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Journal articles on the topic 'R. Buckminster Fuller'

Author: Grafiati

Published: 13 December 2022

Last updated: 31 July 2025

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1

Wilson, Richard Guy. "Review: The Artifacts of R. Buckminster Fuller by James Ward, R. Buckminster Fuller." Journal of the Society of Architectural Historians 46, no. 4 (1987): 430–32. http://dx.doi.org/10.2307/990291.

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2

Garcia, Paul, and Amy C. Edmondson. "A Fuller Explanation: The Synergetic Geometry of R. Buckminster Fuller." Mathematical Gazette 72, no. 461 (1988): 255. http://dx.doi.org/10.2307/3618289.

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3

Hargittai, Istvan, Amy C. Edmondson, and Lloyd Steven Sieden. "A Fuller Explanation: The Synergetic Geometry of R. Buckminster Fuller." Leonardo 24, no. 1 (1991): 94. http://dx.doi.org/10.2307/1575493.

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4

Segal, Howard P., R. Buckminster Fuller, and James Ward. "Inventions: The Patented Works of R. Buckminster Fuller." Technology and Culture 28, no. 3 (1987): 697. http://dx.doi.org/10.2307/3105010.

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5

Byers, M. "ENVIRONMENTAL PEDAGOGUES: CHARLES OLSON AND R. BUCKMINSTER FULLER." English 62, no. 238 (2013): 248–68. http://dx.doi.org/10.1093/english/eft029.

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6

Dalvesco, Rebecca. "R. Buckminster Fuller, the Expo ’67 Pavilion and the Atoms for Peace Program." Leonardo 50, no. 5 (2017): 486–92. http://dx.doi.org/10.1162/leon_a_01157.

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Since the end of World War II, the U.S. government has embraced the rhetoric of the peaceful use of the atom. Following the government’s lead, architect-designer-philosopher Richard Buckminster Fuller espoused similar ideas. Like U.S. President Lyndon Johnson and other “atoms for peace” enthusiasts, Fuller thought that the revolution then occurring in architecture was an outgrowth of the peaceful atom. And, like Johnson, Fuller believed that technology based on the atom did not just favor Americans but could be applied for the benefit of all humanity. Fuller thought atomic technology could hel

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7

Loeb, Arthur L. "Buckminster Fuller Versus The Irrational : A Double Entendre (Dedicated to the Memory of R. Buckminster Fuller in the Centenary of his Birth)." International Journal of Space Structures 11, no. 1-2 (1996): 141–53. http://dx.doi.org/10.1177/026635119601-221.

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R. Buckminster Fuller strongly believed in the discreteness of structure, and distrusted irrational numbers. The concept of limited resolution is introduced to relate a discrete structural model to mathematical abstractions such as straight lines and circles. Fuller also made rational approximations to irrational expressions. It is shown that such approximations are unnecessary, and in point of fact at odds with Fuller's spatial rather than linear thinking. Some fundamental principles underlying an experimental Design Science are presented. It is shown that three-dimensional structural relatio

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8

Martinson, John, Joachim Krausse, Claude Lichtenstein, Steven Lindberg, Julia Thorson, and R. Buckminster Fuller. "Your Private Sky: R. Buckminster Fuller, the Art of Design Science." Geographical Review 91, no. 3 (2001): 597. http://dx.doi.org/10.2307/3594743.

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9

Mumford, Enid. "Risky Ideas in the Risk Society." Journal of Information Technology 11, no. 4 (1996): 321–31. http://dx.doi.org/10.1177/026839629601100406.

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This paper describes a new kind of risk with which managers are now confronted. This is the risk that arises from their rapid response to new, often untested, ideas that are offered to the management community and eagerly accepted by it. I am aware that humanity Is approaching a crisis In which its residual ignorance, shortsightedness And circumstance-biased viewpoints May dominate Thus carrying humanity Beyond the point of no return. R. Buckminster Fuller

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10

Weintraub, Linda. "I Seem to Be a Verb: R. Buckminster Fuller as Pioneering Eco-Artist." Art Journal 65, no. 1 (2006): 65. http://dx.doi.org/10.2307/20068444.

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11

Alves Dassie, Franklin. "A anticrítica como lance de montagem." Texto Poético 20, no. 43 (2024): 217–38. http://dx.doi.org/10.25094/rtp.2024n43a1122.

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Este ensaio faz uma releitura do livro O anticrítico (1986), do poeta, crítico e tradutor Augusto de Campos, identificando como o procedimento que o atravessa é o da lógica do ideograma e de algumas noções de montagem, mostrando assim o funcionamento da anticrítica, que o autor chama de “prosa porosa”. Para isso, há um diálogo com Roland Barthes, R. Buckminster Fuller, Yu-Kuang Chu, Jean-Luc Godard, entre outros, com o intuito de compreender como esse lance crítico nos faz repensar seu estatuto e seus momentos de crise na contemporaneidade.

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12

Brzostek, Dariusz. "Świat niezamieszkany. Statek niewolniczy i statek kosmiczny „Ziemia” jako modele postkolonialnej ekologii." Prace Kulturoznawcze 27, no. 1 (2023): 123–41. http://dx.doi.org/10.19195/0860-6668.27.1.8.

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Tematem szkicu jest postkolonialna perspektywa w badaniach nad środowiskiem naturalnym oraz projektami konstruowania przyszłości w krajach Globalnego Południa. Przyglądając się analitycznie teoretycznym refleksjom (M. Ferdinand) oraz spekulatywnym narracjom poświęconym rekonstrukcji oraz ochronie dziedzictwa przyrodniczego w krajach poddanych kolonialnej eksploatacji, autor artykułu odnosi się do krytycznego potencjału dawnej futurologii (R. Buckminster Fuller, K. Ciołkowski) oraz literatury fantastycznonaukowej (C. Smith, K. Boruń, A. Trepka), zmagającej się z problemami konstruowania sztuczn

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13

Williams, Kim. "Joachim Krausse and Claude Lichtenstein, eds. – Your Private Sky. R. Buckminster Fuller – Zurich: Lars Mueller Publishers, 1999." Nexus Network Journal 2, no. 1-2 (2000): 199–200. http://dx.doi.org/10.1007/s00004-999-0028-2.

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14

Franco, Edgar Silveira. "Transmídia e Criação Artística Autoral: A Aurora Pós-humana." Art&Sensorium 2, no. 1 (2015): 148–60. http://dx.doi.org/10.33871/23580437.2015.2.1.148-160.

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O artigo conceitua brevemente transmídia, problematiza a segmentação da criação artística no âmbito da academia e da sociedade e propõe uma revisão do conceito de artista criador "compartimentado" - que teme experimentar outras linguagens - ao trazer o contexto da criação transmidiática para o campo das artes, tomando como referência o pensamento de R. Buckminster Fuller. Propõe a possibilidade do uso da transmídia como espaço para a criação artística autoral e apresenta o universo ficcional transmídia da "Aurora Pós-humana" , criado pelo artista Edgar Franco, destacando suas bases fundam

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15

Segal, Howard P. "Inventions: The Patented Works of R. Buckminster Fuller by R. Buckminster Fuller, and: The Artifacts of Buckminster Fuller: A Comprehensive Collection of His Designs and Drawings . Vol. 1: The Dymaxion Experiment, 1926–1943 ; vol. 2: Dymaxion Deployment, 1927–1946 ; vol. 3: The Geodesic Revolution, Part 1, 1947–1959 ; vol. 4: The Geodesic Revolution, Part 2, 1960–1983 ed. by James Ward (review)." Technology and Culture 28, no. 3 (1987): 697–98. http://dx.doi.org/10.1353/tech.1987.a889368.

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16

Crombie, David. "Cities are successful because they are civic: The 2004 C.A. Doxiadis Lecture." Ekistics and The New Habitat 71, no. 424-426 (2004): 14–19. http://dx.doi.org/10.53910/26531313-e200471424-426215.

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The decision for the organization annually of a C.A. Doxiadis Lecture to honor the memory of the founder of Ekistics, was taken at the WSE meetings in _el_kovice, Czech Republic, in 2000. The series is meant to invite distinguished experts in any professional field which may be considered as directly or indirectly contributing to ekistics, to expose their ideas on any theme of their preference. Reference to C.A. Doxiadis or ekistics is not required, although any such reference is not excluded. The program for this year's lecture scheduled to take place at 19.30 hrs on 24 June was as follows:&#

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17

Carrascal Pérez, María F., and Silvana Rodrigues de Oliveira. "LA FÁBRICA-CASA: HÁBITATS COLABORATIVOS Y PATRIMONIO INDUSTRIAL DESDE LOS 60 EN NYC." Proyecto, Progreso, Arquitectura, no. 27 (2022): 184–203. http://dx.doi.org/10.12795/ppa.2022.i27.11.

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Nueva York, paradigma de la ciudad vertical, fue también escenario de procesos disruptivos que reaccionaban a las numerosas acciones de renovación urbana iniciadas en los años cincuenta en los que se adoptaba el modelo moderno residencial sobre operaciones de tabula rasa. En la siguiente década, desde el mundo del arte se produjeron ciertos proyectos que supusieron una alternativa habitacional en espacios productivos obsoletos Esta investigación, apoyada en la metodología de estudio de casos, presenta tres propuestas en las que antiguas industrias se relacionarían de forma innovadora y complem

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18

"R. Buckminster Fuller On Priority Of Tensegrity: Excerpts from Fuller's Letter to Snelson." International Journal of Space Structures 11, no. 1-2 (1996): 50–52. http://dx.doi.org/10.1177/026635119601-209.

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19

"Your private sky: R. Buckminster Fuller, the art of design science." Choice Reviews Online 37, no. 10 (2000): 37–5477. http://dx.doi.org/10.5860/choice.37-5477.

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20

Lee, Blake. "The Dymaxion Dwelling Machine: R. Buckminster Fuller’s Vision to House All of Humanity." Journal of Student Research 12, no. 1 (2023). http://dx.doi.org/10.47611/jsrhs.v12i1.4298.

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Traditional housing is, and has for many centuries, been uniquely made for their individual clients, making houses difficult to mass-produce and, sometimes, too expensive to provide for those who need it most. R. Buckminster Fuller, an architect who believed that we had an obligation to provide adequate housing, attempted to address this challenge almost a century ago through his creation, the Dymaxion Dwelling Machine. The Dymaxion (a portmanteau of Fuller’s favorite words: dynamic, maximum, and tension) Dwelling Machine was a dome-shaped home optimized for mass-production, and it maintained

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21

Lubin, Joan, and Jeanne Vaccaro. "AIDS infrastructures, queer networks: Architecting the critical path." First Monday, September 14, 2020. http://dx.doi.org/10.5210/fm.v25i10.10403.

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This essay pursues how HIV/AIDS and digital media transform one another’s historiographies. Working with the archive of activist Kiyoshi Kuromiya (1943–2000), the essay considers the role of AIDS organizing in the history of the Internet, and in establishing recursive relations between media formats. Kuromiya’s early adoption of Internet technology centered the needs of people living with HIV/AIDS, incarcerated people, and people of color to access vital information for community formation and survival. Tracing the unlikely collaboration between Kuromiya and techno-futurist architect R. Buckmi

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22

Huebner, Stefan. "Earth's Amphibious Transformation: Tange Kenzo, Buckminster Fuller, and marine urbanization in global environmental thought (1950s–present)." Modern Asian Studies, July 15, 2021, 1–30. http://dx.doi.org/10.1017/s0026749x21000251.

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Abstract Climate change and rising sea levels, which threaten many Asian and other coastal cities, have returned the question of adaptation to unstable marine surfaces to the global discussions about urbanization, as was illustrated by a recent United Nations (UN) roundtable. As de facto counterproposals to hydroelectric dams and similar regional development projects, floating or elevated structures reject land reclamation and terrestrialization processes. Consequently, the rapidly growing number of offshore structures, which often constitute unconventional settlements, have contributed to an

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23

Forney, Bill E. "The Forensic Engineer as the Comprehensivist." Journal of the National Academy of Forensic Engineers 3, no. 2 (1986). http://dx.doi.org/10.51501/jotnafe.v3i2.411.

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Are you a comprehensivist ? As a forensic engineer, are you sometimes asked to be a comprehensivist? Should you aspire to be one? A comprehensivist is one who has a practical, working knowledge of many things. The term was coined by R. Buckminster Fuller and was taken from the educational philosophy of the U. S . Naval Academy. Training of future naval officers included the premise that some of the officers would eventually become admirals. An admiral might find himself as far away from home as he could get, which at that time, was half way around the world. An admiral might need to make decis

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