Relevant bibliographies by topics / Queen Edward

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Queen Edward'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Queen Edward.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Queen Edward"

1

Henderson, Ian. "Planetary Lives: Edward Warrulan, Edward John Eyre, and Queen Victoria." English Studies in Africa 57, no. 1 (January 2, 2014): 66–80. http://dx.doi.org/10.1080/00138398.2014.916910.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

HUNT, ALICE. "THE MONARCHICAL REPUBLIC OF MARY I." Historical Journal 52, no. 3 (August 4, 2009): 557–72. http://dx.doi.org/10.1017/s0018246x09990033.

Full text
Abstract:
ABSTRACTIn his celebrated 1987 essay, ‘The monarchical republic of Queen Elizabeth I’, Patrick Collinson wrote that ‘Elizabethan England was a republic which also happened to be a monarchy: or vice versa.’ Since then, the idea of an Elizabethan ‘monarchical republic’ has been tested, challenged, and developed, with precedents found in Henry VIII's and Edward VI's reigns. Mary I's reign has not, however, been considered for its contribution to the debates. Yet, in 1553, the unique circumstances of Mary's accession as England's first queen regnant, who was also still legally a bastard, exacerbated sixteenth-century anxieties about monarchical authority, and about the correct relationship between a monarch and parliament. Prior to Mary's coronation, her council put forward an unprecedented proposal: they wanted parliament to sit before Mary was anointed and crowned queen. This article explores this proposal, in conjunction with two texts, Richard Taverner'sAn oration gratulatory made upon the joyfull proclayming of the moste noble Princes Quene Mary Quene of Englandeand the playRespublica, to argue that, at the beginning of her reign, significant pressure was put on Mary to rule her country as a ‘monarchical republic’.
APA, Harvard, Vancouver, ISO, and other styles
3

Jones, Michael. "Edward IV. Michael Hicks Elizabeth Wydeville: The Slandered Queen. Arlene Okerlund." Speculum 81, no. 4 (October 2006): 1207–9. http://dx.doi.org/10.1017/s0038713400004620.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hinchliff, Peter. "Frederick Temple, Randall Davidson and the Coronation of Edward VII." Journal of Ecclesiastical History 48, no. 1 (January 1997): 71–99. http://dx.doi.org/10.1017/s0022046900011982.

Full text
Abstract:
Queen Victoria had been crowned on 28 June 1838. When she died in January 1901 there can have been very few people indeed who had even the vaguest memory of what her coronation had been like. There was an opportunity for scholarship to influence the shape which the ceremonies for the new monarch would take and there was both a liturgical interest and a liturgical expertise which had not existed in the 1820s and 1830s.
APA, Harvard, Vancouver, ISO, and other styles
5

Lavoie, Carlo. "Évangéline : le désir pudique de l’être-parmi de la communauté acadienne de l’Île-du-Prince-Édouard." Dialogues francophones 18, no. 1 (March 1, 2012): 29–44. http://dx.doi.org/10.1515/difra-2015-0022.

Full text
Abstract:
Abstract The Prince Edward Island (Canada) Acadian culture allocates to the song the role traditionally played by literature. By opening an imaginary universe stigmatized by the Evangeline figure created in nineteenth century by the American Longfellow, Angèle Arsenault’s song “Évangéline, Acadian Queen” offers a possible cultural and community space specific to the Acdian and contributes to the promotion of a “being-among” whose modest desire is to speak French.
APA, Harvard, Vancouver, ISO, and other styles
6

Wahrman, Dror. "“Middle-Class” Domesticity Goes Public: Gender, Class, and Politics from Queen Caroline to Queen Victoria." Journal of British Studies 32, no. 4 (October 1993): 396–432. http://dx.doi.org/10.1086/386041.

Full text
Abstract:
In early 1831, the novelist Edward Bulwer-Lytton contributed a comparative essay to the Edinburgh Review on “the spirit of society” in England and France. A key issue for discussion, of course, was that of fashion. “Our fashion,” stated Bulwer-Lytton, “may indeed be considered the aggregate of the opinions of our women.” The fundamental dichotomy which ran through these pages was that between public and private: “the proper sphere of woman,” Bulwer-Lytton continued, “is private life, and the proper limit to her virtues, the private affections.” And in antithesis to the aggregate opinions of “the domestic class of women”—in his view, the only virtuous kind of women—which constituted fashion, stood “public opinion”; that exclusive masculine realm, that should remain free of “feminine influence.”Some two years later, in his two-volume England and the English, Bulwer-Lytton restated the antithesis between fashion and public opinion, both repeating his earlier formulation and at the same time significantly modifying it. By 1833, his definitions of fashion and opinion ran as follows: “The middle classes interest themselves in grave matters: the aggregate of their sentiments is called OPINION. The great interest themselves in frivolities, and the aggregate of their sentiments is termed FASHION.” Here, Bulwer-Lytton no longer designated fashion as the aggregate of the opinions of women but, instead, as the aggregate of the opinions of the upper classes; and public opinion was no longer the domain of men but, instead, the aggregate of the opinions of the “middle class.”
APA, Harvard, Vancouver, ISO, and other styles
7

Kneidel, Gregory. "Coscus, Queen Elizabeth, and Law in John Donne’s“Satyre II”*." Renaissance Quarterly 61, no. 1 (2008): 92–121. http://dx.doi.org/10.1353/ren.2008.0085.

Full text
Abstract:
AbstractThis essay argues that John Donne’s “Satyre II” (ca. 1595) has a greater topical relevance to the emergence of the Anglo-American common-law tradition than literary and legal scholars have previously recognized. It makes the case that the villain of Donne’s poem, the poet-turned-lawyer Coscus, may be Sir Edward Coke (1552–1634) and that two female figures in the poem may be Queen Elizabeth (r. 1558–1603). Donne attacks Coke and Elizabeth for their complicity in deploying an antiquated and backward-looking feudal ideal in order to lend prestige to the common law, to enrich the crown and its officers, and to frustrate the dynastic prospects of landholding gentry.
APA, Harvard, Vancouver, ISO, and other styles
8

Holt, Geoffrey. "Some Chaplains at the Stuart Court at Saint-Germain-en-Laye." Recusant History 25, no. 1 (May 2000): 43–51. http://dx.doi.org/10.1017/s0034193200031988.

Full text
Abstract:
It was to be expected that at the court of a Catholic king and queen there would be from the beginning of the exile at Saint-Germain-en-Laye a royal chapel and an establishment of Catholic chaplains and that this would last as long as the court remained there. It continued in fact after the departure of James Edward to Lorraine in 1712 and Avignon in 1716 and for a while after the death of Queen Mary Beatrice in 1718. The priests of the English Jesuit Province—the subjects of this article—remained in office until 1720 or perhaps a year or two later. It may be presumed that they stayed on, after the court had ceased to be, to care for the Jacobite exiles who over the years had gathered round it.
APA, Harvard, Vancouver, ISO, and other styles
9

Wathey, Andrew. "The Marriage of Edward III and the Transmission of French Motets to England." Journal of the American Musicological Society 45, no. 1 (1992): 1–29. http://dx.doi.org/10.2307/831488.

Full text
Abstract:
This article describes the hitherto unsuspected transmission to England of the two motets in Paris, Bibliothèque Nationale, MS français 571 (also found in Chaillou de Pesstain's interpolated version of the Roman de Fauvel (MS français 146)) as a direct product of the period spent in France by Isabella, Queen of England, 1325-1326, and of the negotiations for the marriage of her son, the future Edward III of England. Isabella's expedition, both before and after the open break with her husband, Edward II, afforded numerous opportunities for the proximity of English and French musicians; new documentation presented here permits the charting in detail of English clerics' contacts with Gervais du Bus, one of the authors of the Roman de Fauvel, and with Philippe de Vitry. A new dating is advanced for MS français 571, compiled for the marriage of Prince Edward and Philippa of Hainault. Edward's proximity to the French royal line (and the residual English claim to the French throne) provided a rationale not only for the English diplomatic handling of the marriage, but also for the inclusion of the motet texts in MS français 571. The motets' topical texts, originally cast with other purposes in mind, are here subordinated to the broader political program of the Anglo-Hainault marriage. Thus, far from being monofunctional, fourteenth-century motets could be re-used in new contexts that made quite different uses of the messages promulgated in their texts: the adaptability of individual motets may, indeed, have been a fundamental cause in their transmission and even in their later survival.
APA, Harvard, Vancouver, ISO, and other styles
10

Abrams, Robert C. "The Abdication of King Edward VIII: a study of estrangement between an adult son and elderly mother." Medical Humanities 44, no. 1 (September 8, 2017): 34–39. http://dx.doi.org/10.1136/medhum-2017-011279.

Full text
Abstract:
In this article the Abdication of King Edward VIII of Great Britain and his estrangement from the dowager Queen Mary are reconsidered as prototypes of intergenerational conflict arising from a collision of values between an adult child and an elderly mother. Historical materials on the Abdication and other respected secondary sources, including biographies of key individuals, were consulted, and the limited sociological and clinical literature on estrangement between elderly parents and adult children was referenced. Although estrangement was perpetuated by the rigid and incompatible positions taken up by both the former king and his widowed mother, the elderly Queen Mary, it was the latter who suffered the greater emotional consequences of the permanent separation that followed the Abdication. Most accounts of the Abdication have put forward views of the conflict of values at its centre that emphasise the vulnerability of the elderly mother. The clinical narrative supports a characterisation of estrangement as a subtype of bereavement with particular relevance to the geriatric population.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Queen Edward"

1

Correa, Jose Marcio. "Laying the queen of spades." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24392.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Tompkins, Laura. "The uncrowned queen : Alice Perrers, Edward III and political crisis in fourteenth-century England, 1360-1377." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4461.

Full text
Abstract:
This thesis is a full political biography of Alice Perrers, the mistress of Edward III from the early 1360s until his death in June 1377 and mother to three of his children. It argues on the basis of the progression of her career that after the death of Edward's queen consort Philippa of Hainault in August 1369 Alice was able to extend the scope of her power and influence to the point that she became a ‘quasi' or ‘uncrowned' queen and, consequently, that her contribution to the political crisis of the 1370s can only be fully understood in terms of queenship. More generally, despite the recent increase on work on Alice, this study suggests that her life deserves a more thorough and nuanced appraisal than it has so far received. Various aspects of Alice's life are explored: her birth, family and first marriage; her early years as Edward III's mistress; the change in her status after Philippa of Hainault's death; her commercial activity as a moneylender and businesswoman; her accumulation of a landed estate and moveable goods; what happened to her in the Good Parliament; her trial in 1377; her marriage to William Wyndesore; and her life after Edward III's death. By examining Alice's career in this fashion it is shown that she took a leading role in the court party during the 1370s. Ultimately, by taking the original approach of applying ideas about queenship to a royal mistress this thesis demonstrates that Alice was perceived to have ‘inverted' or undermined the traditional role that the queen played in complementing and upholding the sovereignty and kingship of her husband, something that has implications for the wider study of not only mistresses, but also queens and queenship and even male favourites.
APA, Harvard, Vancouver, ISO, and other styles
3

Bartone, Christopher M. "Royal Pains: Wilhelm II, Edward VII, and Anglo-German Relations, 1888-1910." University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1341938971.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Choate, Evan Wallace. ""Unborn and unbegot" : Richard III, Edward II, Richard II, and queer history." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44878.

Full text
Abstract:
In my thesis, I treat Shakespeare’s Richard III, Marlowe’s Edward II, and Shakespeare’s Richard II as a queer sequence of history plays, or a kind of co-authored triptych, by reading their influences on each other and focusing on the iterative elements of their writing of history. I describe in my thesis how the queer affects, desires, and pleasures in these plays are integral to a History – the shared knowledge and impressions of a British national past – from which they are and have been systematically excluded.
APA, Harvard, Vancouver, ISO, and other styles
5

Meredith, Jason. "Lost to Bias : Gender fluidity, queer themes, and challenges to heteronormativity in the work of Edward D. Wood, Jr." Thesis, Stockholms universitet, Institutionen för mediestudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-183755.

Full text
Abstract:
The premise of this study is to investigate homonormative concepts in the works of Edward D. Wood, Jr. Following a contextualisation of the time period he was active in, the thesis interacts with camp as a concealed queer discourse and a political voice. Concepts of crossdressing as challenges to heteronormativity are observed in relation to Woods cinematic canon and persona. Case analyses of Glen or Glenda (1953) and Take It Out in Trade (1970) observe how mentioned methodologies are applicable.    The conclusions relate data exhibiting queer discourses held by Wood. Camp as a signifier of queer representation and counter oppression is identified as a discourse within Wood’s films. Examples given demonstrate how this is obscured within the agency of narrators, dialogue and metaphors. As camp evolves post-Stonewall, an adherence to camp as a parody of heteronormativity is acknowledged in later Wood pieces. Exploring concepts of crossdressing in Wood’s cinema, drag and transvestism can be excluded. Through crossdressing we find a stage for gender performativity as to reunite with the heteronormative challenges of his debut film. This reunion progresses to a compliance with homonormativity in his final feature films.
APA, Harvard, Vancouver, ISO, and other styles
6

Olivier, Francois. "A queer (re) turn to nature? : environment, sexuality and cinema." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95805.

Full text
Abstract:
Thesis (MA)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: This thesis is in interested in the potential of (New) Queer Cinema, with its often cited subversive qualities, as a means to delineate the historical and discursive dimensions of an ongoing relationship between the politics of nature and sexual politics, and to articulate the complex array of ideas that result from this relationship. In this thesis, I investigate how a selection of films actively reproduce, question, deconstruct, or reinforce particular constructions of nature and/or epistemologies of (homo)sexuality, often demonstrating such ideas through particular expressive modes, such as nostalgia, mourning, melancholia, and postmodern play, and by referencing certain literary forms, such as the pastoral, georgic and elegy. To facilitate the analysis I outline above, I have chosen to investigate three films which enable me to move from national to transnational and postcolonial cinematic contexts. I read these films alongside a selection of literary/historical texts that I feel inform or preface each filmic text. The first film is James Ivory’s adaptation (1987) of E.M. Forster’s novel, Maurice. The second is Derek Jarman’s elegiac film, The Garden (1990), which I read alongside the English filmmaker’s journal, Modern Nature (1991). And finally for my third chapter I turn to the work of Canadian filmmaker, John Greyson; specifically Proteus (2003), his recent collaboration with South African activist/filmmaker, Jack Lewis. This final filmic text prompts questions of postcoloniality and Eurocentric modes of knowledge production. I provide context for my argument by outlining recent developments in the history of Queer Cinema and by introducing two distinct but related areas of recent academic enquiry – firstly the notion of Queer Ecology (alongside related studies on the “gay pastoral”) and, secondly, the field of Green Film Criticism or Ecocinema.
AFRIKAANSE OPSOMMING: Hierdie tesis handel oor die potensiaal van (Nuwe) “Queer Cinema”, met sy bekende ondermynende eienskappe, om die historiese en diskursiewe dimensies van ’n voortgesette verhouding tussen die politiek van die natuur en van seksualiteit af te beeld, en om die komplekse verskeidenheid van idees wat volg uit hierdie verhouding, te verwoord. In hierdie tesis doen ek ondersoek na die wyse waarop ’n versameling films sekere konstruksies van ‘natuur’ en/of epistemologieë van ‘(homo)seksualiteit’ aktief herproduseer, bevraagteken, dekonstrueer of versterk. Hierdie idees word dikwels uitgebeeld deur middel van sekere ekspressiewe modusse soos nostalgie, rou, melankolie of postmoderne speelsheid, en deur verwysing na sekere literêre vorme of genres soos die pastorale of landelike gedig en die elegie. Die bostaande analise is gebaseer op drie films wat my in staat stel om te beweeg tussen nasionale, transnasionale en postkoloniale kontekste. Ek beskou elk van hierdie films in die lig van ’n gepaardgaande versameling literêre/historiese tekste wat volgens my sentraal staan tot die volle verstaan van die filmiese tekste. Die eerste film is James Ivory se aanpassing (1987) van E.M. Forster se roman, Maurice. Die tweede is Derek Jarman se elegiese film, The Garden (1990), wat ek tesame met hierdie Engelse filmmaker se joernaal, Modern Nature (1991), beskou. Laastens kyk ek na die werk van die Kanadese filmmaker John Greyson, met spesifieke fokus op sy onlangse samewerking met die Suid-Afrikaanse aktivis en filmmaker, Jack Lewis, in die verfilming van Proteus (2003). Hierdie finale filmiese teks vra vrae oor postkolonialiteit en Eurosentriese vorme van kennisproduksie. Ek kontekstualiseer my argument deur ʼn beskrywing te bied van die onlangse verwikkelinge in die geskiedenis van “Queer Cinema” en van twee afsonderlike, maar verwante akademiese gebiede wat onlangs aandag geniet, naamlik die idee van “Queer” Ekologie (en die nou-geassosieerde ‘gay pastorale’) en Groen Film Kritiek of “Ecocinema”.
APA, Harvard, Vancouver, ISO, and other styles
7

Cooper, Casey Jo. "The dissolution of the monasteries by King Henry VIII and its effect on the econmoy sic], political landscape, and social instability in Tudor England that led to the creation of the poor laws." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/364.

Full text
Abstract:
Before the reformation and the schism of the Catholic Church, it had always been the duty of the Church and not of the state, to undertake the seven corporal works of mercy; feed the hungry, give drink to the thirsty, welcome the stranger, clothe the naked, visit the sick, visit the prisoner, and bury the dead.¹ By dissolving these institutions, Henry had unwittingly created what would become a social disaster of biblical proportions. In essence, this act was rendering thousands of the poor and elderly without a home or shelter, it denied the country of much of the medical aid that has been offered by the church, it denied future generations of thousands of volumes of books and scriptures from the monastic libraries, as well as denied many an education who would have otherwise never received one without the help of the Church. The ultimate goal of my thesis is to prove my hypothesis that the dissolution of the monasteries by King Henry VIII was not merely a contributory factor in the need for the creation of poor laws, but the deciding factor (in a myriad of societal issues) for their creation. Footnote 1: Matthew 25 vv. 32-46.
B.A.
Bachelors
Sciences
Political Science
APA, Harvard, Vancouver, ISO, and other styles
8

Allocco, Katherine Gretchen 1971. "Intercessor, rebel, regent : the political life of Isabella of France (1292/6-1358)." 2004. http://hdl.handle.net/2152/12741.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Queen Edward"

1

Eckhardt, William J. The mystery of the Prince Edward "Queen". Toronto: Unitrade Press, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

The Plantagenet ancestry of King Edward III and Queen Philippa. Salt Lake City, Utah: Mormon Pioneer Genealogy Society, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Queen of shadows: A novel of Isabella, wife of King Edward II. New York: New American Library, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Felber, Edith. Queen of shadows: A novel of Isabella, wife of King Edward II. New York: New American Library, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Queen Isabella: Treachery, adultery, and murder in medieval England. New York: Ballantine Books, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gregory, Philippa. The white queen. New York: Simon & Schuster, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Gregory, Philippa. The white queen. New York: Simon & Schuster, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gregory, Philippa. The white queen. New York: Simon & Schuster, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gregory, Philippa. The white queen. New York: Simon & Schuster, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Gregory, Philippa. The white queen. New York: Simon & Schuster, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Queen Edward"

1

Barker, Roberta. "‘Let Me Forget Myself’: What a Queen is Good For in Edward II." In Early Modern Tragedy, Gender and Performance, 1984–2000, 111–35. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230597488_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Dubowsky, Jack Curtis. "Queer Monster Good: Frankenstein and Edward Scissorhands." In Intersecting Film, Music, and Queerness, 173–207. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137454218_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Cartelli, Thomas. "Queer Edward II: Postmodern Sexualities and the Early Modern Subject." In Marlowe, 200–211. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-137-07982-4_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Frederick, Sarah. "11. Yamakawa Kikue and Edward Carpenter: Translation, Affiliation, and Queer Internationalism." In Rethinking Japanese Feminisms, edited by Julia C. Bullock, Ayako Kano, and James Welker, 187–204. Honolulu: University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824866730-013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Guyer, Benjamin M. "“Of Hopes Great as Himselfe”: Tudor and Stuart Legacies of Edward VI." In Remembering Queens and Kings of Early Modern England and France, 73–91. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22344-1_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sommers, Joseph Michael, and Amy L. Hume. "The Other Edward: Twilight’s Queer Construction of the Vampire as an Idealized Teenage Boyfriend." In Bringing Light to Twilight, 153–65. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119246_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Melman, Billie. "Queen Hatasu’s Beard: Amelia Edwards, the Scientific Journey and the Emergence of the First Female ‘Orientalists’." In Women’s Orients: English Women and the Middle East, 1718–1918, 254–75. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-10157-3_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Melman, Billie. "Queen Hatasu’s Beard: Amelia Edwards, the Scientific Journey and the Emergence of the First Female ‘Orientalists’." In Women’s Orients: English Women and the Middle East, 1718–1918, 254–75. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24197-2_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

ROBERTS, JANE. "Edward Harding and Queen Charlotte." In Burning Bright, 146–59. UCL Press, 2015. http://dx.doi.org/10.2307/j.ctt1g69z6q.18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Marshall, Peter. "The Two Queens." In Heretics and Believers. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300170627.003.0012.

Full text
Abstract:
This chapter examines the succession crisis sparked by the death of Edward VI. Before he died, Edward VI drafted a document headed ‘My Device for the Succession’, in which he ignored his half sisters Mary and Elizabeth, and settled the Crown on his first cousin once removed — the 16-year-old Lady Jane Grey. The chapter considers the proclamation of Jane Grey as queen of England before she was replaced by Mary I. It also discusses some of the first acts made by Mary, including the declaration of formal religious toleration, and issues that arose during her reign, such as the church lands question, the rebellion that erupted after Mary insisted on marrying Philip of Spain, reconciliation with the Roman Catholic Church, and the exile of English Protestants in Geneva.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Queen Edward"

1

Commonwealth Bank - Branches - Brisbane - City Building, cnr Edward & Queen Streets - 1912 (plate 48). Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_pn-000047.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Queen Edward' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography