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Journal articles on the topic 'Queer culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Ege, Övünç. "Being Queer in Turkish Cinema: Existence, Appearance, and Representation." CINEJ Cinema Journal 12, no. 1 (2024): 319–59. http://dx.doi.org/10.5195/cinej.2024.603.

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Queer representations in cinema are both influenced by and reflective of local or global cultures. In the context of Turkish cinema, patriarchal Turkish culture often negatively impacts the portrayal of queer identities. These portrayals tend to reflect society’s view of queers rather than illustrating their actual place within society. This study examines the evolution of queer representation in Turkish cinema from its inception to the present, highlighting queer identities and representation issues through the lens of Judith Butler's queer theory.

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Gaidash, Anna, and Andrii Mykhailiuk. "DRAG QUEEN CULTURE: THE INTERACTION OF FEMINITY AND THE MALE EGO IN D. H. HONG’S PLAY "M. BUTTERFLY"." LITERARY PROCESS: methodology, names, trends, no. 19 (2022): 33–38. http://dx.doi.org/10.28925/2412-2475.2022.19.4.

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The study's relevance is due to the development and dissemination of works on the culture of a drag queen, as it is understood not only in queer research and literary exploration but also in fiction. The article analyses the interaction of femininity and male ego in D. H. Hwang's play "Madame Butterfly" through the prism of elements of drag queen culture. The study results will also help to outline new interpretations of images in works of art. The cultural-historical method, feminist approach and aspect analysis were used to achieve the goal. The study clarified the meaning and origin of the

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3

Chatzipapatheodoridis, Constantine. "Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics." Open Cultural Studies 1, no. 1 (2017): 406–16. http://dx.doi.org/10.1515/culture-2017-0038.

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Abstract This article pays attention to African-American artist Beyonce Knowles and her performance of black camp. Beyonce’s stage persona and performances invite multiple ideological readings as to what pertains to her interpretation of gender, sexuality, and race. While cultural theory around the icon of Beyonce has focused on her feminist and racial politics as well as her politicization of the black female body, a queer reading applied from the perspective of camp performance will concentrate on the artist’s queer appeal and, most importantly, on her exposition of black camp, an intersecti

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Lizbette, Ocasio-Russe. "Disidentifying with Gender Stereotypes: The Queer in Pop Culture Films." postScriptum: An Interdisciplinary Journal of Literary Studies 2, no. 2 (2017): 88–99. https://doi.org/10.5281/zenodo.1318863.

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Pioneer of queer theory Judith Butler believes nothing is natural, not even sexual identity. She looks to uncover the assumptions that “restrict the meaning of gender to received notions of masculinity and femininity” (Cain et al. 2536). What Butler calls “exclusionary gender norms” have constantly worked toward the detriment of both men and women, individuals behaving outside of what majority culture deems appropriate masculine and feminine behavior becoming targets of harassment. Films have been portraying the breaking of gender stereotypes, namely queer behavior, sin

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5

Lopes, Denilson. "Desafios dos Estudos Gays, Lésbicos e Transgêneros." Comunicação Mídia e Consumo 1, no. 1 (2008): 63–73. http://dx.doi.org/10.18568/cmc.v1i1.5.

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Resumo: Este ensaio introduz algumas questões relativas aos estudos feministas, gays, lésbicos, transgênecos e teoria queer na busca de contribuições teórico-metodológicas na análise da cultura contemporânea. Palavras-chave: Estudos gays e lésbicos, estudos transgêneros, teoria queer, cultura.  Abstrat: This essay introduces some issues related tofeminist studies, gay and lesbian studies, transgender studies and queer theory in the search of theoretical and methodological contributions in the analysis of contemporary culture.  Key-words: Gay and Lesbia

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6

Sliwinska, Basia. "Art and Queer Culture." Third Text 27, no. 6 (2013): 808–10. http://dx.doi.org/10.1080/09528822.2013.860794.

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7

Amin, Kadji. "Taxonomically Queer?" GLQ: A Journal of Lesbian and Gay Studies 29, no. 1 (2023): 91–107. http://dx.doi.org/10.1215/10642684-10144435.

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Can taxonomy—a scientific method critiqued for its utility within Western imperial projects of racial and species classification—be queered? This article mines the tensions between the hostility to taxonomy within critical theory and the taxonomical renaissance within contemporary queer, trans, and asexual vernacular systems of classification. Contemporary queer uses of taxonomy express a shared utopian vision of combinatorial queerness, in which sexual, gender, and relational liberation occur through a multiplying menu of increasingly fine-grained identity options. The article examines the un

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8

See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes." PMLA/Publications of the Modern Language Association of America 124, no. 3 (2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.

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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were prop

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9

Payne, Robert. "Lossy Media: Queer Encounters with Infrastructure." Open Cultural Studies 2, no. 1 (2018): 528–39. http://dx.doi.org/10.1515/culture-2018-0048.

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Abstract In an era of “frictionless” digital environments, this article proposes a queer analysis of the “lossy” materialities of mediated encounters. Building on recent scholarship on media failure and media infrastructures, it will argue that moments of disruption and deterioration commonly experienced by users reveal the failure of overlapping social and technical infrastructures to ensure lossless transmission of normative fantasies of subjectivity and mediated relationality. Highlighting the queer instability of material assemblages, it will pay close attention to how the articulation of

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10

Stacey, Judith, Mary Bernstein, and Renate Reimann. "Queer Families, Queer Politics: Challenging Culture and the State." Contemporary Sociology 31, no. 4 (2002): 411. http://dx.doi.org/10.2307/3089078.

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11

Newhall, Kristine. "“Look at Me! I Can Change Your Tire”." Journal of Bodies, Sexualities, and Masculinities 2, no. 2 (2021): 39–56. http://dx.doi.org/10.3167/jbsm.2021.020204.

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Outside of bodybuilding, queer women in fitness and exercise cultures have received little attention in popular discourse and academic research. In this article, I examine how queer use of gym space can inform and reify a queer identity, specifically the enactment of queer female masculinity. I use Jack Halberstam’s work on female masculinity and literature in the fields of cultural studies and sport studies to discuss how queer identity, space, and power operate on the body in the context of fitness culture.

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12

Dahl, Ulrika. "Becoming fertile in the land of organic milk: Lesbian and queer reproductions of femininity and motherhood in Sweden." Sexualities 21, no. 7 (2017): 1021–38. http://dx.doi.org/10.1177/1363460717718509.

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This article draws on popular culture, ethnographic materials and mainstream commercials to discuss contemporary understandings of the relationship between fertility, pregnancy and parenthood among lesbians and other queer persons with uteruses. It argues that, on the one hand, same-sex lesbian motherhood is increasingly celebrated as evidence of Swedish gender and sexual exceptionalism and, on the other, queers who wish to challenge heteronormative gender disavow both the relationship between fertility and femininity, and that of pregnancy and parenthood. The author argues that in studying qu

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13

Lindner, Katharina. "Review of Queer Film Culture: Queer Cinema & Queer Film Festivals International Conference." Transnational Cinemas 6, no. 1 (2015): 97–103. http://dx.doi.org/10.1080/20403526.2015.1014176.

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14

Hennessy, Rosemary. "Queer Visibility in Commodity Culture." Cultural Critique, no. 29 (1994): 31. http://dx.doi.org/10.2307/1354421.

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15

Bao, Hongwei. "“Queer Comrades”: Transnational Popular Culture, Queer Sociality, and Socialist Legacy." English Language Notes 49, no. 1 (2011): 131–37. http://dx.doi.org/10.1215/00138282-49.1.131.

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16

Bean. "U.S. National Security Culture: From Queer Psychopathology to Queer Citizenship." QED: A Journal in GLBTQ Worldmaking 1, no. 1 (2014): 52. http://dx.doi.org/10.14321/qed.1.1.0052.

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17

Florêncio, João, and Ben Miller. "Sexing the Archive." Radical History Review 2022, no. 142 (2022): 133–41. http://dx.doi.org/10.1215/01636545-9397115.

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Abstract Despite being a widely consumed genre of visual culture, pornography remains a touchy subject in contemporary queer historiography. Queer archives overflow with it, but queer histories don’t. Historically associated with low culture and distrusted by value systems that have tended to privilege the “high” faculties of reason to the detriment of the “base” materiality of the body, its affects and appetites, porn is too rarely approached as a legitimate source with which to think cultural, affective, intellectual, and sexual histories. This article draws from porn studies and queer histo

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18

Rohrer, Melissa, and Sara Austin. "Christ is a magical girl: Queer popular culture and Paradise Lost." Queer Studies in Media & Popular Culture 9, no. 2 (2024): 135–50. http://dx.doi.org/10.1386/qsmpc_00125_1.

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In Queer Milton, Volume 10 (2014) of Early Modern Culture, and the subsequent Palgrave collection, queer studies and gender studies scholars argue that intersections of knowledge and power trouble cultural assumptions about sex and gender and, in fact, make a strong case for queering readings of Milton’s poem. Building on this critical thread, we trace the queer pop culture adaptation of Paradise Lost. A narrative of queer desire develops, we argue, culminating in contemporary examples such as Lil Nas X’s video for ‘Montero (Call Me By Your Name)’, and the Netflix shows Lucifer and Sandman. Wh

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19

Bailey, Aimee. "“Girl-on-girl culture”." Journal of Language and Sexuality 8, no. 2 (2019): 195–220. http://dx.doi.org/10.1075/jls.18013.bai.

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Abstract This article investigates the construction of sex advice for queer women as it features on the world’s most popular lesbian website, Autostraddle. Based in the United States, the website is a “progressively feminist” online community for lesbian, bisexual and other queer women. Using multimodal critical discourse analysis and corpus linguistics, this article explores how representations of sexual and gender identity facilitate the construction of homonormativity on the website. It argues that these representations involve a tension between exclusivity and inclusivity. On the one hand,

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20

O’Rourke, Michael. "Quantum Queer: Towards a Non-Standard Queer Theory." Identities: Journal for Politics, Gender and Culture 10, no. 1-2 (2013): 123–34. http://dx.doi.org/10.51151/identities.v10i1-2.287.

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This essay looks at some potentially fruitful lines of correspondence between Laruelle’s non-philosophy and gender, feminist and queer theories. Drawing on the work of leading Laruelle scholars I seek to outline some highly tentative principles for a non-standard queer theory which would help us to think about democracy, the human, performativity, sexual difference and some other crucial questions for current queer theorizing. Author(s): Michael O’Rourke Title (English): Quantum Queer: Towards a Non-Standard Queer Theory Journal Reference: Identities: Journal for Politics, Ge

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21

Wagner, Travis L., and S. Gavin Weiser. "Queer Digital Forensics as Methodology for Documenting Queer Culture at Higher Education Institutions." Departures in Critical Qualitative Research 12, no. 4 (2023): 102–32. http://dx.doi.org/10.1525/dcqr.2023.12.4.102.

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This article proposes queer digital forensics as a method for exploring the discursive manifestations of queerness across multiple institutes of higher education (IHEs). Informed by historical frameworks of queerness within IHEs and contemporary understandings of queer archival theory, the article identifies queer digital forensics as an innovative tool to highlight both the resilience and absence of queerness within geographically and ideologically diverse IHEs. Through analysis of four IHEs, the article finds that the imagined presence of queerness on a campus often contradicts queer visibil

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22

Somerville, Siobhan B. "Locating queer culture in the Big Ten." Learning and Teaching 6, no. 3 (2013): 9–23. http://dx.doi.org/10.3167/latiss.2013.060302.

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This article offers a first-person account of the author's experience teaching an undergraduate course on local queer culture, using her own campus as the site for primary research. The course asks how students might understand the role of Midwestern public universities in the production of queer culture. And how might such knowledge revise understandings of queer culture and its locations, both in the past and in the present? The author describes the course design, the goals of introducing undergraduate students to two scholarly methods (archival research and ethnography) and a number of orig

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23

Goodman, Shai, and Derek Van Rheenen. "Embodying the Ineffable: An Exploration of Switch, the First-ever Exhibition of Queer Surfing." Journal of Education and Culture Studies 9, no. 1 (2025): p153. https://doi.org/10.22158/jecs.v9n1p153.

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This paper explores the first ever exhibition of queer surfing, also known as Switch: An Exhibition of Queer Surfing, Against the Binary Against Hierarchy, which hosted more than 40 non-binary, trans, and queer surfers at Linda Mar beach in Pacifica, California in June 2023. Switch intended to serve as a non-traditional showcase of queer and trans wave riding, without divisions based on gender, board, or body. This paper investigates how Switch aimed to resist male hegemony in surf culture, and renegotiate the dominant values ascribed to contemporary surf culture, with its emphasis on professi

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24

Goodman, Shai, and Derek Van Rheenen. "Embodying the Ineffable: An Exploration of Switch, the First-ever Exhibition of Queer Surfing." Journal of Education and Culture Studies 9, no. 1 (2025): p163. https://doi.org/10.22158/jecs.v9n1p163.

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This paper explores the first ever exhibition of queer surfing, also known as Switch: An Exhibition of Queer Surfing, Against the Binary Against Hierarchy, which hosted more than 40 non-binary, trans, and queer surfers at Linda Mar beach in Pacifica, California in June 2023. Switch intended to serve as a non-traditional showcase of queer and trans wave riding, without divisions based on gender, board, or body. This paper investigates how Switch aimed to resist male hegemony in surf culture, and renegotiate the dominant values ascribed to contemporary surf culture, with its emphasis on professi

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25

Snehal, S. Warekar. "Representation Of The Queer Culture In Indian Cinema." International Journal of Advance and Applied Research 10, no. 3 (2023): 576 to 580. https://doi.org/10.5281/zenodo.7757341.

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<em>The present research paper is an overview of cinemas made about and on queer culture. It has been observed that Bollywood has stereotyped the queer culture. Hardly the Indian cinemas have featured queer culture in some of the movies. Mostly the queer culture has been shown in a poor light, therefore, the term Bollywood is not considered while analysing Indian Cinema as it includes the different industries present in India. It will throw light on the ideas in the cinema traditions in India about the love between women and the love between men. </em> <em>It is an attempt to understand that p

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Hazarika, Anupam. "Queer in Europe :." Jindal Journal of International Affairs 2, no. 1 (2012): 195–97. http://dx.doi.org/10.54945/jjia.v2i1.37.

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The term queer is much contested and forms certain ripples around it when thrown in any sphere of any society. The book ‘Queer in Europe’ thus, tries to explain with what connotation did the term settle in the periphery of Europe. ‘Queer in Europe’ clears a lot of misconceptions that one has about the concept of queer. It is not a set of instructions or directions; rather it’s an in-depth analysis about the concept of Queer in Europe. The book deals with the progress of sexuality and culture in Europe. The main purpose of its text is to highlight and observe the divisions between one clear lin

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McNicholas Smith, Kate, and Imogen Tyler. "Lesbian brides: post-queer popular culture." Feminist Media Studies 17, no. 3 (2017): 315–31. http://dx.doi.org/10.1080/14680777.2017.1282883.

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28

Welker. "Introduction: Queer(ing) Japanese Popular Culture." Mechademia: Second Arc 13, no. 1 (2020): 1. http://dx.doi.org/10.5749/mech.13.1.0001.

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29

Slade, Laurie. "Social Dreaming for a Queer Culture." Self & Society 33, no. 3 (2005): 32–40. http://dx.doi.org/10.1080/03060497.2005.11083885.

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30

Eppley, Charles. "Queer Trash." Resonance: The Journal of Sound and Culture 4, no. 2 (2023): 198–209. http://dx.doi.org/10.1525/res.2023.4.2.198.

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“Queer Politics & Positionalities in Sonic Art” series editor Charles Eppley speaks with Michael Foster and Richard Kamerman of Queer Trash, a curatorial platform based in New York City that features experimental art, music, and performance by LGBTQ2S+ artists. They discuss the concepts of queer sound and listening, methods of improvisation, queer identity and expression, tokenization and exploitation, DIY culture, and the limits of arts funding for queer sonic artists.

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Ryan, Kathryn (Rin), and Antoaneta Tileva. "Taking the past out of the pastoral: TikTok’s queer ‘cottagecore’ culture and performative placemaking." Queer Studies in Media & Popular Culture 7, no. 3 (2022): 165–76. http://dx.doi.org/10.1386/qsmpc_00077_1.

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TikTok’s ‘cottagecore’ subculture has been fertile ground for the growth of a new queer rural imaginary. Through performative elements such as food, dress, imagery and Sapphic sentiments, queer women on TikTok curate an idyllic and idealized vision of rural queer life and lay claim to it. Cottagecore as a performative practice allows queer people to revel in a fictional frontier lifestyle for their own enjoyment, without concern for its actualization. This article outlines the way in which queer TikTokers play/pretend the pioneering landscape, which previously has been dominated by hetero voic

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Paranthahan, Manchari. "The Stories of Us: Queer Tamils and Their Experiences Reclaiming Culture and Heritage in Canada." Journal of Culture and Values in Education 7, no. 3 (2024): 147–60. http://dx.doi.org/10.46303/jcve.2024.33.

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“The Stories Of Us” considers the ways that culture, heritage, and rituals come together. This ethnographic study is guided by methodologies of narrative photovoice that speak to the lived experiences of how five 2nd Generation Queer Tamil Canadians living in Toronto/Scarborough reclaim their Tamil culture and heritage as Queer people living in the West. The intersectional marginalization Queer Tamil people face often ostracizes them from both their Tamil community as well as their Queer community. The participants of this study reflected on their identities growing up as well as how they’ve e

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Ge, Longlong. "Repression, Permeation, and Circulation: Retracing and Reframing <i>Danmei</i> Culture Online in Mainland China." Feminist Encounters: A Journal of Critical Studies in Culture and Politics 8, no. 2 (2024): 34. http://dx.doi.org/10.20897/femenc/14946.

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<i>Danmei</i> (耽美), which is also called ‘boy’s love’ (abbreviated as BL), refers to fantasy textual stories depicting gay male romantic relationships (McLelland and Aoyama, 2015). The rapid proliferation of this popular culture has triggered scholars to reflect on the ‘queer culture’ in which it is represented. This article aims to explore the intrinsic connection between Chinese <i>danmei </i>culture and Chinese queer culture in digital media. By adopting the research method of media archaeology and culture materialism, I will map the development of <i>danmei&lt

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Belmont, Cynthia. "Organic Transitioning and Queer Topophilia in Paul Takes the Form of a Mortal Girl." Feminist Formations 35, no. 2 (2023): 154–73. http://dx.doi.org/10.1353/ff.2023.a907925.

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Abstract: Andrea Lawlor's (2017) historical picaresque novel Paul Takes the Form of a Mortal Girl tracks the ephemeral embodiments and identifications of Paul Polydoris, a gender-fluid, shape-shifting anti-hero who adapts to queer environments across the United States during 1993–1995, a time when gay hedonism, lesbian feminism, punk anti-homonormativity, and LGBTQ responses to AIDS combined to make a complex heyday of queer culture. Paul exemplifies "organic" transitioning in that his gender processes complicate the culture/nature binary, resist anthropocentrism, emphasize empathetic interrel

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Zankar, Rajesh Dattatray. "Cultural Aspects in Queer Indian Writing in English." International Journal of Research 10, no. 7 (2023): 52–59. https://doi.org/10.5281/zenodo.8111990.

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<em>This research article aims to explore the cultural aspects present in queer Indian writing in English. It delves into the unique intersection of queer identities and Indian culture, examining the ways in which authors incorporate cultural elements into their narratives. The article examines various aspects of Indian culture and their reflection, literary techniques, and social implications of queer Indian writing, highlighting the importance of representation and cultural context in shaping these narratives. The findings of this research contribute to a deeper understanding of the cultural

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36

Ryan, Jamie. "Skating on Thin White Ice: Imagining a Queer Futurity in Hockey." TOPIA: Canadian Journal of Cultural Studies 42 (May 2021): 132–52. http://dx.doi.org/10.3138/topia-42-010.

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(Queer) women’s hockey and (men’s) hockey culture often exist in a recursive relationship whereby (queer) women’s hockey is complicit with the problematic associations of hockey and its culture in the present, while also producing an alternate vision of hockey that is feminist, communal, loving, and egalitarian, and extends into a future that is becoming. In this article, the term hockeynormativity communicates how hockey normalizes a white, heterosexual nationalism, and I also posit that Judith Alguire’s overlooked 1995 women’s hockey novel, Iced, is a work of queer futurity that envisions qu

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Martínez-Expósito, Alfredo. "Spanish queer cinema / Crossing through Chueca: lesbian literary culture in queer Madrid." Journal of Spanish Cultural Studies 18, no. 1 (2017): 125–30. http://dx.doi.org/10.1080/14636204.2016.1274497.

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Denzel, Valentina. "Ah!Nana’s Fairytale Punk-Comics: From the Comtesse de Ségur’s “Histoire de Blondine, Bonne-Biche et Beau-Minon” to Nicole Claveloux’s “Histoire de Blondasse, de Belle-Biche et Gros Chachat”." Open Cultural Studies 5, no. 1 (2021): 235–47. http://dx.doi.org/10.1515/culture-2020-0136.

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Abstract During its brief existence from 1976 to 1978 the French underground feminist magazine Ah!Nana represented a powerful medium to discuss various topics related to women, sexuality, and discrimination. One of its main goals was to challenge traditional (literary) female role models, including housewives, submissive mothers, and “damsels in distress.” Through the adaptation of fairy tales, a genre particularly suited through its imaginative worlds to challenge preconceptions and norms, Ah!Nana deconstructed and questioned binary gender roles and heteronormativity. This article analyzes ca

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Kean, Jessica. "Coming to terms: Race, class and intimacy in Australian public culture." Sexualities 22, no. 7-8 (2018): 1182–96. http://dx.doi.org/10.1177/1363460718770452.

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In queer theory ‘heteronormativity’ has become a central tool for understanding the social conditions of our sexual and intimate lives. The term is most often used to shed light on how those lives are patterned in a way that shapes and privileges binary genders and heterosexual identities, lifestyles and practices. Frequently, however, ‘heteronormativity’ is stretched beyond its capacity when called upon to explain other normative patterns of intimacy. Drawing on Cathy Cohen’s (1997) ground breaking essay ‘Punks, bulldaggers and welfare queens: The radical potential of queer?’, this article ar

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Hoogestraat, Jane, and Hillery Glasby. "A Dialogue on the Constructions of GLBT and Queer Ethos: “I Belong to a Culture That Includes …”." Humanities 8, no. 2 (2019): 97. http://dx.doi.org/10.3390/h8020097.

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Invoking a dialogue between two scholars, authors Jane Hoogestraat and Hillery Glasby discuss the exigence for, construction of, and differentiation between LGBT and queer ethos. Drawing from Larry Kramer’s The Normal Heart and the construction of a gay identity, the text explores connections between queer theory, LGBT(Q) ethos, and queer futurity, ultimately arguing for a more nuanced and critical understanding of the undecidability and performativity of LGBT and queer ethos. In framing LGBT and queer ethos as being at the same time a self and socially constructed and mediated—legitimate and

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Crowley, Vicki. "Review: Culture on Display: Mobile Cultures: New Media in Queer Asia." Media International Australia 112, no. 1 (2004): 221–23. http://dx.doi.org/10.1177/1329878x0411200117.

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42

Kesić, Saša. "Theory of Queer Identities: Representation in Contemporary East-European Art and Culture." AM Journal of Art and Media Studies, no. 14 (October 15, 2017): 123. http://dx.doi.org/10.25038/am.v0i14.211.

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Starting from the general theory of identity, gender theory, queer theory and theory of bio/necropolitics, as theoretical platforms, in a few case studies I will analyze the Pride Parade as a form of manifestation of gender body and queer body representations in visual arts, and gender and queer body representations in mass media. My hypothesis is that the key for understanding the chosen case studies is in understanding the relation between their aesthetics, political and social interventions. This will consider political involvement, social injustice, alienation, stereotypes on which ideolog

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Eklund, Tof. "Uncanny, abject, mutant monster: From Frankenstein to Genderpunk." Australasian Journal of Popular Culture 10, no. 1 (2021): 79–101. http://dx.doi.org/10.1386/ajpc_00040_1.

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This article starts with the key figure of Frankenstein’s monster and traces it from its tragic Gothic origins to its use in transphobic scholarship and on to its reclamation both by queer scholars and a growing trend in queer culture towards claiming monsters and monstrosity as their own. Gothic and psychoanalytic understandings of monstrosity, the uncanny and the abject are explored in relationship to queer theory about performativity, failure and ‘anarchitectural’ identity formation. The social media phenomenon ‘the Babadook is Gay’ and the figure of the mutant in popular culture bridge to

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Teman, Eric D. "Stifled [Queer] Voices." Cultural Studies ↔ Critical Methodologies 18, no. 2 (2016): 133–39. http://dx.doi.org/10.1177/1532708616655819.

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Issues of bullying, suicide, self-expression, self-acceptance, self-harm, among others, within the gay, lesbian, bisexual, transgender, queer, questioning, ally, and others (GLBTQQA+) culture are explored through ethnodrama. I show the suffering, the silenced voices, and the pain endured by GLBTQQA+ college students in rural Wyoming. I act as a story- reteller, where I creatively and strategically edit the interview transcripts to maintain the narrative. The result is an ethnodrama.

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Stenson, Annis Elizabeth. "Queer Positionality and Researching University Lad Culture." Social Sciences 11, no. 12 (2022): 562. http://dx.doi.org/10.3390/socsci11120562.

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This paper reflects on my experiences as a queer researcher investigating the relationship between university lad culture and gender-related violence. Gender-related violence is analysed as a useful conceptual tool for considering lad culture, owing to the relationship between lad culture and sexual violence, LGBT-phobia and the privileging of white, young, heterosexual men within lad culture. Using reflections from my doctoral case study research, in which I collected data from self-identified ‘lads’ (5 in-depth interviews), I will consider the challenges and benefits of my researcher positio

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Atay, Ahmet. "Defining transnational queer media and popular culture." Queer Studies in Media & Popular Culture 4, no. 3 (2019): 233–39. http://dx.doi.org/10.1386/qsmpc_00009_2.

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Hart, Kylo-Patrick R. "Queer nostalgia in cinema and pop culture,." Journal of LGBT Youth 15, no. 1 (2017): 85–87. http://dx.doi.org/10.1080/19361653.2017.1392919.

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Davis, W. "Queer Family Romance in Collecting Visual Culture." GLQ: A Journal of Lesbian and Gay Studies 17, no. 2-3 (2011): 309–29. http://dx.doi.org/10.1215/10642684-1163418.

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Trento, Francisco. "Queering the Ghosts of Typicality: The Disruptive Potential of Fabian Ludueña’s Philosophy." Open Cultural Studies 4, no. 1 (2020): 74–83. http://dx.doi.org/10.1515/culture-2020-0007.

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AbstractAccording to the philosopher Fabián Ludueña, before biopolitics, Rome and Greece put in motion the zoopolitics of an Anthropotechnical machine. The practice of expositio is the foundational zoopolitical human gesture. It consisted of leaving new-born children exposed at street markets to be sold as slaves, or in nature, left to survive (or die). The spectres of those body-minds still haunt our onto-epistemologies: by creatively fabulating with Ludueña’s work, I suggest looking back to the broken chains of the production of able bodies instead of perpetuating the reproductive futurity.

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Ivanchikova, Alla. "On Henri Lefebvre, Queer Temporality and Rhythm." Identities: Journal for Politics, Gender and Culture 5, no. 1 (2006): 151–70. http://dx.doi.org/10.51151/identities.v5i1.175.

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Author(s): Alla Ivanchikova | Ала Иванчикова Title (English): On Henri Lefebvre, Queer Temporality and Rhythm Title (Macedonian): За Анри Лефевр, Queer врееменост и ритам Translated by (English to Macedonian): no record Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 5, No 1 (Winter 2006) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute  Page Range: 151-170 Page Count: 20 Citation (English): Alla Ivanchikova, “On Henri Lefebvre, Queer Temporality and Rhythm,” Identities: Journal for Pol

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