Relevant bibliographies by topics / Queer history

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Queer history'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Queer history"

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Stamm, Laura. "Delphinium’s portrait of queer history." Alphaville: Journal of Film and Screen Media, no. 16 (January 30, 2019): 38–52. http://dx.doi.org/10.33178/alpha.16.03.

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Delphinium: A Childhood Portrait of Derek Jarman (2009) portrays filmmaker Matthew Mishory’s interpretation of the childhood of Derek Jarman described in interviews and autobiographical writing such as At Your Own Risk. The portrait of Jarman honours his memory with a Super 8 inscription that repeats the queer sensibility of Jarman’s cinematic and painterly work. Mishory’s film positions Jarman as his filmmaking predecessor; even more so, it positions Jarman as a sort of queer ancestor. Delphinium’s sense of ancestry demands a reappraisal of Jarman’s work that foregrounds its creation of queer lineage. This article does just that, looking at Jarman’s Caravaggio (1986) and Edward II (1991) as both searches for queer origins and formations of queer futures. Through their explorations of queer continuity, Jarman’s films inscribe the process by which one learns to become queer and navigate a world that is so often hostile to queer existence. Their preservation of individual figures of the past provides a queer family history and a tool for education, a means for queers to understand their origins, as well as how to make sense of their own place in the world
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Doan, Laura. "Queer History / Queer Memory." GLQ: A Journal of Lesbian and Gay Studies 23, no. 1 (2017): 113–36. http://dx.doi.org/10.1215/10642684-3672321.

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Dean, Carolyn. "Queer History." History and Theory 38, no. 1 (February 1999): 122–31. http://dx.doi.org/10.1111/0018-2656.811999081.

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Layman, Thomas. "Pleasant Disruption: Queer Theory, Entrepreneurship, and the Memoirs of Charlotte Charke." Eighteenth Century 63, no. 1-2 (March 2022): 79–96. http://dx.doi.org/10.1353/ecy.2022.a926994.

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Abstract: This article explores the intersection of entrepreneurial studies and queer studies as it appears in Charlotte Charke's A Narrative of the Life of Mrs. Charlotte Charke , examining the relationship between Charke's queer identity and labor history. I come to the conclusion that the queer "catallactic" capitalist is an antinormative identity that queers the space around it; queer capitalism becomes a type of applied queer theory that operates in a space I refer to as the bazaar.
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Brooks, James F. "Commemorating Queer History." Public Historian 41, no. 2 (May 1, 2019): 5. http://dx.doi.org/10.1525/tph.2019.41.2.5.

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Ussishkin, Daniel. "Houlbrook's Queer History." English Language Notes 45, no. 2 (September 1, 2007): 191–93. http://dx.doi.org/10.1215/00138282-45.2.191.

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Wilson, Anna. "Petrarch’s Queer History." Speculum 95, no. 3 (July 1, 2020): 716–41. http://dx.doi.org/10.1086/709220.

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Miller-Tomlinson, Tracey. "Queer history inCymbeline." Shakespeare 12, no. 3 (April 29, 2015): 225–40. http://dx.doi.org/10.1080/17450918.2015.1033450.

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LEASE, BRYCE. "Intersections of Queer in Post-apartheid Cape Town." Theatre Research International 40, no. 1 (February 6, 2015): 70–74. http://dx.doi.org/10.1017/s0307883314000571.

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In 2013, Siona O'Connell, Nadia Davids and I were awarded an Arts and Humanities Research Council (UK) grant to support our Sequins, Self & Struggle: Performing and Archiving Sex, Place and Class in Pageant Competitions in Cape Town project, the aims of which are to research, document and disseminate archives of the Spring Queen and Miss Gay Western Cape (MGWC) pageants performed by disparate coloured communities in the Western Cape. Important to these performance events is the figure of the ‘moffie’, a queer male, often a transsexual, who has traditionally choreographed and designed the Spring Queen pageant, but who is forbidden from competing in it. Alternatively, MGWC is a platform for queers of colour to perform in a secure environment without exploitation. My individual work in this collaboration focuses on the MGWC pageant and the attendant methodological questions that have arisen in our attempt to forge bridges between Western queer theory and local articulations of gender identity and alternative sexualities, considering the current preoccupations in scholarship around (South) Africa that cut across geography, politics, economics and history. I will briefly outline the research questions that have arisen from my particular focus on the project aims: the relationship between post-apartheid South African national identity and gay rights, new postcolonial directions in queer theory and the sexual geographies of Cape Town that are bounded by race and economic privilege.
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Vazyanau, Andrei. "Queer and Ethnicity in Minsk, 1952: Belarusian Reading of Kaspars Irbe’s Diary." Latvijas Vēstures Institūta Žurnāls 120, no. 1 (March 19, 2024): 59–80. http://dx.doi.org/10.22364/lviz.120.04.

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This article proposes an intersectional approach to studying non-Russian queer experiences in the Soviet empire. While earlier applications of intersectionality focused on race, gender, and class, other regional perspectives may highlight ethnicity, citizenship, and language. The text approaches non-Russian queer subjects in the USSR as a heterogeneous multiplicity via a contextualised reading of a diary fragment written by the Latvian Kaspars Irbe in Minsk in 1952. It highlights the prominence of communication between queers and people from the “centre” but also notes the hindrance of immediate contact between ethnicised subalterns due to Soviet social engineering. Tracing contingencies of Belarusian history, the article reveals how national identity and queer emancipation projects can evolve together.
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Dissertations / Theses on the topic "Queer history"

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Rodgers, Jessica. "Australian queer student activists' media representations of queer." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41528/1/Jessica_Rodgers_Thesis.pdf.

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Queer student activists are a visible aspect of Australian tertiary communities. Institutionally there are a number of organisations and tools representing and serving gay, lesbian, bisexual, transgender, intersex and ‘otherwise queer identifying’ (GLBTIQ) students. ‘Queer’ is a contentious term with meanings ranging from a complex deconstructive academic theory to a term for ‘gay’. Despite the institutional applications, the definition remains unclear and under debate. In this thesis I examine queer student activists’ production of print media, a previously under-researched area. In queer communities, print media provides crucial grounding for a model of queer. Central to identity formation and activism, this media is a site of textuality for the construction and circulation of discourses of queer student media. Thus, I investigate the various ways Australian queer student activists construct queer, queer identity, and queer activism in their print media. I use discourse analysis, participant observation and semi-structured interviews to enable a thorough investigation of both the process and the products of queer student media. My findings demonstrate that queer student activists’ politics are grounded in a range of ideologies drawing from Marxism, Feminism, Gay Liberation, Anti-assimilation and Queer Theory. Grounded in queer theoretical perspectives of performativity this research makes relatively new links between Queer Theory and Media Studies in its study of the production contexts of queer student media. In doing so, I show how the university context informs student articulations of queer, proving the necessity to locate research within its social-cultural setting. My research reveals that, much like Queer Theory, these representations of queer are rich with paradox. I argue that queer student activists are actually theorising queer. I call for a reconceptualisation of Queer Theory and question the current barriers between who is considered a ‘theorist’ of queer and who is an ‘activist’. If we can think about ‘theory’ as encompassing the work of activists, what implications might this have for politics and analysis?
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Whitworth, Colin. "BLESS OUR HEARTS: TOWARDS A MODEL FOR QUEER ORAL HISTORY." OpenSIUC, 2020. https://opensiuc.lib.siu.edu/dissertations/1792.

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This dissertation offers an outlined proposal and a model for practicing queer oral history—a nuancing of oral history praxis. Queer oral history is rooted in performance studies’ call to consider everyday texts alongside Dwight Conquergood’s (1985) articulations of ethical and dialogic performance of the other. I propose that queer oral history exists as an alternative praxis to traditional oral history; in order for this distinction to emerge, a practitioner must accept two charges. The first is a commitment to destabilizing oral history through the inclusion of other diverse methodological practices. Further, the researcher must welcome the ethical imperative to reflexively question subjectivity through their own role in constructing an oral history. Queer oral history demands of its practitioners a different set of goals that grow from traditional oral history, but also carefully complicate the practice of oral history as a methodology in order to address the in-between role of the subject-researcher. This placement within the gaps—the in-between—renders queer oral history theoretically queer, opening up possibilities beyond simply an oral history about queer themes. Because of its focus on commitments as a way to lead practice, queer oral history could prove useful for other person-based qualitative research methods. In order to propose queer oral history, this document traces one specific performance—Bless Our Hearts: An Oral History of the Queer South—from intellectual inception through scripting, staging, performance, and reperformance. Offering theoretical precepts, a completed script, and deep discussions of choices in scripting and embodiment, this dissertation offers a model that shows one queer oral history—about the intersections of queer and Southern identities—as it moves from interview process to complete performance project.
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Charteris, Charlotte May. "The queer cultures of 1930s prose." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610805.

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Powers, Julie Rae. "Queer in the Holler." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461086849.

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Cauley, Catherine S. "Queering the WAC: The World War II Military Experience of Queer Women." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2062.

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The demands of WWII mobilization led to the creation of the first standing women's army in the US known as the Women's Army Corps (WAC). An unintended consequence of this was that the WAC provided queer women with an environment with which to explore their gender and sexuality while also giving them the cover of respectability and service that protected them from harsh societal repercussions. They could eschew family for their military careers. They could wear masculine clothing, exhibit a masculine demeanor, and engage in a homosocial environment without being seen as subversive to the American way of life. Quite the contrary: the outside world saw them as helping to protect their country. This paper looks at the life of one such queer soldier, Dorothee Gore. Dorothee's letters, journals, and memorabilia demonstrate that for many lesbians of her generation, service in the WACS during WWII was a time of relatively open camaraderie and acceptance by straight society.
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Carroll, Michael Jeffrey. "Preserving Queer Legacies in Archives and Art." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/582084.

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Art History
M.A.
Queer artists have engaged archives throughout modern and contemporary American art, but art historical discourse of their work has centered the writing of Jacques Derrida and Michel Foucault to theorize these spaces without considering archival scholarship. This text takes up Gabriel Martinez’s Archive series as a case study to critique archival selection theory and better understand how prejudice has affected the preservation of queer folx’s collections. Martinez’s series is situated amongst other Western artworks that center archival records and queer themes throughout the last century. This section places his artwork in dialogue with other artists for whom the archive is the subject of their artwork. The artworks detailed exemplify the multiplicity of ways that queer folx critique and interpret the histories preserved in these institutions. Following this survey of art is an analysis of how archival records are selected for preservation and the inherent subjectivity of this task. Pedagogical writing on archival selection by Frank Boles, Richard Cox, and James O’Toole are consulted to better understand how archivists working in the field are taught to handle this type of work. Most of their writing is focused on traditional archives and fails to articulate the challenges facing counterarchives, spaces formed to compensate for the erasure of queer persons in traditional institutions. This review of archival scholarship ends with a critique of how queer counterarchives have fallen short of their inclusive aims. The final section of this text is dedicated to a close study of Martinez’s Archive series. His photographs document the Harry R. Eberlin photograph collection and the John J. Wilcox, Jr. Archives in Philadelphia. The historical context of the Eberlin collection and the founding of its host repository are presented in conjunction with Archive series because Martinez’s compositions are inseparable from these histories. Philadelphia queer culture in the 1970s and 1980s is revealed through the retelling of these histories and by examining who was visualized in the images themselves. These images of bars and events simultaneously reveal the gender and racial disparity of patronage within these spaces and exemplify long-standing tensions in the city’s queer spaces. Lastly, this text posits a practice called “pseudo-processing” where artists document and preserve facsimiles of archival records to question the divisions of archival labor from that of an artist performing comparable tasks.
Temple University--Theses
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Wakimoto, Diana Kiyo. "Queer community archives in California since 1950." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/53189/1/Diana_Wakimoto_Thesis.pdf.

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Purpose: This study provides insight into the histories and current statuses of queer community archives in California and explores what the archives profession can learn from the queer community archives and archivists. Through the construction of histories of three community archives (GLBT Historical Society; Lavender Library, Archives, and Cultural Exchange of Sacramento, Inc.; and ONE National Gay & Lesbian Archives), the study discovered why these independent, community-based archives were created, the issues that influenced their evolution, and the similarities and differences among them. Additionally, it compared the community archives to institutional archives which collect queer materials to explore the similarities and differences among the archives and determine possible implications for the archives profession. Significance: The study contributes to the literature in several significant ways: it is the first in-depth comparative history of the queer community archives; it adds to the cross-disciplinary research in archives and history; it contributes to the current debates on the nature of the archives and the role of the professional archivist; and it has implications for changing archival practice. Methodology: This study used social constructionism for epistemological positioning and new social history theory for theoretical framework. Information was gathered through seven oral history interviews with community archivists and volunteers and from materials in the archives’ collections. This evidence was used to construct the histories of the archives and determine their current statuses. The institutional archives used in the comparisons are the: University of California, Berkeley’s Bancroft Library; University of California, Santa Cruz’s Special Collections and University Archives; and San Francisco Public Library’s James C. Hormel Gay and Lesbian Center. The collection policies, finding aids, and archival collections related to the queer communities at the institutional and community archives were compared to determine commonalities and differences among the archives. Findings: The findings revealed striking similarities in the histories of the community archives and important implications for the archives’ survival and their relevancy to the archives profession. Each archives was started by an individual or small group collecting materials to preserve history that would otherwise have been lost as institutional archives were not collecting queer materials. These private collections grew and became the basis for the community archives. The community archives differ in their staffing models, circulation policies, and descriptive practices. The community archives have grown to incorporate more public programming functions than most institutional archives. While in the past, the community archives had little connection to institutional archives, today they have varying degrees of partnerships. However, the historical lack of collecting queer materials by institutional archives makes some members of the communities reluctant to donate materials to institutional archives or collaborate with them. All three queer community archives are currently managed by professionally trained and educated archivists and face financial issues impacting their continued survival. The similarities and differences between the community and institutional archives include differences in collection policies, language differences in the finding aids, and differing levels of relationships between the archives. However, they share similar sensitivity in the use of language in describing the queer communities and overlap in the types of materials collected. Implications: This study supports previous research on community archives showing that communities take the preservation of history into their own hands when ignored by mainstream archives (Flinn, 2007; Flinn & Stevens, 2009; Nestle, 1990). Based on the study’s findings, institutional archivists could learn from their community archivist counterparts better ways to become involved in and relevant to the communities whose records they possess. This study also expands the understanding of history of the queer communities to include in-depth research into the archives which preserve and make available material for constructing history. Furthermore, this study supports reflective practice for archivists, especially in terms of descriptions used in finding aids. It also supports changes in graduate education for archives students to enable archivists in the United States to be more fully cognizant of community archives and able to engage in collaborative, international projects. Through this more activist role of the archivists, partnerships between the community and institutional archives would be built to establish more collaborative, respectful relationships with the communities in this post-custodial age of the archives (Stevens, Flinn, & Shepherd, 2010). Including community archives in discussions of archival practice and theory is one way of ensuring archives represent and serve a diversity of voices.
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Choate, Evan Wallace. ""Unborn and unbegot" : Richard III, Edward II, Richard II, and queer history." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44878.

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In my thesis, I treat Shakespeare’s Richard III, Marlowe’s Edward II, and Shakespeare’s Richard II as a queer sequence of history plays, or a kind of co-authored triptych, by reading their influences on each other and focusing on the iterative elements of their writing of history. I describe in my thesis how the queer affects, desires, and pleasures in these plays are integral to a History – the shared knowledge and impressions of a British national past – from which they are and have been systematically excluded.
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Shamsavari, Sina. "Gay comics and queer male comics in America : history, conventions and challenges." Thesis, King's College London (University of London), 2015. https://kclpure.kcl.ac.uk/portal/en/theses/gay-comics-and-queer-male-alternative-comics-in-america(710bfb57-7e92-4806-9a9c-c13f51a2cdcc).html.

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This thesis is focused on American gay male comics and queer alternative comics. I argue that the field of gay male comics production is dominated by two key genres: gay porno comics and gay ghetto comics. The conventions and characteristics of these genres help to construct and reinforce a dominant gay male habitus that is both sexual and social. Drawing on interviews as well as close readings of a number of case studies, I discuss the ways in which alternative queer cartoonists respond to the conventions of these genres, and create alternative representations of gay identity, community, and sex. I argue ultimately that the field of gay male comics production is not entirely homogenous, and that the queer male alternative comics that appear from roughly 1990 onwards are distinctive. The gay male comics of the First Wave (from the 1970s to 1990) are concerned with constructing and consolidating a sense of gay identity and community as relatively unified and stable. While sometimes critical of gay culture, as a whole they ultimately affirm the ideal of a unified gay community. In contrast, the queer male alternative comics that emerged as part of the Second Wave (starting around 1990) are far more concerned with questioning the normative, dominant values of mainstream gay culture, and challenging the identities, tastes and practices associated with the dominant gay habitus. Nevertheless because the gay ghetto and gay porno genres have been so dominant, queer alternative cartoonists position themselves in various different relationships to one or other genre. While some do abandon the genre conventions of gay porno and gay ghetto comics, more often queer alternative cartoonists take up some of these genre conventions and adapt, challenge, or subvert them in subtle ways.
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Damron, Jason Gary. "Transgressing Sexuality: An Interdisciplinary Study of Economic History, Anthropology, and Queer Theory." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/622.

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This interdisciplinary thesis examines the concept of sexuality through lenses provided by economic history, anthropology, and queer theory. A close reading reveals historical parallels from the late 1800s between concepts of a desiring, utility-maximizing economic subject on the one hand, and a desiring, carnally decisive sexological subject on the other. Social constructionists have persuasively argued that social and economic elites deploy the discourse of sexuality as a technique of discipline and social control in class- and gender-based struggles. Although prior scholarship discusses how contemporary ideas of sexuality reflect this origin, many anthropologists and queer theorists continue to use "sexuality" uncritically when crafting local, material accounts of sex, pleasure, affection, intimacy, and human agency. In this thesis, I show that other economic, political, and intellectual pathways emerge when sexuality is deliberately dis-ordered. I argued that contemporary research aspires to formulate new ideas about bodies and pleasures. It fails to do so adequately when relying on sexuality as a master narrative.
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Books on the topic "Queer history"

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1958-, Carlin Deborah, and DiGrazia Jennifer, eds. Queer cultures. Upper Saddle River, N.J: Pearson/Prentice Hall, 2004.

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Bruder, Helen P. Queer Blake. Basingstoke: Palgrave Macmillan, 2010.

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Bruder, Helen P. Queer Blake. Basingstoke: Palgrave Macmillan, 2010.

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Summerskill, Clare, Amy Tooth Murphy, and Emma Vickers. New Directions in Queer Oral History. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003092032.

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Romesburg, Don, ed. The Routledge History of Queer America. New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315747347.

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Press, Duke University, ed. Work!: A queer history of modeling. Durham: Duke University Press, 2019.

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1941-, Martin Robert K., and Piggford George, eds. Queer Forster. Chicago: University of Chicago Press, 1997.

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Kevin, Murphy, Ruiz Jason, and Serlin David, eds. Queer futures. Durham, N.C: Duke University Press, 2008.

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Queer 1950s. New York, NY: Palgrave Macmillan, 2012.

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Queer twin cities. Minneapolis: University of Minnesota Press, 2010.

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Book chapters on the topic "Queer history"

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Doan, Laura. "Queer History/Queer Memory." In Sources and Methods in the History of Sexuality, 13–26. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032655826-3.

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Claus, Peter, and John Marriott. "Feminism, Gender and Queer History." In History, 198–220. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003156086-14.

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Eichhorn, Kate. "Queer Archives." In The Routledge History of Queer America, 123–34. New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315747347-10.

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Hall, Donald E. "A Brief, Slanted History of “Homosexual” Activity." In Queer Theories, 21–50. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-4039-1356-2_2.

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Hall, Donald E. "A Brief, Slanted History of ‘Homosexual’ Activity." In Queer Theory, 96–114. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-21162-9_9.

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Mullan, Sarah. "Queer Anachronisms: Reimagining Lesbian History in Performance." In Queer Dramaturgies, 244–56. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137411846_14.

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Poole, Ralph J. "6. Bastardized History: Elif Shafak's Transcultural Poetics." In Queer Studies, 193–214. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839450604-007.

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Stamm, Laura. "Suspended in History." In The Queer Biopic in the AIDS Era, 75–101. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197604038.003.0004.

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This chapter explores cinema as a place to learn about one’s origins and make sense of one’s position in the world; it opens up an existential problematic by reorienting queer understandings of kinship and genealogy. The past becomes a place for identification and the biopic its cinematic form. Queer filmmakers’ returns to the past are also conditioned by longings for community and lineage. Matthew Mishory’s Delphinium: A Childhood Portrait of Derek Jarman (2009) conditions this chapter’s re-reading of Derek Jarman’s films as taking part in a project of queer genealogy. Mishory, Jarman, and Ken Russell form a lineage of queer filmmakers who look to queers of the past to reimagine that past differently, to re-present it queerly.
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"Troubling Sexual History:." In Queer Timing, 23–39. University of Illinois Press, 2019. http://dx.doi.org/10.5406/j.ctvkjb36j.5.

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Potter, Susan. "Troubling Sexual History." In Queer Timing, 23–39. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042461.003.0002.

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This chapter considers the critical, historical and cinematic temporalities that structure the sexual legibility of the lesbian character in Die Büchse der Pandora (dir. G. W. Pabst, Germany, 1929). The Countess Geschwitz has been apprehended as a particular kind of pathological, sexual, and erotic figure, even as the shifting discursive fields that render her intelligible have not been exactly commensurate or coherent across the decades of her dramatic creation and subsequent cinematic representation and reception. Paradoxically, any narrative of the emergence of lesbian representation in early cinema is problematized by the very sexual identity that such a narrative claims to historicize. The Countess turns out to be both modernlesbian, polymorphously perverse—and backward—sexual invert, romantic friend—her sexual legibility temporally desynchronized from any single or singular historical period. The temporally burdened figure of the Countess also indexes a critical disavowal of the historical accumulations that comprise all modern sexuality.
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Conference papers on the topic "Queer history"

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Schmidt, Sandra. "Recovering Queers: LGBTQ+ History Education and Queer Futures." In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1894720.

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Lynn, Robert. "U.S. History Textbooks and Queer History: An Analysis of Textbooks." In 2024 AERA Annual Meeting. Washington DC: AERA, 2024. http://dx.doi.org/10.3102/2113230.

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Ahn, Byunghoon. "The Role of Emotions in Learning Queer History Through a Multimedia App." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1584526.

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Yeni, Marliza. "Marlon James’s Queer Perspective on Woman’s Heterosexuality in A Brief History of Seven Killings." In Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icla-18.2019.107.

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Lou, Nigel Mantou. "Feeling Hopeful? Learning Queer History From a Mobile App Influences Hope Toward the LGBTQ+ Community." In 2021 AERA Annual Meeting. Washington DC: AERA, 2021. http://dx.doi.org/10.3102/1686628.

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Harley, Jason. "Can Mobile Apps Be Used to Improve Queer History Education? An Investigation of Learning and Emotions." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1586482.

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Kempton, J., and J. Claesen. "Dismantling The Medway Queen." In Historic Ships 2007. RINA, 2007. http://dx.doi.org/10.3940/rina.hist.2007.04.

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Zapletniuk, O. A. "Queen Ankhesenamun and the Crisis of the Amarna Dynasty." In Preislamic Near East: History, Religion, Culture. A.Yu. Krymskyi Institute of Oriental Studies of the NAS of Ukraine, 2021. http://dx.doi.org/10.15407/preislamic2021.02.061.

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Rajaguru, P., P. Mason, C. Bailey, S. Stoyanov, W. Davies, B. Burton, B. Barnes, L. Crowder, and R. Stokes. "Structural Analysis on the Riveted Hull of the Paddle Steamer Medway Queen." In Historic Ships 2012. RINA, 2012. http://dx.doi.org/10.3940/rina.hist.2012.11.

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Davies, W. B., and B. Burton. "Restoration of PS Medway Queen, the Successful end of the First Phase." In Historic Ships 2014. RINA, 2014. http://dx.doi.org/10.3940/rina.hist.2014.09.

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Reports on the topic "Queer history"

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Damron, Jason. Transgressing Sexuality: An Interdisciplinary Study of Economic History, Anthropology, and Queer Theory. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.622.

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Lewis, P. D., and J. V. Ross. Mesozoic and Cenozoic Structural History of the Central Queen Charlotte Islands, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/131961.

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Kerr, D. E. Reconnaissance surficial geology, Brichta Lake, Nunavut, NTS 76-P. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329670.

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Abstract:
Preliminary surficial geology studies, based on air photo interpretation and limited legacy field data in the Brichta Lake map area, provide an understanding of the distribution and nature of surficial materials, and regional glacial history. The terrain is characterized by extensive glacial and meltwater scouring that has affected bedrock outcrops, and eroded hummocky and streamlined till, till blankets, and till veneers in the southwest regions. Streamlined bedrock and till landforms indicate ice flow towards the northwest and north-northwest during the last glaciation. Subglacial meltwater corridors and broader erosional zones, trending north-northwest, consisting of eskers, washed till veneer, ridged till, and scoured bedrock, result from late-phase ablation of the ice sheet during deglaciation. Glaciomarine and postglacial marine sediments extend discontinuously inland from the Queen Maud Gulf to 200 m a.s.l. elevation, notably up Tingmeak and Ellice rivers and their tributaries. In some eastern parts of the map area below 160 m a.s.l. elevation, thick marine deposits form plains that blanket broad shallow valleys.
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