Relevant bibliographies by topics / Queen Cleopatra

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Queen Cleopatra'

Author: Grafiati
Published: 12 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Queen Cleopatra"

1

Alamri, Dawla S. "Shakespeare’s and Shawqi’s Cleopatra: Portrayals of a Woman’s Moral Dilemma." International Journal of Linguistics, Literature and Translation 5, no. 4 (2022): 76–85. http://dx.doi.org/10.32996/ijllt.2022.5.4.10.

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This paper offers a comparative reading of Cleopatra, the most famous Egyptian queen in history, as portrayed by William Shakespeare in Antony and Cleopatra (1606) and Ahamad Shawqi in Mas’ra’ Cleopatra, (Death of Cleopatra) (1927). It aims at analyzing both portrayals from developmental psychological and feminist perspectives demonstrated particularly in Carol Gilligan’s theories. Gilligan explored the development of women’s morality and ethics of care in her influential book In a Different Voice (1982) and other subsequent publications. The aim is to investigate how Shakespeare and Shawqi po
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Pearce, Sarah. "THE CLEOPATRAS AND THE JEWS." Transactions of the Royal Historical Society 27 (November 1, 2017): 29–64. http://dx.doi.org/10.1017/s0080440117000032.

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ABSTRACTThis paper explores a variety of evidence for relations between Cleopatra VII, the last Ptolemaic ruler of Egypt, and her Jewish subjects. In the first part of the paper, the focus is on the profoundly negative portrait of the queen in the works of Josephus, with particular attention to Cleopatra's alleged antipathy to Alexandrian Jews in Josephus's Against Apion. Analysis of Josephus's evidence confirms, I argue, that his case against the queen does not stand up. The second part of the paper offers a detailed consideration of other evidence, epigraphic and literary, which, I suggest,
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Li, Qichen. "Unraveling the Complexity of Cleopatra in Shakespeares Antony and Cleopatra." Lecture Notes in Education Psychology and Public Media 43, no. 1 (2024): 233–39. http://dx.doi.org/10.54254/2753-7048/43/20240876.

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William Shakespeare, widely regarded as the paramount dramatist and poet of the English Renaissance, crafted the renowned tragedy Antony and Cleopatra towards the end of his illustrious career. In this play, Shakespeare revitalized a Roman classic, breathing new life into its narrative, particularly through his portrayal of Cleopatra as a character of remarkable complexity. She emerges as both a sensuous oriental queen and an astute politician, inviting diverse interpretations from critics and establishing herself as a controversial literary figure. This paper delves into the intricacies of Cl
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Tsoucalas, Gregory, Antonis A. Kousoulis, Effie Poulakou-Rebelakou, Marianna Karamanou, Maria Papagrigoriou-Theodoridou, and George Androutsos. "Queen Cleopatra and the other ‘Cleopatras’: their medical legacy." Journal of Medical Biography 22, no. 2 (2013): 115–21. http://dx.doi.org/10.1177/0967772013480602.

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Burgdorf, Walter H. C., and Leonard J. Hoenig. "Cleopatra, Queen of Dermatology." JAMA Dermatology 151, no. 2 (2015): 236. http://dx.doi.org/10.1001/jamadermatol.2014.2239.

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Stephens, S. "Cleopatra: Last Queen of Egypt." Common Knowledge 16, no. 2 (2010): 294. http://dx.doi.org/10.1215/0961754x-2009-103.

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TREADWELL, NINA. "‘Now I come to you, ladies, after so much time’: Cleopatra, Maria d'Aragona and an intermedio for the Duchess of Alba." Cambridge Opera Journal 22, no. 1 (2010): 33–63. http://dx.doi.org/10.1017/s0954586711000024.

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AbstractDuring March 1588, Maria d'Aragona, the Marchesa of Vasto, sponsored a set of four intermedi at her palazzo in Chiaia, Naples. The centrepiece of the entertainment was the intermedio entitled ‘Queen Cleopatra on her Ship’. This article explores d'Aragona's role as sponsor of the entertainment, particularly in relation to her interest in the historical figure of Cleopatra. Drawing on sources that informed perceptions of the Egyptian queen during the early- to mid-Cinquecento, it will be shown that within a performance context governed by a strong-willed female patron, the often negative
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Ibrahim Moussa, Wessam. "Hellenistic Heads of Queen Cleopatra VII." Journal of Tourism, Hotels and Heritage 1, no. 1 (2020): 30–39. http://dx.doi.org/10.21608/sis.2020.40244.1005.

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Iyengar, Sujata. "Queen of Egypt and Queen of the Bey-Hive: Sophie Okonedo's Cleopatra at the National Theatre (2018)." Shakespeare Bulletin 41, no. 2 (2023): 201–22. http://dx.doi.org/10.1353/shb.2023.a910439.

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Abstract: Combining the methods of traditional theater history with semiotics and digital cultural studies, this article focuses particularly on Simon Godwin's production of Antony and Cleopatra at the National Theatre (2018) and on the avowed inspiration of the Nigerian-Jewish-descended British actress Sophie Okonedo by the world-famous vocalist, digital producer, and media celebrity Beyoncé Knowles-Carter (usually known simply as Beyoncé). Godwin's production carefully used a multiethnic cast and placed particular emphasis upon the relationship between Cleopatra and other women, both allies
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Kulpa, Karolina. "TRANSFORMATIONS OF THE IMAGE OF CLEOPATRA VII, QUEEN OF EGYPT. BETWEEN HISTORICAL NARRATIVE AND POPULAR CULTURE." Studia Europaea Gnesnensia, no. 15 (June 15, 2017): 329–38. http://dx.doi.org/10.14746/seg.2016.15.21.

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Dissertations / Theses on the topic "Queen Cleopatra"

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Kendall, Allen Alexander. ""Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/7553.

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To address every aspect in which Cleopatra VII asserted her right to rule and maintain the favor of her own subjects and of Rome would be far too large a task for anything less than a book-length treatment. Rather than attempt to address multiple issues, this thesis addresses just one aspect of Cleopatra's political strategy to visualize her legitimacy as ruler: namely a combination of masculine and feminine elements in her iconography. This thesis will then follow the same themes in elements of Cleopatra's visual rhetoric was seized upon by the poets of Augustan Rome, who used it to the oppos
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Ashton, Anne M. "Interpreting breast iconography in Italian art, 1250-1600." Thesis, University of St Andrews, 2006. http://hdl.handle.net/10023/2675.

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The motif of the uncovered female breast is ubiquitous in art of all ages and cultures. Modern analysis of breast imagery tends to be biased by the sexual significance that breasts have now. However in Italian renaissance art the exposed breast appears in many different manifestations. The purpose of this thesis is to explore several specific types of breast iconography. The first chapter will examine images of Maria lactans, and consider the religious, cultural and psychological meaning held within the image and the social changes which were to lead to its loss of popularity. Chapter Two will
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Hardman, Naomi Susan. "The many faces of Cleopatra : from propaganda to myth." Thesis, 2003. http://hdl.handle.net/10413/3889.

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Few women of antiquity have gripped the public imagination as Cleopatra has. For centuries, she has inspired playwrights, poets, artists and film-makers, with the result that she and Antony are arguably history's most famous lovers. However, I have not yet encountered a study which discusses, in one work, the multiple constructions of Cleopatra across the range of genres in which she has been represented. Certainly, many books and articles are devoted to revealing how Cleopatra has been constructed in one or other specific genre, but it seems as though no attempts have been made to portray, in
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Roets, Marthie. "Die propaganda in die politiek van Antonius en Cleopatra soos dit tot uiting kom in veral die nie-literere bronne." Thesis, 2014. http://hdl.handle.net/10210/10247.

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Von, Hahn Brita Bettina. "The characterisation of Mark Antony." Diss., 2009. http://hdl.handle.net/10500/2656.

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This dissertation aims to focus on the way in which Marc Antony has been portrayed in Antiquity by a careful and critical study of what the ancient (mainly literary) sources have to reveal about this historical personage. A number of primary sources present a very negative view of Antony under the influence of various political persuasions, and this will be compared and contrasted with later ancient views. The study will pursue this under key themes such as the personality of Antony, his military and political career as well as the role that he played in the East. Modern scholarly interpretati
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Books on the topic "Queen Cleopatra"

1

Streissguth, Thomas. Queen Cleopatra. Lerner Publications, 2000.

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Adil, Janeen R. Cleopatra. Capstone Press, 2009.

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Bingham, Jane. Cleopatra. Raintree, 2009.

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Stanley, Diane. Cleopatra. Morrow Junior Books, 1994.

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5

ill, Wilkinson Barry 1923, ed. Cleopatra. Oxford University Press, 1997.

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al-Raḥmān, Azzām Abd. Cleopatra, queen of kings. Hood Hood Books, 1998.

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7

Worth, Richard. Cleopatra: Queen of ancient Egypt. Enslow Publishers, 2005.

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Ron, Miller. Cleopatra. Chelsea House Publishers, 2008.

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Geras, Adèle. Cleopatra. Kingfisher, 2007.

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10

Macdonald, Fiona. Cleopatra, the queen of kings. DK Pub., 2001.

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Book chapters on the topic "Queen Cleopatra"

1

Royster, Francesca T. "Queering Cleo: Set It Off and Queen Latifah’s “Butch in the Hood”." In Becoming Cleopatra. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_7.

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Stanton, Kay. "The Heroic Tragedy of Cleopatra, the “Prostitute Queen”." In The Female Tragic Hero in English Renaissance Drama. Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04957-5_5.

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Stanton, Kay. "The Heroic Tragedy of Cleopatra: The ‘Prostitute Queen’." In Shakespeare's 'Whores'. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137026330_4.

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Brown, Andrew. "“Being Unseminared”: Pleasure, Instruction, and Playing the Queen in Anthony and Cleopatra." In Shakespeare and Consciousness. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-59541-6_8.

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Sacchetti, Livia. "“A Gap in Nature”: Rewriting Cleopatra Through Antony and Cleopatra’s Cosmology." In The Palgrave Handbook of Shakespeare's Queens. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74518-3_22.

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Sen, Shiladitya. "Shakespeare’s Cleopatra as Meta-Theatrical Monarch." In The Palgrave Handbook of Shakespeare's Queens. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74518-3_12.

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Nichols, Andrea. "“I was not I?”: Tracing the Representations of Cleopatra in English Drama, 1592–1611." In Scholars and Poets Talk about Queens. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137534903_5.

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Kenny, Amy. "The “Squeaking Cleopatra Boy”: Performance of the Queen’s Two Bodies on the Early Modern Stage." In The Palgrave Handbook of Shakespeare's Queens. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74518-3_26.

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"1. Cleopatra, Queen of Egypt." In Cleopatra. University of California Press, 2019. http://dx.doi.org/10.1525/9780520950269-004.

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"“QUEEN OF KINGS”:." In Cleopatra and Rome. Harvard University Press, 2009. http://dx.doi.org/10.2307/j.ctv1q3z29z.12.

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