Relevant bibliographies by topics / Queen Christina of Sweden

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Queen Christina of Sweden'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Queen Christina of Sweden.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Queen Christina of Sweden"

1

Fogelberg Rota, Stefano. "Queen Christina’s heroic virtue and its religious implications." Early Modern Culture Online 3 (February 25, 2018): 1. http://dx.doi.org/10.15845/emco.v3i0.1284.

Full text
Abstract:
Heroic virtue is a recurrent theme in poems and panegyrics written for Queen Christina of Sweden, both before and after her abdication. This article focus on the use of heroic virtue in some poems and academic discourses dedicated to Christina, both before and after her conversion to Catholicism, taking a particular interest in its religious implications. The claim for heroicity stands as a political argument during the queen’s time in Sweden and as a programmatic position for her academy in Rome, Accademia Reale, both in its philosophical and poetical activity.
APA, Harvard, Vancouver, ISO, and other styles
2

Rodén, Marie‐Louise. "The burial of queen Christina of Sweden in St Peter's church." Scandinavian Journal of History 12, no. 1-2 (1987): 63–70. http://dx.doi.org/10.1080/03468758708579107.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lundelius, Ruth. "Queen Christina of Sweden and Calderón's Afectos de odio y amor." Bulletin of the Comediantes 38, no. 2 (1986): 231–48. http://dx.doi.org/10.1353/boc.1986.0027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Åkerman, Susanna. "Queen Christina’s esoteric interests as a background to her Platonic Academies." Scripta Instituti Donneriani Aboensis 20 (January 1, 2008): 17–37. http://dx.doi.org/10.30674/scripta.67324.

Full text
Abstract:
In 1681 the blind quietist, Francois Malaval, stated that Queen Christina of Sweden late in life had ‘given up’ [Hermes] Trismegistos and the Platonists, in favour of the Church fathers. The statement does not explain what role the Church fathers were to play in her last years, but it does show that Christina really had been interested in the rather elitist and esoteric doctrine of Hermetic Platonic Christianity. In this article the author looks at her library to show the depth of this Hermetic involvement. Her interest serves as a background to her life as ex-queen in Italy after her famous abdication from the Swedish throne in 1654, when she was 27 years old.
APA, Harvard, Vancouver, ISO, and other styles
5

Lodén, Sofia. "Female Arthurians in Scandinavia: Eufemia, Christina and the Modern Female Scholar." Journal of the International Arthurian Society 7, no. 1 (2019): 42–60. http://dx.doi.org/10.1515/jias-2019-0003.

Full text
Abstract:
Abstract This article traces the line between the medieval female reader of Arthurian romance in Scandinavia and the female scholar of today. It draws attention to a number of female patrons and readers of Arthuriana in the Middle Ages, as well as to Queen Christina of Sweden in the seventeenth century. It also discusses the contribution of Scandinavian women to the scholarly field of Arthurian literary study.
APA, Harvard, Vancouver, ISO, and other styles
6

Cerkovnik, Esma. "Die Bekehrung Königin Christinas von Schweden und die Oper La vita humana (1656)." Archiv für Musikwissenschaft 77, no. 4 (2020): 281. http://dx.doi.org/10.25162/afmw-2020-0013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Schmidt, Kristoffer. "Ludvig Holberg og fejden med Johann Arckenholtz." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 113. http://dx.doi.org/10.7146/fof.v53i0.118847.

Full text
Abstract:
Kristoffer Schmidt: Ludvig Holberg and his feud with Johann Arckenholtz
 In 1751, the Swedish librarian Johann Arckenholtz published the first two volumes of his work Memoires Concernant Christine Reine de Suede. The work was mainly a panegyric defence of Queen Christina of Sweden who abdicated in 1654. Christina was a controversial figure in her own time and both contemporary and later authors criticised some of her more dubious actions. Being a fan of the Swedish queen, Arckenholtz defended his heroine vigorously and accused many of her critics of writing untruthful character assassinations.One of these critics was the Danish historian and playwright Ludvig Holberg. Holberg objected to the criticism by writing a rebuttal where he not only rejected Arckenholtz’ views but also accused him of being more of a panegyrist than an actual historian. This sparked a heated debate between the two authors, which would receive international attention. Despite the contemporary interest historical studies about the debate are scarce and inadequate.The purpose of this article is threefold: 1) It gives a detailed account of the feud between Holberg and Arckenholtz; 2) It examines why the feud between the authors became so heated; 3) It examines the Danish-Norwegian, Swedish and international reception of the dispute.
APA, Harvard, Vancouver, ISO, and other styles
8

Lanoye, Diederik. "THE STAY OF QUEEN CHRISTINA OF SWEDEN IN THE SPANISH NETHERLANDS, 1654–1655." Court Historian 5, no. 2 (2000): 151–53. http://dx.doi.org/10.1179/cou.2000.5.2.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Williams, Daniela. "Joseph Eckhel (1737–1798) and the coin collection of Queen Christina of Sweden in Rome." Journal of the History of Collections 32, no. 2 (2019): 289–302. http://dx.doi.org/10.1093/jhc/fhz019.

Full text
Abstract:
Abstract On the basis of published and unpublished sources, this paper discusses the influence that the visit made by the Austrian numismatist Joseph Eckhel (1737–1798) to Rome in 1772–3 had on the late eighteenth-century arrangement of the coin collection assembled by Queen Christina of Sweden (1626–1689), then in possession of the Odescalchi family. Furthermore, the author tries to assess the impact of this collection on the work of Eckhel, a key figure in numismatic scholarship.
APA, Harvard, Vancouver, ISO, and other styles
10

Nivre, Elisabeth Wåghäll. "Writing life - writing news: representations of Queen Christina of Sweden in early modern literature." Renaissance Studies 23, no. 2 (2009): 221–39. http://dx.doi.org/10.1111/j.1477-4658.2009.00561.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Queen Christina of Sweden"

1

Kandare, Camilla Eleonora. "Figuring a Queen Queen Christina of Sweden and the embodiment of sovereignty /." Diss., UC access only, 2009. http://proquest.umi.com/pqdweb?index=67&did=1871856601&SrchMode=1&sid=1&Fmt=7&retrieveGroup=0&VType=PQD&VInst=PROD&RQT=309&VName=PQD&TS=1270228865&clientId=48051.

Full text
Abstract:
Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Includes bibliographical references (leaves 334-352). Issued in print and online. Available via ProQuest Digital Dissertations.
APA, Harvard, Vancouver, ISO, and other styles
2

Popp, Nathan Alan. "Expressions of power: Queen Christina of Sweden and patronage in Baroque Europe." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1999.

Full text
Abstract:
Queen Christina of Sweden (1626-1689) utilized art in many ways to promote herself and assert power in Baroque Europe. Previous scholars have addressed either Christina’s use of art to safeguard authority as Swedish regnant, or her expressions of sovereignty as an erstwhile Protestant queen in Rome, but no scholarship to date has addressed the topic of how Christina’s patronage developed, or explored how motifs employed early on later reappeared. This dissertation brings together both sides of the equation to provide a comprehensive understanding of how Queen Christina’s patronage developed in Stockholm, and how her approach evolved as she became a fixture in Rome. The deployment of the arts was necessary to assert Christina’s authority in a patriarchal environment and ultimately, to politically legitimize herself as an independent royal woman. An initial review of royal imagery of her father King Gustav II Adolf (1594-1632) provides the background for examination of early patronage promoting Christina, which drew upon Gustav’s precedents while beginning to establish her as a majestic leader in her own right. Originally the queen’s autonomy was limited by a constitutional rewrite as others steered her image for their own benefit, but Christina matured to make her own choices and developed an approach to patronage that continued throughout her life. My research contributes to our understanding of Christina’s development as art patron by examining commissions that counteract this administrative system that restrained her sovereignty. Portraits from her majority rule relied on iconography and visual rhetoric to influence a select audience, while her coronation and abdication proceedings, by contrast, were multisensory public events that broadly proclaimed her capacity to rule. Hence my analysis ranges from the subtle reading of particular images to taking stock of the language of sheer pageantry of those more public visual displays. After abdication Queen Christina had virtually no political clout, but as dowager regnant, she wielded art and patronage to maintain social standing and power. My research considers how Christina deployed the arts to craft her public persona and express her individuality within the male-dominated political structure of the Vatican even as others played off her remarkable abdication with patronage of their own. Christina’s approach was based on precedents developed in Sweden, and she applied them to her Roman situation with varied success. Through many challenges, scandals, and adversities, art was a potent vehicle both for Christina and for those around her to capitalize on her unique status in the history of Baroque Europe.
APA, Harvard, Vancouver, ISO, and other styles
3

Stearns, Shannon Emily. "The Collection of Queen Christina of Sweden: Repurposing Ancient Iconography to Redefine Modern Queenship." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/403153.

Full text
Abstract:
Art History<br>M.A.<br>In this paper, I analyze the life and collection of Christina, Queen of Sweden (1626-1689), as a complex and shifting performance of gender, authority, and other aspects of identity. I argue that Christina’s education and life experiences actively informed her collecting preferences for certain types of mythological figures, which became an effective tool of her self-fashioning as a ruler who broke away from what she viewed as the confines and expectations of her gender. I will demonstrate how her strategies as an astute patron and collector of the arts were central to her subversive presentation as an almost androgynous self-exiled ruler in Rome, who could emulate both male and female virtues equally in order to transfer her former political power to new social and cultural capital. Christina’s collection, newly assembled in the Palazzo Riario in Rome, served this purpose by creating a controlled environment that enforced particular relationships between collector and spectator, spectator and collected objects, as well as among the objects themselves. This thesis weds the various theories of Queen Christina and her collection into a comprehensive theory of her larger project of self-fashioning, arguing that her collecting practices regarding both ancient and contemporary works followed a cohesive philosophy in her politics of collection and display, even while largely challenging the decorum of female patronage. Christina’s self-promoted identity as Minerva of the North forces the viewer to contemplate the items in the collection both on their own and in conversation with one another as part of a larger display. In the nudes of the Stanza dei Quadri on her second floor, as well as the antiquities featured on the ground floor, Christina used the relationship between images and sculptures to create an allegorical pantheon focused on her own self-control and authority. In understanding objects’ interactivity, it is possible to interpret Christina’s renovations to the Palazzo Riario and the display of her collection as a modern day Parnassus or Arcadia, which she used to establish her Roman home as a primary location of scholarship and creation. The contents and display of her collection extended her desired persona as a leader of wisdom and user of knowledge not easily bound by the constraints of either gender. The metaphorical space of Arcadia that she created strengthened her alignment with Minerva, the goddess of wisdom and warfare, and implicitly also with Apollo, who presided over Parnassus. In the case of Queen Christina, we have found that in addition to the personal prestige associated with obtaining valued items, the display of these items in a kind of curated space added value and meaning to the viewing experience.<br>Temple University--Theses
APA, Harvard, Vancouver, ISO, and other styles
4

Rodén, Marie-Louise. "Church politics in seventeenth-century Rome : Cardinal Decio Azzolino, Queen Christina of Sweden and the Squadrone volante." Stockholms universitet, Humanistiska fakulteten, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-91457.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Popp, Nathan Alan. "Beneath the surface: the portraiture and visual rhetoric of Sweden's Queen Christina." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/576.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Martin, Rebecca. "Representing a Nation of Tailors and Cobblers : A Study of Bulstrode Whitelocke´s Journal of the Swedish Embassy, 1653-1654." Thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-113825.

Full text
Abstract:
In November 1653, a vessel arrived in the harbour town of Gothenburg, on the west coast of the Protestant monarchy of Sweden. Aboard the ship was the newly appointed English Ambassador Extraordinary, Bulstrode Whitelocke (1605-1675); jurist, Puritan and avid diary keeper. In his journal, Whitelocke noted down the entirety of what he was to experience during his stay in Sweden. From the heaps of papers he produced over his lifetime, he later edited this particular record under the title Journal of the Swedish Embassy. Spanning between 1653 and 1654, the pages of the journal contains information of the most mundane kind, as well as eye witness accounts of what must be recognised as a very interesting part of European history. More so, it reveals Whitelocke’s views on the political questions of his time, mainly presented through conversations with important actors from Swedish society, such as Queen Christina, Lord High Chancellor Axel Oxenstierna, and the Archbishop of Uppsala, Johannes Canuti Lenaeus. In the eyes of the Swedes, Whitelocke became a representative not only of the new Commonwealth of England, but of the new ideas that had formed the basis of its government. As such, he was often made to explain the conduct of his country men, as well as defend the recent events in England. Thus, through these recorded exchanges, an image of Whitelocke´s representation and of his views regarding the changes in England emerges from the pages. This Masters Thesis will analyse this image, as well as discuss Whitelocke’s political views, both practical and ideological, at the time of his embassy to Sweden.
APA, Harvard, Vancouver, ISO, and other styles
7

Yelkenci, Nilay. "Queer Christian Responses to A Jihad for Love : The Case of Sweden." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77622.

Full text
Abstract:
This reception study, drawing on Robert White’s culturalist approach to religious media and Jane Mansbridge’s oppositional consciousness, explores the meaning-making process of Queer Christians in Sweden about Parvez Sharma’s A Jihad for Love. The study argues that against a background where Muslims and Queer Muslims facing multiple forms of othering in Western mainstream media, queer-affirming Muslim alternative media can be a precursor to interfaith encounter and interreligious dialogue between Queer Christians and Queer Muslims. The results show that A Jihad for Love potentially increased the imagination and political interest of Queer Christians in Sweden in Queer Muslim lives. Finally, this study contributes to the reception of queer-affirming Muslim alternative media which has long been neglected and offers interesting insights about Queer Christian conceptualization of freedom, tolerance, secularism, religion and media in Swedish society.   Keywords: A Jihad for Love, religious media, queer affirming alternative Muslim media, Queer Muslims, Queer Christians, Sweden, interfaith dialogue, secularism
APA, Harvard, Vancouver, ISO, and other styles
8

Vasquez-Lopera, Julian. "Calderón, el cisma sueco de los Vasa y el tropo "Teatro del mundo" : estudios." Doctoral thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81389.

Full text
Abstract:
The ancient concept "The world is a theatre" has been used by poets and philosophers at all times when talking about human conflicts or when describing human society. By focusing on the historical function of this use, the present dissertation examines four plays by Pedro Calderón de la Barca in relation to the schism of the Swedish Wasa dynasty: El sitio de Bredá, La protestación de la fe, La vida es sueño, Afectos de odio y amor. A parallel between Calderon's "auto sacramental" El gran teatro del mundo, Descartes' so called "mask" and the Neoplatonic "Art of Memory" (Giulio Camillo, Giordano Bruno, Robert Fludd) is established in order to explore the ontological and social background of the linguistic term "discourse". The heretic picture created by the European Counter Reformation is studied as the mimetic configuration of a collective fetish. Stephen Greenblatt's notion of "social energy" and Julia Kristeva's account of the fetish in poetical language, are, in this context, discussed with the intention to investigate how Calderón, to the Spanish audience, describes Wladislav Sigismund Vasa visit to Breda's siege and Queen Christina's convertion to the Catholic faith. The political and ideological debate of laws ruling the succession in Catholic and Protestant kingdoms are considered when discussing Diego de Saavedra y Fajardo's (from Catholic Spain) and Schering Rosenhane's (from Lutheran Sweden) political reflections on the issue; this is also compared to the ideological foundations of Calderon's play El gran teatro del mundo. Both King Sigismund Vasa's personal struggle to retain the Swedish crown and Queen Christina's abdication, are considered in the light of Calderon's La protestación de la fe and Rosenhane's political vision in his Hortus Regius. A special investigation is dedicated to the striking contrasts between the original emblems of Hortus Regius and those found today in Rosenhane's palace, having been painted there on the initiative of Rosenhane himself. The Catholic agitation against Machiavelli's definition of "virtue" and the Machiavellian and Catholic interpretation of "reason of state", are related to Calderon's theatre with the intention of evaluating the geopolitical aspects of Calderon's most famous play, La vida es sueño, and also with the purpose to initiate a discussion about the theatrical nature of political behaviour. The dissertation concludes by studying and comparing Calderon's, Bernardino de Rebolledo's (Spanish ambassador to Denmark at the time) and Francisco Bances Candamo's views on Queen Christina's personal aversion to marriage, with special attention paid to the symbolic dimensions of Queen Christina's Amaranta Order.
APA, Harvard, Vancouver, ISO, and other styles
9

Tegenborg, Falkdalen Karin. "Kungen är en kvinna : retorik och praktik kring kvinnliga monarker under tidigmodern tid." Doctoral thesis, Umeå universitet, Historiska studier, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-60249.

Full text
Abstract:
The aim of the present dissertation is to investigate and discuss the political debate on female monarchs during the early modern era (principally circa 1600 to 1720), while specifically pro- blematizing the relationship between rhetoric and practice. The study consists of three sections. The first comprises a study of regulations concerning female succession in the era, highlighting the relationship between the principles of gender and consanguinuity. The second section studies the debate both for and against female monarchs in general, analyzing the arguments presented by Swedish and English debatteurs and European legislators. The third section discusses the perception of female monarchs in practice. Here the focus is on Queens Christina (1632-54) and Ulrika Eleonora (1719-1720), who are both compa­red with each another and other reigning monarchs, primarily the English Queens Elizabeth I (1558-1603), Mary II (1689-94) and Anna Stuart (1702-14). This section is divided into four the­matic subsections: female monarchs in relation to ascension to the throne; education; war; and marriage. Furthermore, the opinions of Christina and Ulrika Eleonora themselves on female monarchs and female succession are discussed. This study has attempted to show that the question of the gender of the monarch has had significance for both the rhetoric and practice of female monarchy. It has been shown that the arguments used against female rulers have mainly concentrated on the principle of gender by labelling "female/feminine" as the negative polar opposite of "male/masculine". In contrast, the arguments used in favour of female monarchs have attempted to tone down the signficance of the fact that the monarch was a woman. Instead, the matter of the monarch's gender was discu­ssed in relation to other, more overriding principles for the monarchy as an institution, inclu­ding birth, dynastic continuity, royal distinctiveness, education, the preservation of order and legitimate succession to the throne. At the same time, this study has shown that traditionally female characteristics could also have a positive effect. One particular problem, both in rhetoric and practice, seems however to have been how and indeed if a female monarch could coordinate her role as sovreign with that of traditionally subordinate wife.<br>digitalisering@umu
APA, Harvard, Vancouver, ISO, and other styles
10

Sjovoll, Therese. "Queen Christina of Sweden´s Musaeum: Collecting and Display in the Palazzo Riario." Thesis, 2015. https://doi.org/10.7916/D8NG4PFC.

Full text
Abstract:
Queen Christina of Sweden (1626-1689)--one of the most celebrated, if controversial, converts of all times--settled in the papal city after her abdication in 1654. Her palace--the Palazzo Riario (today Corsini)--became one of Rome's leading cultural institutions: a site where learned, artistic, and elite culture converged. This study examines Christina's practice of collecting, and argues that her ambition was to create a center for learning and the arts in the Palazzo Riario modeled on the ancient Musaeum of Alexandria. While Christina's importance as a patron of art and learning has long been recognized, this dissertation offers the first comprehensive discussion of Christina's practice of collecting, and the architecture and ambience of her Roman palace. Based on both published and unpublished architectural drawings, inventories, household accounts, and contemporary travel descriptions, this dissertation establishes the contents and the display of Christina's collection, and the architectural plan of the Palazzo Riario. This study examines the intersection between objects and their display, issues of etiquette and decorum, and the social use of architecture in seventeenth-century Rome. It aims to contribute to the history of collecting and early museums, and to the broader field of seventeenth-century culture.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Queen Christina of Sweden"

1

Queen Christina of Sweden. Capstone Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Fox, Joseph L. The lives of Mary, Queen of Scotland and Christina, Queen of Sweden. Adams Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Christina Heroina: Mythological and historical exemplification in the Latin panegyrics on Christina, Queen of Sweden. Suomalainen Tiedeakatemia, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

vaticana, Biblioteca apostolica. Cristina di Svezia a Roma 1655-1689 : mostra di documenti =: Queen Christina of Sweden at Rome 1655-1689 : exhibition of documents. Biblioteca apostolica vaticana, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Akerman, Susanna Kristina. Queen Christina of Sweden and her circle: A study in seventeenth century political theology. University Microfilms International, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Queen Christina of Sweden and her circle: The transformation of a seventeenth-century philosophical libertine. E.J. Brill, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Christina. På lediga stunder: Drottning Kristinas tänkespråk. Wahlström & Widstrand, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Rodén, Marie-Louise. Church politics in seventeenth-century Rome: Cardinal Decio Azzolino, Queen Christina of Sweden, and the Squadrone Volante. Almqvist & Wiksell International, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

The mild boredom of order: A study in the history of the manuscript collection of Queen Christina of Sweden = La noia leggera dell'ordine : uno studio sulla storia della collezione di manoscritti della regina Christian di Svezia. Lund University, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Amy, Villarejo, ed. Quee n Christina. British Film Institute, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Queen Christina of Sweden"

1

Lockhart, Paul Douglas. "The Interregnum and Queen Christina, 1632–54." In Sweden in the Seventeenth Century. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80255-1_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kandare, Camilla. "A Queen in Constant Motion: Queen Christina of Sweden and the Unexpected Mobility of Sovereignty." In Unexpected Heirs in Early Modern Europe. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55294-1_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wiemann, Dirk. "Gems, Pam: Queen Christina." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8608-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Borelli, Giovanni Alfonso. "To the august Queen Christina." In On the Movement of Animals. Springer Berlin Heidelberg, 1989. http://dx.doi.org/10.1007/978-3-642-73812-8_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Åkerman, Susanna. "Kristina Wasa, Queen of Sweden." In A History of Women Philosophers. Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3790-4_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Dermineur, Elise M. "A frustrated queen (1751–1755)." In Gender and Politics in Eighteenth-Century Sweden. Routledge, 2017. http://dx.doi.org/10.4324/9781315603148-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Dermineur, Elise M. "A queen in the political arena (1756–1770)." In Gender and Politics in Eighteenth-Century Sweden. Routledge, 2017. http://dx.doi.org/10.4324/9781315603148-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Persson, Fabian. "From Ruler in the Shadows to Shadow King: Frederick I of Sweden." In The Man behind the Queen. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137448354_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bagerius, Henric, and Christine Ekholst. "The Unruly Queen: Blanche of Namur and Dysfunctional Rulership in Medieval Sweden." In Queenship, Gender, and Reputation in the Medieval and Early Modern West, 1060-1600. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31283-5_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Niiranen, Susanna. "Catherine Jagiellon, Queen Consort of Sweden: Counselling Between the Catholic Jagiellons and the Lutheran Vasas." In Queenship and Counsel in Early Modern Europe. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76974-5_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography