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Books on the topic 'Quentin Tarantino'

Author: Grafiati

Published: 4 June 2021

Last updated: 24 February 2023

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1

Quentin Tarantino. Harlow, England: Pearson Longman, 2006.

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2

Laffey, Erinna. Quentin Tarantino. London: British Film Institute Library and Information Services, 1996.

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3

Peter, Körte, and Seesslen Georg, eds. Quentin Tarantino. 4th ed. Berlin: Bertz + Fischer, 2004.

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4

Fischer, Robert. Quentin Tarantino. 3rd ed. Berlin: Bertz, 2000.

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5

Tarantino, Quentin. Quentin Tarantino: Interviews. Jackson: University Press of Mississippi, 1998.

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6

Brancati, Simona. Kill Tarantino: Quentin Tarantino : istruzioni per l'uso. Roma: P. Tangerine, 2004.

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7

Quentin Tarantino: Pulp fiction. Torino: Lindau, 2008.

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8

Quentin Tarantino--: --fils de pulp. Paris: Fleuve noir, 1998.

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9

Terribili, Daniela. Quentin Tarantino: Il cinema "degenere". Roma: Bulzoni, 1999.

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10

Pagello, Federico. Quentin Tarantino and Film Theory. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43819-7.

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11

Quintessential Tarantino. London: Marion Boyars Publishers, 2005.

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12

Barlow, Aaron. Quentin Tarantino: Life at the extremes. Santa Barbara, Calif: Praeger, 2010.

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13

Quentin Tarantino: Life at the extremes. Santa Barbara, Calif: Praeger, 2010.

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14

Clarkson, Wensley. Quentin Tarantino: Shooting from the hip. Woodstock, N.Y: Overlook Press, 1995.

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15

Barlow, Aaron. Quentin Tarantino: Life at the extremes. Santa Barbara, Calif: Praeger, 2010.

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16

Tarantino, Quentin. Pulp fiction: A Quentin Tarantino screenplay. New York: Miramax Books/Hyperion, 1994.

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17

Quentin Tarantino: Shooting from the hip. London: Piatkus, 1995.

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18

Quentin Tarantino: The cinema of cool. New York: Applause, 1995.

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19

Quentin Tarantino: The man and his movies. London: HarperCollins, 1995.

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20

Bernard, Jami. Quentin Tarantino: The man and his movies. New York: HarperPerennial, 1995.

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21

Quentin Tarantino: The man and his movies. New York, NY: Harper Collins Publ., 1995.

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22

Bouzereau, Laurent. Ultraviolent movies: From Sam Peckinpah to Quentin Tarantino. New York: Citadel, 2000.

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23

Woods, Paul. King Pulp: The wild world of Quentin Tarantino. London: Plexus, 1995.

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24

Bouzereau, Laurent. Ultraviolent movies: From Sam Peckinpah to Quentin Tarantino. Secaucus, N.J: Carol Pub. Group, 1998.

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25

Bouzereau, Laurent. Ultraviolent movies: From Sam Peckinpah to Quentin Tarantino. Secaucus, N.J: Carol Pub. Group, 1996.

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26

How to analyze the films of Quentin Tarantino. Edina, MN: ABDO Pub. Company, 2010.

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27

Morresi, Ruggero, and Angela Bianchi. Altre retoriche: Da Baltasar Gracián a Quentin Tarantino. Roma: Il calamo, 2005.

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28

Der rote Faden aus Blut: Erzählstrukturen bei Quentin Tarantino. Marburg: Schüren, 1997.

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29

Quentin Tarantino gegen die Nazis: Alles über Inglourious basterds. Berlin: Bertz + Fischer, 2011.

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30

Quentin Tarantino: The man, the myths and the movies. London: John Blake, 2007.

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31

Roche, David. Quentin Tarantino. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819161.001.0001.

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Abstract:

An in-depth study of all Tarantino’s feature films to date (from Reservoir Dogs to The Hateful Eight), Quentin Tarantino: A Poetics and Politics of Cinematic Metafiction argues that, far from wallowing in narcissism and solipsism, a charge directed not only at Tarantino but at metafiction in general, these self-conscious fictions do more than just reflexively foreground their status as artefacts; they offer metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical and political potential of creation as re-recreation and resignification. By combining cultural studies and neo-formalist approaches, this book seeks to highlight how intimately the films’ poetics and politics are intertwined. Each chapter explores a specific salient feature, some of which have drawn much academic attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality). Ultimately, Quentin Tarantino: Poetics and Politics of Cinematic Metafiction places Tarantino’s films firmly in the legacy of Hawks, Godard, Leone and the New Hollywood, and revises the image of cool purveyor of pop culture the American director cultivated at the beginning of his career by foregrounding the breadth and layeredness of the films’ engagement with cultural history, high and low, screen and print, American, East Asian and European. The films produced by the Tarantino team are formal invitations for viewers to similarly engage with, and reflect on, the material, and delight in doing so.

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32

Vito, Zagarrio, ed. Quentin Tarantino. Venezia: Marsilio, 2009.

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33

Clarkson, Wensley. Quentin Tarantino. Piatkus Books, 1995.

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34

Gallafent, Edward. Quentin Tarantino. Taylor & Francis Group, 2014.

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35

Gallafent, Edward. Quentin Tarantino. Routledge, 2014. http://dx.doi.org/10.4324/9781315837284.

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36

Gallafent, Edward. Quentin Tarantino. Taylor & Francis Group, 2016.

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37

Peary, Gerald. Quentin Tarantino. Agora Kitapligi, 2011.

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38

Nathan, Ian. Quentin Tarantino. Quarto Publishing Group UK, 2018.

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39

Peary, Gerald. Quentin Tarantino: Interviews. Roundhouse Group, 1998.

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40

Conversations on Quentin Tarantino. BearManor Media, 2016.

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41

Clarkson, Wensley. Quentin Tarantino a Bocajarro. Ediciones B, 1996.

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42

Corral, Juan M. Quentin Tarantino: Glorioso Bastardo. Tebeos Dolmen Editorial, S.L., 2013.

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43

Rausch, Andrew J. Conversations on Quentin Tarantino. BearManor Media, 2016.

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44

Gallafent, Edward. On Directors: Quentin Tarantino. Taylor & Francis Group, 2014.

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45

Frazier, B. J. I Blame Quentin Tarantino. BJ FRAZIER PUBLICATIONS LLC, 2020.

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46

Herbert, Julián. Tráiganme la Cabeza de Quentin Tarantino / Bring Me Quentin Tarantino's Head. Penguin Random House Grupo Editorial, 2018.

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47

Dargis, Manohla. Quentin Tarantino on Pulp Fiction. 1994.

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48

Quentin Tarantino: excesos y cinefilia. Cult Movies, 2005.

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49

The Pocket Essential Quentin Tarantino. Chichester: Pocket Essentials, 2006.

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50

Tarantino A to Zed: The Films of Quentin Tarantino. 2nd ed. B.T. Batsford, 2000.

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