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Journal articles on the topic 'Quileute Indians in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Carpenter, Kristen A., Sonia K. Katyal, and Angela R. Riley. "Clarifying Cultural Property." International Journal of Cultural Property 17, no. 3 (2010): 581–98. http://dx.doi.org/10.1017/s0940739110000317.

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Author Stephenie Meyer forever altered the cultural existence of Quileute Indians when she wrote them into her Twilight novels. Now a veritable global phenomenon complete with books, movies, and affiliated merchandise, the Twilight series depicts young, male members of the tribe as vampire-fighting werewolves who ferociously defend a peace and territorial treaty made with local bloodsuckers. In reality, the Quileute Tribe consists of approximately 700 Indians, many of whom live on a remote reservation in the pacific Northwest, a tiny parcel of the once vast Quileute territory. Since Twilight's

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2

Fay, Julie. "Hannah and Her Sister: The Facts of Fiction." Prospects 23 (October 1998): 1–21. http://dx.doi.org/10.1017/s0361233300006244.

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When I was growing up in Southern Connecticut, my mother referred occasionally to an ancestor of ours who had killed some Indians. In 1970, I went away to college and Mom came up to Massachusetts for Parents' Weekend. Just across the river from my campus in Bradford stood a statue in the center of Haverhill's town green. My mother pointed it out to me (my sister had gone to the same school, so Mom knew her way around the area). I'd been passing this tribute to our ancestor – supposedly the first statue of a woman ever erected in this country – every time I went to town to pick up subs or hang

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3

Salvatore, Ricardo D. "From Fiction to History: The 1836 Execution of Indians." Quinto Sol 18, no. 2 (2014): 1–31. http://dx.doi.org/10.19137/qs.v18i2.935.

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4

Jones, Raymond E. "The Plains Truth: Indians and Metis in Recent Fiction." Children's Literature Association Quarterly 12, no. 1 (1987): 36–39. http://dx.doi.org/10.1353/chq.0.0460.

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5

Ibarrola-Armendariz, Aitor. "Urban indians in the short fiction of Sherman Alexie." Revista de Estudios Norteamericanos, no. 23 (2019): 209–30. http://dx.doi.org/10.12795/ren.2019.i23.10.

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6

Shah, Pratima. "Jhumpa Lahiri’s World of Fiction." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 11. http://dx.doi.org/10.24113/ijellh.v8i2.10418.

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Jhumpa Lahiri is one of the most dynamic and enthusiastic writers among her contemporaries, She is definitely blessed with rare kind of art which she has achieved by virtue of her incessant labour and courage. Although she was born and brought up in the foreign countries, her attachment with India and the Indians became indispensable, which can easily be noticed all through her work. Lahiri subsequently developed her own technicalities, which she deployed in her fictional works. She is heartily associated with Indian culture and traditions, and this is the real cause for her huge popularity an

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7

Abbas, Abbas. "The Racist Fact against American-Indians in Steinbeck’s The Pearl." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 3 (2020): 376–92. http://dx.doi.org/10.34050/elsjish.v3i3.11347.

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the social conditions of Indians as Native Americans for the treatment of white people who are immigrants from Europe in America. This research explores aspects of the reality of Indian relations with European immigrants in America that have an impact on discriminatory actions against Indians in John Steinbeck's novel The Pearl. Social facts are traced through fiction as part of the genetics of literary works. The research method used is genetic structuralism, a literary research method that traces the origin of the author's imagination in his fiction. The imagination is considered a social re

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8

Ananda, Mohan Kar. "Representation of the Chinese Indians in three Bengali Detective Fiction." Society Today : An Interdisciplinary Journal of Social Sciences 3, no. 2 (2014): 6–13. https://doi.org/10.5281/zenodo.8290105.

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Literary works document the social life of a particular period   and   they   also   play   an   important   role   in influencing the  public  opinion.  Literature helps  the social  scientists  to  understand  the  attitude  of  the people towards a particular issue or towards a particular community. This paper examines the representation of the Chinese Indians in some Bengali detective fictions and makes an attempt to under

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9

Marez, Curtis. "Aliens and Indians: Science Fiction, Prophetic Photography and Near-Future Visions." Journal of Visual Culture 3, no. 3 (2004): 336–52. http://dx.doi.org/10.1177/1470412904048566.

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10

George, Diana, and Susan Sanders. "Reconstructing Tonto: Cultural formations and American Indians in 1990s television fiction." Cultural Studies 9, no. 3 (1995): 427–52. http://dx.doi.org/10.1080/09502389500490501.

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11

Lee, Tamara, Sarah Dupont, and Julia Bullard. "Comparing the Cataloguing of Indigenous Scholarships: First Steps and Finding." KNOWLEDGE ORGANIZATION 48, no. 4 (2021): 298–306. http://dx.doi.org/10.5771/0943-7444-2021-4-298.

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This paper provides an analysis of data collected on the continued prevalence of outdated, marginalizing terms in contemporary cataloguing practices, stemming from the Library of Congress Subject Heading term “Indians” and all its related terms. Using Manitoba Archival Information Network’s (MAIN) list of current LCSH and recommended alternatives as a foundation, we built a dataset from titles published in the last five years. We show a wide distribution of LCSH used to catalogue fiction and non-fiction, with outdated but recognized terms like “Indians of North America-History” appearing the m

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12

Stewart, Michelle Pagni. ""Counting Coup" on Children's Literature about American Indians: Louise Erdrich's Historical Fiction." Children's Literature Association Quarterly 38, no. 2 (2013): 215–35. http://dx.doi.org/10.1353/chq.2013.0019.

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13

Bhat, Sami Ullah. "Indian English Fiction: Seeding to Efflorescence." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 195–200. http://dx.doi.org/10.22161/ijels.92.28.

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Indian English literature began as an interesting by-product of an eventful encounter in the late eighteenth century between a vigorous and enterprising Britain and a stagnant and chaotic India. As a result of this encounter as F.W. Bain puts it ‘India a withered trunk… suddenly shot out with foreign foliage’. The first problem that confronts the historian of Indian English literature is to define its nature. The question has been made rather complicated owing to two factors: first this body of writing has, from time to time, been designated variously as ‘Indo-Anglian literature’, ‘Indian Writ

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14

Stephens, Tracy A. "Kinship as a Counter to the Settler Gaze in Stephen Graham Jones’s The Only Good Indians." Journal of Modern Literature 48, no. 3 (2025): 20–38. https://doi.org/10.2979/jml.00082.

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Abstract: Stephen Graham Jones’s 2020 horror novel The Only Good Indians follows the haunting and murder of four Blackfeet men by a vengeful monster called Elk Head Woman, who manipulates the settler gaze to make the men look to outsiders as the source of the violence, much as violence within real-life Indigenous communities is often illegible to those outside them. In borrowing and adapting the deer woman trope, the novel furthers Jones’s longstanding challenge to settler notions of Indigenous authenticity by both textually and metatextually countering the myth that Indigenous people have an

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15

Shahparan, Mohammad. "The Cultural Conflicts on E.M. Forster a Passage to India: From Post - Colonial Perspective." Journal of World Science 2, no. 6 (2023): 785–97. http://dx.doi.org/10.58344/jws.v2i6.271.

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A Passage to India is an outstanding English novel from the early 20th century. This is the most successful novel written by EM Forster. Unlike other writers of fiction on colonial or postcolonial matters, Forster attempts to enrich the anti-hostile communication between British colonialists and colonized Indians in this acclaimed novel. The purpose of this study was to find out the beliefs and attitudes of British people towards non-English people that reflect cultural conflicts.This research uses a quantitative research type. Personal relations between Britain and India at the level of equal

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16

Ruoff, A. LaVonne Brown. "Justice for Indians and Women: The Protest Fiction of Alice Callahan and Pauline Johnson." World Literature Today 66, no. 2 (1992): 249. http://dx.doi.org/10.2307/40148127.

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17

Bhatti, Shaheena Ayub, Ghulam Murtaza, and Aamir Shehzad. "Revisiting Paul Kanes Wanderings of an Artist Among the Indians of North America." Global Language Review IV, no. II (2019): 89–94. http://dx.doi.org/10.31703/glr.2019(iv-ii).13.

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Paul Kanes paintings and sketches which form the basis of Wanderings of an Artist, were made with the aim of presenting an “extensive series of illustrations of the characteristics, habits and scenery of the country and its inhabitants.” However, a careful and detailed reading of his paintings and writings show that he actually violated the trust that the American Indians placed in him by depicting false images. Working in the background of Lasswells theory of propaganda this study seeks to demonstrate how the images and writings that he created, fulfilled no purpose, other than that of propag

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18

Jeeva C and Velumani P. "Portrayal of Traditional Indian Womanhood in R.K. Narayan’s The Dark Room." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (2015): 32–34. http://dx.doi.org/10.26524/ijsth50.

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The Indo-Anglican literature is different from the Anglo-Indian literature. The former is the genre written and created by the Indians through the English language; the latter is written by the Englishmen on themes and subjects related to India. The Indo-Anglican fiction owes its origin to the translations of various fictional works from the Indian languages into English, notably from Bengali into English. The Indo-Anglican writers of fiction write with an eye and hope on the western readers. This influenced their choice of the subject matter. In Indo-Anglican novels there are Sadhus, Fakirs,

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19

M, Athira. "Torn between Cultures: Reading Shashi Tharoor’s Riot." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 60–66. http://dx.doi.org/10.24113/ijellh.v9i1.10878.

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Shashi Tharoor is a distinctivevoice in the Postcolonial Indian literature in English with his remarkable contribution of more than 16 works of fiction and non-fiction. Postcolonialism refers to a set of theoretical concepts, approaches and interventions which deals with the diverse effects of the interaction between the colonizer and the colonized. History, politics and culture have always been a dominant preoccupation of the Indian English novelists. The compulsive obsession was perhaps inevitable since the genre originated and developed concurrently with the climatic phase of colonial rule.

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Singh, Anjali. "A Voyage of Paradoxes. Reconstructing Indian Indenture in the British Caribbean through the Lens of Narratives." Review of International American Studies 17, no. 2 (2024): 53–69. https://doi.org/10.31261/rias.16906.

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The almost century-long system of Indian indenture (1830–1920) initiated by the British after the abolishment of slavery in 1833 displaced 1.3 million Indians who were taken as cheap contract labor to work on the plantation colonies of the Empire. This paper will draw focus on the voyage undertaken by the indentured Indians across the Indian and Atlantic Oceans to the British plantation colonies in the Caribbean. It will deconstruct certain stereotypes and myths about the journey on the ships across the Kala pani (black waters of the Indian and Atlantic Oceans) that have for long been reproduc

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21

Rouleau, Brian. "A Pint-Sized Public Sphere: Compensatory Colonialism in Literature by Elite Children During the Gilded Age and Progressive Era." Journal of the Gilded Age and Progressive Era 23, no. 1 (2024): 9–25. http://dx.doi.org/10.1017/s1537781423000348.

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AbstractDuring the Gilded Age and Progressive Era, thousands of middle-class youths published their own amateur newspapers. These periodicals were printed using the so-called toy (or “novelty”) press, a portable tabletop device that helped democratize word processing. Children often used their presses to compose miniature novels and short stories. They then shared their prose with a national community of fellow juvenile writers collectively known as “Amateurdom.” Adolescent fiction explored an array of subjects, but the frontier, territorial expansion, and empire in the West became some of its

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22

Slotkin, J. "Igorots and Indians: Racial Hierarchies and Conceptions of the Savage in Carlos Bulosan's Fiction of the Philippines." American Literature 72, no. 4 (2000): 843–66. http://dx.doi.org/10.1215/00029831-72-4-843.

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23

Zitzer-Comfort, Carol. "Professional Book Reviews: Indians, Ingalls, Infirmity, and Inquiry: Exploring the Power of Children’s Literature to Shape Perspectives of the World around Us." Language Arts 86, no. 3 (2009): 218–24. http://dx.doi.org/10.58680/la20096947.

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Reviews in this issue focus on books that explore essential understandings about the impact of books on a child’s understanding and self-image. Materials reviewed include: www.americanindiansinchildrensliterature.blogspot.com and www.oyate.org, Little House, Long Shadow: Laura Ingalls Wilder’s Impact on American Culture by Anita Clair Fellman, Take Up Thy Bed and Walk: Death, Disability, and Cure in Classic Fiction for Girls by Lois Keith, and Storytime: Young Children’s Literary Understanding in the Classroom by Lawrence R. Sipe.

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24

D.Manoharan and K.Anbuselvi. "Myth, History and Realism in Githa Hartharan's Thousand Faces of Night and in Times of Siege:A Study." Shanlax International Journal of Arts, Science and Humanities 6, no. 2 (2018): 79–84. https://doi.org/10.5281/zenodo.1473231.

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Women  writers  in  India  were  moving  forward  with  their  strong  and  sure  strides, matching the pace of the world. They were recognized for their originality, versatility and the indigenous flavor of the soil that they brought to their work. Hariharan occupies the outstanding place in the world of Indian English fictions since 2002. Mythology in the Indian context is perhaps the most utilized and most admired for every generation and genre. History bears proof of ever fitness that Indians from every age, time and place and dyn

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25

Zubair, Hassan Bin, and Nighat Ahmed. "Exploring Bicultural Ambivalence in Jhumpa Lahiri’s The Namesake: Representational Diasporic Identities in Indian Anglophone Fiction." International Journal of English Linguistics 8, no. 6 (2018): 98. http://dx.doi.org/10.5539/ijel.v8n6p98.

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This paper explores the cultural ambivalence and bicultural identity issues in Jhumpa Lahiri’s The Namesake. This Indian Anglophone novel carries different diasporic sensibilities. Issues of marriage and culture are very prominent with the importance of family relationships in the context of immigrant feelings and loss of identity. Unconditional love and acceptance of family relations emerge victorious at the end of the narrative. The writer shares the second generation migrant experience since they were born to parents who immigrated and settled to United States. While migrants from some of t

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26

Dr., Manish Shrihari Gaikwad. "Depiction of India and Hinduism in V.S. Naipaul's 'An Area of Darkness'." Depiction of India and Hinduism in V.S. Naipaul's 'An Area of Darkness' 9, no. 1 (2024): 182–95. https://doi.org/10.36993/ RJOE.2024.9.1.195.

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This research paper aims to analyze V. S. Naipaul's views on India critically, and Hinduism expressed in his nonfiction novel 'An Area of Darkness' subtitled 'An Experience of India.' Naipaul's portrayals of Indians and Hinduism are often nuanced and critical. Naipaul's depiction of Indians and Hinduism in his fiction often highlights the challenges and complexities individuals face trying to navigate their cultural heritage in a rapidly changing world. In this book, Naipaul's depiction of India relies heavily on his Western preconceptions and his initia

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27

Kruger, Loren. "‘Black atlantics’, ‘white Indians’ and ‘Jews’: Locations, locutions, and syncretic identities in the fiction of Achmat Dangor and others." Scrutiny2 7, no. 2 (2002): 34–50. http://dx.doi.org/10.1080/18125441.2002.9709656.

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Kruger, L. "Black Atlantics, White Indians, and Jews: Locations, Locutions, and Syncretic Identities in the Fiction of Achmat Dangor and Others." South Atlantic Quarterly 100, no. 1 (2001): 111–43. http://dx.doi.org/10.1215/00382876-100-1-111.

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29

Tariq, Sana, and Bahramand Shah. "Environment and Literary Landscape: An Ecological Criticism of Louise Erdrich’s Novel Tracks." Global Social Sciences Review IV, no. I (2019): 158–63. http://dx.doi.org/10.31703/gssr.2019(iv-i).21.

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Connecting the environment with societies’ cultures through literature has created a new awareness of environmental issues. The current environmental crisis is a product of modern human culture. The thought of using land as a commodity and disregard for environmental ethics has worsened the ecological crisis. The paper focuses issues of environment highlighted in Native American literature. The anthropocentric behavior of Euro-Americans is contrary to Native American idea of biocentrism. For American Indians, land is considered not merely a stage on which the act is played but also as an activ

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30

Sana, Tariq. "Environment and Literary Landscape: An Ecological Criticism of Louise Erdrich's Novel Tracks." Global Social Sciences Review 4, no. 1 (2019): 158–63. https://doi.org/10.5281/zenodo.4361993.

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Connecting the environment with societies’ cultures through literature has created a new awareness of environmental issues. The current environmental crisis is a product of modern human culture. The thought of using land as a commodity and disregard for environmental ethics has worsened the ecological crisis. The paper focuses issues of environment highlighted in Native American literature. The anthropocentric behavior of Euro-Americans is contrary to Native American idea of biocentrism. For American Indians, land is considered not merely a stage on which the act is played but also as an

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Sana, Tariq, and Shah Bahramand. "Environment and Literary Landscape: An Ecological Criticism of Louise Erdrich's Novel Tracks." GLOBAL SOCIAL SCIENCES REVIEW (GSSR) IV, no. I (2019): 226–34. https://doi.org/10.31703/gssr.2019(IV-I).21.

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Connecting the environment with societies’ cultures through literature has created a new awareness of environmental issues. The current environmental crisis is a product of modern human culture. The thought of using land as a commodity and disregard for environmental ethics has worsened the ecological crisis. The paper focuses issues of environment highlighted in Native American literature. The anthropocentric behavior of Euro-Americans is contrary to Native American idea of biocentrism. For American Indians, land is considered not merely a stage on which the act is played but also as an

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Feldman-Kołodziejuk, Ewelina. "Reading space in Michael Crummey's River Thieves." Świat i Słowo 34, no. 1 (2020): 336. http://dx.doi.org/10.5604/01.3001.0014.3064.

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The fiction of Michael Crummey, one of the renowned contemporary Canadian writers, is deeply rooted in the landscape of his home-island, that is, Newfoundland. In his debut novel River Thieves published in 2001, the author shows the land as a non-anthropological determinant of human history and the only witness to keep a vivid, undistorted memory of the vanished tribe of Beothuks. This article invites the reading of Crummey's works through the prism of geopoetics and cultural geography. It shows what functions the space/land plays in the discussed narrative and how it adds new meanings to an o

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33

Blackburn, Stuart. "Corruption and Redemption: The Legend of Valluvar and Tamil Literary History." Modern Asian Studies 34, no. 2 (2000): 449–82. http://dx.doi.org/10.1017/s0026749x00003632.

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This [the Valluvar legend] is one of the traditions which are so repugnant to inveterate popular prejudice that they appear too strange for fiction, and are probably founded on fact. (Robert Caldwell 1875:132).If we now recognize that literary history is more than a history of literature, it is perhaps less widely accepted that the writing of literary history is an important subject for literary historiography. Yet literary histories are a rich source for understanding local conceptions of both history and literature. More accessible than archaeology, more tangible than ethnology, literary his

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34

Koli, Munshi Ram. "The Nature of Diasporic Indian Fiction and the Various Dimensions of Indian Life." RESEARCH REVIEW International Journal of Multidisciplinary 9, no. 6 (2024): 347–50. http://dx.doi.org/10.31305/rrijm.2024.v09.n06.044.

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In overseas fiction, the image of one's own state is reflected in the creation of literature along with language and craft. The maturity in the thoughts of the writer is the result of his life values and when that writer gives his thoughts the form of fiction or story, then his values influence his literature. When India was under the hegemony of the British rule, a large number of Indians went to other European countries as immigrants, but when the work of writing stories was done by the immigrants, they mentioned various dimensions of Indian life and worked to spread the values of Indian lif

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35

Gaurav, Gaud. "Mid Of Assassinations: Political and Social Upheavals That Swayed A Study of Aravin Adiga Novel." Educational Resurgence Journal 5, no. 1 (2022): 101–3. https://doi.org/10.5281/zenodo.6908521.

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 <em>This</em> <em>paper</em> <em>attempts to show the social evils like corruption, poverty in India. This thesis deals with the ugly side of social problems to show how such problems have created incorrigible circumstances to the under privileged Indians. Aravind Adiga tries to show the true face of India through his novel “The White Tiger”. His writings are dealt with the welfare of the humanity. Adiga evinces the painful social evils of India in the twenty-first century. This obviously shows that India conditions and sorrows extend in every century without much changes and

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Prylipko, Iryna. "Image of the Other in O. Honchar’s Fictional and Journalistic Discourse." Академічний журнал "Слово і Час", no. 1 (January 20, 2019): 38–51. http://dx.doi.org/10.33608/0236-1477.2019.01.38-51.

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The paper deals with the representation of other nations in fiction and journalism by O. Honchar. The specificity of reception and representation of the ethnic characters and other-culture realities is considered in the context of the paradigms “Me – Other”, “Own – Alien”. The paper surveys creative transformation of O. Honchar’s impressions from his trips in different countries, resulted in literary embodiment of perceptive peculiarities noticed by the writer in Hungarians, Slovaks, Czechs, Japanese, Chinese, Indians, Portuguese, Americans, Germans, Gypsies and others. The representation of t

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Pandit, Dr Kamble Sanjay. "Chetan Bhagat's One Indian Girl: A Depiction Of Careerist Woman." Journal of Language and Linguistics in Society, no. 12 (November 19, 2021): 12–16. http://dx.doi.org/10.55529/jlls.12.12.16.

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Chetan Bhagat a very popular name among the modern age and new generation because of different style and subjects. Being well qualified man from IIT and IIM he could get the best job in corporate sector specially known as IT industry. In spite of his good educational background he chooses creative writing as his career and passion. He gave new dimension to Indian Writing in English because of his innovative themes and subjects handled in his creative fiction. His fictions have been transformed into movies. He explores cross cultural issues of marriage and career. He earned name and fame in ver

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YÖRÜK, Kübra. "HOPE: THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN AND THE HOUSE ON MANGO STREET." NEW ERA INTERNATIONAL JOURNAL OF INTERDISCIPLINARY SOCIAL RESEARCHES 9, no. 26 (2024): 11–19. https://doi.org/10.5281/zenodo.14551549.

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At the centre of contemporary American literature, isolation has an important centre in cultural, social, and individual contexts. Social and individual groupings caused by negative conditions such as racism and poverty tend to make individuals feel alone in society. This subject of loneliness frequently emerges from difficult social concerns like racism, poverty, and prejudice, all of which make underprivileged people feel incredibly alone. Dark history, factors such as exploitation and assimilation support identity loss and personal isolation. It creates an identity crisis in these communiti

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Khan, Salman Khan, and Pragayan Paramita Pattnaik. "MATRIX OF POWER POLITICS IN NOVELS OF ARAVIND ADIGA." EXPRESSIO: BSSS Journal of English Language and Literature 01, no. 01 (2023): 143–56. http://dx.doi.org/10.51767/jen010110.

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Aravind Adiga, a Man Booker Prize winner, aims at depicting a realistic picture of Indian society along with its root cause of evil. He attempts to bring the dark side of India over the ‘shining India’. He criticised the moral decadence and lack of basic principles among Indians. In The White Tiger and Last Man in Tower he portrays the power game in metropolis like; Delhi and Mumbai. This paper studies the socio-political realities of Indian society through the lens of power politics. Adiga makes an effort to showcase the experiences which underprivileged Indian people go through their entire

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40

Feith, Michel. "Intertextual homelands, reimagined communities in two Southwestern novels by Louis Owens." Recherches anglaises et nord-américaines 46, no. 1 (2013): 121–34. http://dx.doi.org/10.3406/ranam.2013.1452.

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In the Native American context, individual and communal identities are often articulated through a privileged connection with the land, a connection that colonization has made complex and problematic. Accordingly, an aesthetic of displacement and dislocation, as well as a counter-impulse of symbolic recuperation, are at work in Nightland (1996) and Dark River (1999), two novels by Louis Owens set in the Southwest. This may lead us to probe the notion of a literary territory, in two acceptations of the term : the depiction of a specific geography, and the ground covered by certain narrative gen

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Martins, Margarida. "The Archaeology of Absence in Kamila Shamsie’s <i>A God in Every Stone</i>." English Language, Literature & Culture 9, no. 4 (2024): 125–31. http://dx.doi.org/10.11648/j.ellc.20240904.14.

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Approximately 1.4 million Indians were recruited to the First World War. Despite their role in the war and the high number of deaths, most of the literature in English on the Great War has been narrowed down to British experience. However, in recent years their stories have been emerging through fiction, in academic research and educational projects resulting in a more complete picture of the war and who was involved. A British arts education group engaged students in a project designed to teach and share the stories of forgotten soldiers from World War I. Writing about the project in The Guar

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Islam, Sonika. "Nawab Faizunnesa Chowdhurani’s Rupjalal:." Crossings: A Journal of English Studies 8 (August 1, 2017): 112–19. http://dx.doi.org/10.59817/cjes.v8i.134.

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Rupjalal (1876) is considered to be the first novel by any Muslim woman. Reading this one hundred and forty-one year old novel reveals many buried expressions of women’s sexuality. This paper tries to read Nawab Faizunnesa Chowdhurani’s Rupjalal in the context of the then Bengal and tries to explore how the author boldly, yet subtly, portrays female sexuality through the aesthetic quality of her craft. Chowdhurani brings in almost every possible sphere of women’s sexuality in her narration through the love story of Jalal and Rupbanu. In a time when the Victorian morality imposed on Indians was

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Kahul, Siva Tejaa, and Sashankar Dasari. "Caste and Gender in Meena Kandasamy's The Gypsy Goddess." Literary Druid 4, no. 1 (2022): 13–21. https://doi.org/10.5281/zenodo.5918663.

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<em>Meena Kandasamy’s first novel, The Gypsy Goddess, is an experimental novel that takes inspiration from the Kilvenmani massacre to depict the struggle, plight, and injustice meted on a group of Dalit agricultural laborers. The novel through its radical postmodern structure tries to confront the dynamics of caste and gender in Indian society. This paper argues that the novel beginning from the title itself gives a pivotal position to women and Dalit women in particular. It attempts to discuss the problems, struggles, and spirit of Dalit women in the novel which are specific to Dalit wo

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Kumar, Dr Raman. "R. K. Narayan’s Mr. Sampath: A Study in the Dialectic of Being and Becoming." SMART MOVES JOURNAL IJELLH 7, no. 12 (2019): 10. http://dx.doi.org/10.24113/ijellh.v7i12.10216.

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Rasipuram Krishnaswami Iyer Narayanaswami (1906-2001) popularly known as R. K. Narayan, an award winning novelist, essayist and storywriter is generally considered one of the greatest Indians writing in English. He shares this honour with Mulk Raj Anand and Raja Rao. D. S. Maini has observed in this regard: “Mulk Raj Anand, Raja Rao, and R. K. Narayan- brought the Indian novel to the point of ripeness”. But R. K. Narayan enjoys a place of rare distinction among these great writers too and it is partly because of the rare setting of his novels, his close association with the traditional Indian

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Patel, Ganeshkumar Sumanbhai. "Exploring Nation and History: An Analysis of Chaman Nahal’s Selected Novels." International Journal of English Literature and Social Sciences 8, no. 3 (2023): 520–24. http://dx.doi.org/10.22161/ijels.83.78.

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The struggle for Indian independence spanned nearly a century and was an epic endeavor. The winds of change that swept across the Indian subcontinent after the 'Sepoy' Mutiny in 1857 left lasting imprints on the political and social landscape. The Indian nation had to overcome centuries of lethargy, transcend religious, caste, and provincial divisions, and move forward on the path of progress. This transformation occurred with the onset of the Gandhian movement, which disrupted established political and social norms, introducing innovative ideas and methods. Mahatma Gandhi's relentless pursuit

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Anuradha, V., Saira Siddiqui, and Mariya Sheema. "Multilingual Composition in Translated Versions of Premchand's Selected Short Stories." International Journal of English Learning & Teaching Skills 4, no. 4 (2022): 1–13. http://dx.doi.org/10.15864/ijelts.4402.

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Throughout history, written and spoken translations have played a crucial role in inter-human communication, providing access to important texts for scholarship and religious purposes. The practice of translating is longestablished, but the discipline of translation studies is new. In academic circles, translation was previously related to just a language-learning activity. The study of literary translation began through comparative literature, translation workshops and contrastive analysis. Translation studies have expanded hugely and are now often considered interdisciplinary. History of Ind

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Dmitrieva, T. A. "Evolution of the representation of folk artistic culture in cinema." Northern Archives and Expeditions 4, no. 4 (2020): 21–28. http://dx.doi.org/10.31806/2542-1158-2020-4-4-21-28.

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In the presented article, the features of the reflection of folk art culture in the cinema are considered. The author examines films that reflect the folk art culture of the American Indians, Udege, meadow mari, residents of the village of Palekh, as well as the folk art culture of the colonial countries, China and Japan. This article examines the films of both foreign and Russian directors, as the author refers to global trends in cinema. The author identifies several stages, considering the evolution of folk art culture, starting from films of the early twentieth century and ending with mode

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Farah, Lubna, and Abdul Bari Owais. "http://habibiaislamicus.com/index.php/hirj/article/view/215." Habibia Islamicus 5, no. 2 (2021): 51–61. http://dx.doi.org/10.47720/hi.2021.0502a05.

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This research is an attempt to trace and corelate the evolution of short story in the Arabic and Urdu languages besides highlighting contributions made by the most prominent pioneers and the trends prevailing in different eras of both the languages. The short story is one of the most famous and widely read genres of fiction that seems to answer almost everything near to the nature of human being and whenever it is narrated it feels as if, something exceptional has been created which contains substance of our inferred experience and transitory sense of our common, tempestuous journey of life. I

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Dr., Rajeev Kumar Sharma. "Chetan Bhagat's Vision of Life and His Youth Calling Approach." Criterion: An International Journal in English 15, no. 2 (2024): 73–80. https://doi.org/10.5281/zenodo.11103434.

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Chetan Bhagat is one of the most celebrated fiction writers in   Indian   Writing in   English.   His writings are considered as representative of issues disturbing   young generation.    He highlights the confusion, troubles and dilemmas that the youth is facing in modern society. Chetan Bhagat has merged both highbrow and lowbrow genres into one, which is now accepted as the best-seller genre of Indian English literature.  He takes the people from the real-life metropolis. His novels go around the lives of the youth. Bhaga

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Agarwal, Anupam, and Sonal Shukla. "Untouchable and Coolie: The Soul of Social Realism." International Journal of Advance Research and Innovation 2, no. 1 (2014): 117–22. http://dx.doi.org/10.51976/ijari.211421.

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Mulk Raj Anand is very well- known as an Indian novelist, distinguished writer, reformer, art critic, editor, journalist, a short story writer and political activist. He opened a new section of writers of fiction along with Raja Rao and R. K. Narayan and produced a great deal of English literature and his mastery in the realistic and sympathetic portrayal of the exploited class of Indian society marks his genius as a socially committed novelist. That‟s why he is not only known as India‟s Charles dickens but also considered the messiah of the have-nots, unloved, down trodden and unwanted. The e

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