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Journal articles on the topic 'Queer history'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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1

Stamm, Laura. "Delphinium’s portrait of queer history." Alphaville: Journal of Film and Screen Media, no. 16 (January 30, 2019): 38–52. http://dx.doi.org/10.33178/alpha.16.03.

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Delphinium: A Childhood Portrait of Derek Jarman (2009) portrays filmmaker Matthew Mishory’s interpretation of the childhood of Derek Jarman described in interviews and autobiographical writing such as At Your Own Risk. The portrait of Jarman honours his memory with a Super 8 inscription that repeats the queer sensibility of Jarman’s cinematic and painterly work. Mishory’s film positions Jarman as his filmmaking predecessor; even more so, it positions Jarman as a sort of queer ancestor. Delphinium’s sense of ancestry demands a reappraisal of Jarman’s work that foregrounds its creation of queer lineage. This article does just that, looking at Jarman’s Caravaggio (1986) and Edward II (1991) as both searches for queer origins and formations of queer futures. Through their explorations of queer continuity, Jarman’s films inscribe the process by which one learns to become queer and navigate a world that is so often hostile to queer existence. Their preservation of individual figures of the past provides a queer family history and a tool for education, a means for queers to understand their origins, as well as how to make sense of their own place in the world

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2

Doan, Laura. "Queer History / Queer Memory." GLQ: A Journal of Lesbian and Gay Studies 23, no. 1 (2017): 113–36. http://dx.doi.org/10.1215/10642684-3672321.

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3

Dean, Carolyn. "Queer History." History and Theory 38, no. 1 (February 1999): 122–31. http://dx.doi.org/10.1111/0018-2656.811999081.

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4

Layman, Thomas. "Pleasant Disruption: Queer Theory, Entrepreneurship, and the Memoirs of Charlotte Charke." Eighteenth Century 63, no. 1-2 (March 2022): 79–96. http://dx.doi.org/10.1353/ecy.2022.a926994.

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Abstract: This article explores the intersection of entrepreneurial studies and queer studies as it appears in Charlotte Charke's A Narrative of the Life of Mrs. Charlotte Charke , examining the relationship between Charke's queer identity and labor history. I come to the conclusion that the queer "catallactic" capitalist is an antinormative identity that queers the space around it; queer capitalism becomes a type of applied queer theory that operates in a space I refer to as the bazaar.

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5

Brooks, James F. "Commemorating Queer History." Public Historian 41, no. 2 (May 1, 2019): 5. http://dx.doi.org/10.1525/tph.2019.41.2.5.

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6

Ussishkin, Daniel. "Houlbrook's Queer History." English Language Notes 45, no. 2 (September 1, 2007): 191–93. http://dx.doi.org/10.1215/00138282-45.2.191.

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7

Wilson, Anna. "Petrarch’s Queer History." Speculum 95, no. 3 (July 1, 2020): 716–41. http://dx.doi.org/10.1086/709220.

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8

Miller-Tomlinson, Tracey. "Queer history inCymbeline." Shakespeare 12, no. 3 (April 29, 2015): 225–40. http://dx.doi.org/10.1080/17450918.2015.1033450.

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9

LEASE, BRYCE. "Intersections of Queer in Post-apartheid Cape Town." Theatre Research International 40, no. 1 (February 6, 2015): 70–74. http://dx.doi.org/10.1017/s0307883314000571.

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In 2013, Siona O'Connell, Nadia Davids and I were awarded an Arts and Humanities Research Council (UK) grant to support our Sequins, Self & Struggle: Performing and Archiving Sex, Place and Class in Pageant Competitions in Cape Town project, the aims of which are to research, document and disseminate archives of the Spring Queen and Miss Gay Western Cape (MGWC) pageants performed by disparate coloured communities in the Western Cape. Important to these performance events is the figure of the ‘moffie’, a queer male, often a transsexual, who has traditionally choreographed and designed the Spring Queen pageant, but who is forbidden from competing in it. Alternatively, MGWC is a platform for queers of colour to perform in a secure environment without exploitation. My individual work in this collaboration focuses on the MGWC pageant and the attendant methodological questions that have arisen in our attempt to forge bridges between Western queer theory and local articulations of gender identity and alternative sexualities, considering the current preoccupations in scholarship around (South) Africa that cut across geography, politics, economics and history. I will briefly outline the research questions that have arisen from my particular focus on the project aims: the relationship between post-apartheid South African national identity and gay rights, new postcolonial directions in queer theory and the sexual geographies of Cape Town that are bounded by race and economic privilege.

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10

Vazyanau, Andrei. "Queer and Ethnicity in Minsk, 1952: Belarusian Reading of Kaspars Irbe’s Diary." Latvijas Vēstures Institūta Žurnāls 120, no. 1 (March 19, 2024): 59–80. http://dx.doi.org/10.22364/lviz.120.04.

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This article proposes an intersectional approach to studying non-Russian queer experiences in the Soviet empire. While earlier applications of intersectionality focused on race, gender, and class, other regional perspectives may highlight ethnicity, citizenship, and language. The text approaches non-Russian queer subjects in the USSR as a heterogeneous multiplicity via a contextualised reading of a diary fragment written by the Latvian Kaspars Irbe in Minsk in 1952. It highlights the prominence of communication between queers and people from the “centre” but also notes the hindrance of immediate contact between ethnicised subalterns due to Soviet social engineering. Tracing contingencies of Belarusian history, the article reveals how national identity and queer emancipation projects can evolve together.

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11

Farrier, Stephen. "Sticky stories: Joe Orton, queer history, queer dramaturgy." Studies in Theatre and Performance 37, no. 2 (May 2, 2017): 184–204. http://dx.doi.org/10.1080/14682761.2017.1320066.

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12

Bolton, Kendel. "My previous life in drag." Fashion, Style & Popular Culture 10, no. 1 (March 1, 2023): 9–12. http://dx.doi.org/10.1386/fspc_00171_2.

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13

Lewis, Brian. "Introduction: British Queer History." Journal of British Studies 51, no. 3 (July 2012): 519–22. http://dx.doi.org/10.1017/s0021937100003312.

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14

Hubbard, Katherine. "Queer: A Graphic History." Psychology of Sexualities Review 9, no. 2 (2018): 53–54. http://dx.doi.org/10.53841/bpssex.2018.9.2.53.

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15

Trump, Brian M. "Teaching Queer History in the GAPE Classroom." Journal of the Gilded Age and Progressive Era 21, no. 3 (July 2022): 221–44. http://dx.doi.org/10.1017/s1537781422000184.

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AbstractDigitization of archival materials has made it easier not only to analyze queer history during the Gilded Age and Progressive Era, but also to include these sources in the classroom. For instructors interested in incorporating queer history into their classrooms, this piece highlights specific examples of these queer primary sources and what they reveal about the queer past. Focusing specifically on criminal statutes, legal records, newspaper articles, medical discourse, and firsthand accounts, this introduction to queer archival sources emphasizes how these sources can be incorporated into class lectures and discussions, as well as directing attention to where similar examples can be found online in digital archives and databases.

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16

Savcı, Evren. "Turkey’s queer times: epistemic challenges." New Perspectives on Turkey 64 (March 9, 2021): 131–50. http://dx.doi.org/10.1017/npt.2021.5.

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AbstractThis article suggests that Turkey’s queer times are co-constitutive with Jasbir Puar’s queer times of homonationalism. If the queer times of homonationalism correspond to a folding of some queers into life and respectability at the cost of rising Islamophobia in the “West,” Turkey’s queer times witnessed the increasing marginalization and “queering” of variously respectable subjects in the name of Islam and strong LGBT organizing against such marginalization. It discusses the epistemic challenges of studying Turkey’s queer times that stem from a theoretical suspicion that “queer” operates as a tool of colonial modernity when it spreads to the “non-West,” a suspicion that is due both to a perception of Islam as a target and victim of Western neocolonialism and to an ahistorical and rigidly discursive understanding of language. In turn, scholarship on Turkey’s queer times has the potential to truly transnationalize queer studies, both getting us out of the binaries of global–local, colonial–authentic, and West–East and reminding scholars that hegemonies are scattered.

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17

Smith, Sara R. "Queers are Workers, Workers are Queer, Workers' Rights are Hot! The Emerging Field of Queer Labor History." International Labor and Working-Class History 89 (2016): 184–94. http://dx.doi.org/10.1017/s014754791500040x.

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Gay male stewards performing drag shows on large passenger ships in the 1930s. Male hustlers selling sex to men for money and then going home to their girlfriends in the 1950s. Lesbian bus drivers organizing in the 1970s to include “sexual orientation” in their union contract's antidiscrimination clause. Gay male flight attendants fired from their jobs for being HIV-positive in the 1980s. These are some of the stories told in the four books under review, each about the queer labor history of the United States.

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18

Rosenthal, Gregory. "Make Roanoke Queer Again." Public Historian 39, no. 1 (February 1, 2017): 35–60. http://dx.doi.org/10.1525/tph.2017.39.1.35.

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This essay explores intersections among urban history, queer history, and public history in a gentrifying southern city. I show how queer cultures flourished in Roanoke, Virginia, in the 1960s and 1970s only to be displaced by a combination of police repression, urban planning, and gentrification starting in the late 1970s and 1980s. Seeking to “Make Roanoke Queer Again,” the Southwest Virginia LGBTQ+ History Project is a community-based history initiative committed to researching and interpreting the region’s LGBTQ history. This essay argues that queer community history projects can be a form of resistance to gentrification and a means to preserve our history from “queer erasure.”

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19

Carroll, Tamar W. "Queer Newark Oral History Project." Oral History Review 47, no. 2 (July 2, 2020): 308–9. http://dx.doi.org/10.1080/00940798.2020.1793580.

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20

Wooden, Isaiah Matthew. "Ms. Blakk's Radical Queer History." PAJ: A Journal of Performance and Art 42, no. 1 (January 2020): 64–70. http://dx.doi.org/10.1162/pajj_a_00511.

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21

Evans, Jennifer. "Introduction: Why Queer German History?" German History 34, no. 3 (June 28, 2016): 371–84. http://dx.doi.org/10.1093/gerhis/ghw034.

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22

Burshatin, Israel. "Hispanism, Queer History and Community." La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 30, no. 1 (2001): 252–59. http://dx.doi.org/10.1353/cor.2001.0027.

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23

DeShazor, Brian. "Queer Radio History: Pacifica Radio." Journal of Radio & Audio Media 25, no. 2 (July 3, 2018): 253–65. http://dx.doi.org/10.1080/19376529.2018.1481246.

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24

Kunzel, Regina. "The Power of Queer History." American Historical Review 123, no. 5 (December 1, 2018): 1560–82. http://dx.doi.org/10.1093/ahr/rhy202.

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25

McCarthy, A. "ELLEN: Making Queer Television History." GLQ: A Journal of Lesbian and Gay Studies 7, no. 4 (January 1, 2001): 593–620. http://dx.doi.org/10.1215/10642684-7-4-593.

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26

Penn, D. "Queer: Theorizing Politics and History." Radical History Review 1995, no. 62 (April 1, 1995): 24–42. http://dx.doi.org/10.1215/01636545-1995-62-24.

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27

Davis, Rebecca L. "Queer History and Domestic Possibilities." Reviews in American History 51, no. 3 (September 2023): 258–61. http://dx.doi.org/10.1353/rah.2023.a917240.

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28

Lipša, Ineta, and Kārlis Vērdiņš. "Researching the Baltic Queer History." Latvijas Vēstures Institūta Žurnāls 120, no. 1 (March 2024): 5–9. http://dx.doi.org/10.22364/lviz.120.01.

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29

Bao, Hongwei. "In Queer Memory: Mediating Queer Chinese History in Digital Video Documentaries." Panoptikum, no. 29 (June 30, 2023): 94–114. http://dx.doi.org/10.26881/pan.2023.29.06.

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This article examines the digital and cinematic mediation of queer memory in four independent Chinese documentaries: Queer China, “Comrade” China (dir. Cui Zi’en 2008), Our Story (dir. Yang Yang, 2011), We Are Here (dir. Shi Tou and Jing Zhao, 2016) and Shanghai Queer (dir. Chen Xiangqi, 2019). All these films have been made by queer identified filmmakers and have used the digital video documentary format as an activist strategy; all have strived to record China’s queer history in the post-Mao era. However, because of the filmmakers’ gender and sexual subjectivities, together with the historical and social contexts in which these films were made, the four documentaries remember China’s queer history in different ways. Together, these documentaries contest a heteronormative and a homonormative narrative of Chinese history by constructing alternative memories; they also insert queer people’s voices and experiences into that history. All these mediations testify to the heterogeneity of queer people’s experience, as well as the overdetermination of queer memory as a result of a contingent assemblage of factors such as time, place, technology and filmmaker’s gender and sexual subjectivities.

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30

Bao, Hongwei. "Queer comrades: towards a postsocialist queer politics." Soundings 73, no. 73 (December 1, 2019): 24–37. http://dx.doi.org/10.3898/soun.73.03.2019.

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Perhaps one of the most fascinating changes in modern Chinese language in the past century is the use of the term tongzhi (). Literally 'comrade', the term is being used in the Chinese-speaking world today to refer to gender and sexual minorities, including LGBTQ people. This article traces a brief history of how the term has been used in modern Chinese history. In doing so, it identifies key moments of political articulation and unravels the socialist politics and revolutionary potentials embedded in each articulation. In particular, it focuses on how the term has been used in the Chinese-speaking world for queer identification and to mobilise transnational activism. Developing the idea of 'queer comrades' as a part of critical vocabulary, this article conjures up the socialist memories and revolutionary impulses that are embedded in contemporary queer subject formation and social movements; it also gestures to the continuing relevance of socialist histories and politics to contemporary queer politics.

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31

Koch, Anna-Lea. "Advertisements myth: commercialization of queer identity." GENDER – Zeitschrift für Geschlecht, Kultur und Gesellschaft 15, no. 2 (June 22, 2023): 11–24. http://dx.doi.org/10.3224/gender.v15i2.02.

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The ever more frequent appearance of queer folk in advertisements may suggest a social recognition for queerness. Especially during the Pride months – international celebrations of queer life including protest, parades, and parties – queer ads fill western screens and billboards. This paper wants to explore the impact of queer visibility in advertising on the (re)construction of queer identities in consumer societies by bringing together Jean Baudrillard’s theory of consumption, Robert Goldman’s and Anne Cronin’s analysis of advertisements and Rosemary Hennessy’s findings about queerness in capitalisms. I will argue that the commodification of queers in western mainstream advertising, framed through the concept that consumption is closely tied to citizenship, is often mistaken as recognition. Furthermore, queerness is mystified in advertising through an attempt to maintain the fiction of a coherent queer identity that contributes to the construction of either an ‘abnormal’ queerness or aims to soothe derivations from the heterosexual norm. These findings will be put into perspective by a critical examination of an American advertising clip and reflection on the viewer’s position.

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32

Engel, Maureen. "Perverting Play: Theorizing a Queer Game Mechanic." Television & New Media 18, no. 4 (September 22, 2016): 351–60. http://dx.doi.org/10.1177/1527476416669234.

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This article argues the possibility of building not just a queer gaming experience but rather a queer game mechanic—that is, a game whose very structure of play can be theorized as queer. It presents the prototype game Go Queer, a locative media history app, as a theoretical experiment in what it might mean to play queer. Queer theorists and historiographers have demonstrated the intimate relation between queer subjects and the city; the game literalizes this dynamic, requiring players to travel the physical spaces of the city in the hopes that they will encounter queer history—now disappeared, redeveloped, forgotten. It proposes that a productive and underrepresented setting for queer play is the space of the city itself and that the hybrid reality of locative media provides particular affordances to enable particularly queer navigations, occupations, and constructions of queer urban space.

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33

See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes." PMLA/Publications of the Modern Language Association of America 124, no. 3 (May 2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.

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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were propagated by early-twentieth-century sexological science and degeneration theory: namely, that blacks and queers were unnatural and degenerate because they, unlike whites and heterosexuals, exhibited a lack of racial and gender differentiation. Disidentifying with those stereotypes, the primitive drag in The Weary Blues depicts queer feeling as natural and nature as queer, thus offering a productive paradox for rethinking literary histories of modernism and theories of sexuality by the rather Darwinian notion that “the nature of the universe,” as Hughes calls it, is always subject to change, or queering.

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34

Brochu-Ingram, Gordon Brent, Peter Hobbs, and Catriona Sandilands. "Part 1: From Queer/Natures to Queer Ecologies." UnderCurrents: Journal of Critical Environmental Studies 19 (October 13, 2015): 15–16. http://dx.doi.org/10.25071/2292-4736/40256.

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This is a portion of a roundtable discussion on queer ecologies held on 11 September 2014. The roundtable is also available as a podcast and was produced in collaboration with CoHearence, an initiative of graduate students in the Faculty of Environmental Studies suppored by NiCHE (Network in Canadian History and Environment).

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35

Rupp, L. J. "Everyone's Queer." OAH Magazine of History 20, no. 2 (March 1, 2006): 8–11. http://dx.doi.org/10.1093/maghis/20.2.8.

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36

Taavetti, Riikka. "”Jotta meidät muistettaisiin sellaisina kuin elimme”." SQS – Suomen Queer-tutkimuksen Seuran lehti 15, no. 1-2 (December 1, 2021): 37–53. http://dx.doi.org/10.23980/sqs.112513.

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Artikkeli käsittelee queer-elämän ja erityisesti homoseksuaalisuuden tai samansukupuolisen halun muistoja ympäröiviä hiljaisuuksia suomalaisissa muistitietoarkistoissa. Artikkeli käyttää esimerkkinä Sateenkaarinuorena nyt ja ennen -kirjoituskeruuta (2014) ja sijoittaa sen suomalaisen muistitietotutkimuksen kehyksiin. Artikkeli analysoi hiljaisuutta neljällä eri tasolla: kirjoitusten kuvaamana hiljaisuutena, puuttuvien kertomusten hiljaisuutena, muistitietokeruiden hiljaisuuksina sekä arkistojen käytäntöjen hiljaisuuksina. Artikkeli osoittaa, miten muistitietokokoelmia analysoimalla voi tutkia sekä queer-elämän muistoja että näistä muistoista kertomisen mahdollisuuksia eri aikoina.Avainsanat: muistitieto, queer, homoseksuaalisuus, hiljaisuusSilencies and Queer Voices in Finnish Oral History and Life Writing ArchivesThis article addresses the silences around the memories of queer lives and, in particular, same-sex desires in Finnish oral history and life writing collections. By analyzing the collection campaign Rainbow youth present and past (2014) in the context of Finnish oral history research, the article examines four levels of silence – silences that the writings describe, silences of the missing reminiscences, silences in the collection campaigns, and silences in the archival practices. The article demonstrates how the reminiscence writing and oral history collections can be utilized to analyze both the memories of queer lives and the opportunities open at different times to address these memories.Keywords: oral history, life writing, queer, homosexuality, silence

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37

Sadiq, Benasir Banu Mohamed, and Evangeline Priscilla Baghavandoss. "Understanding Law and Sustainability in Children’s Literature Through the Lens of Queer Studies in Animations and Cartoons from America." Revista de Gestão Social e Ambiental 18, no. 1 (February 21, 2024): e04938. http://dx.doi.org/10.24857/rgsa.v18n1-086.

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Objective: Queer Studies as a literary space explores the lives of non-heterosexual individuals. It developed as a literal theory in the 1990s with Terresa De Lauretis from her work Queer Theory Lesbian and Gay Sexuality. As the study develops, it covers the varied history of social acceptance faced by homosexuality in many cultures through a wide range of theories and concepts. Children’s literature profoundly shapes individuals from a young age and alludes to whose stories matter in a social setting. Result: Understanding queer studies in children’s literature would provide an extensive picture of representation, equality, and perceptibility, highlighting their difficulties and struggles, coping strategies, and even validation for the queer community. Method: On the same note, the researcher is aware that discussing queerness among children is sensitive; therefore, the paper will traverse through certain conjectures, such as the history of queer studies, Queer Law, the history of queer studies in children’s literature through cartoons, the political problems of studying queer people, and queer delineation among children in contemporary society. Conclusion: Through these trajectories, the research aims to understand queer law and sustainable representation as part of human rights amongst queer children in America.

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38

Sadiq, Benasir Banu Mohamed, and Evangeline Priscilla Baghavandoss. "Understanding Law and Sustainability in Children’s Literature through the Lens of Queer Studies in Animations and Cartoons from America." Journal of Law and Sustainable Development 11, no. 11 (November 29, 2023): e2268. http://dx.doi.org/10.55908/sdgs.v11i11.2268.

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Objective: Queer Studies as a literary space explores the lives of non-heterosexual individuals. It developed as a literal theory in the 1990s with Terresa De Lauretis from her work Queer Theory Lesbian and Gay Sexuality. As the study develops, it covers the varied history of social acceptance faced by homosexuality in many cultures through a wide range of theories and concepts. Children’s literature profoundly shapes individuals from a young age and alludes to whose stories matter in a social setting. Result: Understanding queer studies in children’s literature would provide an extensive picture of representation, equality, and perceptibility, highlighting their difficulties and struggles, coping strategies, and even validation for the queer community. Method: On the same note, the researcher is aware that discussing queerness among children is sensitive; therefore, the paper will traverse through certain conjectures, such as the history of queer studies, Queer Law, the history of queer studies in children’s literature through cartoons, the political problems of studying queer people, and queer delineation among children in contemporary society. Conclusion: Through these trajectories, the research aims to understand queer law and sustainable representation as part of human rights amongst queer children in America.

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39

Scott, Craig. "Queer Twin Cities." Oral History Review 40, no. 2 (July 1, 2013): 452–54. http://dx.doi.org/10.1093/ohr/oht075.

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40

Kunzel, Regina. "Placing Newton Arvin in Queer History." Nathaniel Hawthorne Review 44, no. 1-2 (January 2018): 82–89. http://dx.doi.org/10.5325/nathhawtrevi.44.1-2.0082.

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41

Maynard, Steven. "Queer Musings on Masculinity and History." Labour / Le Travail 42 (1998): 183. http://dx.doi.org/10.2307/25148885.

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42

Murphy, Kevin P., Jennifer L. Pierce, and Jason Ruiz. "What Makes Queer Oral History Different." Oral History Review 43, no. 1 (April 1, 2016): 1–24. http://dx.doi.org/10.1093/ohr/ohw022.

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43

Woodard, Jennie. "Work! A Queer History of Modeling." History: Reviews of New Books 48, no. 1 (December 13, 2019): 11–13. http://dx.doi.org/10.1080/03612759.2020.1697258.

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44

Brown, Elspeth H. "Work! A Queer History of Modeling." Dress 46, no. 2 (July 2, 2020): 171–73. http://dx.doi.org/10.1080/03612112.2020.1787591.

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45

Filippello, Roberto. "Work! A Queer History of Modeling." Fashion Theory 24, no. 5 (September 10, 2019): 799–804. http://dx.doi.org/10.1080/1362704x.2019.1656857.

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46

Bishop, W. "WE'RE HERE, WE'RE QUEER--WE'RE HISTORY?" GLQ: A Journal of Lesbian and Gay Studies 13, no. 1 (January 1, 2007): 151–54. http://dx.doi.org/10.1215/10642684-2006-028.

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47

Stein, J. A. "American Literary History and Queer Temporalities." American Literary History 25, no. 4 (October 9, 2013): 855–69. http://dx.doi.org/10.1093/alh/ajt043.

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48

Friars, Rachel M. "“History Digs a Shallow Grave”: Queer Temporality in Emily M. Danforth’s Lesbian Gothic." Studies in the Novel 55, no. 4 (2023): 461–74. http://dx.doi.org/10.1353/sdn.2023.a913306.

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ABSTRACT: Danforth’s Plain Bad Heroines (2020) revels in the disruption of time through erotic physicality. Because the Gothic and the queer break the bounds of normative constructions of time, the horror of Plain Bad Heroines arrives in the effect that queer Gothic time has on queer bodies by allowing them to delight in rejecting linearity while they run the risk of destabilizing their identities as they encounter the past. This article demonstrates that such disruption is particularly prevalent in neo-Victorian lesbian Gothic fiction by reading the novel through Freeman’s (2010) concept of erotohistoriography in two ways: first, by focusing on the way queer time effects and facilitates queer embodiment through the setting(s). Second, Gothic doubling is both an erotic and disorderly element of queer time’s effect on the lesbian body in Plain Bad Heroines . Temporal collapse allows the characters to encounter each other and the past, but with dire consequences.

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van Kessel, Looi, and Fleur van Leeuwen. "In the end, we always have to call institutions to account." Tijdschrift voor Genderstudies 22, no. 3 (September 1, 2019): 285–97. http://dx.doi.org/10.5117/tvgn2019.3.006.kess.

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Abstract This year’s pride season marked the 50th anniversary of the Stonewall Riots, an event that, while not the beginning of the Gay Rights Movement in the United States, should at least be viewed as one of the first major milestones in the movement’s history. In the Netherlands, too, the history of LGBT activism has been commemorated in the recent exhibition ‘With Pride’, organised by IHLIA LGBT Heritage (see the review by Michiel Odijk in this issue). After its first successful run at the Amsterdam Public Library, the exhibition toured the Netherlands and opened in Utrecht during its annual pride festivities on June 3. While praised for its thorough documentation of 40 years of Dutch queer resistance, there was also critique. A number of activists and scholars pointed to a lack of inclusivity and representation, which they argued compromised the exhibition’s validity.Wigbertson Julian Isenia and Naomie Pieter, founders of Black Queer and Trans Resistance Netherlands (BQTRNL) and Black Queer Archive, represent two of these critical voices and address the structural exclusion of queers of colour in history writing and archival practices in their work. Julian co-edited the previous issue of Tijdschrift voor Genderstudies (vol. 22(2): ‘Sexual Politics Between the Netherlands and the Caribbean: Imperial Entanglements and Archival Desire’) and, together with Gianmaria Colpani, Julian and Naomie organised the roundtable ‘Archiving Queer of Colour Politics in the Netherlands’ (Colpani, Isenia, & Pieter, 2019). In response to the IHLIA exhibition, they proposed an exhibition under the title Nos Tei (Papiamentu/o for ‘We are here’ or ‘We exist’), which is to serve as an addition to the original ‘With Pride’ exhibition and ran independently from 11 July until 4 September 2019. We were very happy that both agreed to an interview for this thematic issue on ‘narratives of LGBT history in the Netherlands’ to discuss their views on archival practices and the exclusion of queer of colour perspectives from mainstream exhibition and archival spaces.

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Price, Matthew Burroughs. "A Genealogy of Queer Detachment." PMLA/Publications of the Modern Language Association of America 130, no. 3 (May 2015): 648–65. http://dx.doi.org/10.1632/pmla.2015.130.3.648.

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Despite their widespread attention to the conluence of queer sexualities and “decadence” in in- de- siècle writing, queer theorists have yet to overcome the two concepts' persistently destructive conlation. his essay explores the latent positive ainities of queerness and decadence in Walter Pater's Renaissance, which links them through what I call queer detachment. A balance of engagement with and withdrawal from history, this critical perspective anticipates queer theory's methodologies as well as other queer modernist productions. Examining Goodbye to Berlin, Christopher Isherwood's chronicle of decadent Weimar Germany, I demonstrate how queer detachment becomes an increasingly politicized method of literary and social world making, a means of reengaging the politics and aesthetics of queer history. hese works, and others like them, encourage scholars to realize decadence's positivity, to conceptualize a queer theory that refuses to acquiesce to residual historical narratives and philosophical systems—without, for all that, refusing their value entirely.

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