Academic literature on the topic 'Queen of Drum'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Queen of Drum.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Queen of Drum"
1
Ross, Doran H. "Queen Victoria for Twenty-Five Pounds: The Iconography of a Breasted Drum from Southern Ghana." Art Journal 47, no. 2 (1988): 114. http://dx.doi.org/10.2307/777064.
Full text
2
Ross, Doran H. "Queen Victoria for Twenty-Five Pounds: The Iconography of a Breasted Drum from Southern Ghana." Art Journal 47, no. 2 (1988): 114–20. http://dx.doi.org/10.1080/00043249.1988.10792403.
Full text
3
Zagorski-Thomas, Simon. "The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production." Popular Music 29, no. 2 (2010): 251–66. http://dx.doi.org/10.1017/s0261143010000061.
Full textAbstract:
AbstractThis article will discuss how two major contributing factors, functional staging and perceived authenticity, have had and continue to have a powerful influence on the sound of record production across geographical boundaries and throughout history. Functional staging is a concept building on the idea of phonographic staging developed by William Moylan and Serge Lacasse and related to Allan Moore's ‘sound-box’. The staging of sounds in the record production process is considered to be functional if the reason for their particular placement or treatment is related to the practicalities of audience reception rather than to aesthetics. It is not a question of whether the music has a function or not but whether that function has influenced the staging of the recorded music. Thus the divergence of staging techniques used in dance music and rock music that began in the 1970s can be seen as resulting from the different functions the music was put to by the different audiences. Music that is played back through large speakers in a club for the purpose of dancing needs to maintain the clarity of the rhythmic elements and so the ‘drier’ techniques of drum and percussive instrument mixing that characterise dance music developed. Rock, however, was more frequently played back in the smaller, less ambient, home environment and so reverberation was added to simulate the atmosphere of the large-scale venue. At the same time, a variety of culturally constructed notions of authenticity have developed within different musical audiences. Why is it that Queen felt the need to inscribe ‘no synthesisers were used in the making of this album’ on their early records and yet Brian May felt entirely comfortable constructing multiple layered performance ‘patchworks’ of guitar tracks? Why might the use of one type of technological mediation be considered more or less authentic than another? Using examples taken from recordings from all around the world and from ‘art’ and ‘popular’ forms of music, this article will explore how audience-led cultural trends in recording and production practice have resulted in the particular ‘sounds’ of different recorded music genres.
4
Jones, Amelia. "Holy Body:." TDR/The Drama Review 50, no. 1 (2006): 159–69. http://dx.doi.org/10.1162/dram.2006.50.1.159.
Full textAbstract:
Expanding on Ron Athey's legacy of exposing the holiness of his body in body art performances, and on Julianna Snapper's training as an opera singer, Judas Cradle evokes relations of desire, connection, and repulsion. Holy Body takes off from the queer ethics proffered by Judas Cradle through a rapturous and sometimes pained interpretive hysteria directed toward affirming the erotic ethics implicit in the piece.
5
Reinelt, Janelle. "The “Rehabilitation” of Howard Brenton." TDR/The Drama Review 51, no. 3 (2007): 167–74. http://dx.doi.org/10.1162/dram.2007.51.3.167.
Full textAbstract:
Janelle Reinelt explores playwright Howard Brenton's return to Britain's national stages after almost a decade's absence, discussing recent productions that address the fraught relationship between religious belief and human conduct. Joshua Chambers-Letson contemplates the queer politics of failure in regard to Nao Bustamante's Hero, which challenges the value of “normality” via the possibility of a communal being-in-failure for queers, people of color, and other nonnormative subjects. Engaging South Africa's 2006 National Arts Festival, Daniel Larlham addresses the country's national transformations through its changing artistic landscape, newly opened to a variety of imaginative, discursive, and affective spaces in which a communal historical consciousness might develop.
6
Chambers-Letson, Joshua. "The Politics of Failure: Nao Bustamante's Hero." TDR/The Drama Review 51, no. 3 (2007): 174–81. http://dx.doi.org/10.1162/dram.2007.51.3.174.
Full textAbstract:
Janelle Reinelt explores playwright Howard Brenton's return to Britain's national stages after almost a decade's absence, discussing recent productions that address the fraught relationship between religious belief and human conduct. Joshua Chambers-Letson contemplates the queer politics of failure in regard to Nao Bustamante's Hero, which challenges the value of “normality” via the possibility of a communal being-in-failure for queers, people of color, and other nonnormative subjects. Engaging South Africa's 2006 National Arts Festival, Daniel Larlham addresses the country's national transformations through its changing artistic landscape, newly opened to a variety of imaginative, discursive, and affective spaces in which a communal historical consciousness might develop.
7
Larlham, Daniel. "Transforming Geographies and Reconfigured Spaces: South Africa's National Arts Festival." TDR/The Drama Review 51, no. 3 (2007): 182–88. http://dx.doi.org/10.1162/dram.2007.51.3.182.
Full textAbstract:
Janelle Reinelt explores playwright Howard Brenton's return to Britain's national stages after almost a decade's absence, discussing recent productions that address the fraught relationship between religious belief and human conduct. Joshua Chambers-Letson contemplates the queer politics of failure in regard to Nao Bustamante's Hero, which challenges the value of “normality” via the possibility of a communal being-in-failure for queers, people of color, and other nonnormative subjects. Engaging South Africa's 2006 National Arts Festival, Daniel Larlham addresses the country's national transformations through its changing artistic landscape, newly opened to a variety of imaginative, discursive, and affective spaces in which a communal historical consciousness might develop.
8
Oliveira, Vanilva Pereira de, Gilmar Baumgartner, Sabrina Grassiolli, João Paulo de Amorin, Vanessa Ceglarek, and Gildete de Souza Bezerra. "Histopathological study on gills of Rhamdia quelen juveniles submitted to chronic toxicological test with ibuprofen." Acta Veterinaria Brasilica 14, no. 4 (2020): 272–78. http://dx.doi.org/10.21708/avb.2020.14.4.9437.
Full textAbstract:
The present study aimed at evaluating histopathological changes in gills of Rhamdia quelenjuveniles submitted to different concentrations of ibuprofen (0.0; 0.5; 5.0 and 50.0 mg/L); concentrations were determined from LC50acute assays of 5.0mg/L(120h). For each concentration four replicates were made, with four copies each. The experiment had a total duration of 120 hours in a chronic toxicological trial. After completion, the animals were euthanized, laparotomized, and the gills were localized, isolated and fixed in 10% formaldehyde, preserved in 70% alcohol and subsequently submitted to histological routine technique for paraffin inclusion. Fivecuts (6μM) per specimen were made and stained with Hematoxylin and Eosin (H&E). The Average Alteration Score(AAS) and Histopathological Alteration Indices (HAI) were determined according to the degree of the lesion and then classified in stages I, II and III which produced respectively Lamellar derangement, Lamella’s epithelium rupture and aneurysm with more expressive alterations. For all concentrations the drug led to histological alterations for Rhamdia quelen, putting in evidence damages that go from moderate to severe in the gills of the analysed fishes. Ibuprofen caused branchial lesions in R.quelenwith a progressive effect in high concentrations, suggesting that the presence of this drug could cause abnormalities and favour mortality in this species.
9
Kisil, Dmytro, Tetiana Fotina, and Svitlana Nazarenko. "The effect of the drug "Cobazin" on the productive indicators of bee colonies." EUREKA: Health Sciences, no. 2 (March 31, 2021): 90–96. http://dx.doi.org/10.21303/2504-5679.2021.001711.
Full textAbstract:
The aim of the study was to determine the effectiveness of the drug "Cobazin" on the productivity of bee colonies during the increase in strength (increase in the number of young bees in the bee colony) in spring and autumn.
 Materials and methods. Control and experimental groups were formed to test "Cobazin" feed supplement. It was fed 5 times with an interval of 5 days. Bee colonies from the control group received a pure sugar solution (1:1) in the amount of 0.5 liters per bee colony, and the experimental group received a sugar solution of 0.5 liters per bee colony (1:1) with the addition of the drug "Cobazin" in the amount of 2.5 g.
 Indicators characterizing the development of bee colonies were determined by a measuring frame of 5x5 cm in size, for 12 days to cover the total number of eggs laid by the queen bee during feeding. Four measurements were performed during the study. The results of the control and experimental groups were compared and the significance of the differences between them was established. There was a comparison of the difference between groups of bees both fed pure sugar syrup in a ratio of 1:1 and syrup with the addition of the drug "Cobazin".
 Results. It is proved that during the feeding period the number of brood in bee colonies that received feed supplement "Cobazin" increased significantly by 76 % (71 % in the group that received only sugar solution without this drug). Live weight of queen bees in colonies that were stimulated with "Cobazin" was actually 2 % higher compared to the control group.
 It was found that at the end of the bee season, bee colonies fed in May with the feed supplement "Cobazin" had significantly higher values of strength, number of sealed brood and live queen bees compared to those who received pure sugar solution. The brood in the control group was 25 % lower than in the experimental group.
 Conclusions. For the first time it was proved that the use of feed supplement "Cobazin" in combination with sugar solution has a positive effect on the features that characterize the development of bee colonies (strength, number of sealed brood) and their health productivity. The positive impact is observed not only during feeding, but also in subsequent periods of colony development.
10
Karim, Naymul, and Jitbanjong Tangpong. "Biological properties in relation to health promotion effects ofGarcinia mangostana(queen of fruit)." Journal of Health Research 32, no. 5 (2018): 364–70. http://dx.doi.org/10.1108/jhr-08-2018-043.
Full textAbstract:
PurposeFor the prevention and cure of disease, patient use various types of chemical and drug agents. Along with their curative effect, almost all drugs have some destructive effects and side-effects. Due to the minimal and/or none of unwanted side-effect, recently, the use of herbal remedy as the drug of choice becomes the preference choice. The mangosteen,Garcinia mangostana, contains various types of polyphenols. It has been used as a traditional medicine from the ancient times till present days. The purpose of this paper is to investigate the biological properties of mangosteen in relation to health promotion effects.Design/methodology/approachSeveral research papers from well-known database (such as PubMed, Google scholar, Scopus and Sciencedirect) were reviewed without considering publication-times to understand the biological properties of mangosteen.FindingsMangosteen and its xanthone exerted diverse biological activities such as anti-oxidant, anti-inflammatory, anti-allergy, anti-bacteria, anti-fungal, anti-malaria, anticancer and anti-diabetes.Originality/valueBased on these studies, mangosteen is beneficial dietary supplement of overall human health.
Dissertations / Theses on the topic "Queen of Drum"
1
Kou, Maybelle Antonia Maria. "Quantitative and qualitative drug utilization studies in a university teaching hospital in Hong Kong." Thesis, [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14436711.
Full text
2
Frederick, Brian Jay. "Exploring the (sub)cultural dynamics of gay, bisexual and queer male drug use in cyberspace." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/57031/.
Full textAbstract:
In 2015, Peccadillo Pictures released the movie 'Chemsex', an 80-minute documentary about the experiences of gay, bisexual and queer male (GBQM) drug users in London-men whose lives have been impacted by chemsex, that is, the mixing of illicit drugs such as crystal methamphetamine, gamma-Hydroxybutyric acid (GHB), gamma-butyrolactone (GBL) and mephedrone with 'risky' sex. The film has been described by the media as painting a bleak portrait of a 'subculture on the edge'-one that is fueled by both the heteronormative marginalization of GBQM and the popularity of online and mobile-based GBQM social networks. The release of 'Chemsex' was prompted by research that reveals increases in GBQM drug use-not only in London, but among GBQM in many gay ghettos throughout the world. Most of these studies emerge from disciplines outside criminology-for example, behavioral health, epidemiology and public health. These studies also describe GBQM drug users as existing within a subculture. Moreover, these studies also link GBQM drug use to external marginalization and or stigma related to sexual identity or HIV-seropositivity. Yet, rarely are the cultural dynamics of GBQM drug use fully explored. Neither do these studies address the fact that drug use-in most jurisdictions-is a crime. Cultural criminologists argue that crime, deviance and transgression are part of an ongoing process that is interwoven with the dynamics of culture and all of its attendant meanings. This thesis explores the cultural dynamics that may shape the meanings that underlie GBQM drug use-in particular, drug use that is facilitated and or expressed through cyberspace. This thesis conceptualizes the cultural dynamics of GBQM drug using three tenets that are central to cultural criminological inquiries: that crime and deviance and transgression are often related to marginalization and oppression; that these phenomena are often subcultural in nature; and, that subcultures cannot be studied apart from their mediated representations. Complementing this framework is a research design that employs virtual ethnography, instant ethnography, ethnographic content analysis and visual content analysis. Critical discourse analysis is also employed in an effort to analyze the underlying power differentials that are present in the mediated representations of GBQM drug use. Using these methods, I was able to participate in the activities and understandings of GBQM drug users who were situated in cyberspace. Using the theoretical framework that was constructed, I was then able to analyze and draw conclusions as to the cultural dynamics that underlie their activities, behaviors, language, norms, rituals and values. One of the key findings of this thesis was in the discovery of shared group drug injecting experiences that are constructed as temporary networks using Skype and other webcam conference call applications. Another finding concerns the sharing by GBQM of drug-themed photo content in mainstream and GBQM social networks. A third finding involves their sharing of drug-themed videos to Internet 'tube sites'.
3
Camp, Nathan. "Not So Elementary: An Examination of Trends in a Century of Sherlock Holmes Adaptations." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157536/.
Full textAbstract:
This study examines changes over time in 40 different Sherlock Holmes films and 39 television series and movies spanning from 1900 to 2017. Quantitative observations were mixed with a qualitative examination. Perceptions of law enforcement became more positive over time, the types of crime did not vary, and representation of race and gender improved over time with incrementally positive changes in the representation of queer, mentally ill, and physically handicapped individuals. The exact nature of these trends is discussed. Additionally, the trends of different decades are explored and compared. Sherlock Holmes is mostly used as a vehicle for storytelling rather than for the salacious crimes that he solves, making the identification of perceptions of crime in different decades difficult. The reasons for why different Sherlock Holmes projects were created in different eras and for different purposes are discussed.
4
Kang, Helen Hyunji. "Queer bricolage : a visual study of metaphors in HIV/AIDS pharmaceutical drug advertising." 2005. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=362456&T=F.
Full text
5
Knox, Sherilyn Adele. "Challenging heteronormativity in drug policy and practice: exploring the support needs of queer women who experience problematic substance use." Thesis, 2010. http://hdl.handle.net/1828/2945.
Full textAbstract:
Queer-identified women in Canada and elsewhere are underserved as a community with regard to the provision of support for drug use related problems. In order to provide much needed inclusive support services, researchers, policy makers and treatment providers must recognize and act on the interface of oppression with substance use in populations of queer women. The homophobia and heterosexism endemic to our society is an issue that necessitates the exploration, development, and inclusion of responsive policies and services for queer women who seek - or desire to seek - support for problematic substance use. This research study explores the support needs of queer-identified women who experience difficulties as a result of drug use. Through qualitative, interview-based research, my inquiry examines responses to the question: What are the support needs of women who are impacted by the confluence of heteronormativity and problematic drug use? Data are derived from nine, semi-structured in-depth interviews with women in the Vancouver Island and Lower Mainland areas of British Columbia. The methodological framework incorporates a critical feminist approach. A thematic analysis technique was utilized to analyse the interviews, with data categorized into three primary themes of discrimination, resistance, and support. Findings indicate that queer women require distinct support services for problematic substance use issues in an effort to redress systemic heteronormativity.
Books on the topic "Queen of Drum"
More sourcesBook chapters on the topic "Queen of Drum"
1
Fleetwood, Jennifer. "Introduction: Cartels and Cocaine Queens." In Drug Mules. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137271907_1.
Full text
2
Whitehead, Kevin. "Movies within Movies and New Orleans Comes Back 2008–2019." In Play the Way You Feel. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.003.0011.
Full textAbstract:
In the 2000s and 2010s, screen jazz stories explored new forms to tell a new century’s jazz stories—longform television included. The surreal comedy Be Kind Rewind critiques jazz narrative conventions, with a movie within a movie: a new trend in jazz pictures. Born to Be Blue depicts a Chet Baker biopic within the biopic. A Miles Davis biopic is configured as a self-contained double feature, dividing his charming and evil personas. Nina Simone and Joe Albany biopics likewise focus on lulls in their careers. Queen Latifah plays Bessie Smith in a sexually frank biopic. Damien Chazelle’s Whiplash is hysterical like a too-fast drum solo, and his La La Land echoes Scorsese’s New York, New York in various particulars. As the jazz film approached the music’s centenary on record, new stories keep harking back to early ones—even the earliest, drawing connections back to The Jazz Singer.
3
Johnson, E. Patrick. "I’m Happy as Hell." In Black. Queer. Southern. Women. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469641102.003.0011.
Full textAbstract:
In this chapter, Gwen Cubit narrates the story of her upbringing in Austin, Texas. She discusses her involvement in the church, her experiences with poverty, her understanding of sexuality as a young person, and her relationship with her current partner. She also shares the story of her past drug addiction, acknowledging that it may have developed in response to child sexual abuse and having to repress her sexuality.
4
Sasso, Eleonora. "Consumers of Intoxicating Fruits and Elixirs: The Cognitive Grammar of Christina Rossetti’s and Ford Madox Ford’s Oriental Fairy Tales." In The Pre-Raphaelites and Orientalism. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474407168.003.0005.
Full textAbstract:
The fourth chapter provides a cognitive grammar analysis of Christina Rossetti’s and Ford’s Oriental fairy poetry and narrative fictionalising scenes of drug consumption. Like consumers of banj (hashish) and opium, Rossetti’s and Ford’s characters (the petrified banqueters, Laura, the princess wearing poppies, Queen Eldrida, Princess Ismara and the blind ploughman) experience moments of hallucination caused by intoxicating fruits, elixirs of life and infusions of wind-flowers. Probably written in reaction to the Opium War, which facilitated the diffusion of opium-based laudanum, used for recreational purposes and health remedies, Rossetti’s ‘The Dead City’, ‘Goblin Market’ and ‘The Prince’s Progress’, as well as Ford’s The Brown Owl (1892), The Feather (1892) and The Queen Who Flew blend together parts of Oriental narratives in order to visualise the temptations of the East.
5
Brennan, Ailish. "Queer Feminine Identities and the War on Drugs." In The Impact of Global Drug Policy on Women: Shifting the Needle. Emerald Publishing Limited, 2020. http://dx.doi.org/10.1108/978-1-83982-882-920200029.
Full text
6
Pobutsky, Aldona Bialowas. "Who’s the Real Boss?" In Pablo Escobar and Colombian Narcoculture. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401513.003.0005.
Full textAbstract:
This chapter explores the mediac rebirth of Colombia’s so-called Cocaine Queen of the 1970s, whose criminal reign extended from Medellín to New York and Miami. It argues that Blanco’s posthumous celebrity status in popular culture took place once the media’s interest in Escobar and narcocultura became a well-established trend. This is evidenced by the emergence of two biographies, the telenovela La viuda negra, and extensive press coverage, all of which invariably compare her notoriety to that of Escobar. Also worthy of note is the Colombian influence on cocaine trafficking in Miami, where extreme violence and cash flow changed the city’s character from a mecca for retirees to a refashioned Wild West. Informed on Billy Corben’s documentaries Cocaine Cowboys (two installments) and Max Marmelstein’s criminal autobiography The Man Who Made It Snow, this chapter examines Griselda Blanco’s brutality as a narca in the U.S., her relationship with Pablo Escobar, and her volatile marriages and partners’ suspicious deaths, as well as her position in the drug trade, where her extreme cruelty kept her hitmen both in check and in constant admiration.
7
Fingerhood, Michael I. "Special Populations." In ASAM Handbook of Addiction Medicine. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780197506172.003.0016.
Full textAbstract:
There are a number of issues regarding substance use disorders (SUD) that are particular to certain populations. Adolescents tend to lack insight into problems that result from substance use. CRAFFT is a simple and reliable screening tool for SUD in adolescents. Treatment generally consists of counseling. Intimate partner violence is more common among women with SUD and those whose partners have SUD. During pregnancy, alcohol is the drug most damaging to the fetus. Treatment programs developed specifically for women may be beneficial. Most SUD in older adults are related to alcohol, but opioid use is increasing, with associated risk of overdose fatality. Lesbian, gay, bisexual, transgender, and queer (LGBTQ) individuals appear to be at increased risk for SUD. LGBTQ youth in particular have high rates of physical and sexual abuse, leading to high rates of opioid use disorder. Few programs specifically deliver LGBTQ-sensitive substance use treatment. At the time of incarceration, many arrestees test positive for illicit drugs or alcohol and perceive a need for treatment, but few receive it. Without medication for opioid use disorder while incarcerated, the risk of fatal opioid overdose soon after release is high. With regard to health professionals, the prevalence of alcohol use disorder is similar to that for the general population, although illicit drug use is less common. Medical societies have implemented programs to address SUD in the health professions.
8
"“Don’t mess with my fags!” – said the drug lord: Queer liberation in a Brazilian favela." In Freedom in Practice. Routledge, 2016. http://dx.doi.org/10.4324/9781315686554-14.
Full text