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Books on the topic 'Queer intimacy'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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1

Eng, David L. The feeling of kinship: Queer liberalism and the racialization of intimacy. Durham [NC]: Duke University Press, 2010.

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The feeling of kinship: Queer liberalism and the racialization of intimacy. Durham [NC]: Duke University Press, 2010.

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3

Bibler, Michael P. Cotton's queer relations: Same-sex intimacy and the literature of the southern plantation, 1936-1968. Charlottesville: University of Virginia Press, 2009.

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4

Feminism is queer: The intimate connection between queer and feminist theory. London: Zed, 2010.

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5

Marinucci, Mimi. Feminism is queer: The intimate connection between queer and feminist theory. Chiang Mai: Silkworm Books, 2011.

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6

Mercury: An intimate biography of Freddie Mercury. New York: Simon & Schuster, 2012.

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7

Marr, Andrew. The real Elizabeth: An intimate portrait of Queen Elizabeth II. New York: Henry Holt, 2012.

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8

The real Elizabeth: An intimate portrait of Queen Elizabeth II. Thorndike, Me: Center Point Pub., 2012.

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9

Berlant, Lauren Gail. The queen of America goes to Washington city: Essays on sex and citizenship. Durham, NC: Duke University Press, 1997.

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10

Lilibet: An intimate portrait of Elizabeth II. New York: St. Martin's Press, 2004.

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11

Erickson, Carolly. Lilibet: An intimate portrait of Elizabeth II. Waterville, Me: Thorndike Press, 2004.

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12

Seward, Ingrid. The Queen's speech: An intimate portrait of the Queen in her own words. London: Simon & Schuster, 2015.

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13

Raj, Senthorun Sunil. Feeling Queer Jurisprudence: Injury, Intimacy, Identity. Taylor & Francis Group, 2020.

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14

Raj, Senthorun Sunil. Feeling Queer Jurisprudence: Injury, Intimacy, Identity. Taylor & Francis Group, 2020.

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15

Raj, Senthorun Sunil. Feeling Queer Jurisprudence: Injury, Intimacy, Identity. Taylor & Francis Group, 2020.

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16

Raj, Senthorun Sunil. Feeling Queer Jurisprudence: Injury, Intimacy, Identity. Taylor & Francis Group, 2020.

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17

Raj, Senthorun Sunil. Feeling Queer Jurisprudence: Injury, Intimacy, Identity. Taylor & Francis Group, 2020.

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18

Berlant, Lauren Gail. Sex, or the Unbearable. Duke University Press, 2013.

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19

Sex Or The Unbearable. Duke University Press, 2014.

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20

Berlant, Lauren Gail. Sex, or the Unbearable. Duke University Press, 2013.

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21

Queer Friendship: Male Intimacy in the English Literary Tradition. Cambridge University Press, 2018.

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22

Eng, David L. Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy. Duke University Press, 2010.

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23

Queer Sexualities in Early Film: Cinema and Male-Male Intimacy. I. B. Tauris & Company, Limited, 2016.

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24

Stout, Noelle M. After Love: Queer Intimacy and Erotic Economies in Post-Soviet Cuba. Duke University Press, 2014.

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25

Tortilleras Negotiating Intimacy: Love, Friendship, and Sex in Queer Mexico City. Rutgers University Press, 2020.

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26

After Love: Queer Intimacy and Erotic Economies in Post-Soviet Cuba. Duke University Press Books, 2014.

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27

Tortilleras Negotiating Intimacy: Love, Friendship, and Sex in Queer Mexico City. Rutgers University Press, 2020.

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28

Lai, Francisca Yuenki. Maid to Queer. Hong Kong University Press, 2021. http://dx.doi.org/10.5790/hongkong/9789888528332.001.0001.

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The first book about Asian female migrant workers who develop same-sex relationships in a host city. Based on participant observation and in-depth interviews with Indonesian domestic workers in Hong Kong, the book explores the meanings of same-sex relationships to these migrant women. Instead of searching for reasons to explain why they engage in a same-sex relationship, the book provides an ethnographic perspective by addressing their Sunday activities and considering how migration policies and the practices of Hong Kong people unintentionally produce alternative sexuality and desires for them. The author contrasts the migrant experiences of same-sex relationships with the Western discourse that individuals carry a strong sense of sexual identification prior to migration; same-sex desires among Indonesian domestic workers are often not realized until they leave home. Addressing the changes from maid to queer, this book documents the intersections of domestic work, labor migration, race, and religion on the sexual subject formation, specifically how Indonesian women negotiate heteronormativity and remake a space for their love, sex, and intimacy. The book aims to create a dialogue between Asian labor migration and LGBT studies. For those interested in lesbian studies, Asian labor migration, sexual citizenship, and queer migration, this ethnography fills an important gap in explaining how the feminization of international migration and the constraints imposed on live-in domestic workers unintentionally become productive possibilities of queerness and normativity.
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29

Johnson, E. Patrick. Black. Queer. Southern. Women. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469641102.001.0001.

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Black. Queer. Southern. Women.: An Oral History reveals how identity is made through race, gender, sexuality, class, and region. In particular, it centers the life stories of more than seventy Black, queer women from the U.S. South. With their lives and experiences as the focus, E. Patrick Johnson recasts a singular narrative of the South and illustrates the plurality of Black queer women’s identities. He also puts the complexity of Black female sexuality on display, drawing out multiple themes—childhood and adolescence; mother-daughter relationships; gender performances; religion and spirituality; sexual desires; dating and intimacy; and creative and political work. The interdisciplinary work blends oral history and performance ethnography methods to emphasize the rich tapestry of these women’s lives and give texture to their narratives. The book is divided into two parts. Part one, “G.R.I.T.S.: Stories of Growing Up Black, Female, and Queer,” is comprised of seven chapters and organized thematically, pulling out portions of women’s narratives that speak to each subject. Part two, “My Soul Looks Back and Wonders: Stories of Perseverance and Hope,” is comprised of six chapters, each of which delves into an individual woman’s narrative. Taken together, the sections reflect Johnson’s careful attention to the tension between history and biography; the structural and the interpersonal; the collective and the individual.
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30

Payne, Robert. Promiscuity of Network Culture. Taylor & Francis Group, 2018.

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31

The Promiscuity of Network Culture: Queer Theory and Digital Media. Routledge, 2014.

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32

Bobker, Danielle. The Closet. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691198231.001.0001.

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Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. This book presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print. Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, the book examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the “moving closet” of the coach, among many others. In the process, it conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, the book discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives. The book offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.
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33

Herring, Scott, and Lee Wallace, eds. Long Term. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021544.

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The contributors to Long Term use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect. They consider commitment in all its guises, particularly relationships beyond and aside from monogamous partnering. These include chosen and involuntary long-term commitments to families, friends, pets, and coworkers; to the care of others and care of self; and to financial, psychiatric, and carceral institutions. Whether considering the enduring challenges of chronic illnesses and disability, including HIV and chronic fatigue syndrome; theorizing the queer family as a scene of racialized commitment; or relating the grief and loss that comes with caring for pets, the contributors demonstrate that attending to the long term offers a fuller understanding of queer engagements with intimacy, mortality, change, dependence, and care. Contributors. Lisa Adkins, Maryanne Dever, Carla Freccero, Elizabeth Freeman, Scott Herring, Annamarie Jagose, Amy Jamgochian, E. Patrick Johnson, Jaya Keaney, Heather Love, Sally R. Munt, Kane Race, Amy Villarejo, Lee Wallace
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34

Iozzio, Mary Jo. HIV/AIDS. Edited by Adrian Thatcher. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199664153.013.38.

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This chapter examines how sex figures in the HIV/AIDS pandemic and how the pandemic may be understood in the light of God’s extravagance and hope for the future. Sex is one of those gifts that human beings have received at the hands of a God of extravagance: a God of infinite possibility, copious generosity, and unparalleled solidarity. The very creation is a manifestation of a fecund imagination and God’s own joy writ large enough to witness sexual diversity—from asexual to heterosexual, lesbian, gay, bisexual, transgender, intersex, and queer—among all living beings. In the human community the gift of sex and one’s identity as a sexual being include the purposes and promises of the extravagance that is sexual creativity in and through diversity. This chapter explores what insights theology can bring to the purposes of sex as creativity/generativity and intimacy-building communion/pleasure, and what intuitions theology can bring to the promises of sex as transcendent experience.
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35

Intimate Violence: Hitchcock, Sex, and Queer Theory. Oxford University Press, Incorporated, 2017.

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36

Intimate Violence: Hitchcock, Sex, and Queer Theory. Oxford University Press, Incorporated, 2017.

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37

Potter, Susan. Queer Timing. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042461.001.0001.

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This book is a counter-history of the emergence of lesbian sexuality in early cinema. Drawing on the critical insights of queer theory and the history of sexuality, it challenges approaches to lesbian representation, initially by reframing the emergence of lesbian figures in cinema in the late 1920s and early 1930s as only the most visible and belated signs of an array of strategies of sexuality. The emergence of lesbian representation and spectatorship in early cinema is not a linear progression and consolidation but rather arises across multiple sites in dispersed forms that are modern and backward-looking, recursive and anachronistic. In this tumultuous period, new but not always coherent sexual knowledges and categories emerge, even as older modalities of homoeroticism persist. The book articulates some of the discursive and institutional processes by which women’s same-sex desires and identities have been reorganized as impossible, marginal or—perhaps not so surprisingly—central to new forms of cinematic representation and spectatorship. Complicating the critical consensus of feminist film theory and history, the book foregrounds the centrality of women’s same-sex desire to historically distinct cinematic discourses of both homo- and heterosexuality. It articulates across its chapters the emergence of lesbian sexuality—and that of its intimate “other,” heterosexuality—as the effect of diverse discursive operations of early cinema, considered as a complex assemblage of film texts, exhibition practices, modes of female spectatorship, and reception.
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38

Martha, Fineman, Jackson Jack E, and Romero Adam P, eds. Feminist and queer legal theory: Intimate encounters, uncomfortable conversations. Farnham., Surrey [England]: Ashgate Pub., 2009.

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39

Queen Next Door: Aretha Franklin, an Intimate Portrait. Wayne State University Press, 2019.

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40

Intimate Assemblages: The Politics of Queer Identities and Sexualities in Indonesia. Palgrave Macmillan, 2020.

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41

Bacharach, Burt, Linda Solomon, and Sabrina Vonne' Owens. The Queen Next Door: Aretha Franklin, An Intimate Portrait. Wayne State University Press, 2019.

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42

Daggett, Mabel Potter. Marie Of Roumania: The Intimate Story Of The Radiant Queen. Kessinger Publishing, LLC, 2007.

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43

Kensington Palace: An Intimate Memoir from Queen Mary to Meghan Markle. Biteback Publishing, 2020.

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44

Lilibet: An Intimate Portrait of Elizabeth II. St. Martin's Griffin, 2005.

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45

Erickson, Carolly. Lilibet: An Intimate Portrait of Elizabeth II. St. Martin's Press, 2004.

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46

Erickson, Carolly. Lilibet: An Intimate Portrait of Elizabeth II. Thorndike Press, 2004.

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47

Damron, Will, Amanda Dolan, Dr Jackie Walters, Dr Jackie Walters, and Shayna Small. The Queen V: Everything You Need to Know About Sex, Intimacy, and Down There Health Care. Macmillan Audio, 2020.

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48

Hartman, Saidiya V. Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals. W. W. Norton & Company, 2020.

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49

White, Bretton. Staging Discomfort. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401544.001.0001.

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Staging Discomfort examines how queer bodies are theatrically represented on the Cuban stage in order to re-evaluate the role of categorization as one of the state’s primary revolutionary tools. These performances concentrate on an aesthetics of fluidity, and thus upset traditional understandings of performer and spectator, and what constitutes the ideal Cuban citizenry. New affective modes are produced when performing bodies highlight—often in uncomfortably intimate, grotesque, or raw ways—the unavoidability of spectators’ bodies, and their capacity for queerness. Here the imagining of new continuities and subjectivities can lead to a reconfiguration of forms of Cuban citizenship. The affective responses from the closeness experienced in the performances in Staging Discomfort are challenges to the Cuban state’s self-designated role as primary provider for the needs of its citizens’ bodies. Through the lens of queer theory, the manuscript explores the body’s centrality to the state’s deployment of fear to successfully marginalize gay life, which this group of works seeks to defuse through an articulation of intimacies, shame, the death drive, cruising, and failure. These affective experiences shape Cuban subjectivities that emerge out of queerness, but whose focus on inclusivity necessarily involves all Cubans. Several of the central questions that guide Staging Discomfort are: How is Cuban theater agile in its critiques considering the state’s limitations on expression? How do queer performances allow for new understandings about the effects of the state’s failing socialist utopian contract with its citizens? And, can Cuban bodies that come together in queer ways re-imagine Cuban citizenship?
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50

Victoria : The Queen: An Intimate Biography of the Woman Who Ruled an Empire. Random House Trade Paperbacks, 2017.

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