, Shakespeare's retirement from the stage, the development of writers to replace him, and the burning of the Globe.
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