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Journal articles on the topic 'Queer intimacy'

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1

Cefai, Sarah, and Nick Couldry. "Mediating the presence of others: Reconceptualising co-presence as mediated intimacy." European Journal of Cultural Studies 22, no. 3 (2017): 291–308. http://dx.doi.org/10.1177/1367549417743040.

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Drawing insight from queer and media studies, this article analyses data from the UK study Adults’ Media Lives. The authors claim that this study reveals the significance of people’s intimate relationships to their media practices, highlighting in particular how people’s media practices mediate the ‘presence’ of others. The authors put forward the concept of mediated intimacy to capture both the cultural intimacy people have with media and the mediation of intimacy by media practices. Mediating intimacy has implications for normative conceptions of intimate life, including the significance of
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Kean, Jessica. "Coming to terms: Race, class and intimacy in Australian public culture." Sexualities 22, no. 7-8 (2018): 1182–96. http://dx.doi.org/10.1177/1363460718770452.

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In queer theory ‘heteronormativity’ has become a central tool for understanding the social conditions of our sexual and intimate lives. The term is most often used to shed light on how those lives are patterned in a way that shapes and privileges binary genders and heterosexual identities, lifestyles and practices. Frequently, however, ‘heteronormativity’ is stretched beyond its capacity when called upon to explain other normative patterns of intimacy. Drawing on Cathy Cohen’s (1997) ground breaking essay ‘Punks, bulldaggers and welfare queens: The radical potential of queer?’, this article ar
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Horton, Brian A. "What’s so ‘queer’ about coming out? Silent queers and theorizing kinship agonistically in Mumbai." Sexualities 21, no. 7 (2017): 1059–74. http://dx.doi.org/10.1177/1363460717718506.

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What kinds of creative potential exist in silence – in not coming out? This ethnographic study takes the strategic silences that queer persons in Mumbai deploy regarding ‘coming out’ as productive for theorizing the connections between kinship and queerness. While some strands of queer critique conceptualize the relationship between kinship and queerness antagonistically, the author deploys the concept of agonistic intimacy outlined in Singh’s Poverty and the Quest for Life (2015) to consider how queers might inhabit heterosexual kinship networks through the interplay of contestation and submi
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Coccia. "Producing Intimacy: Queer Attachments in Workingwomen's Writings." Legacy 37, no. 1 (2020): 17. http://dx.doi.org/10.5250/legacy.37.1.0017.

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Irizarry, Larissa A. "Queer Intimacy: Vocality in Jesus Christ Superstar." Women and Music: A Journal of Gender and Culture 24, no. 1 (2020): 162–77. http://dx.doi.org/10.1353/wam.2020.0004.

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Mizielińska, Joanna, and Agata Stasińska. "Beyond the Western gaze: Families of choice in Poland." Sexualities 21, no. 7 (2017): 983–1001. http://dx.doi.org/10.1177/1363460717718508.

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Research into queer intimacies and families has been largely conducted from and about the Western (specifically Anglo-American) context. It very often (re)presents a hegemonic, mono-normative paradigm and vision of intimacy and family life, and profoundly influences the scope and methods of such research in other localities. This article uses findings from a large-scale mixed methods study called Families of Choice in Poland which was designed to examine the diversity of intimate and familial practices of non-heterosexual lives. It highlights how geo-temporal conditions shape LGBTQ relational
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7

Kozee, Barbara Anne. "Incorporating Queer, Housing Insecure Perspectives into Eucharistic Theology." Lumen et Vita 11, no. 2 (2021): 19–30. http://dx.doi.org/10.6017/lv.v11i2.13727.

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This paper uses queer systematic theology and theological anthropology to argue that the Christian Eucharistic tradition is one of radical table fellowship rooted in desire for intimacy with the margins. Including queer people, the issues facing the community, and queer theory at the Eucharistic table therefore requires that we take homelessness seriously and consider alternative approaches to economic justice.
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McCann, Hannah, and Clare Southerton. "Repetitions of Desire." Girlhood Studies 12, no. 1 (2019): 49–65. http://dx.doi.org/10.3167/ghs.2019.120106.

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Like other fangirls, fans of former boyband One Direction (“Directioners”) have often been represented in media discourse as obsessive and hysterical, with fan behaviour interpreted as longing for heterosexual intimacy with band members. Subverting this heteronormative framing, a group of Directioners known as “Larries” have built a sub-fandom around imagining a relationship (“ship”) between two of the band members, Harry Styles and Louis Tomlinson. Representation of the Larry fandom has gone beyond pathologizing fangirls to framing their shipping practice in terms of “fake news.” The conspira
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9

Elund, Jude. "Seeking intimacy: queer agency, normativity, and emergent identities." Continuum 33, no. 5 (2019): 590–601. http://dx.doi.org/10.1080/10304312.2019.1644807.

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10

Dasgupta, Rohit K., and Debanuj Dasgupta. "Intimate Subjects and Virtual Spaces: Rethinking Sexuality as a Category for Intimate Ethnographies." Sexualities 21, no. 5-6 (2017): 932–50. http://dx.doi.org/10.1177/1363460716677285.

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Social networking sites and digital technologies have created opportunities for young people in India to establish virtual intimate connections. In this article, the authors analyze the intimate exchanges between young men on two different digital platforms – Facebook and Planet Romeo. An analysis of the intimate virtual exchanges reveals technologies of queer neoliberal subject formation within contemporary India. Queer neoliberal subject formation refers to the emergence of a sexual subject of rights, one that is a consumer-citizen within the Indian free-market economy. The article highlight
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11

Yoon, Joewon. "The Queer Negativity of Leo Bersani: Intimacies beyond Intimacy." Criticism and Theory Society of Korea 22, no. 1 (2017): 137–62. http://dx.doi.org/10.19116/theory.2017.22.1.137.

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12

Nguyen, Vinh. "Queer Intimacy and the Impasse: Reconsidering My Beautiful Laundrette." ariel: A Review of International English Literature 48, no. 2 (2017): 155–66. http://dx.doi.org/10.1353/ari.2017.0018.

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13

Salter, Gregory. "Francis Bacon and Queer Intimacy in Post-War London." Visual Culture in Britain 18, no. 1 (2017): 84–99. http://dx.doi.org/10.1080/14714787.2017.1302817.

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14

Taylor, Julie. "On Holding and Being Held: Hart Crane’s Queer Intimacy." Twentieth-Century Literature 60, no. 3 (2014): 305–35. http://dx.doi.org/10.1215/0041462x-2014-4005.

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15

Adams-Santos, Dominique. "“Something a bit more personal”: Digital storytelling and intimacy among queer Black women." Sexualities 23, no. 8 (2020): 1434–56. http://dx.doi.org/10.1177/1363460720902720.

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Coming-out stories are important cultural texts wherein individuals articulate and interpret experiences of identifying as sexual minorities. Yet, much of the extant literature on coming-out stories examines narratives by white, middle-class gay men and lesbians. Critical inquiry into coming-out stories told by privileged queer subjects points to the formulaic and normative characteristics of their narratives, where sexual difference is downplayed or challenged. The goal of this article, then, is to ask whether and how coming-out narratives told by queer Black women conform to or depart from t
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16

Sudenkaarne, Tiia. "Queering Vulnerability." Suomen Antropologi: Journal of the Finnish Anthropological Society 43, no. 3 (2019): 73–90. http://dx.doi.org/10.30676/jfas.v43i3.82734.

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Vulnerability is a concept often used in bioethics. However, it is seldom interrogated from a queer point of view. By queer inquiry, I refer to an umbrella understanding of gender and sexuality as diverse. In this article I discuss lesbian, gay, bisexual, trans, queer and intersex -related (LGBTQI) approaches to vulnerability. Framing these discussions from queer and LGBTQI bioethical theory, I offer an original approach to vulnerability based on queer bioethics and on a layered understanding of vulnerability. After considering queer bioethics and its (queer) critiques, I conclude that a layer
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17

Ansley, Jennifer. "Geographies of Intimacy in Mary Wilkins Freeman's Short Fiction." New England Quarterly 87, no. 3 (2014): 434–63. http://dx.doi.org/10.1162/tneq_a_00394.

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Situated within late nineteenth-century economic changes that transformed rural and urban spaces, Mary Wilkins Freeman's regionalist fiction imagines rural female-centered communities that I define as queer. Unlike emergent urban-centered gay and lesbian social formations, these communities are alienated from both normative reproduction and capitalist accumulation and are sustained by subsistence labor.
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유재은. "American Vs. Woman: Asian American Identity and Queer Intimacy in." Feminist Studies in English Literature 19, no. 3 (2011): 99–126. http://dx.doi.org/10.15796/fsel.2011.19.3.004.

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Herbert, Amanda E. "Queer Intimacy: Speaking with the Dead in Eighteenth-Century Britain." Gender & History 31, no. 1 (2018): 25–40. http://dx.doi.org/10.1111/1468-0424.12370.

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Dernikos, Bessie P. "“Queering” #BlackLivesMatter: Unpredictable Intimacies and Political Affects." SQS – Suomen Queer-tutkimuksen Seuran lehti 10, no. 1–2 (2017): 46. http://dx.doi.org/10.23980/sqs.63647.

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 #BlackLivesMatter (#BLM) has garnered considerable attention in recent years with its commitment to honor all black lives, yet the affective dimensions of this global cause remain largely under- theorized. Within this piece, I explore how #BLM, as a larger sociopolitical movement, works to collectively bind strangers together by transmitting affects that produce a sense of immediacy, intimacy, and belonging. I argue that these affective intensities incite an ‘unpredictable intimacy’ that closely connects strangers to black bodies and intensifies the forces of race, gender,
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21

Marinoudi, Soula. "Queer subjectivities within political scenes: Traumatic relations, exposed vulnerabilities." Journal of Greek Media & Culture 4, no. 2 (2018): 151–66. http://dx.doi.org/10.1386/jgmc.4.2.151_1.

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This article examines the lives of queer people as performed in the biographies of ten interlocutors who participated in the queer political scene during the decade 2000–10. In recent years, a wide range of queer/feminist subjectivities, groups and spaces have emerged within collective social movements in Greece. These new approaches to radical feminism and queer life-forms often convey a sense of discontinuity with the recent past, as queer voices have been marginalized in the anti-authoritarian and the radical leftist political scene until recently. I argue that the anti-authoritarian and le
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22

Shirinian, Tamar. "after love: queer intimacy and erotic economies in post-Soviet Cuba." Feminist Review 114, no. 1 (2016): 149–51. http://dx.doi.org/10.1057/s41305-016-0016-9.

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23

Corrigan. "After Love: Queer Intimacy and Erotic Economies in Post-Soviet Cuba." QED: A Journal in GLBTQ Worldmaking 3, no. 1 (2016): 160. http://dx.doi.org/10.14321/qed.3.1.0160.

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24

Aldridge, Alexandra. "Intoxicating the ‘charmed circle’: Constructions of deviance and normativity by people who combine drugs and sex." Criminology & Criminal Justice 20, no. 5 (2020): 564–76. http://dx.doi.org/10.1177/1748895820937332.

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Sex involving illicit drugs is currently receiving close academic attention. For the most part, research in this area is public health orientated and focuses on the experiences of men who have sex with men engaging in ‘chemsex’. In the current article, I use in-depth interview data from 14 participants across a range of gender and sexual identities to undertake a queer criminological analysis of sex on drugs. Taking Gayle Rubin’s foundational Thinking Sex as a starting point, I argue that participants’ narratives construct a sober/drug-involved sex hierarchy in which the former is afforded a h
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25

Irni, Kuura. "Queering Multispecies Bonding." Humanimalia 12, no. 1 (2020): 188–209. http://dx.doi.org/10.52537/humanimalia.9435.

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By conducting a queer theoretical reading of Donna Haraway’s work on dogs, this paper develops queer feminist animal studies by focusing on the critique and rethinking of anthropocentric family and relationship norms. Starting with Haraway’s proposal in Staying with the Trouble to “make kin, not babies” and to question the link between genealogy and kin, this paper reads Haraway’s dog stories as queer feminism. The paper argues that Haraway’s thinking aligns with queer feminist scholarship that questions the link between sex and reproduction also in nonhuman animal lives and that recognizes th
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26

Rebrovick, Tripp. "A Queer Politics of Touching: Walt Whitman’s Theory of Comrades." Law, Culture and the Humanities 16, no. 2 (2017): 313–31. http://dx.doi.org/10.1177/1743872116688181.

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This article explores the concept of political and legal regimes of touching by analyzing Walt Whitman’s poems that envision a new political order founded on comradeship – a distinct kind of friendship characterized by physical intimacy. Whitman’s “Calamus” poems, I argue, demonstrate that touching is a political act. This study resists treating Whitman anachronistically as a “homosexual” and argues that comradeship as he understands it represents a model of queerness that can challenge the recent anti-social turn in queer theory.
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27

Phillips. "Intimacy, Epistolarity, and the Work of Queer Mourning in James Schuyler's Poetry." Journal of Modern Literature 42, no. 3 (2019): 55. http://dx.doi.org/10.2979/jmodelite.42.3.04.

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28

Raimondo, Meredith. "The Queer Intimacy of Global Vision: Documentary Practice and the AIDS Pandemic." Environment and Planning D: Society and Space 28, no. 1 (2010): 112–27. http://dx.doi.org/10.1068/d1108.

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29

White, M. A. "Archives of Intimacy and Trauma: Queer Migration Documents as Technologies of Affect." Radical History Review 2014, no. 120 (2014): 75–93. http://dx.doi.org/10.1215/01636545-2703733.

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30

Bradbury-Rance, Clara. "Ambiguous intimacy as queer potential: touch, desire and adolescence in She Monkeys." Feminist Theory 20, no. 3 (2019): 231–46. http://dx.doi.org/10.1177/1464700119833043.

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This article analyses the ambiguous intimacies generated by the competition that permeates desire in Lisa Aschan’s She Monkeys (2011). The article argues that in a new corpus of films about adolescence, the queerness of lesbian desire is evoked as a series of affects outside of figurative norms. Desire meets and is confused with other affects such as envy and disgust, all of which attach, sometimes simultaneously, to objects that do not always seem to recognise or permit them. Slow and languid scenes reveal desire’s potential but rarely its achievement. The article explores the erotic potentia
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31

Franseen, Kristin M. "‘Onward to the End of the Nineteenth Century’: Edward Prime-Stevenson’s Queer Musicological Nostalgia." Music and Letters 101, no. 2 (2020): 300–320. http://dx.doi.org/10.1093/ml/gcz108.

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Abstract Relatively little known today, Edward Prime-Stevenson (1858–1942) was a man of hidden depths. Despite success as a music critic, Prime-Stevenson left the United States around the turn of the century to pursue (in his words) ‘studies in a branch of sexual psychology’ in Europe. Following this move, he published two books on homosexuality under the pseudonym Xavier Mayne. While ‘Mayne’s’ work has been analysed in depth by LGBTQ+ literary scholars in the past twenty years, Prime-Stevenson’s musical writings have received substantially less attention. This article considers the intertextu
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Guo, Li. "Hybrid Subjects, Fluid Bonds." Prism 18, no. 1 (2021): 27–48. http://dx.doi.org/10.1215/25783491-8922185.

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Abstract This essay offers a study of male homoeroticism in an unconventional and yet seminal nineteenth-century woman-authored tanci work, Fengshuangfei 鳳雙飛 (Phoenixes Flying Together; preface dated 1899) by Cheng Huiying 程蕙英 (before 1859–after 1899). Perhaps the only tanci known today that focuses centrally on male same-sex relations, Phoenixes Flying Together offers a vital example of early modern queer literary tradition by illustrating fluid male-male bonds and hybrid ideals of homosexuality. Such textual representations shift Confucian cardinal relations, redefine the power of nanse, and
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Vieira Jr, Erly. "Sensorialidades queer no cinema contemporâneo: precariedade e intimidade como formas de resistência // Queer sensory in contemporary cinema: precariousness and intimacy as modes of resistance." Contemporânea Revista de Comunicação e Cultura 16, no. 1 (2018): 168. http://dx.doi.org/10.9771/contemporanea.v16i1.25957.

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Ao propor uma “fenomenologia queer”, Sara Ahmed (2006) parte da ideia de que o “estar-no-mundo” queer seria caracterizado por diferenças no relacionamento entre corpos e espaços, em choque com uma lógica heteronormativa hegemônica que está sempre a reiterar a “impropriedade” com que tais corpos (e respectivos olhares) movimentam-se ou perambulam pelos espaços cotidianos. Partindo disso, podemos perceber como uma parte do cinema queer confere uma dimensão resistente a esses corpos e suas imagens, a partir de usos específicos da linguagem audiovisual, como a adoção de uma câmera-corpo e da visua
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Byron, Paul, and Kristian Møller. "Flirting and Friendship at the Periphery of Hook-up App Research." lambda nordica 26, no. 1 (2021): 23–52. http://dx.doi.org/10.34041/ln.v26.720.

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 The everyday intimacies of friendship and flirting are not typically exploredin hook-up app research, nor is there much reflection on the intimacies of researching these media. This paper considers flirting and friendship as practices and methods that broaden the scope of current hook-up app research. We ask what these intimacies can produce to expand research approaches (and thus knowledge) of hook-up apps. As users and researchers of these apps, we consider negotiations of flirting and friendship between researchers and research partici- pants by exploring what it means
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35

Farr, Jason S. "Queer Friendship: Male Intimacy in the English Literary Tradition by George E. Haggerty." Eighteenth-Century Fiction 32, no. 2 (2019): 355–57. http://dx.doi.org/10.3138/ecf.32.2.355.

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Duguay, Stefanie. "“Running the Numbers”: Modes of Microcelebrity Labor in Queer Women’s Self-Representation on Instagram and Vine." Social Media + Society 5, no. 4 (2019): 205630511989400. http://dx.doi.org/10.1177/2056305119894002.

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Microcelebrity, as a set of practices contributing to personalized self-branding, has become an increasingly prominent component of self-representation on social media platforms. While “influencers” who have built lucrative followings through microcelebrity give the appearance of having fun without much exertion, recent studies have uncovered multiple forms of labor involved in their practices of cultural production. In addition, scholars analyzing lesbian, gay, bisexual, transgender, and queer (LGBTQ) influencers highlight a tension between labor in service of self-commodification and the rep
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Maimunah, Maimunah. "The Negotiation Between Queer Spectatorship and Queer Text on Riri Riza’s Soe Hok Gie." ATAVISME 13, no. 1 (2010): 1–13. http://dx.doi.org/10.24257/atavisme.v13i1.140.1-13.

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The emergence of young generation filmmakers who are more confident in depicting gender and sexual issues after the Soeharto era (1998), significantly changes the construction of sexual diversity in 2003-2006 Indonesian films. One of the considerable phenomena is the personal experience and social commitment to support sexual minorities such as gay and lesbian issues. At the same time Indonesian queer communities strive to read the discourse of homosexuality in different way. Physical contact and even intimacy between persons of the same-sex, in both public and private spaces, was common pract
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38

Dundes, Lauren. "Elsa as Horse Whisperer in Disney’s Frozen 2: Opportunity “Nokk”s to Quash Gender Stereotypes." Social Sciences 9, no. 5 (2020): 86. http://dx.doi.org/10.3390/socsci9050086.

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Frozen 2 (2019) provided Disney with the opportunity to move past discomfort about the confluence of women’s sexuality and power in Queen Elsa portrayed in Frozen (2013). Yet in Frozen 2, Elsa remains romantically unattached, despite audience interest in her love life in the six years following the release of Frozen. In Frozen 2, Elsa forms a bond with a mythological male horse, a Nokk, whom she first battles, and then tames, showcasing her horse-whispering talents while building intimacy with the equine. The symbolism of Elsa’s domestication of the willful Nokk relates to the gynocentric hors
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Santos, Ana Cristina. "One at a Time: LGBTQ Polyamory and Relational Citizenship in the 21st Century." Sociological Research Online 24, no. 4 (2019): 709–25. http://dx.doi.org/10.1177/1360780419874080.

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Drawing on biographic narrative interviews with self-identified lesbian, gay, bisexual, trans, and/or queer polyamorous people in Portugal, this article explores the contradictions and opportunities involved in living as a relationally diverse LGBTQ intimate citizen in Southern Europe. The article starts by unpacking citizenship in relation to dominant sociolegal expectations around monogamy. In this section, it is suggested that the mononormative underpinnings of law and social policy restrain intimate citizenship. The second part of the article explores the legal and cultural meanings attach
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Lynne, Jessica. "“That Which We Are Still Learning to Name”: Two Photographs of Black Queer Intimacy." Southern Cultures 26, no. 2 (2020): 150–57. http://dx.doi.org/10.1353/scu.2020.0033.

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Bolt, Kellen. "Squeezing Sperm: Nativism, Queer Contact, and the Futures of Democratic Intimacy in Moby-Dick." ESQ: A Journal of Nineteenth-Century American Literature and Culture 65, no. 2 (2019): 293–329. http://dx.doi.org/10.1353/esq.2019.0007.

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Kahan, Benjamin. "The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy (review)." Journal of Asian American Studies 15, no. 3 (2012): 352–54. http://dx.doi.org/10.1353/jaas.2012.0027.

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Alexander, Kathryn. "Politely Different: Queer Presence in Country Dancing and Music." Yearbook for Traditional Music 50 (2018): 187–209. http://dx.doi.org/10.5921/yeartradmusi.50.2018.0187.

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I walked into the Round-Up Saloon and stood transfixed by the scene out on the dance floor. Surrounded by a wooden corral, the sleek and shining floor was filled with couples taking wide, gracefully fluid steps. Clad in immaculate cowboy hats, crisp work shirts tucked into jeans, and of course boots, the men spinning together around the floor were to me an entirely new form of queer dance. The comfortable intimacy of their bodies was unlike the bump and grind of the dance I was used to encountering at urban American gay bars, and the DJ's musical selections kept well away from pop divas and el
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Minai, Naveen. "All things keep getting better: Queer Eye and the makeover of American masculinity." Journal of Popular Television 9, no. 2 (2021): 215–32. http://dx.doi.org/10.1386/jptv_00051_1.

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Netflix’s Queer Eye (2018‐present) is often criticized for reinforcing neo-liberal American fantasies of transformation of the self that distract from urgent transformations of economic, political and social worlds. Nonetheless, I use paratextual and textual analyses to argue that the verbal and physical intimacies between the Fab Five are rare in American popular culture, and offer us reworked embodiments of American manhood. It is through these intimacies that the Fab Five enable us to think through the following questions. What does it mean to be a man in contemporary American popular cultu
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Mizielińska, Joanna, and Agata Stasińska. "Through the Stomach to the Heart." lambda nordica 24, no. 2-3 (2020): 104–35. http://dx.doi.org/10.34041/ln.v24.582.

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The concept of families of choice was introduced almost three decades ago by Kath Weston (1997). She used it to describe the situation of the LGBTQ community in the era of the HIV/AIDS crisis, when the relations with families of origin had been heavily tested and proved to fail, whereas relations with friends were the primary source of care and support for the sick and dying, as well as their partners. Since then, contemporary non-heterosexual families are understood as their queer descendants and often the term “families of choice” is used synonymously. However, whereas much had been written
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Yue, Audrey. "Queer Asian Australian migration: creative film co-production and diasporic intimacy inThe Home Song Stories." Studies in Australasian Cinema 2, no. 3 (2008): 229–43. http://dx.doi.org/10.1386/sac.2.3.229_1.

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Tankard, Alex. "“There was something very peculiar about Doc…”: Deciphering Queer Intimacy in Representations of Doc Holliday." American Nineteenth Century History 16, no. 1 (2014): 11–33. http://dx.doi.org/10.1080/14664658.2014.971481.

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Steeby, Elizabeth A. "Radical Intimacy Under Jim Crow “Fascism”: The Queer Visions of Angelo Herndon and Carson McCullers." Mississippi Quarterly 67, no. 1 (2014): 127–49. http://dx.doi.org/10.1353/mss.2014.0025.

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Zheng, John. "Cotton's Queer Relations: Same-Sex Intimacy and the Literature of the Southern Plantation, 1936-1968." African American Review 43, no. 4 (2009): 764–65. http://dx.doi.org/10.1353/afa.2009.0088.

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Jerng, Mark. "The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy by David L. Eng." Adoption & Culture 3, no. 1 (2012): 190–94. http://dx.doi.org/10.1353/ado.2012.0000.

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