Academic literature on the topic 'Quintets (Bassoon'

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Journal articles on the topic "Quintets (Bassoon"

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LANDEY, PETER. "ANTON REICHA (1770–1836) WIND QUINTETS IN B FLAT MAJOR, OP. 88 N0. 5, AND C MAJOR, OP. 91 NO. 1 Michael Thompson Wind Quintet: Michael Thompson, horn; Jonathan Snowden, flute; Derek Wickens, oboe; Timothy Lines, clarinet; John Price, bassoon Naxo 8.554227, 2004; one disc, 63 minutes." Eighteenth Century Music 3, no. 1 (2006): 168–70. http://dx.doi.org/10.1017/s1478570606320544.

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Schreiner, Martin, Arthur Berger, Martin Boykan, and David Rakowski. "Quintet for Woodwinds (Flute, Oboe, Clarinet, Horn, and Bassoon)." Notes 56, no. 2 (1999): 503. http://dx.doi.org/10.2307/900054.

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Ruswanto, Yohanes, and Juanita Theresia Adimurti. "Church music inculturation by way of an experiment of arrangement of Dolo-Dolo mass ordinarium accompaniment- composed by Mateus Weruin for woodwind quintet." Harmonia: Journal of Arts Research and Education 17, no. 1 (2017): 23. http://dx.doi.org/10.15294/harmonia.v17i1.8467.

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<p class="IsiAbstrakIndo"><span lang="EN-GB">Inculturation of Church music in an experiment of creating this arrangement aims to bring a different form of musical ordinarium accompaniment form of <em>Dolo-Dolo</em> Mass from Flores, with a different media that uses the woodwind quintet (flute, oboe, clarinet, French horn, and Basson). The experiment took one of the ordinary songs from <em>Madah Bakti</em> “<em>Tuhan Kasihanilah Kami</em>”. The harmonization fine-tunes to the chorus arrangement composed by Mateus Weruin. The literature study was c
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Faccini, João Luiz H., and Vinicius R. Ribeiro. "Raillietia caprae (Acari: Raillietidae) and Psoroptes ovis (Acari: Psoroptidae) in the ears of goats in the state of Rio de Janeiro, Southeast Brazil." Revista Brasileira de Parasitologia Veterinária 17, no. 1 (2008): 59–61. http://dx.doi.org/10.1590/s1984-29612008000100014.

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Ear cannals of 145 domestic goats including the breeds Saanen, Toggenburg, Anglobian, Alpine, Moxoto (native) and crossbred goats from 10 smallholder farms were examined by flushing for the presence of ear mites. Prevalence of Raillietia caprae Quintero, Bassols and Acevedo, 1980 was much more higher than Psoroptes ovis (Hering, 1838) in the studied area, respectively 62% ( 90/145) and 4% ( 6/145). The youngest animal parasitized was eight months old and the oldest was 10 years old. Subclinical otitis is a common feature of infestation by both species but increase of wax and the presence of pu
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Nasibulina, Alisa V. "THE MUSICAL STYLE OF COMPOSER YURI KASPAROV." Arts education and science 2, no. 39 (2024): 137–46. http://dx.doi.org/10.36871/hon.202402137.

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This article is devoted to the musical style of Yuri Kasparov (b. 1955), Russian composer and music teacher, Professor at the Moscow State Tchaikovsky Conservatory, who writes primarily chamber music. Many of his compositions are scored for a chamber orchestra comprising flute, oboe, clarinet, bassoon, horn, trumpet, trombone, harp, piano, percussion, two violins, viola, cello and double bass (an instrumentation derived from A. Schoenberg’s Chamber Symphony No. 1). His works include over 80 chamber compositions of different genres written for one to 17 instruments. He tends to use non-standard
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Rickards, Guy. "MARGARET BROUWER, CHEN YI, SADIE HARRISON, MISATO MOCHIZUKI, ONUTE NARBUTAITE, APPARENZE." Tempo 58, no. 229 (2004): 60–66. http://dx.doi.org/10.1017/s0040298204360225.

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MARGARET BROUWER: Lament for violin, clarinet, bassoon and percussion12,4,6,10; Light for soprano, harpsichord, flute, clarinet, violin, cello and percussion1,7,2,5,13,14,11; Under the Summertree for piano8; Skyriding for flute, violin, cello & piano3,13,14,9; Demeter Prelude for string quartet15. 1Sandra Simon (sop), 2Sean Gabriel (fl), 3Alice Kogan Weinreb (fl), 4Jean Kopperud (cl), 5Amitai Vardi (cl), 6Donald McGeen (bsn), 7Jeanette Sorrell (hpschd), 8Kathryn Brown (pno), 9Mitsuko Morikawa (pno), 10Dominic Donato (perc), 11Scott Christian (perc), 12Laura Frautschi (vln), 13Gabriel Bolko
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Getachew, Tadesse, Mengistu Ketema, Degye Goshu, and Degnet Abebaw. "Technical Efficiency of Wheat Producers in North Shewa Zone of Amhara Region, Central Ethiopia." Sustainable Agriculture Research 9, no. 3 (2020): 77. http://dx.doi.org/10.5539/sar.v9n3p77.

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The aim of this study is to analyze technical efficiency of wheat producers and identifying the sources of inefficiency in North Shewa Zone of Amhara National Region State, Central Ethiopia. A multi-stage sampling technique was used to select sample respondent households. In the first phase, three potential wheat grower districts namely, Bassona Worrana, Siyadebrna Wayu, and Moretna Jiru were selected purposively. In the second stage, six potential kebeles (lowest administrative level), two from each of the three districts were selected. In the third phase, proportionally with population size,
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Gottlieb, Jane. "Brass Calendar for Brass Quintet [1993], and: Ceremonial March for Piano or Organ [1955/56], and: Variations on a Medieval Theme for Organ [1958], and: Canzona for Organ (1960), and: Fantasy for Organ [1990], and: Viola Dreams: Quodlibet for String Quartet [1997], and: Eagle Rock: Sonatina for Cello and Piano [1996], and: Duo Caprice for Two Violins [1993], and: River Run: For Contrabass and Harpsichord [1976], and: Divertimento for 2 B[flat] Clarinets and Bassoon [1984;1996] (review)." Notes 57, no. 4 (2001): 1005–8. http://dx.doi.org/10.1353/not.2001.0084.

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Cicovacki, Borislav. "Zora D. by Isidora Zebeljan: Towards the new opera." Muzikologija, no. 4 (2004): 223–45. http://dx.doi.org/10.2298/muz0404223c.

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Opera Zora D., composed by Isidora Zebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has been staged outside Serbia since 1935, after being acclaimed at a competition organized by the Genesis Foundation from London. Isidora Zebeljan was commissioned (granted financial backing) to compose a complete opera with a secured stage realization. The Dutch Chamber Opera (Opera studio Nederland) and the Viennese Chamber Opera (Wiener Kammeroper) were the co-producers of th
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Celia Matamoro. "Albeniz, from the piano to the wind." Royal Conservatoire Research Portal, no. 1 (May 17, 2023). http://dx.doi.org/10.22501/koncon.1826178.

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Albéniz was one of Celia’s favorite composers from her childhood and always felt a special connection to his work. However, in the fifteen long years that she has been studying music, she has never been able to play any of his pieces on the bassoon. Now that she has finished her master's degree -and she had to reflect on where she comes from and, ultimately, who she is-, she decided to investigate the composer in depth with the aim of arranging his Spanish Suite, originally written for piano, so that at the end of so many things, she can interpret it with her reed quintet. Thanks to its flexib
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Dissertations / Theses on the topic "Quintets (Bassoon"

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Gratton, J. Brian (John Brian). "Three Motivic Topics in Beethoven's Piano Quintet, Op. 16." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278612/.

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The first movement of the Piano Quintet, Op. 16 of Ludwig van Beethoven works out three significant motivic "topics": a chromatically filled-in second, appearing first as 5 - #5 - 6 (Bb - B - C in Eb major); the emphasis om the submediant, both as vi in Eb major and as the tonal region of C minor; and the melodic interval of the sixth, which, when inverted to become a descending third, determines the structure of tonal regions at crucial points in the movement. These three motivic topics are introduced in the opening measures of the piece and are subsequently unfolded throughout the movement;
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Cheng, Yu-sum Anthony, and 鄭汝森. "An application of Arnold Schoenberg's gedanke manuscript as a blueprint theory for a portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hdl.handle.net/10722/209587.

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Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.

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This is a compilation of the music performed at the graduation recital of John Estacio on April 11,1991, at 2.30 p.m. in the U.B.C. Recital Hall. There were four pieces performed that afternoon including Azimuth for viola, clarinet and marimba, written in 1989. Ode on the Death of A Favourite Cat, Drowned in a Tub of Goldfishes for S.A.T.B. choir was written in 1989 and uses the text of Thomas Gray. Moments is a set of three pieces for woodwind quintet written in 1990. Viola Concerto is in three movements and was written in 1991 for Reg Quiring, a former U.B.C. student. The concerto is
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Seymour, John. "Syncretisms for wind quintet and percussion, a study in combining organizational principles from Southeast Asia with western stylistic elements /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6055.

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Thesis (M.M.)--University of North Texas, 2008.<br>For flute oboe, clarinet, horn, bassoon, and marimba, with an optional percussion part (glockenspiel, chimes). Duration: ca. 6:45. System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 61-64).
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Gillick, Amy Suzanne. "Experimentation and nationalism in Francisco Mignone's works for basson a performance guide to the IInd wind quintet and Concertino /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435601&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Seymour, John. "Syncretisms for wind quintet and percussion: A study in combining organizational principles from Southeast Asian music with western stylistic elements." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6055/.

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Syncretisms is an original composition scored for flute, oboe, clarinet, horn, bassoon, and marimba (2-mallet minimum, 4 recommended) with an optional percussion part requiring glockenspiel and chimes, and has an approximate duration of 6 min. 45. sec. The composition combines modern western tuning, timbre, and harmonic language with organizational principles identified in music from Southeast Asia (including music from cultures found in Thailand, Cambodia, Malaysia, and Indonesia). The accompanying paper describes each of these organizational principles, drawing on the work of scholars who h
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Arruda, Felipe dos Santos. "Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/5940.

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Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-08-12T17:16:46Z No. of bitstreams: 2 Dissertação - Felipe dos Santos Arruda - 2016.pdf: 3852414 bytes, checksum: cc0e0d1958cb1df0777e1d792d244a80 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-08-15T14:17:44Z (GMT) No. of bitstreams: 2 Dissertação - Felipe dos Santos Arruda - 2016.pdf: 3852414 bytes, checksum: cc0e0d1958cb1df0777e1d792d244a80 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<b
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Dodd, Raymond H. "Four musical compositions (with accompanying notes) : Prezzo Concertante for symphony orchestra; Concerto for bassoon and chamber orchestra; Sea Gods for 8-part chorus; Improvisation for wind quintet." Thesis, University of Aberdeen, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262477.

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The grouping of these four compositions is intended to create a balanced portfolio, illustrating the management of a variety of forms, media and compositional problems. The submission divides into two parts: Part I - The Compositions: (i) <I>Pezzo Concertante</I> A single-movement orchestral piece for double woodwind; 4 horns; 3 trumpets; 3 trombones; tuba; timpani; 4 percussionists; harp; strings. Duration c 11' This piece is a single-movement structure, compact and complete in itself, with some display elements for each section of the orchestra. It aims to provide both an interesting challen
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Ribani, Filippo <1990&gt. "Dietro le quinte della satira. Rapporti tra cittadini e contadini nel basso Medioevo italiano." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amsdottorato.unibo.it/9475/1/Ribani_Filippo_tesidefinitiva.pdf.

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Questa tesi indaga la relazione tra la letteratura anticontadina, fiorente in Italia a partire dalla metà del Trecento, e la realtà dei rapporti tra cittadini e contadini nel basso Medioevo italiano, con un’attenzione particolare all’area padana. Al centro dell’analisi vi sono due stereotipi satirici: il rustico ladro nei campi, che attirava su di sé l’odio feroce della classe padronale, e il villano rozzo, che mangiava alimenti poveri e del tutto estranei alla raffinata cultura alimentare cittadina. L’esame delle fonti giudiziarie, soprattutto bolognesi, conferma che l’immagine del rustico la
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Leffler, Hannah. "A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248512/.

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The career of Osvaldo Lacerda (1927-2011) spanned a critical time in the development of Brazilian nationalist music. Though he was an outspoken nationalist composer, he was also influenced by European trends and training. Even within his nationalist compositions, evidence of a shift in style that mirrors the European movements of Modernism and Postmodernism is found in his works. Among his thirty-six chamber works, three are wind quintets, written between 1962 and 1997. Although all three works warrant extended discussion, Variações e Fuga para quinteto de sopros is particularly valuable for s
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Books on the topic "Quintets (Bassoon"

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Reicha, Anton. Woodwind quintets. Crystal Records, 2009.

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Powell, Mel. Woodwind quintet. G. Schirmer, 1986.

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Bush, Geoffrey. Quintet for flute (piccolo), oboe, clarinet, horn, & bassoon. Stainer & Bell, 2014.

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Mamlok, Ursula. Alariana. Casia Pub. Co., 1995.

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Riley, Dennis. Masques: Woodwind quintet. C.F. Peters, 1988.

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Ardévol, José. Wind quintet, 1957. Trillenium Music, 1994.

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Carter, Elliott. Quintet for piano and winds. Hendon Music, 1994.

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Riley, Dennis. Masques: For woodwind quintet. C.F. Peters, 1987.

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Shawn, Allen. Woodwind quintet for flute, oboe, clarinet, horn, and bassoon. Galaxy Music, 1988.

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Perle, George. Woodwind quintet II (1959-60). Boelke-Bomart, 1992.

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Book chapters on the topic "Quintets (Bassoon"

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Toff, Nancy. "Introduction." In The Flute Book. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195105025.003.0018.

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Abstract This catalog emphasizes the finest compositions for flute from each historical era, with considerable attention given to works by flutists. In general, this catalog includes “professional” quality literature; that is, music suitable for public performance. It includes very little purely pedagogical material, though some works, such as Kuhlau chamber music, may be of marginal interest to a general audience. The catalog includes music for piccolo, alto flute, and bass flute as well as for concert C flute. It includes some material originally written for flute choir, but does not include
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