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Journal articles on the topic 'Queerne'

Author: Grafiati
Published: 11 March 2023

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1

Köppert, Katrin. "Queere Archive des Ephemeren. Raum, Gefühl: Unbestimmtheit." sub\urban. zeitschrift für kritische stadtforschung 3, no. 2 (2015): 67–90. http://dx.doi.org/10.36900/suburban.v3i2.187.

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Der Artikel folgt dem ‚Geschmack‘ dreier Archive in Berlin, San Francisco und New York und stellt einen Beitrag zum archival turn in queer theory zur Verfügung. Ihm zugrunde liegt somit die Frage, wie wir queere Bewegungsgeschichte erinnern wollen – auch um eine Vision queerer Zukunft entwerfen zu können. Er beschäftigt sich mit Raum- und Gefühlspolitiken von queeren Archiven und ‚Archiven von hinten‘. Im Zentrum der Analyse steht das Wechselverhältnis der Bedeutung von Gefühlen für die Konstitution des Raums Archiv und der Relevanz von räumlichen Veränderungen für die Ausprägung von Gefühlen.
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2

Gieseking, Jen Jack. "Mapping lesbian and queer lines of desire: Constellations of queer urban space." Environment and Planning D: Society and Space 38, no. 5 (2020): 941–60. http://dx.doi.org/10.1177/0263775820926513.

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The path to lesbian, gay, bisexual, transgender, and queer (LGBTQ) liberation has been narrated through a claim to long-term, propertied territory in the form of urban neighborhoods and bars. However, lesbians and queers fail to retain these spaces over generations, often due to their lesser political and economic power. What then is the lesbian–queer production of urban space in their own words? Drawing on interviews with and archival research about lesbians and queers who lived in New York City from 1983 to 2008, my participants queered the fixed, property-driven neighborhood models of LGBTQ
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McDonald, James. "Queering methodologies and organizational research: disrupting, critiquing, and exploring." Qualitative Research in Organizations and Management: An International Journal 12, no. 2 (2017): 130–48. http://dx.doi.org/10.1108/qrom-06-2016-1388.

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Purpose The purpose of this paper is to explore the methodological implications of queering organizational research. The author examines three related questions: what does queering organizational research entail?; how have organizational scholars queered research to date?; and how does queering organizational research and methodologies advance our understandings of organizing processes? Design/methodology/approach The paper begins with an overview of queer theory, which is followed by a review of the ways in which organizational research and methodologies have been and can be queered. The pape
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Murray, Sally Ann. "Queerying examples of contemporary South African short fiction." Journal of Commonwealth Literature 55, no. 1 (2018): 77–95. http://dx.doi.org/10.1177/0021989418788909.

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With a view to imagining the forms and foci of something that might be persuaded to manifest as post-2000 “queer South African short fiction”, I queery the possibilities of queerness as category of analysis. Using a necessarily limited, illustrative selection of stories, I discuss aspects of queer in relation to such issues as generic scope, the erotic, futurity, and queerings of the canon. The approach inclines towards queer as a deliberately blurred lens, hoping to enable not precise sightlines but an obliqueness that, in conjunction with the identifier “South African”, brings into view part
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Amin, Kadji. "Taxonomically Queer?" GLQ: A Journal of Lesbian and Gay Studies 29, no. 1 (2023): 91–107. http://dx.doi.org/10.1215/10642684-10144435.

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Can taxonomy—a scientific method critiqued for its utility within Western imperial projects of racial and species classification—be queered? This article mines the tensions between the hostility to taxonomy within critical theory and the taxonomical renaissance within contemporary queer, trans, and asexual vernacular systems of classification. Contemporary queer uses of taxonomy express a shared utopian vision of combinatorial queerness, in which sexual, gender, and relational liberation occur through a multiplying menu of increasingly fine-grained identity options. The article examines the un
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Vachon, Wolfgang, and Mattie Walker. "INTRODUCTION: POSSIBILITIES, FUTURES, AND QUEER WORLD-MAKING IN CHILD AND YOUTH CARE." International Journal of Child, Youth and Family Studies 12, no. 3-4 (2021): 1–22. http://dx.doi.org/10.18357/ijcyfs123-4202120332.

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In this introduction, the authors situate this special issue within the current sociopolitical contexts of child and youth care (CYC) and offer potentialities through “queering CYC”. They consider how CYC might be analyzed through a queered lens, outline ways CYC has, and has not, taken up queer theory, and imagine what a queered CYC might (un)become. The authors provide context for this issue and invite queer generosity in reading how queering can be in conversation with CYC.
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Wolfensberger, Peter, and Patrick Weber. "Ganz normal?!" Psychiatrische Pflege 7, no. 4 (2022): 12–14. http://dx.doi.org/10.1024/2297-6965/a000439.

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Was ist zum Thema bereits bekannt? Gesellschaftliche Veränderungen und entsprechende rechtliche Rahmenbedingungen haben für queere Menschen das Leben in vielen Bereichen verbessert. Trotzdem sind Homo- und Transphobie immer noch verbreitet. Wie wird eine neue Perspektive eingebracht? Sichtbarkeit und persönliche Geschichten, sowie eine reflektierte Auseinandersetzung sind notwendig, um queeren Menschen im Alltag Sicherheit und Wohlbefinden zu ermöglichen. Was sind die Auswirkungen für die Praxis? Gesundheitsfachpersonen haben eine Verantwortung, den Lebenswelten queerer Menschen adäquat zu beg
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Lizárraga, José Ramón, and Arturo Cortez. "Cyborg Jotería Pedagogies: Latinx Drag Queens Leveraging Communication Ecologies in the Age of the Digital and Social Displacement." Association of Mexican American Educators Journal 14, no. 2 (2020): 44–66. http://dx.doi.org/10.24974/amae.14.2.358.

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Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizárraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that
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9

Fixemer, Tom, and Verena Hucke. "Queere Geflüchtete und die Diskursivierung des ‚Anderen‘ in Debatten um Sexarbeit, ‚Willkommenskultur‘ und Schutz." GENDER – Zeitschrift für Geschlecht, Kultur und Gesellschaft 14, no. 1 (2022): 41–54. http://dx.doi.org/10.3224/gender.v14i1.04.

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Unter Bezugnahme theoretischer Perspektiven zu postkolonialem Othering und diskursiven Grenzziehungen fragt dieser Beitrag nach den Un_Sichtbarmachungen und Ver-Anderungen von queeren Geflüchteten in Debatten um Sexarbeit, ‚Willkommenskultur‘ und Schutz. Anhand dieser drei Debatten werden diskursive Grenzziehungen entlang der Analysekategorie Un_Sichtbarmachungen unter besonderer Berücksichtigung der Verschränkung von Queerness und Migration/Flucht herausgearbeitet. Deutlich wird, inwiefern queere Geflüchtete im Kontext von Sexarbeit (strategisch) unsichtbar gemacht und auf eine vulnerable Pos
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Scherer, Bee. "Buddhismus, queer-gedacht." Paragrana 31, no. 1 (2022): 229–48. http://dx.doi.org/10.1515/para-2022-0016.

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Abstract Dieser Beitrag untersucht die Schnittstelle zwischen queeren Subjektivitäten und psychischer Gesundheit und Suizidalität; der angeblich positive Einfluss von Religiosität auf psychische Gesundheit und buddhistische Antworten und Wege zu Befreiungspraktiken werden diskutiert. Ausgehend vom Freitod des 26-jährigen schwulen Burmesen Kyaw Zin Win wird untersucht, wie Buddhistische Traditionen konzeptionell und sozial-systemisch zu queerem Leiden und Suizidalität beigetragen haben. Durch kritische Hermeneutik werden Möglichkeiten für engagierte buddhistische inklusive Praktiken für soziale
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Fox, Albertine. "Sensory experience, sound and queerness in Chantal Akerman’s Maniac Shadows (2013)." Moving Image Review & Art Journal (MIRAJ) 8, no. 1 (2019): 68–81. http://dx.doi.org/10.1386/miraj_00006_1.

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This article offers the first scholarly study of Chantal Akerman’s installation Maniac Shadows (2013). It argues that the deviating sensory strategies at work in this installation form part of a process of ‘queering’ that allows for the expression of queer forms of embodiment and pleasure. These queer tactics include sonic excess and spatial disintegration, skewed framing, haptic auditory perception and an emphasis on indeterminacy and ambiguity, primarily through the figure of the shadow. Drawing on Sara Ahmed’s phenomenological approach to queerness, the article explores the sensuous queer e
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Horton, Brian A. "What’s so ‘queer’ about coming out? Silent queers and theorizing kinship agonistically in Mumbai." Sexualities 21, no. 7 (2017): 1059–74. http://dx.doi.org/10.1177/1363460717718506.

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What kinds of creative potential exist in silence – in not coming out? This ethnographic study takes the strategic silences that queer persons in Mumbai deploy regarding ‘coming out’ as productive for theorizing the connections between kinship and queerness. While some strands of queer critique conceptualize the relationship between kinship and queerness antagonistically, the author deploys the concept of agonistic intimacy outlined in Singh’s Poverty and the Quest for Life (2015) to consider how queers might inhabit heterosexual kinship networks through the interplay of contestation and submi
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Farsakh, Leila, Rhoda Kanaaneh, and Sherene Seikaly. "Special Issue: Queering Palestine." Journal of Palestine Studies 47, no. 3 (2018): 7–12. http://dx.doi.org/10.1525/jps.2018.47.3.7.

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In this introduction to “Queering Palestine,” the curators of this special issue of the Journal of Palestine Studies explore what queer theory and activism can teach us about the Palestinian condition, and vice versa. They contextualize the arguments made by the contributors for the relevance of queer politics to the question of Palestine, which encompass queer theory and dissent, sexuality politics and the nation-state, and queerness as decolonial practice.
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Haritaworn, Jin. "Shifting Positionalities: Empirical Reflections on a Queer/Trans of Colour Methodology." Sociological Research Online 13, no. 1 (2008): 162–73. http://dx.doi.org/10.5153/sro.1631.

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How can we study ‘Queer’, or indeed, should we? Drawing on fieldwork with people raised in interracial families in Britain and Germany, and reflecting on my own coming out as transgendered/genderqueer during the research, I reflect on the role of difference, similarity, and change in the production of queer knowledges. My entry point is a queer diasporic one. Queers of colour, I argue, have a particular stake in queering racialised heterosexualities; yet differences within diasporic spaces clearly matter. While ‘Queer’ can open up an alternative methodology of redefining and reframing social d
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Klapeer, Christine M. "Transnationale queere Solidarität als „burden of the fittest“? Zur Problematik einer Einpassung von LGBTIQ*-Rechten in die Logik von Entwicklungszusammenarbeit." FEMINA POLITICA - Zeitschrift für feministische Politikwissenschaft 28, no. 2-2019 (2019): 67–81. http://dx.doi.org/10.3224/feminapolitica.v28i2.06.

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Auf der Basis einer produktiven Zusammenführung von Erkenntnissen aus dem Bereich der postkolonialen und ‚radikalen‘ Entwicklungsforschung und queeren Auseinandersetzungen mit homonationalistischen Implikationen globaler LGBTIQ*-Politiken diskutiert dieser Beitrag das Spannungsverhältnis zwischen Entwicklungszusammenarbeit und transnationaler queerer Solidarität. Es wird gezeigt, inwiefern Solidarität vor dem Hintergrund einer problematischen Aktualisierung modernisierungstheoretischer und developmentalistischer Annahmen im Zuge LGBTIQ*-inklusiver bzw. SOGI-sensibler Entwicklungsagenden vor al
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Harris, Anne, and Stacy Holman Jones. "Feeling Fear, Feeling Queer: The Peril and Potential of Queer Terror." Qualitative Inquiry 23, no. 7 (2017): 561–68. http://dx.doi.org/10.1177/1077800417718304.

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This essay considers what we are calling queer terror, an affective condition not limited to LGBT (lesbian, gay, bisexual, and transgender) or other minoritarian subjects, and its relationship to fear, hate, and factionalism (or isolationism). That is, queer terror is both terror against queer subjects and a queering of terror culture itself. We ask whether, through the act and its viral media representations, queer terror creates minoritarian public sphere that can be shared by queer people of color (QPOC) and allies alike. This affectively queer allyship begins with a racially and queerly at
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17

De Jesus Pereira Lopes, Rogério. "Queer inclusive planning. Raumansprüche und queeres Selbstverständnis in einer heteronormativen Gesellschaft." sub\urban. zeitschrift für kritische stadtforschung 5, no. 1/2 (2017): 243–56. http://dx.doi.org/10.36900/suburban.v5i1/2.270.

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Ausgehend von Michael Frischs Annahme, dass Stadtplanung ein heterosexistisches Projekt sei, beschäftigt sich der vorliegende Text mit den Raumansprüchen und Bedürfnissen queerer Bürger*innen. Es wird argumentiert, dass die Stadtplanung infolge einer Orientierung an heteronormativen Annahmen einen exkludierenden Charakter gegenüber all denjenigen Personen aufweist, die sich außerhalb der Norm befinden. So wird davon ausgegangen, dass Queers gesonderte Raumansprüche besitzen, denen im Rahmen eines queer inclusive planning Ansatzes Beachtung geschenkt werden sollte. Auf Grundlage dieser Erkenntn
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18

Rumens, Nick, Eloisio Moulin de Souza, and Jo Brewis. "Queering Queer Theory in Management and Organization Studies: Notes toward queering heterosexuality." Organization Studies 40, no. 4 (2018): 593–612. http://dx.doi.org/10.1177/0170840617748904.

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This article suggests new possibilities for queer theory in management and organization studies. Management and organization studies has tended to use queer theory as a conceptual resource for studying the workplace experience of ‘minorities’ such as gay men, lesbians and those identifying as bisexual or transgender, often focusing on how heteronormativity shapes the discursive constitution of sexualities and genders coded as such. This deployment is crucial and apposite but it can limit the analytical reach of queer theory, neglecting other objects of analysis like heterosexuality. Potentiall
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Ibrahim, Ahmed. "In and/or/plus Out: Queering the Closet." Kohl: A Journal for Body and Gender Research 6, Winter (2020): 290–306. http://dx.doi.org/10.36583/2020060307.

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By enacting a reflexive return to our initial encounters with the ambiguous and multivalenced potential offered by queerness, I locate and piece together the traces of an always already lost/forcibly disappeared network that is constantly unfolding nonetheless. Taken together, these individual/ized encounters form structures of queer knowing, moving, and feeling that counter this individualization, which I argue is an integral part of the repertoire of techniques designed to foreclose the potential of a queer collective. It is with this in mind that I posit what I call authoritarian heterosexu
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Prusko, Rachel. "Queering the Reader in Peter and Wendy." Jeunesse: Young People, Texts, Cultures 4, no. 2 (2012): 107–26. http://dx.doi.org/10.3138/jeunesse.4.2.107.

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Recently, queer theory has shown much interest in the figure of the child, with some critics seeking a queer understanding of childhood and others refuting the possibility of this enterprise. Few of these critics, though, have considered the queer possibilities of children’s literature, preferring instead to analyze child characters in the works of authors who do not write for children. Assuming both that "child" is indeed a queerable category and that books for children are worth analyzing through a queer lens, this essay offers a reading of J. M. Barrie’s Peter and Wendy, arguing that narrat
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Böhlke, Nicola, and Johannes Müller. "„Man muss sich nicht verstecken oder erklären. Es ist einfach unkompliziert“ – Sporterfahrungen und Motivlagen von Mitgliedern eines queeren (LGBTI*) Sportvereins." Sport und Gesellschaft 17, no. 2 (2020): 121–51. http://dx.doi.org/10.1515/sug-2020-0009.

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ZusammenfassungParallel zu einer noch immer weitestgehenden Tabuisierung von Homosexualität und normabweichendem Geschlecht im Leistungssport haben sich im Bereich des Breitensports in der Vergangenheit zahlreiche queere Sportvereine gegründet, die insbesondere homo-, bisexuelle, Trans*- und Inter-*, Non-Binary- bzw. queere Personen zur Zielgruppe haben. Der vorliegende Beitrag basiert auf einer qualitativ angelegten Interviewstudie, in der Mitglieder eines queeren (LGBTI*) Sportvereins zu ihren Sporterfahrungen und Motiven der Partizipation befragt wurden. Die Befunde zeigen, dass nicht nur a
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Klein Martins, David. "“We All Go a Little Mad Sometimes. Haven’t You?”: Psycho and the Postmodern Rise of Gender Queerness." aspeers: emerging voices in american studies 10 (2017): 39–53. http://dx.doi.org/10.54465/aspeers.10-05.

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Film historians consider Alfred Hitchcock’s Psycho (1960) a pivotal point in the rupture from classic forms of horror film and the introduction of a shift in sensibilities. Simultaneously, Psycho represents a landmark achievement in terms of queer depictions on screen. The means of generating shock value first presented in this film was a new, visible queerness embodied in the character of Norman Bates (Anthony Perkins). This article argues that apart from Bates’s queer performativity, to a certain degree, every character in Psycho’s cosmos is queered due to a postmodern, all-pervasive deconst
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Hereth, Blake. "Queer Advice to Christian Philosophers." European Journal for Philosophy of Religion 14, no. 1 (2022): 49–75. http://dx.doi.org/10.24204/ejpr.2022.3291.

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Philosophy of religion is dominated by Christianity and by Christians. This, in conjunction with the historically anti-LGBTQIA bent of Christian thinking, has resulted in the exclusion of less dominant and often marginalized perspectives, including queer ones. This essay charts a normative direction for Christian philosophers and for philosophy of religion, a subfield they dominate. First, given some of the unique ways Christian philosophy and philosophers have unjustly harmed queers, Christian philosophers as a group have a responsibility to communities their group has oppressed to prioritize
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Mallette, Wendy. "The Possibilities and Limits of Queer Strategies of Denaturalizing and Resignifying Gendered Symbolics." Feminist Theology 26, no. 3 (2018): 267–85. http://dx.doi.org/10.1177/0966735018759462.

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In this article, I take up Marcella Althaus-Reid’s queer strategy that pairs disaffiliation with intimate identification in order to draw out the possibilities and limits of queer strategies of resignification and denaturalization. I will use David M. Halperin’s work on gay femininity, abjection, and camp as the primary site to investigate these queer strategies. This article’s considerations have implications for recent directions taken in contemporary queer theology by challenging projects that presume a certain limitless capacity for queering or that seek to appropriate almost anything – ma
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Bao, Hongwei. "Curating queerness and queering curation: Exhibiting queer Chinese art in Europe." Journal of Contemporary Chinese Art 9, no. 3 (2022): 313–32. http://dx.doi.org/10.1386/jcca_00069_1.

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This article examines the curatorial strategies of the Secret Love exhibition, the biggest queer Chinese art exhibition outside Asia to date. The exhibition brought together 150 works created by 27 queer Chinese artists. It first took place at the Museum of Far Eastern Antiquities (MFEA) in Stockholm, Sweden, from 21 September 2012 to 31 March 2013, and subsequently toured to other museums in Europe. The exhibition raises the critical question of how one can curate queer Chinese art when definitions of queerness, Chineseness and art remain unstable and contested. This article proposes queer cu
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Nirta, Caterina. "Actualized Utopias: The Here and Now of Transgender." Politics & Gender 13, no. 02 (2016): 181–208. http://dx.doi.org/10.1017/s1743923x1600043x.

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“There's no need to fear or hope, but only to look for new weapons” (Deleuze 1992, 4)José Esteban Muñoz opens his bookCruising Utopia: The Then and There of Queer Futurityby stating that “queerness is not here yet. Queerness is an ideality … an ideality that can be distilled from the past and used to imagine a future.” Queerness, continues Muñoz, “is a longing that propels us onward … Queerness is essentially about the rejection of the here and now” (2009, 1). He identifies queer utopias with an idea of futurity as an attempt to think of something else that goes beyond the “here and now,” an a
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Kreitler, Melanie, and Laura Borchert. "Representing, repressing and pushing back: Queer and trans (in)visibilities in media, law and culture." Queer Studies in Media & Popular Culture 7, no. 3 (2022): 147–64. http://dx.doi.org/10.1386/qsmpc_00076_1.

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The increasing focus on non-normative gender identities and sexual orientations in cultural discourses creates a paradox for LGBTQIAP* communities. On the one hand, increased visibility paves the way for greater tolerance in the general public; on the other hand, it may also suggest the logical fallacy that on-screen representations mirror off-screen realities. This article argues that the hyper-visibility of queerness in media maintains and legitimizes existing, cis-heteronormative sociocultural orders that are reflected in legal developments. Further, the (popular) cultural discourse about q
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McCarthy, Daniel. "Queering Abuelita." Departures in Critical Qualitative Research 11, no. 4 (2022): 27–41. http://dx.doi.org/10.1525/dcqr.2022.11.4.27.

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This essay considers an alternative form of reconciliation with my abuelita who passed away unexpectedly from a stroke in 2021. Beginning with her career as a professional singer refuting gender roles in Spain, I consider the trajectory of her life that led to her adulthood as a conservative Jehovah’s Witness. Through speculative memory work and queer futurity, this essay queers abuelita in a way that reimagines her life as a musician, performer, and grandmother. I offer this as an example of how queer individuals negotiate and address the contradictions of reconciliation and queerness on thei
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Rojas, Carlos. "The New Imitation Game." Screen Bodies 5, no. 2 (2020): 81–95. http://dx.doi.org/10.3167/screen.2020.050208.

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Taking as its starting point the “original” variant of Alan Turing’s famous “imitation game” (in which a test subject attempts to differentiate, based purely on textual output, between a man and a woman), this article considers the ways in which gender and sexuality are simulated in the contemporary genre of virtual romance or dating video games. The article focuses on three Sinitic games, each of which strategically queers this predominantly heteronormative genre. In queering desire, moreover, these Sinitic games simultaneously suggest ways in which Chinese society itself may also be strategi
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Savcı, Evren. "Turkey’s queer times: epistemic challenges." New Perspectives on Turkey 64 (March 9, 2021): 131–50. http://dx.doi.org/10.1017/npt.2021.5.

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AbstractThis article suggests that Turkey’s queer times are co-constitutive with Jasbir Puar’s queer times of homonationalism. If the queer times of homonationalism correspond to a folding of some queers into life and respectability at the cost of rising Islamophobia in the “West,” Turkey’s queer times witnessed the increasing marginalization and “queering” of variously respectable subjects in the name of Islam and strong LGBT organizing against such marginalization. It discusses the epistemic challenges of studying Turkey’s queer times that stem from a theoretical suspicion that “queer” opera
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Miller, Jennifer. "For the Little Queers: Imagining Queerness in “New” Queer Children’s Literature." Journal of Homosexuality 66, no. 12 (2018): 1645–70. http://dx.doi.org/10.1080/00918369.2018.1514204.

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See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes." PMLA/Publications of the Modern Language Association of America 124, no. 3 (2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.

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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were prop
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Thomson, Sheona. "It's Moments Like These You Need ‘Mint’: A Mapping of Spatialised Sexuality in Brisbane." Queensland Review 14, no. 2 (2007): 93–104. http://dx.doi.org/10.1017/s1321816600006668.

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This paper produces the first mapping of ostensibly ‘lesbian’ spaces in Brisbane, focusing on lesbian bars and/or clubs. While cultural geographers have long noted the increased presence of ‘queerness’ within urban built environments, including how articulations of queerness within the built environment impact on the usage of those spaces both by queers and non-queers, few have applied this work to Queensland's capital. This paper addresses the gap. To do so, I begin contextually by ‘overviewing’ how queer space has tended to be ‘mapped’ in existing scholarship. I then consider how lesbian spa
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Parker, Martin. "Queering Queer." Gender, Work & Organization 23, no. 1 (2015): 71–73. http://dx.doi.org/10.1111/gwao.12106.

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Trott, Ben. "„Etwas Begehrenswertes“." PROKLA. Zeitschrift für kritische Sozialwissenschaft 49, no. 197 (2019): 569–84. http://dx.doi.org/10.32387/prokla.v49i197.1846.

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Der vorliegende Beitrag fragt, wie queere Lebensweisen heute entstehen und sich reproduzieren. Es wird argumentiert, dass viele, die ein queeres Leben in begehrenswerterweise leben wollen, schon lange einem der zentralen Orte der sozialen Reproduktion entkommen müssen, der Familie. Damit verbunden ist die Notwendigkeit, alternative Sorge- und Unterstützungsnetze aufzubauen, was oft nur durch (gegenkulturelle und andere) Räume außerhalb des häuslichen Bereichs ermöglicht wird. Weiter argumentiere ich, dass diese Tatsachen vielleicht überraschend oft in kulturellen (Mainstream-)Darstellungen von
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IM, YEEYON. "Queering Romeo and Juliet in South Korea: Homonormativity as Gay Utopian Fantasy." Theatre Research International 47, no. 3 (2022): 222–37. http://dx.doi.org/10.1017/s0307883322000219.

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This article examines two recent queer adaptations of Romeo and Juliet in Seoul, attending to their opposite receptions in relation to the gap between queer theory and gay reality. It focuses on LAS's Juliet and Juliet, hailed as ‘female queer theatre’ despite being conservative gay, while discussing briefly in comparison Yohangza's Romeo and Juliet, decried as ‘anti-queer’ for all its queerness. Although the dream of a happy married life in Juliet and Juliet appears similar to the much-critiqued homonormativity, I defend it as a ‘gay utopian fantasy’ rooted in the predicament of Korean queers
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Otto, Dianne. "Queerly Troubling International Law's Vision of “Peace”." AJIL Unbound 116 (2022): 22–26. http://dx.doi.org/10.1017/aju.2021.71.

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Queering international law involves dreaming. It requires stepping outside the framing presumptions of “normal” law to reveal and challenge the heteronormative underpinnings of the hierarchies of power and value that the law sustains. Reclaiming the nomenclature of queer from its history as a term of insult and dehumanization, queer theory interrogates the normative framework that naturalizes and privileges heterosexuality and its binary regime of gender. In its reclamation, “queer” gestures toward affirmative assemblages of new meanings and emancipatory imaginaries. In international law, quee
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Fanshel, Rosalie Zdzienicka. "Beyond blood brothers: queer Bruce Springsteen." Popular Music 32, no. 3 (2013): 359–83. http://dx.doi.org/10.1017/s0261143013000275.

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AbstractBruce Springsteen's body of work contains a striking number of songs with homoerotic or queerly suggestive content. Moreover, his live performances often push the limits of the homosocial, ‘queering’ onstage relationships through everything from lingering kisses with the late saxophonist Clarence Clemons to intimate microphone sharing with guitarist and real-life best friend Stevie Van Zandt. In this paper I trace Bruce Springsteen's consistent performative engagement with queer desire over the course of his 40-year career through a close reading of both lyrics and performance (includi
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Ncube, Gibson. "Film as /and Popular Social Text: The Reception of John Trengove’s Inxeba/The Wound and Wanuri Kahui’s Rafiki." English in Africa 47, no. 3 (2021): 55–79. http://dx.doi.org/10.4314/eia.v47i3.4s.

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This article is interested in popular and institutional or state responses to the representations of queerness offered in the films Inxeba/The Wound (South Africa, 2017) and Rafiki (Kenya, 2018). Aside from portraying the marked homophobia that continues to circulate on the African continent, the institutional and state responses to the films have overshadowed the positive popular reception which has characterised conversations around the films on social media and public spaces. This article shows how social media functions as animportant space of contestation for diverse issues relating to no
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Heinrich, Ari, Howard Chiang, and Ta-wei Chi. "Introduction." Screen Bodies 5, no. 2 (2020): 38–45. http://dx.doi.org/10.3167/screen.2020.050204.

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This special issue on “Queer Sinofuturisms” aims to explore how artists and writers working across various media in Sinophone contexts use science to envision — and indeed to fabulate — non-normative gender and erotic expressions in relation to the corporeal future of humanity. By investigating visions of the future that incorporate queerness and creative applications of computer and biotechnology, “Queer Sinofuturisms” aims to counter pervasive techno-Orientalist discourses, such as those discourses in the Blade Runner movies (Ridley Scott, 1982; and Denis Villeneuve, 2017) that frame “Asian”
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Boisvert, Donald L. "Queering Religion, Religious Queers." Journal of Contemporary Religion 31, no. 1 (2015): 138–39. http://dx.doi.org/10.1080/13537903.2016.1109887.

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Hoel, Nina. "Queering religion, religious queers." Theology & Sexuality 22, no. 1-2 (2016): 124–26. http://dx.doi.org/10.1080/13558358.2017.1296697.

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Purnell, David F., Christina L. Ivey, and Andy Sturt. "Queering Queer Conversations." Journal of Autoethnography 2, no. 3 (2021): 293–305. http://dx.doi.org/10.1525/joae.2021.2.3.293.

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One of the strengths of autoethnography is the connections that can be made through the telling of story. This article is an compilation of the connections made during presentations at the International Symposium on Autoethnography and Narrative Inquiry. Despite age differences, situations, and ways of being in and of the world, there were overlaps in the experiences of the authors. Three individual conference papers are merged to begin a conversation of queering queer narratives through an exploration of embodiment, relationality, and self-presentation without resorting to an established, and
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Goldflam, Annie. "Queerer than Queer." Journal of Homosexuality 36, no. 3-4 (1999): 135–42. http://dx.doi.org/10.1300/j082v36n03_08.

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Al-Qasimi, Noor. "Queerer Than Queer." GLQ: A Journal of Lesbian and Gay Studies 26, no. 1 (2020): 63–101. http://dx.doi.org/10.1215/10642684-7929111.

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This essay delineates the contours of the United Arab Emirates’s biopolitical national project through the lens of queerness as a site of productive failure, rupture, and danger—one with the potential to disrupt the heteronormative notions of lineage and futurity upon which this project relies. This article focuses on the Emirati “post-oil” generation: one that has borne witness to a landscape of excess, expatriate population growth, and values that possibly conflict with those of indigenous groups, directly tied to major regional oil booms. Drawing on rentier theory and political economy, thi
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Thürler, Djalma. "And tell sad stories of the death of queens: o camp e a metáfora da vida como teatro." Revista Brasileira de Literatura Comparada 23, no. 44 (2021): 177–91. http://dx.doi.org/10.1590/2596-304x20212344dt.

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RESUMO Este artigo se debruça sobre o texto de teatro And Tell Sad Stories of the Deaths of Queens, de Tennessee Williams, e procura demonstrar a consciência do autor sobre o camp e intenta discutir a tradução da expressão queen e suas implicações no casting da personagem Candy na cena contemporânea. Este ensaio baseia-se em perspectivas críticas queer e em saberes de desaprendizagem para enfatizar as formas como Williams encena a homossexualidade como um elemento estético da peça.
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Mesner, Kerri. "Outing autoethnography: an exploration of relational ethics in queer autoethnographic research." Qualitative Research Journal 16, no. 3 (2016): 225–37. http://dx.doi.org/10.1108/qrj-07-2015-0049.

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Purpose – The purpose of this paper is to open up a deeper, more complex discussion about ethical issues in queer autoethnography, by moving beyond either an outline of seminal autoethnographic thinkers, instigators, and writers, or a simple rearticulation of the key issues currently under discussion within the field of autoethnographic ethics. Design/methodology/approach – The author’s intention is to queer autoethnographic ethics – that is, to employ queering as a verb, and to queerly examine autoethnographic scholars through the problematizing lenses of unexamined privilege, and of potentia
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Von Seth, Oscar. "Pojken med koskällan och tjuren på Nybacken." Tidskrift för litteraturvetenskap 49, no. 4 (2019): 88–97. http://dx.doi.org/10.54797/tfl.v49i4.6574.

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The Boy with the Cowbell & The Bull of Nybacken: A Queer Reading of Vilhelm Moberg’s The Emigrants Novels
 This article presents a queer reading of Vilhelm Moberg’s The Emigrants novel series (1949–1959), in which norm-breaking aspects of the text are accentuated. The series consists of some of the most read and beloved Swedish novels of all time, and tells the story of a group of farmers emigrating to North America in the mid-nineteenth century. Up until now The Emigrants novels have not been read using a queer perspective. The focus of this reading is the close relationship between
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Powell, Elliott H. "Getting Freaky with Missy." Journal of Popular Music Studies 33, no. 3 (2021): 145–67. http://dx.doi.org/10.1525/jpms.2021.33.3.145.

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This article analyzes the music of Black female rapper Missy Elliott in order to consider performative challenges to the politics of visibility and visuality of Black queerness in hip hop. While mainstream media lauds the recent increase in and representation of out Black LGBTQ rappers, scholars such as C. Riley Snorton caution such praise for the unique ways visibility and surveillance are entangled formations that render Black queer communities vulnerable to violence. This article draws on Elliott’s songs “Get Ur Freak on” and “Pussycat” to present alternative ways of navigating the violence
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Chidiac, Maria Teresa Vargas, and Leandro Castro Oltramari. "Ser e estar drag queen: um estudo sobre a configuração da identidade queer." Estudos de Psicologia (Natal) 9, no. 3 (2004): 471–78. http://dx.doi.org/10.1590/s1413-294x2004000300009.

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O principal objetivo deste estudo foi identificar o processo de formação da identidade queer das drag queens do circuito Balneário Camboriú e Florianópolis. Para atingir este propósito, foi investigado como se processa a relação de identificação das drag queens com o gênero feminino e masculino. Abordou-se também de que modo configura-se a relação entre o sujeito e a personagem drag queen, descrevendo a sua visão sobre a própria sexualidade. Estes dados foram obtidos através de pesquisa exploratória com três sujeitos através de entrevistas, sendo o roteiro semidirigido, além de terem sido real
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