Dissertations / Theses: 'Queen Elizabeth I'

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Мисаковець, Надія Валеріївна. "Style of Queen Elizabeth II." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13094.

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Hoffmann, Anke. "Habitatnutzung und Populationsdynamik von Kleinsäugern im Grasland des Queen Elizabeth National Park, Uganda." [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=958298262.

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Merton, Charlotte Isabelle. "The women who served Queen Mary and Queen Elizabeth Ladies, Gentlewomen and Maids of the Privy Chamber, 1553-1603 /." Thesis, Online version, 1992. http://bibpurl.oclc.org/web/33095.

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Snaith, B. "The Queen Elizabeth Olympic Park : whose values, whose benefits?" Thesis, City, University of London, 2015. http://openaccess.city.ac.uk/19291/.

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Siting the Olympics in the Lower Lea Valley has been widely represented as a means to improve quality of life for the ethnically diverse, deprived communities living there, in part through the creation of a new ‘community parkland’, the Queen Elizabeth Olympic Park. Ethnic minorities however, are under-represented as users of parks and other green spaces across the UK, at a far greater level than can be explained by income alone. Little has been done to investigate this phenomenon, despite its implications for social justice and public health. Limited research has found examples of ethnic variations in normative cultural practices, racist and territorial behaviour in the public realm at large, and structural discrimination with less greenspace in the areas where ethnic minorities live. Aiming to address a gap in the existing research literature, this case study investigates the relationship between the cultural inscription of park spaces, spatial practices of park making by the primarily ‘Anglo’ groups designing this new city space, and the experiences, preferences and values of the ethnically diverse communities who currently live around the London Olympic site. Using a mixed methods approach, the empirical research finds that while seeking inclusion, exclusionary values are unintentionally embedded in production and management of UK parks. This thesis evidences the cultural values embedded in UK spatial practices, their exclusionary nature, along class and ethnic dimensions, and reflects on the importance of cultural consciousness in spatial design in our increasingly multicultural cities.

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Chan, Pan-hang Marco, and 陳品衡. "Redevelopment of Macpherson Playground and Queen Elizabeth II Youth Centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983200.

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Chan, Pan-hang Marco. "Redevelopment of Macpherson Playground and Queen Elizabeth II Youth Centre." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954982.

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Andreani, A. "The letters of Queen Elizabeth I, 1590-1596. Weighing archival evidence." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/173514.

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This dissertation investigates queen Elizabeth I's practices as a letterwriter. Recent developments in the fields of study concerned with the composition, circulation and reception of texts have elicited a growing interest into the forms and functions of Early Modern letters, thus equipping scholarship with a new framework in which to situate their texts and with new tools to analyse them (i.e. Daybell, 2006 and 2009; Schneider, 2005; Stewart and Wolfe, 2004). I argue that starting from the evidence of primary sources, such tools may be employed to take a fresh look at the Queen’s letters, in order to investigate in what ways the monarch's authorship can be assessed and to elucidate more details about the procedures of royal epistolary exchanges. The dissertation is structured into two parts. The first part describes the historical, physical and cultural setting in which letters by the Queen were initiated, composed, read and dispatched. In particular, chapter 2 provides an overview of the years 1590-1596 from a historical perspective and it addresses the structure and inner workings of the Elizabethan secretariat. Chapter 3 surveys the practices of letterwriting in Renaissance England focussing on letterwriting in the institutionalised court milieu. The second part deals with the evidence of letters themselves. It sets out with a survey of the Elizabethan archives and the material they preserve, to proceed then to the selection of sources and a presentation of the methodology in chapter 4. Chapter 5 analyses the documentary evidence of the selected royal missives in a material perspective and chapter 6 provides a closer examination of a number of signet, familiar and diplomatic letters by the Queen as case studies.

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Schweizer, Frederick William. "Queen Elizabeth 1 and Shakespeare : images of gender, power, and sexuality /." View online ; access limited to URI, 2008. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3314460.

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Scarabello, Elena <1986&gt. "Queen Elizabeth I and Political Allegory in A Midsummer Night's dream." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3140.

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La tesi si occupa di approfondire la figura della Regina Elisabetta I e di come quest’ultima riuscì a regnare ed a diventare un’ icona per il suo popolo in un periodo nel quale un donna al potere era vista come un qualcosa di innaturale. In particolare l’argomento focale è Titania, la regina delle fate e la commedia Il Sogno di una Notte di Mezza Estate di William Shakespeare. Il primo capitolo descrive la figura di Elisabetta e le strategie da lei impiegate per regnare in una società patriarcale essendo una donna non sposata. Si focalizza sulle varie identità in letteratura, sermoni, discorsi e opere pittoriche che le permisero di regnare e di essere identificata come donna al potere. Il secondo capitolo è incentrato sulla figura di Elisabetta confrontandola con i personaggi femminili della commedia Sogno di una Notte di Mezza Estate in particolar modo sulla figura di Titania. Nel terzo ed ultimo capitolo vengono tratte delle conclusioni.

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Viehl, Katja. "Untersuchungen zur Nahrungsökologie des Afrikanischen Riesenwaldschweins (Hylochoerus meinertzhageni Thomas) im Queen Elizabeth National Park, Uganda." [S.l. : s.n.], 2003. http://deposit.ddb.de/cgi-bin/dokserv?idn=969730373.

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Abe, Eve Lawino. "The behavioural ecology of elephant survivors in Queen Elizabeth National Park, Uganda." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/251890.

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Jensen, Erik. "English translators and their project in the reign of Queen Elizabeth I." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28244.

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The subject of this study is the translation into English of French Protestant works on religion in the last three decades of the sixteenth century. The study focuses on the translators and the religious impulse underlying their translation work. This translation project represents one aspect of a large and varied translation industry at work in England in the sixteenth and early seventeenth centuries. There are several reasons for this study's particular focus. First, religious works constitute the single largest category of works in translation. Second, the largest number of such translations appear in the late sixteenth century, and of these, French Protestant works predominate. Third, the unique nature of the translators' prefatory epistles (the dedicatory epistles and 'Prefaces to the Reader’) in this period allow for a close examination of the motivational drive behind such activity. These epistles are distinct from the more conventional prefatory epistles of the earlier sixteenth century and (to an even greater extent) those of the early seventeenth century. The prefatory epistles, therefore, constitute the primary source material for this study; the paper's methodolgy involves a close examination of these epistles. The study shows that the translators share a common religious program. This program involves the "englishing" of foreign religious works in order to provide religious instruction for the common people. The paper explores both the translators' strong commitment to this project and their common concerns regarding the state of religion in England—concerns that are used by the translators as a justification for their translation work. Finally, the paper places this activity in the broader context of late sixteenth century English Protestantism. One finds that the translators' project ties in with more recent scholarship emphasizing the pastoral concerns of English Protestants in this period.
Arts, Faculty of
History, Department of
Graduate

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Palmer, Scott R. "Sinner, sovereign, and saint Calvinist theology in the prayers of Queen Elizabeth I /." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3715.

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Thesis (M.A.) -- University of Maryland, College Park, 2006.
Thesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Megat, Khalid Puteri Zarina binti. "A linguistic analysis of three genres associated with the ship RMS Queen Elizabeth." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/3999/.

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This thesis is designed to explore three selected genres which are associated with a Scottish-built ship, RMS Queen Elizabeth, and her launch event in 1938. The main focus of this research is an exploration of how writers construct their texts by creating an interpersonal relationship with their readership in order to fulfil their communicative purposes. Specifically, it examines the generic structures and the lexico-grammar of the texts representing these genres from various theoretical perspectives. The present study analyses a set of business letters, newspaper articles and a promotional brochure which revolve around the launch event of the historic liner. The texts representing these genres are examined in terms of their generic structures using Swales’ move analysis model (1990; 2004) and Hasan’s generic structure potential framework (1985). In addition, a lexico-grammatical analysis of these texts focuses on the use of modal verbs as modality markers, analysed using three distinctive frameworks i.e. Brown and Levinson’s (1987) Politeness Theory, Martin and White’s (1998) Appraisal Framework, and Halliday’s (1994) modality system as markers of authorial commitment and/or obligation in propositions. The differing foci on the use of the modal verbs in the study are motivated by the aim of showing how these lexical items function in different genres. As a final analysis, these modal verbs in the respective genres are examined for their lexical properties using Sinclair’s (1996) and Stubbs’ (2002) Models of Extended Lexical Units. The analysis of the lexical properties of the modal verbs suggests that these lexical items possess certain patterns particularly in terms of colligation, semantic preference, and discourse prosody. The generic structures of the texts in the study are also found to serve the communicative purposes of the texts. It is also found that modal verbs are deployed by the writers to serve various functions in the three genres. In conclusion, all these findings indicate that despite being bound by a single event, these genres were clearly produced to address the communicative purposes as agreed upon by members of the individual communities of practice during that period.

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Mallewa, Macpherson. "Central nrevous system infections at Queen Elizabeth Central Hospital Paediatric Unit, Blantyre, Malawi." Thesis, University of Liverpool, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511028.

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Parsons, Heather Marie. "Configured Visibility in 'Elizabeth I as Europa': The Queen's Represented Body in Context of the Geographical Imagination." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/ParsonsHM2006.pdf.

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Evans, Mel. "Aspects of the idiolect of Queen Elizabeth I : a diachronic study on sociolinguistic principles." Thesis, University of Sheffield, 2011. http://etheses.whiterose.ac.uk/14554/.

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My study investigates aspects of the idiolect of Queen Elizabeth I using a sociolinguistic framework. My source material for Elizabeth's idiolect is an electronic corpus which I have compiled from transcripts of the best-authenticated examples of Elizabeth's own compositions in letters, speeches and translations. My investigation analyses nine morpho syntactic variables in the corpus and I chart their distribution and development diachronically. I also provide the first detailed analysis of Elizabeth's spelling, assessing developments in forms and the level of consistency in their use. For each linguistic feature, I compare her idiolect with macro-level linguistic data in order to contextualise her usage within previously established statistical norms of Early Modern English. I conduct a detailed analysis of social, stylistic, interactive and systemic factors to assess their potential influence on the frequency patterns in her idiolect. There are three key outcomes of my study. Firstly, I offer a new perspective on Elizabeth's writing by considering how the linguistic developments in her idiolect reflect and relate to her biographical experiences. I re-evaluate the emphasis historians have placed on her accession, and identify other biographical events that appear to have an impact on her language-use. I also consider how far Elizabeth's role in language change (where she is often a leader and frequently comparable in usage to her male contemporaries) affects current accounts of her socio-political role as a female monarch. Secondly, I evaluate the applicability of my idiolectal data to questions of authorship in the canon of Elizabeth's writings, considering the theoretical merits of morpho syntactic and spelling data before testing its application with four case studies. Thirdly, I reflect on the role of the idiolect in historical sociolinguistics, and demonstrate how my findings can test existing sociolinguistic accounts, and help to expand our understanding of the processes involved in language change.

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Faust, Kimberly M. "A Crisis in Regal Identity: The Dichotomy Between Levinia Teerlinc’s (1520-1576) Private and Public Images of Queen Elizabeth I (1533-1603)." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116614443.

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Summer, Saralyn Ellen. ""Like Another Esther": Literary Representations of Queen Esther in Early Modern England." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/english_diss/3.

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This dissertation explores the significance of Queen Esther in early modern England by examining her literary representations in light of historical, religious, political, and social contexts. Although she is often linked to Deborah and Judith, Esther’s multifaceted character allows for greater flexibility in representation than is the case with other biblical heroines. The differing aspects of her character – obedient orphan, beautiful virgin, clever and courageous queen, savior of Diaspora Jews – inspire multiple, at times even contradictory, depictions of Esther in early modern literature. Whether Protestant or Catholic, male or female, Queen or commoner, sixteenth- and seventeenth-century English writers appropriate Esther in ways that paradoxically challenge and support women’s traditional roles in society. Chapter One introduces the Esther narrative as presented in the Old Testament and Apocrypha. Chapter Two examines Esther in relation to female authority, focusing specifically on references to Queen Elizabeth as an Esther figure. Chapter Three studies the dramatic interlude Godly Queen Hester, while Chapter Four analyzes works of prose featuring Esther as an exemplum for virtuous and heroic women. Chapter Five studies poetic depictions of Esther, and Chapter Six concludes the study by noting briefly how women authors engaged in the querelle des femmes enlist Esther to refute their opponents.

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Tomita, Soko. "A bibliographical catalogue of Italian books printed in England during the reign of Queen Elizabeth I." Thesis, University of Birmingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434081.

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Adams, Caroline. "Queen and country : the significance of Elizabeth I's progress in Surrey, Sussex and Hampshire in 1591." Thesis, University of Chichester, 2012. http://eprints.chi.ac.uk/949/.

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Linjewile-Marealle, Navoneiwa. "Oral health and nutritional status of the children under five years, Queen Elizabeth II Hospital, Maseru, Lesotho." Thesis, University of the Western Cape, 2006. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_1437_1190193126.

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The aim of this study was to compare the oral health status between well and malnourished children under five years old attending Mother and Child Health clinic in Queen Elizabeth II Hospital in Maseru, Lesotho.

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Kasoma, Pantaleon Muskasa Banda. "Aspects of the feeding ecology of some large wading birds in the Queen Elizabeth National Park, Uganda." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305446.

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Jackson, Elizabeth F. "The golden speech a look at the legacy of the last speech by Queen Elizabeth I to Parliament /." Tallahassee, Florida : Florida State University, 2009. http://etd.lib.fsu.edu/theses/available/etd-05072009-155703/.

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Thesis (M.A.)--Florida State University, 2009.
Advisor: A.E.B. Coldiron, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed on Oct. 26, 2009). Document formatted into pages; contains vi, 52 pages. Includes bibliographical references.

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Risby, Lee Alexander. "Defining landscapes, power and participation : an examination of a national park planning process for Queen Elizabeth National Park, Uganda." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435696.

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Speth, Eva-Maria. "Child sexual abuse in Malawi a retrospective audit of documented cases at Queen Elizabeth Central Hospital, Blantyre, in 2009." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/10864.

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Includes abstract.
Includes bibliographical references.
Child abuse in different forms, ranging from domestic violence against children to sexual abuse, is a worldwide phenomenon with a dramatic influence on the future of the abused child. In African countries, the number of reported cases is rising which may be a result of increased awareness amongst medical staff and parents. In sub-Saharan Africa, outside South Africa, there has been limited research on child abuse, in particular on child sexual abuse, and little is known about the extent of health services offered to the victims.

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Broumels, Monique Juliette. "The ambiguous female voice : recovering female subjectivity in Elizabeth Cary's The tragedy of Mariam, the fair queen of Jewry." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/13933.

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Includes bibliographical references (leaves 105-110).
The Tragedy of Mariam, The Fair Queen of Jewry (circ) 1604 deals with the difficulties of a woman to express herself in a society that enjoins women to silence and to the private realm of the home. In the play Cary debates the actions of several female characters, presenting the reader with the understanding that they are wilful subjects who act to push the boundaries of the patriarchal confines of the royal household in which they find themselves. But Cary does not unequivocally endorse these women's actions. The main protagonist of the play is Mariam whose public voice and failure to comply with her husband forms the central drama of the play. Drawing on the ambiguity that is evident in Cary's play, I explore female subjectivity in the play with regards to two of the most influential ideologies in early modern England: those of marriage and religion. Every woman in early modern England, as with all the women in Cary's play, were either married, to be married or had been married. Protestant ideology became the ambiguous space where women were for the first time considered as spiritually equal. But the family and marriage were social and gendered constructions that drew on Christian discourse in order to reinstate the notions of gender difference and ensure the submission of women in the home and in the family.

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Meunier, Natascha Veronique. "Characterising the epidemiology of bovine tuberculosis at a wildlife-livestock interface in and around the Queen Elizabeth National Park, Uganda." Thesis, Royal Veterinary College (University of London), 2017. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731273.

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Dickson, Wilma Ann. "The rhetoric of religious polemic : a literary study of the church order debate in the reign of Queen Elizabeth I." Thesis, Durham University, 1987. http://etheses.dur.ac.uk/7068/.

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This thesis sets in their literary context polemical books and tracts arising from tho, debate on church order within the Church as established by law in the reign of Queen Elizabeth I. The first two chapters set out the terms of the discussion and describe the historical context of the works considered. Chapter one looks at models of discourse appropriate for a study of polemic, concluding that the perspective of traditional rhetoric enables one to pose the right stylistic and ethical questions of works whose goal was effective persuasion. Chapter Two looks at the conditions under which these works were produced, analysing the extent and effectiveness of censorship. The principal argument begins in Chapter Three, with an analysis of the main linguistic model for this literature - the formal disputation as practised in the universities demonstrating its inability to cope with the fundamental nature of the disagreements between opponents and its tendency under pressure to become a trial in print. Chapter Four complements this analysis with a chronological survey of events from the Admonition controversy of 1572-3 bo the mid-1580s. John Whitgift's appointment as Archbishop of Canterbury and his subsequent campaign against non-subscribers are identified as pivotal events which focused attention on the political and legal mechanisms for the enforcement of order in the church, and the literary responses of reformers to this shift of focus from the theological to the historic are analysed. The first part of Chapter Five looks in more technical detail at the increasingly arbitrary use of literary language by reformers, examining the crucial influence of the dialectician Ramus on the tendency to treat as formal proof a rhetorically effective arrangement of propositions; the latter part of the chapter looks at the witty reductio ad absurdum of this tendency in the Marprelate tracts. Chapter Six considers the last ten to fifteen years of Elizabeth's reign, concentrating in particular on the polanic arising from or influenced by the Star Chamber cases against reformers in 1590-1.The Conclusion summarises briefly the linguistic shortcuts used by the majority of polemicists to strengthen their case, and contrasts these with Hooker's arphasls on the need to respect the processes of language in the journey of theological discovery. Finally, I examine the implications of the obviovis-bankruptcy of traditional forms of exchange in a new situation, and the-consequent decline of dialogue, for the English Church after 1603.

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Kazana, Vasiliki. "A decision support system for multi-objective forest management : a study in the Queen Elizabeth National Forest Park in Scotland." Thesis, University of Edinburgh, 1989. http://hdl.handle.net/1842/15139.

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Rotaru, Marina-Cristiana. "British and Romanian constitutional monarchies and their representations in the royal discourse of queen Elizabeth II and king Mihai I." Lorient, 2013. http://www.theses.fr/2013LORIL308.

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Cette thèse suit l’évolution de la monarchie constitutionnelle de Grande-Bretagne et de Roumanie et analyse la manière dont l’institution est représentée dans le discours royal de la Reine Elisabeth II et du Roi Mihai I. Pour la Grande-Bretagne l’accent est mis sur la limitation du pouvoir monarchique en faveur du Parlement et sur la cristallisation du concept de pouvoir comme „influence” du monarque. Une attention particulière est donnée au rôle constitutionnel du sovereign dans la vision de Walter Bagehot. Mon analyse de la monarchie constitutionnelle roumaine couvre la période 1859-1947, à partir de la première union des Principautés Roumains jusqu’à l’abdication forcée du Roi Mihai. Dans ma démarche j’ai essayé de souligner une chose: bien que les institutions politiques roumaines ressemblent aux occidentales, prises comme modèle, on ne peut pas parler de juxtaposition parfaite parce que les modèles étrangers sont adaptés à une réalité spécifique roumaine. Un accent particulier est mis sur l’image du Roi Michel avant et après 1989. Les différentes tentatives du Roi Mihai de se retourner en Roumanie et les efforts des autorités roumaines de l’êmpecher prouvent l’effet profond sur la mentalité roumaine des décades de communisme où l’histoire a été falsifiée et l’image de la famille royale a été manipulée méthodiquement. Mon analyse des concepts de “discours” (compris comme “représentation”) et de “style” (compris comme “manière d’être”) se propose d’indiquer comment les deux monarques se voient comme représentents majeures de leurs pays et comment leurs identités sont construites tenant compte de la conduite constitutionnelle qu’on attend d’eux
This thesis follows the development of the constitutional monarchy in Great Britain and Romania and analyses how the institution is represented in the royal discourse of Queen Elizabeth II and King Mihai I. As far as Great Britain is concerned, my focus is on the limitation of royal power in favor of Parliament and on the crystallization of the concept of “power” as “influence of the monarch”. Particular attention is given to the sovereign’s constitutional role in Walter Bagehot’s interpretation. My analysis of the Romanian constitutional monarchy is circumscribed to the period from 1859, the year of the first union of the Romanian Principalities until the forced abdication of King Mihai in 1947. In my approach, I have tried to underline that although many Romanian political institutions were molded after the Western ones, there is not perfect overlapping because the foreign models had to be adapted to the Romanian realities. The image of King Mihai before 1989 and afterwards is given particular focus. King Mihai’s several attempts to return home and the efforts of the Romanian authorities to ban his access prove the strong effect on the Romanian mentality of decades of communism during which a methodical falsification of history and a manipulation of the image of the royal family have been taking place. My analysis of the concepts of “discourse” (as ways of representing) and “style” (as ways of being) is aimed at indicating how the two monarchs see themselves as leading representatives of their countries and how their identities are constructed taking into consideration the constitutional propriety expected from a constitutional monarch

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Van, Pelt Deborah. "“I Stand for Sovereignty”: Reading Portia in Shakespeare’s The Merchant of Venice." Scholar Commons, 2009. https://scholarcommons.usf.edu/etd/65.

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Portia serves as a complex and often underestimated character in William Shakespeare's controversial comedy The Merchant of Venice. Using the critical methodologies of New Historicism and feminism, this thesis explores Portia's representation of Elizabeth Tudor, Queen of England from 1558 to 1603. Striking similarities exist between character and Queen, including physical description, suitors, marriage issues, and rhetoric. In addition, the tripartite marriage at the play's conclusion among Portia, Bassanio, and Antonio represents the relationship Elizabeth Tudor formed between her merchant class and her aristocracy. Shylock serves as a representation of a generic or perhaps Catholic threat to England during the early modern era. Moreover, by examining Portia's language in the trial scene, the play invites audiences to read her as a representative of the learned Renaissance woman, placing special emphasis on the dialectical and rhetorical elements of the language trivium in classical studies. Finally, through a close reading of the mercantile language in the text, Portia can be interpreted as the merchant of the play's title.

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Brittany, Rogers Renee. "Film as a Historical Text: Exploring the Relationship between Film and History through the Life and Reign of Elizabeth I." Marietta College Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1210698124.

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Faust, Kimberly M. "A conflict of regal identity the dichotomy between Levinia Teerlinc's (1520-1576) private and public images of Queen Elizabeth I (1533-1603) /." Cincinnati, Ohio : University of Cincinnati, 2005. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1116614443.

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Thesis (M.A.)--University of Cincinnati, 2005.
Advisor: [Kristi A. Nelson]. Title from electronic thesis title page (viewed Apr. 4, 2009). Includes abstract. Keywords: Queen Elizabeth I; Levinia Teerlinc; Feminist theory; Elizabethan poetry; rhetoric. Includes bibliographical references.

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Dawson, Jordan O. "The impacts of mega events : a case study of visitor profiles, practices and perceptions in the Queen Elizabeth Olympic Park, East London." Thesis, Loughborough University, 2017. https://dspace.lboro.ac.uk/2134/33762.

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In 2012, London successfully hosted the Games of the XXX Olympiad. The main legacy of hosting the event is the 560 acre, mixed use Queen Elizabeth Olympic Park located in Stratford in the heart of London s former industrial East End. The Park is located across the four Park Boroughs of Hackney, Newham, Tower Hamlets and Waltham Forest, each distinct in character but shaped by similar trends of urban regeneration and gentrification. This research examines the profiles, practices and perceptions of visitors to the Queen Elizabeth Olympic Park as an impact study of mega events conducted within five years after the London Olympics. It draws on research about mega events and urban regeneration with a focus on sports science and geography that has largely neglected visitor experiences as an outcome of mega events. Based on a mixed methods approach combining a longitudinal face-to-face visitor survey conducted over two years, a postal survey among local schools, and interviews with stakeholders, this thesis makes an original contribution to knowledge by proposing a new conceptual framework on mega event legacy and empirical findings on the use and perceptions of The Park by local, regional, national and international visitors. The conceptual approach (Chapter 3) bridges the two distinct literatures of mega-event legacy theory (and more broadly the sports literature) and actor-network theory. The framework allows for the study to approach the research questions from a tridic actor-network perspective, examining how material, immaterial and mainly human dynamic hybrids co-exist in complex webs of relations. It also allows for the unravelling of how these relations have given rise to impacts tied to the developments in the Queen Elizabeth Olympic Park. This unravelling is explored through the remainder of this thesis. Following the description and analysis of methods used in the thesis (Chapter 4), Chapter 5 provides a historic overview of the four Park Boroughs that define the study area of the thesis. The shifting nature of this multicultural area is contextualised in light of several catalytic events (industrialisation, de-industrialisation and finally the Olympic Games). At the heart of this examination is the intention to show that despite the narratives pedalled by policy makers, planners and politicians, areas of East London were inhabited by groups who for several centuries symbiotically produced and reproduced their own diverse identities and ultimately that of East London. Chapter 6 analyses and critiques 35 policy documents released during the Olympic cycle (broadly defined here as the period between 2003 and 2012) and follows both the visible and invisible actants. The key findings are that: poorly executed event planning is inextricably linked to a poor implementation of local community interests; there were unheard and excluded voices, particularly the disadvantaged and displaced, in these policy and planning documents and; that there was little opportunity for the youth voice to be heard. Finally, the analysis of policy documents has underlined the value of reflecting on legacy promises from a longer-term perspective, suggesting that the legally binding bid books should be compared with the actual outcomes from a long-term perspective. The typical visitor to the Queen Elizabeth Olympic Park (Chapter 7) is a white middle-aged male or female (71% over age 25, ~50/50 male and female). They will be visiting the sports facilities and their frequency of use suggests that they have monthly membership to one of the leisure centres. This indicates that they have a relatively high level of both social capital and disposable income. They will reside within the Park Boroughs, often within walking distance of the Park or close to a transport link with a direct transport connection, probably by the Underground system. They will not often visit the Park with under 18s and if they do visit with anyone, it will be their partner or friend, and thus they resemble very closely the typical affluent gentrifier couples. The term experience athlete was coined for these visitors with 53% being from the Park Boroughs. In addition, there were those who came to sight-see, designated as Games tourists of whom 56% of these were international visitors. While ~20% of the visitors to the Park were under age 18 most of these were under 12s attending with their parents. Young people and particularly young people from the Park Boroughs were largely absent from the Park, which was contributed to by discriminatory practices (often under the guise of security issues) which focused on groups of ethnic minority youth. The possible reasons for the absence of young people from the Park are explored and unravelled in Chapter 8 by discussing the results of the semi-structured interviews with local stakeholders and the postal survey with school staff. The key issues raised in this chapter were that: the lack of a representative youth voice with a hidden and perceived to be cosmetic contribution to legacy planning and; the lack of social and financial capital in school staff and young people in combination with the gentrifying process and; spatial factors such as distance from the Park and poor acces routes, all contributed to the absence of young people from the Park. Overall, this thesis stresses the importance of unravelling networks to their fullest extent to truly understand the impact such spaces have on diverse communities.

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Kock, Heck Martín Thomas. "Metodología para la generación de blancos de exploración: Caso de estudio en los Yacimientos Queen Elizabeth y Cerro Colorado, Región de Tarapacá, Chile." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/169875.

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Chitani, Alex Jackson. "An exploration of patients' preferences and priorities for end-of-life care at Titanjane Clinic for Palliative Care, Queen Elizabeth Central Hospital, Blantyre, Malawi." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29891.

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Background For patients to have a dignified death, their wishes should be known and respected. The challenge is that, if conversations about death are avoided by patients, their families and health professionals because talking about death is taboo, it becomes hard to plan and implement preferred care for such patients. The researcher undertook an exploration of patients’ preferences and priorities for end-of-life care at Tiyanjane Clinic for palliative care, Queen Elizabeth Central Hospital, Blantyre, Malawi. The topic is regarded as sensitive and taboo in Malawi because discussing end-of-life care preferences and priorities is taken as prophesying death. Methodology This was a qualitative, descriptive study. Equal opportunity to participate in the study was provided to all adult patients diagnosed with life-threatening illnesses at the Clinic. Most participants were infected with the HIV virus. Data was collected by means of semi-structured interviews that were recorded and afterwards transcribed verbatim. A thematic framework was used to inform the systematic approach to data analysis. Results In December 2015 and January 2016, interviews were conducted with 14 adults (six men and eight women). The following 10 themes emerged from the data: Awareness of reason for being at Tiyanjane; reluctance to mention HIV; psychosocial concerns, expressed emotions; legacy; receiving information; decision-making; place of care; place of death; and spiritual concerns. Conclusion This research shows that, although choices are limited in Malawi due to a lack of resources, patients need to be given an opportunity to make their own healthcare choices. This research has shown that it is not as hard to start end-of-life care conversations as previously thought. Further research needs to explore whether advance directives or legal wills should be offered as part of care for palliative patients in Malawi, as most of the participants highlighted the need to be heard in regard to their wishes being upheld after death.

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Nkhoma, Mwandida Mdazepa Matilda. "A Qualitative exploration Of A Support Group Intervention Among Women With Cervical Cancer At Tiyanjane Clinic For Palliative Care, Queen Elizabeth Central Hospital, Blantyre, Malawi." Master's thesis, Faculty of Health Sciences, 2021. http://hdl.handle.net/11427/32857.

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Background: Cancer of the cervix is a common malignancy among women and is one of the leading causes of cancer morbidity and mortality in Malawi. The majority of women with cervical cancer present with advanced disease where cure is not possible. These women face many challenges that affect their lives holistically. In particular, the psycho-social impact is common for women living with cervical cancer and psychosocial care does not have sufficient attention as the focus is management of the disease and physical symptoms. However, research shows that support groups are associated with improvements in intimacy, emotional support and becoming better informed for women living with cancer of the cervix. Methodology: This was a qualitative research study. Semi structured interviews were used to collect data and were audio-taped. A purposive sampling technique was used in selection of participants. One to one interviews were conducted with eight (8) women diagnosed with cervical cancer because data saturation was reached at that number. Thematic analysis was undertaken where four phases of organisation, familiarization, reduction and analysis were used. Results: The following themes were identified: intimacy, emotional support, becoming informed and drawbacks of support group. Conclusion: A support group intervention is found to reduce psychosocial and intimacy distress associated with cervical cancer diagnosis. This leads to improved quality of life of these women and their families. Thus, a support group intervention has a potential to enhance appropriate holistic management plans for women with cervical cancer.

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Beemer, Cristy Ann. "“Usurping Authority in the Midst of Men”: Mirrors of Female Ruling Rhetoric in the Sixteenth Century." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1208895927.

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Hsiao, Han. "An Analysis of the Representation of Queen Elizabeth I of England in the Operas by Rossini, Donizetti, and Thomas in the Context of Nineteenth-Century Vocal Style and Historical Influence." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707281/.

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The purpose of this research is to analyze representations of Queen Elizabeth I of England in nineteenth-century Franco-Italian opera, and the relationship of these representations to contemporaneous singing style and the historical background. The basis for this analysis is three arias: "Quant'é grato all'alma mia" from Elisabetta, regina d'Inghilterra (1815) by Gioachino Rossini (1792-1868), "Sì, vuol di Francia il rege...Ah! quando all'ara scorgemi...Ah! dal ciel discenda un raggio" from Maria Stuarda (1835) by Gaetano Donizetti (1797-1848), and "Malgré l'éclat qui m'environne" from Le songe d'une nuit d'été (1850) by Ambroise Thomas (1811-1896). This research is divided into two main sections: the historical background of Italy and France in the nineteenth century, especially in the contemporaneous vocal style and fashions of literature; and a discussion of the composers' musical and dramatic choices for Queen Elizabeth I in the three selected arias. Chapter 2 is a brief introduction to the early nineteenth-century Franco-Italian historical background, vocal style, and popular literature. Chapter 3 presents an analysis of the three arias. The last chapter summarizes the representations of Elizabeth I in nineteenth-century politics, literature, and vocal style.

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So, Wai-ching Jean. "A study of the bilingual Cantonese English teacher's code-switching in secondary school classroom." Click to view the E-thesis via HKUTO, 1988. http://sunzi.lib.hku.hk/hkuto/record/B3194968X.

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Tremblay, Alexandre. "Giles Lytton Strachey et la "nouvelle biographie" dans un contexte historiographique postmoderne." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0485.

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Cette thèse a pour objectif d’établir certains principes d’une potentielle théorisation de l’écriture biographiques. En liant des exemples prosaïques du XIXe siècle à certaines bases théoriques du XXIe siècle, il est question d’explorer les récurrences qui ont contribué à faire de certaines biographies des succès ou des échecs. En tant que biographe, essayiste et critique, Giles Lytton Strachey (1880-1932) est un sujet d’étude idéal qui permet d’analyser la relation entre le biographe, le biographié et le lecteur. Puis, selon le schéma structurel de la métahistoire proposé par Hayden White, il est possible d’émettre l’hypothèse que la biographie peut être un genre à part entière autant du point de vue de la forme que du fond
The objective of this thesis attempts to illustrate a series of principles which could potentially lead to a theorisation of biographical writing. By exposing prosaic literary examples of the XIX century and certain theoretical bases of the XXI century, it is possible to depict recurrences that have contributed to the success or failure of various biographical works. Giles Lytton Strachey (1880-1932) as a biographer, essayist and critic appears to be the ideal subject that enables one to analyse the relationship between biographers, biographees and readers. Furthermore, the structural scheme of metahistory, as suggested by Hayden White, brings us one step closer to the assumption that biography can stand as a full-fledged genre both in terms of form and substance

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Cooper, Casey Jo. "The dissolution of the monasteries by King Henry VIII and its effect on the econmoy sic], political landscape, and social instability in Tudor England that led to the creation of the poor laws." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/364.

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Before the reformation and the schism of the Catholic Church, it had always been the duty of the Church and not of the state, to undertake the seven corporal works of mercy; feed the hungry, give drink to the thirsty, welcome the stranger, clothe the naked, visit the sick, visit the prisoner, and bury the dead.¹ By dissolving these institutions, Henry had unwittingly created what would become a social disaster of biblical proportions. In essence, this act was rendering thousands of the poor and elderly without a home or shelter, it denied the country of much of the medical aid that has been offered by the church, it denied future generations of thousands of volumes of books and scriptures from the monastic libraries, as well as denied many an education who would have otherwise never received one without the help of the Church. The ultimate goal of my thesis is to prove my hypothesis that the dissolution of the monasteries by King Henry VIII was not merely a contributory factor in the need for the creation of poor laws, but the deciding factor (in a myriad of societal issues) for their creation. Footnote 1: Matthew 25 vv. 32-46.
B.A.
Bachelors
Sciences
Political Science

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Fitzpatrick, Joan Margaret. "Spenser's demons : the political, ethnic, religious, and sexual other in 'The Faerie Queen'." Thesis, University of Birmingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270914.

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Sakamoto, Kumiko. "Queen Elizabeth's doubles? : women and power in the late plays of Shakespeare." Thesis, University of Birmingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393783.

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46

Oehle, Birgit. "An audience with the Queen : subversion, submission and survival in three late Elizabethan progress entertainments." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/4519/.

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Three late Elizabethan progress entertainments are being discussed: Cowdray (August 1591), Elvetham (September 1591), and Harefield (July 1602). The Elvetham entertainment has received some critical attention and is comparatively well known due to the extraordinary preparations undertaken for the royal visit, and the fact that a woodcut of an artificial crescent-shaped lake, especially dug for the occasion, has survived. The other two entertainments have been somewhat neglected, and Harefield survives only in fragmentary form. To my knowledge, its text has never been printed in toto, and the thesis will include a transcript of the original manuscript housed in Warwickshire County Record Office. The traditional view that progress entertainments were pastoral tales whose main purpose was to consolidate and confirm existing class structures is challenged. Entertainments are rather complex fictions that serve not merely to establish and preserve the `beautiful relation' between Queen and her subjects, highborn as well as lowly. These occasions were also very much sites for the exercise of power, by monarch and hosts alike. When examining these festivities in their historical and political contexts and illuminating their hosts' backgrounds, significant new interpretations, or at least possible alternative readings, may be found. Most importantly, the entertainments have to be viewed holistically, as events rather than as the texts that have come down to us. The hosts of the first two entertainments were powerful peers who were politically suspect from the regime's point of view. Both these lords, on the other hand, had little reason to love the regime because they had been harassed. Despite this state of affairs, traditional interpretations still maintain that both entertainments were submissive in tenor; that their hosts regarded the royal visit as an honour, and tried to (re)gain the Queen's favour through the spectacles that they were putting on. I would claim that these pageants are far more complex affairs and have to be read on different levels of signification. Far from being submissive, these fetes can be interpreted as challenging the existing order, if not indeed actively trying to subvert it. Having said that, there are country welcomes that seem to conform to the more traditional view of progress entertainments. The third pageant at Harefield was offered by a top-ranking Elizabethan official whose relationship with the Queen was presumably more amicable. Her visit to him was probably intended as a sign of favour, and his motivation in hosting the entertainment may well have been the consolidation of his own position within her close circle of councillors. He would have aimed at maintaining the existing order rather than challenge it; at establishing a `beautiful relation' between all classes. These conclusions can only be drawn, however, once the event as a whole has been studied as well as the surviving fragments of text.

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Cotton, Jessica. "The queer child in the work of Elizabeth Bishop, John Ashbery, James Schuyler and Joe Brainard." Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10053084/.

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This thesis explores the interconnection between the lyric, childhood and sexuality in the work of four American poets. Theorising the relationship between childhood, modernist aesthetics and the lyric, it demonstrates how queer poets articulate and critique aesthetic forms which reproduce ‘structures of innocence’. Its contention is that sexuality is crucial to our thinking about the lyric and that the lyric provides a holding space for examining innocence. Some of the poems display an explicit concern with the gender, sexuality and race of the mid-century American child whilst others demonstrate the relationship between childishness, queer sensibility and an avant-garde poetics. The study undertakes extensive close readings across these poets’ work. Though its time frame runs from 1930 to 2000, the poets considered inhabit a roughly coterminous cultural moment when the image of childhood becomes a lynchpin in American cultural and political discourse and queer identity is rendered legible by legal and social change. It examines the figure of the prodigal child in Bishop, the eccentric child in Ashbery, the synecdochical relationship between mother and child in Schuyler’s poetics and the childhood snapshot in Brainard’s work. The study, which draws on queer, feminist, affect and psychoanalytic theory, considers the significance of the child as a cultural figure and the historically contingent relation between the child and aesthetic forms. The analysis is presented as typical and representative, as testament to the rich and varied dialogue between twentieth-century American poetics, queer autobiography, childhood and lyric form, where the pertinent question is framed as the relationship between these forms. The historical connection between the lyric and childhood-as-an-idea constitutes the starting-point for this discussion of poets who demonstrate the importance of contesting the representation of innocence in lyric form.

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Casey-Stoakes, Coral Georgina. "English Catholic eschatology, 1558-1603." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/266215.

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Early modern English Catholic eschatology, the belief that the present was the last age and an associated concern with mankind’s destiny, has been overlooked in the historiography. Historians have established that early modern Protestants had an eschatological understanding of the present. This thesis seeks to balance the picture and the sources indicate that there was an early modern English Catholic counter narrative. This thesis suggests that the Catholic eschatological understanding of contemporary events affected political action. It investigates early modern English Catholic eschatology in the context of proscription and persecution of Catholicism between 1558 and 1603. Devotional eschatology was the corner stone of individual Catholic eschatology and placed earthly life in an apocalyptic time-frame. Catholic devotional works challenged the regime and questioned Protestantism. Devotional eschatology is suggestive of a worldview which expected an impending apocalypse but there was a reluctance to date the End. With an eschatological outlook normalised by daily devotional eschatology the Reformation and contemporary events were interpreted apocalyptically. An apocalyptic understanding of the break with Rome was not exclusively Protestant. Indeed, the identification of Antichrist was not just a Protestant concern but rather the linchpin of Reformation debates between Catholics and Protestants. Some identified Elizabeth as Jezebel, the Whore of Babylon. The Bull of Excommunication of 1570 and its language provided papal authority for identifications of Elizabeth as the Whore. The execution of Mary Queen of Scots was a flashpoint which enabled previously hidden ideas to burst into public discourse. This was dangerous as eschatology and apocalypticism was a language of political action. An eschatological understanding of contemporary events encouraged conspiracy. The divine plan required human agents. Catholic prophecy and conspiracy show that eschatology did not just affect how the future was thought about but also had implications for the present. This thesis raises questions about Catholic loyalism which other scholars have also begun to challenge. Yet attempts to depose or murder the monarch was not the only response which could be adopted. Belief that one was living in the End also supported what this thesis terms ‘militant passivity’. Martyrs understood their suffering as a form of eschatological agency which revealed and confirmed the identities of the Antichrist and the Whore. The Book of the Apocalypse promised that they would be rewarded at God’s approaching Judgement and the debates of the Reformation would be settled by the ultimate Judge. As martyrs came to symbolise the English Catholic community, it came to understand itself eschatologically. This thesis argues that acknowledging the eschatological dimensions of Catholic perception and action helps us to re-think the nature of early modern English Catholicism.

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Plastrougi, Therése. "Dragshow på de sju haven : – en analys av Elizabeth Swanns karaktär i Pirates of the Caribbean." Thesis, Uppsala University, Media and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9153.

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Abstract

Title: Dragshow on the seven seas

Number of pages: 51 (56 including enclosures)

Author: Therése Plastrougi

Tutor: Ylva Ekström

Course: Media and Communication Studies C

Period: Fall 2007

University: Division of Media and Communication, Department of Information Science, Uppsala University

Purpose/Aim: My main purpose with this paper is 1) to study how film as a media can subvert traditional gender constructions and 2) study the character of Elizabeth Swann in the trilogy Pirates of the Caribbean through four dimensions; Gender performance, Class, Desire and Power.

Material/Method: My main material is the trilogy Pirates of the Caribbean. I have studied Elizabeth’s character based on semiotic and narratological methods.

Main results: Film as a media possesses the full potential to change traditional gender roles, but the full subversion is denied due to the heterosexual matrix. Elizabeth’s character almost completes her subversive journey throughout the trilogy, but since she too is a victim of the heterosexual matrix, a full subversion is not possible.

Key words: gender performance, class, desire, power, sex/gender, subversion, narratologic, semiotic, queer, feminism, pirates of the caribbean, intersectionality, parody

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Stanfill, Emily Marie. "Erring Knights of Desire: The Romance in Santa Teresa's Libro de la vida and Edmund Spenser's The Faerie Queene." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd2091.pdf.

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Dissertations / Theses on the topic 'Queen Elizabeth I'

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