Academic literature on the topic 'Queer culture'

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Journal articles on the topic "Queer culture"

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Ege, Övünç. "Being Queer in Turkish Cinema: Existence, Appearance, and Representation." CINEJ Cinema Journal 12, no. 1 (2024): 319–59. http://dx.doi.org/10.5195/cinej.2024.603.

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Queer representations in cinema are both influenced by and reflective of local or global cultures. In the context of Turkish cinema, patriarchal Turkish culture often negatively impacts the portrayal of queer identities. These portrayals tend to reflect society’s view of queers rather than illustrating their actual place within society. This study examines the evolution of queer representation in Turkish cinema from its inception to the present, highlighting queer identities and representation issues through the lens of Judith Butler's queer theory.
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Gaidash, Anna, and Andrii Mykhailiuk. "DRAG QUEEN CULTURE: THE INTERACTION OF FEMINITY AND THE MALE EGO IN D. H. HONG’S PLAY "M. BUTTERFLY"." LITERARY PROCESS: methodology, names, trends, no. 19 (2022): 33–38. http://dx.doi.org/10.28925/2412-2475.2022.19.4.

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The study's relevance is due to the development and dissemination of works on the culture of a drag queen, as it is understood not only in queer research and literary exploration but also in fiction. The article analyses the interaction of femininity and male ego in D. H. Hwang's play "Madame Butterfly" through the prism of elements of drag queen culture. The study results will also help to outline new interpretations of images in works of art. The cultural-historical method, feminist approach and aspect analysis were used to achieve the goal. The study clarified the meaning and origin of the
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Chatzipapatheodoridis, Constantine. "Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics." Open Cultural Studies 1, no. 1 (2017): 406–16. http://dx.doi.org/10.1515/culture-2017-0038.

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Abstract This article pays attention to African-American artist Beyonce Knowles and her performance of black camp. Beyonce’s stage persona and performances invite multiple ideological readings as to what pertains to her interpretation of gender, sexuality, and race. While cultural theory around the icon of Beyonce has focused on her feminist and racial politics as well as her politicization of the black female body, a queer reading applied from the perspective of camp performance will concentrate on the artist’s queer appeal and, most importantly, on her exposition of black camp, an intersecti
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Lizbette, Ocasio-Russe. "Disidentifying with Gender Stereotypes: The Queer in Pop Culture Films." postScriptum: An Interdisciplinary Journal of Literary Studies 2, no. 2 (2017): 88–99. https://doi.org/10.5281/zenodo.1318863.

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Pioneer of queer theory Judith Butler believes nothing is natural, not even sexual identity. She looks to uncover the assumptions that “restrict the meaning of gender to received notions of masculinity and femininity” (Cain et al. 2536). What Butler calls “exclusionary gender norms” have constantly worked toward the detriment of both men and women, individuals behaving outside of what majority culture deems appropriate masculine and feminine behavior becoming targets of harassment. Films have been portraying the breaking of gender stereotypes, namely queer behavior, sin
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Lopes, Denilson. "Desafios dos Estudos Gays, Lésbicos e Transgêneros." Comunicação Mídia e Consumo 1, no. 1 (2008): 63–73. http://dx.doi.org/10.18568/cmc.v1i1.5.

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Resumo:
 Este ensaio introduz algumas questões relativas aos estudos feministas, gays, lésbicos, transgênecos e teoria queer na busca de contribuições teórico-metodológicas na análise da cultura contemporânea.
 Palavras-chave: Estudos gays e lésbicos, estudos transgêneros, teoria queer, cultura.
 
 Abstrat:
 This essay introduces some issues related tofeminist studies, gay and lesbian studies, transgender studies and queer theory in the search of theoretical and methodological contributions in the analysis of contemporary culture.
 
 Key-words: Gay and Lesbia
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Sliwinska, Basia. "Art and Queer Culture." Third Text 27, no. 6 (2013): 808–10. http://dx.doi.org/10.1080/09528822.2013.860794.

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Amin, Kadji. "Taxonomically Queer?" GLQ: A Journal of Lesbian and Gay Studies 29, no. 1 (2023): 91–107. http://dx.doi.org/10.1215/10642684-10144435.

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Can taxonomy—a scientific method critiqued for its utility within Western imperial projects of racial and species classification—be queered? This article mines the tensions between the hostility to taxonomy within critical theory and the taxonomical renaissance within contemporary queer, trans, and asexual vernacular systems of classification. Contemporary queer uses of taxonomy express a shared utopian vision of combinatorial queerness, in which sexual, gender, and relational liberation occur through a multiplying menu of increasingly fine-grained identity options. The article examines the un
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See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes." PMLA/Publications of the Modern Language Association of America 124, no. 3 (2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.

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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were prop
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Payne, Robert. "Lossy Media: Queer Encounters with Infrastructure." Open Cultural Studies 2, no. 1 (2018): 528–39. http://dx.doi.org/10.1515/culture-2018-0048.

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Abstract In an era of “frictionless” digital environments, this article proposes a queer analysis of the “lossy” materialities of mediated encounters. Building on recent scholarship on media failure and media infrastructures, it will argue that moments of disruption and deterioration commonly experienced by users reveal the failure of overlapping social and technical infrastructures to ensure lossless transmission of normative fantasies of subjectivity and mediated relationality. Highlighting the queer instability of material assemblages, it will pay close attention to how the articulation of
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Stacey, Judith, Mary Bernstein, and Renate Reimann. "Queer Families, Queer Politics: Challenging Culture and the State." Contemporary Sociology 31, no. 4 (2002): 411. http://dx.doi.org/10.2307/3089078.

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Dissertations / Theses on the topic "Queer culture"

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Brady, Anita, and n/a. "Constituting queer : performativity and commodity culture." University of Otago. Department of Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080429.113540.

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This thesis foregrounds a question unanswered in queer theory�s account of the ongoing reproduction of heteronormativity. In Gender Trouble, Judith Butler asks "From where does the performative draw its force, and what happens to the performative whose task it is to undo" that discursively legitimated enacting? (Bodies That Matter 224-5). While queer theory offers a compelling account of how the normative fictions of identity privilege heterosexuality, the first part of Butler�s question remains relatively under-theorised. This thesis addresses this gap and argues that to understand the source
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Lee, Juwon. "The Globality of the Seoul Queer Culture Festival: Subverting the Neocolonial Queer Narrative." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555520368932493.

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Maddison, Stephen. "Queer sisters : gay male culture, women and gender dissent." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362271.

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Gay male culture is suffused with indications of the importance of women and bonds with women. Indeed the Stonewall riots, mythologised moment of the birth of modern gay politics, are often said to have been catalysed by gay male grief at the death of Judy Garland. Why should a culture apparently founded on same-sex desire be so preoccupied with relationships across gender difference? The thesis attempts to map the shape and effects of bonds with women by using a materialist analytical framework in relation to texts and their critical retinue. The first chapter looks at A Streetcar Named Desir
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Hannan-Leith, Madeline Naomi. ""That's how I found queer culture in so many ways" : narratives of online dating in queer women." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/61850.

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The past few decades have seen a rise in the visibility and legal rights of lesbian, gay, bisexual, transgender and queer (LGBTQ) people, yet persistent stigmatization has left many searching for alternate ways of seeking connection. An increasingly popular means for LGBTQ individuals to find relationships is through online dating. While the Internet has been prolific in connecting LGBTQ communities, existing research on the use of Internet-dating sites in sexual minorities has focused primarily on gay men’s dating practices, overlooking queer women. The present study used a narrative approach
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Adair, David Francis, and n/a. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence." Griffith University. School of Arts, Media and Culture, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20041014.102015.

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The main problem addressed by this thesis is the question of how to assess the politics and the cultural effects and implications of 'Queer Theory' during the period of the 1990s. 'Queer' was invoked in numerous institutions, spaces, and cultural practices over this period, and yet queer-identified theorists – and many of their critics – have often assumed that this term refers to a relatively unified object. I ask if it is appropriate to treat these 'queer' occasions in this manner, and whether this 'dispersed' object requires a different approach: one that sets out to describe means and ro
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Adair, David Francis. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367520.

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The main problem addressed by this thesis is the question of how to assess the politics and the cultural effects and implications of 'Queer Theory' during the period of the 1990s. 'Queer' was invoked in numerous institutions, spaces, and cultural practices over this period, and yet queer-identified theorists – and many of their critics – have often assumed that this term refers to a relatively unified object. I ask if it is appropriate to treat these 'queer' occasions in this manner, and whether this 'dispersed' object requires a different approach: one that sets out to describe means and ro
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Robertson, Megan. "Called and Queer Exploring the lived experiences of queer clergy in the Methodist Church of Southern Africa." university of western cape, 2020. http://hdl.handle.net/11394/7306.

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Doctor Theologiae - DTh<br>In South Africa anti-queer attitudes are propped up by religious moral claims and by strong assertions that queer sexualities are un-African and a secular Western import. This study contributes to the growing body of literature which challenge these claims, and at the same time interrupts scholarly trends in the field of religion and sexuality which either characterises institutional religion as singularly oppressive or homogenises queer Christians as inherently subversive. In this thesis, I explored the lived experiences of six queer clergy (one of whom was disconti
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Patel, Alpesh Kantilal. "Queer Desi visual culture across the 'Brown Atlantic' (US/UK)." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494299.

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Through an intersectional, embodied (psycho-spatial and synaesthetic), and processual theoretical matrix, my thesis unpacks the complex mechanisms underpinning the visual identification of subjects and artworks as "Desi" - the Hindi word meaning "from my country" - within the geographical and conceptual space that roughly includes the US, UK, and the South Asian subcontinent. To add further traction to my investigation, I yoke "queer" to Desi. The latter as two overlapping, and at other times competing, sets of visual identifications, serve to bring to the fore, rather than subsume, the comple
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Dawson, Leanne. "Femme : Representations of queer femininities in post-war German culture." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511248.

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Pereira, Cristiano Fabrício Lopes. "Rhiz'hommes: redes de subjetividades." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4443.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Com a profusão de imagens fotográficas do mundo capitalista e o incentivo para que todos sejamos produtores, o modo de fruição das fotografias e a nossa relação com esses simulacros vão se alterando. A necessidade que a web traz de nos apresentarmos em imagens faz com que tenhamos que fabricá-las e através delas passamos a nos relacionar de maneira narcísica. Com o projeto artístico Rhiz'hommes vão se discutindo as construções desses avatares nos sites de relacionamento e a (des)construção da figura masculina heteronormativa como o
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Books on the topic "Queer culture"

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Peele, Thomas, ed. Queer Popular Culture. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384.

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Peele, Thomas, ed. Queer Popular Culture. Palgrave Macmillan, 2011. http://dx.doi.org/10.1057/9780230118287.

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Peele, Thomas, ed. Queer Popular Culture. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6.

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Mary, Bernstein, and Reimann Renate, eds. Queer families, queer politics: Challenging culture and the state. Columbia University Press, 2001.

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Dima, Ramona. Queer Culture in Romania, 1920–2018. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38849-1.

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Miguel Rodrigues de Sousa Netto and Aguinaldo Rodrigues Gomes. História & teoria queer. Editora Devires, 2018.

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Padva, Gilad. Queer Nostalgia in Cinema and Pop Culture. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137266347.

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Leung, Helen Hok-Sze. Undercurrents: Queer culture and postcolonial Hong Kong. UBC Press, 2008.

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K, Creekmur Corey, and Doty Alexander, eds. Out in culture: Gay, lesbian, and queer essays on popular culture. Duke University Press, 1995.

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K, Creekmur Corey, and Doty Alexander, eds. Out in culture: Gay, lesbian, and queer essays on popular culture. Cassell, 1995.

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Book chapters on the topic "Queer culture"

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Cashmore, Ellis. "Queer." In Celebrity Culture, 3rd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003259992-22.

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Smuga, Łukasz, and Patrycja Poniatowska. "Against Culture." In Queer Rebels. Routledge, 2022. http://dx.doi.org/10.4324/9781003245124-4.

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Peele, Thomas. "Introduction: Popular Culture, Queer Culture." In Queer Popular Culture. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6_1.

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Peele, Thomas. "Introduction: Popular Culture, Queer Culture." In Queer Popular Culture. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_1.

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Graham, Mark. "Queer Smells." In The Smell Culture Reader. Routledge, 2024. http://dx.doi.org/10.4324/9781003579540-32.

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Mazer, Sharon. "Queer shows." In Performance in Popular Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003188346-24.

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Hadjiioannou, Erene, and Julian-Pascal Saadi. "Queer minds, Queer needs." In Diversity, Inclusion and Culture Wars in Psychotherapy. Routledge, 2024. http://dx.doi.org/10.4324/9781032695501-2.

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Strukov, Vlad. "Queer economics." In Queering Russian Media and Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781003042358-8.

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Dima, Ramona. "Queer Literature." In Queer Culture in Romania, 1920–2018. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38849-1_3.

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Pearson, Wendy Gay. "Queer Theory." In The Routledge Companion to Cyberpunk Culture. Routledge, 2019. http://dx.doi.org/10.4324/9781351139885-36.

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Conference papers on the topic "Queer culture"

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Manhães, Níke Ártemis Eccard. "OS NOVOS HEREGES E AS NOVAS BRUXAS NO CAPITALISMO NEOLIBERAL." In IX Seminário Corpo, Gênero e Sexualidade, V Seminário Internacional Corpo, Gênero e Sexualidadee V Luso-Brasileiro Educação em Sexualidade, Gênero, Saúde e Sustentabilidade. Even3, 2025. https://doi.org/10.29327/1575734.9-1.

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Paul Preciado (2020) identifica, no movimento dos "novos hereges" e "indignados", ecos das lutas de bruxas e hereges históricos contra a opressão estrutural. Preciado (2020) também nos convida a pensar em identidades dissidentes como pontos de ruptura na matriz binária de gênero e sexualidade, destacando que esses corpos representam não apenas a sobrevivência, mas também a possibilidade de reconfigurar as bases do capitalismo tecnocientífico. Ao adotar uma abordagem interdisciplinar que une história, sociologia, teoria queer e a ferramenta analítica da interseccionalidade, busca-se ir além da
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D’Avila, Yasmin Daniella. "OUTRAS HUMANIDADES." In I CONGRESSO DE EDUCAÇÃO, INTERDISCIPLINARIDADE E PRÁTICAS ESCOLARES. CEEINTER, 2025. https://doi.org/10.56579/eduinterpe.v1i1.1933.

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O presente resumo tem origem em uma prática pedagógica que será desenvolvida com turmas do 2º ano do Ensino Médio em uma escola da Rede Estadual de Educação do Rio Grande do Sul. As atividades buscam desenvolver as habilidades EM13CHS101, EM13CHS605, EM13CHS502, presentes na Base Nacional Comum Curricular e que compõem a dinâmica de estudos do componente curricular de Direitos Humanos e Diferentes Culturas, parte da trilha de aprofundamento Vida, Cidadania e Relações Interpessoais. Amparando-se em um referencial teórico contra colonial, entendemos que a colonialidade, herança das dinâmicas col
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"Queer Strategies in an Era of LGBT Information Abundance." In iConference 2014 Proceedings: Breaking Down Walls. Culture - Context - Computing. iSchools, 2014. http://dx.doi.org/10.9776/14332.

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Yang, Xiaofei, and Zhuying Li. "A Shifting Gender Regime in Contemporary China? Fans’ Queer Readings of the Film Ne Zha." In – The Barcelona Conference on Arts, Media & Culture 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2435-9475.2020.4.

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Nurbaity, Nurbaity. "Representation of Queer Muslim in @artqueerhabibi Postcard Illustration." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296943.

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Laborde, Chandra M., and Stathis G. Yeros. "Trans-ecological Imaginations in San Francisco’s Tenderloin." In 2022 AIA/ACSA Intersections Research Conference. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.aia.inter.22.7.

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Much of the violence, social, and racial marginalization associated with downtown urban neighborhoods in the last forty years, exacerbated post-Covid, can be traced back to histories of targeted dispossession masked as urban redevelopment during those decades. This paper examines the dynamics of dispossession, disinvestment, and displacement in the context of the Tenderloin, an under-resourced downtown area in San Francisco.It focuses on the intersection of Turk and Taylor Streets in the Tenderloin as the site of a speculative design proposal aiming to reverse the erasure of Tenderloin’s activ
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Luna, Caleb. "Feeling Fat: Affect, Stigma and Colonialism." In 10th Annual International Weight Stigma Conference. Weight Stigma Conference, 2024. https://doi.org/10.31076/2024.key.cl.

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Bridging Fat Studies with Queer of Color critique, this talk posits the obesity epidemic and AIDS crisis as twinned events under colonialism that have deeply shaped how queer male, and especially queers of color, think about their bodies in the 22nd century. Starting from the condition known as ‘wasting syndrome’—an early indicator of seroconversion—to the intentional development of lean muscle to counteract the impacts of the virus on the body, queer men became deeply aware of how their bodily production signaled illness or health in a moment of collective crisis. The 1980’s and 1990’s also s
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Stefanovska, Vesna. "QUEER CRIMINOLOGY: A NEW THEORETICAL DIRECTION OR A PART OF CRITICAL CRIMINOLOGY." In SECURITY HORIZONS. Faculty of Security- Skopje, 2021. http://dx.doi.org/10.20544/icp.2.4.21.p13.

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The academic discourse about the development and establishment of the foundations of Queer criminology as a theoretical path within critical criminology is associated with several factors. First, the expansion of queer theory within gender studies and the involvement of the queer community in public discourse require a special theoretical explanation within other social sciences that deal with issues related to human behaviour, human rights, punishment, protection, etc. However, the tendency to achieve greater visibility of the queer population through a particular theoretical and research app
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Marik, Soma. "Writing the Margins: Plural Perspectives on Transgender Lives from Transgender Activists in India." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8453.

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The Supreme Court of India in a judgement of 2014, affirmed recog-nition of transgenders. This was hailed as a great step forward. However, a more nuanced understanding shows that the verdict also increases greater state and social control over gender marginality and gender expressions that question the binary. This contradictory judgement compels me to look at literary articulations of transgender activists, examining the plural, often quite divergent perspectives that occur. Manobi Bandyopadhyay tells of the conflict between the physical and the mental orientation, and hegemonic concept of p
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Rodrigo, Diluni, and Tharindu Jayamanna. "Queer Identities in The Seven Moons of Maali Almeida by Karunatilaka (2022) and The Song of Achilles by Miller (2011): A Comparative Analysis from a South Asian Perspective." In SLIIT INTERNATIONAL CONFERENCE ON ADVANCEMENTS IN SCIENCES AND HUMANITIES. Faculty of Humanities & Sciences, SLIIT, 2024. https://doi.org/10.54389/liaf4515.

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This research study attempts to present a comparative analysis of the queer identities portrayed in The Seven Moons of Maali Almeida by Shehan Karunatilaka (2022) and The Song of Achilles by Madeline Miller (2011) from a South Asian perspective to examine how cultural, historical, and socio-political aspects of their geographical settings influence such identities in both novels and to identify the narrative techniques and characterizations used in them to portray their queer relationships. Moreover, the central questions that guide this study are: 1) how queer do the identities depicted throu
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Reports on the topic "Queer culture"

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Ganesh, Chandni. Rapid Scoping Review 2025: South Africa. Institute of Development Studies, 2025. https://doi.org/10.19088/ids.2025.033.

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Section 9 (3) of the Bill of Rights in South Africa’s Constitution, introduced in 1996, prohibits unfair discrimination on the grounds of ‘race, gender, sex, pregnancy, marital status, ethnic or social origin, colour, sexual orientation, age, disability, religion, conscience, belief, culture, language and birth’. This legal framework offers protection, and formal recognition as equal citizens, to women and to lesbian, gay, bisexual, transgender, queer, intersex, and more (LGBTQI+) people. It also positions South Africa as an important regional place of refuge for LGBTQI+ Africans, despite the
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Cothron, Annaliese, Don Clermont, Amber Shaver, Elizabeth Alpert, and Chukwuebuka Ogwo. Improving Knowledge, Comfort, and Attitudes for LGBTQIA+ Clinical Care and Dental Education. American Institute of Dental Public Health, 2023. http://dx.doi.org/10.58677/tvin3595.

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Oral health does not exist in a silo. The mouth-body connection is a biological aspect of physical wellbeing that exists alongside the social and political drivers of whole-person health. Lesbian, gay, bisexual, transgender, queer, intersex, and agender/ asexual people, and people of other marginalized gender or sexual identities (LGBTQIA+), have experienced historical exclusion from healthcare systems perpetuated by chronic stigma. Ongoing discrimination, cultural insensitivity, and blatant homophobia/transphobia among healthcare staff results in poor health outcomes, including oral health. T
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BLANCO VEGA, MARIA DE JESUS, Sandra Milena Rincón Infante, and Francy Milena Ladino Calderón. APRENDIZAJE ESTRATÉGICO EN LA MEDIACIÓN TECNOLÓGICA DE LA FORMACIÓN DE PROFESIONALES DE LA EDUCACIÓN. IberAm, 2021. http://dx.doi.org/10.33881/ibr0001.

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Abstract:
En un mundo cada vez más globalizado, las interacciones comunicativas de gran parte de la población se encuentran mediadas por recursos tecnológicos que permiten acercar la realidad propia con la de culturas y contextos diferentes, en ambientes en los que la distancia ya no es una limitante. Estas nuevas dinámicas sociales moldean los recursos para el aprendizaje, ofreciendo oportunidades de experimentación de la realidad que hace algunos años no existían, lo que ofrece distintas posibilidades de enseñar y de aprender en interrelaciones que normalmente han sido mediadas por el conocimiento y e
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As bandas de música populares en Galicia. Observatorio da Cultura Galega, 2021. http://dx.doi.org/10.17075/bmpg.2021.

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O obxecto deste traballo é revisar as condicións actuais das bandas de música populares en Galicia e o papel de desenvolvemento cultural que realizan os seus compoñentes, músicos, persoal directivo, docentes de música, así como a súa integración no contorno xeográfico e económico no que se integran, que en Galicia se adscribe a vilas onde hai un conservatorio ou unha escola municipal de música ou mesmo a pequenas aldeas nun contorno máis rural. Tamén se quere describir en que medida se viron afectadas polas condicións impostas pola pandemia da COVID-19 nas súas actividades cotiás. O universo d
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