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Academic literature on the topic 'Rabbit-proof fence'

Author: Grafiati

Published: 24 April 2022

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Journal articles on the topic "Rabbit-proof fence"

1

Alley-Young, Gordon. "Book Review: Rabbit-Proof Fence (Australian Screen Classics)." Media International Australia 152, no. 1 (August 2014): 186. http://dx.doi.org/10.1177/1329878x1415200119.

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2

Marada, Petr, Jan Cukor, Rostislav Linda, Zdeněk Vacek, Stanislav Vacek, and František Havránek. "Extensive Orchards in the Agricultural Landscape: Effective Protection against Fraying Damage Caused by Roe Deer." Sustainability 11, no. 13 (July 9, 2019): 3738. http://dx.doi.org/10.3390/su11133738.

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The objective of this research was to determine the efficiency of different types of protective barriers and how they protect against fraying damage in extensive fruit tree orchards. Orchards in open agricultural land are the target of fraying damage caused by roe deer (Capreolus capreolus L.). We assessed the effectiveness of four protective barriers: a rabbit-proof fence, a standard plastic tube commonly used in forestry, and an innovative plastic tube—variants with and without an additional rendering fat application. The study was situated in three extensive orchards in the southeastern part of Moravia in the Czech Republic. We analyzed the ratio of damaged trees, stem circumference damage, the length and height of damage on tree stems, the time periods with the most observed damage, and finally, the economic efficiency of each studied barrier. Most of the damage was observed in April and July. The most effective protective barrier was the innovative tube with rendering fat application (up to 100%) followed closely by the innovative tube without rendering fat application (95%). The standard plastic tube had an effectiveness of 49%, while the rabbit-proof fence was the least effective at 25%. In terms of the mean damage-lengths on tree stems, we found no significant differences between the rabbit-proof fence and the standard plastic tubes (21–22 cm). The usage of the innovative plastic tube without rendering fat reduced the average damage-length by half (10 cm) as compared to standard types (rabbit-proof fence, standard tube) of protection. The damage-heights on tree stems showed no significant differences among all variants (53–58 cm from the ground). Our analysis of economic parameters showed that rabbit-proof fencing had the worst cost efficiency, while the innovative tubes without rendering fat, had the best cost efficiency. We recommend starting the installation of protective barriers on trees in March, since we recorded relatively high activity of male roe deer in the following months.

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3

McConaghy, Cathryn. "Linda C. and the Terrors of the Rabbit-Proof Fence." ESC: English Studies in Canada 30, no. 2 (2004): 13–20. http://dx.doi.org/10.1353/esc.2004.0012.

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4

Bradford, Clare. "The Stolen Generations of Australia: Narratives of Loss and Survival." International Research in Children's Literature 13, no. 2 (December 2020): 242–58. http://dx.doi.org/10.3366/ircl.2020.0356.

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Australian texts for the young run the gamut of representational approaches to the removal of Indigenous children. Early colonial texts treated child removals as benign acts designed to rescue Indigenous children from savagery, but from the 1960s Indigenous writers produced life writing and fiction that pursued strategies of decolonisation. This essay plots the history of Stolen Generation narratives in Australia, from the first Australian account for children in Charlotte Barton's A Mother's Offering to Her Children to Doris Pilkington Garimara's Follow the Rabbit-Proof Fence, Philip Noyce's film Rabbit-Proof Fence, and pedagogical materials that mediate the book and film to children. Garimara's book and Noyce's film expose the motivations of those responsible for child removal policies and practices: to eliminate Indigenous people and cultures and to replace them with white populations. Many pedagogical materials deploy euphemistic and self-serving narratives that seek to ‘protect’ non-Indigenous children from the truths of colonisation.

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5

Chan, Queenie Monica. "Reconstructing images of history: Christopher Doyle, Rabbit-Proof Fence and postcolonial collage." Studies in Australasian Cinema 2, no. 2 (January 2008): 121–40. http://dx.doi.org/10.1386/sac.2.2.121_1.

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6

Beyer, Charlotte. "Exploring Postcolonial and Feminist Issues: Rabbit‐Proof Fence in a Teaching Context." Changing English 17, no. 1 (March 2010): 93–101. http://dx.doi.org/10.1080/13586840903557100.

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7

Vlachos, Alexandra. "Fortress Farming in Western Australia? The Problematic History of Separating Native Wildlife from Agricultural Land through the State Barrier Fence." Global Environment 13, no. 2 (June 15, 2020): 368–403. http://dx.doi.org/10.3197/ge.2020.130206.

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The Western Australia (WA) State Barrier Fence stretches 2,023 miles (3,256 kilometres) and divides Australia's largest state. The original 'Rabbit Proof Fence' fence was built from 1901–1907 to stop the westbound expansion of rabbits into the existing and potential agricultural zone of Western Australia. Starting as a seemingly straightforward, albeit costly, solution to protect what was considered a productive landscape, the fence failed to keep out the rabbits. It was subsequently amended, upgraded, re-named and used to serve different purposes: as Vermin Fence and State Barrier Fence (unofficially also Emu Fence or Dog Fence) the fence was designed to exclude native Australian animals such as emus, kangaroos and dingoes. In the Australian 'boom and bust' environment, characterised by extreme temperatures and unpredictable rainfall, interrupting species movement has severe negative impacts on biodiversity – an issue aggravated by the fact that Australia leads in global extinction rates (Woinarski, Burbidge and Harrison, 2015). The twentieth century history of the fence demonstrates the agrarian settlers' struggle with the novelty and otherness of Western Australia's ecological conditions – and severe lack of knowledge thereof. While the strenuous construction, expensive maintenance and doubtful performance of the fence provided useful and early environmental lessons, they seem largely forgotten in contemporary Australia. The WA government recently commenced a controversial $11 million project to extend the State Barrier Fence for another 660 kilometres to reach the Esperance coast, targeting dingoes, emus and kangaroos – once again jeopardising habitat connectivity. This paper examines the environmental history, purposes and impacts of the State Barrier fence, critically discusses the problems associated with European farming and pastoralism in WA, and touches on alternative land-use perspectives and futures.

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8

Weik von Mossner, Alexa. "Empathy, Emotion, and Environment in Alternative Australian Landscape Cinema: The Case of Rabbit-Proof Fence." Emotions: History, Culture, Society 3, no. 2 (November 15, 2019): 245–65. http://dx.doi.org/10.1163/2208522x-02010059.

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Abstract The article aims to complement contextual analyses of the political, ideological and commercial uses of natural environments in Australian landscape cinema by exploring from a cognitive perspective exactly how such environments are foregrounded in ways that affect viewers’ emotional relationships to both characters and the environments themselves. Phillip Noyce’s Rabbit-Proof Fence (2002) serves as an example of a film that aims for a realistic portrayal of the physical hardship of the Australian outback, while also using that cinematic environment strategically to reinforce viewers’ emotional attachment to its young heroines and, ultimately, to push a political argument that runs counter to the conservative national ideology that informs much of traditional Australian landscape cinema.

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9

Deubert, Kathy. "Beyond the No. 1 Rabbit-proof Fence: benefits and problems of isolation in Western Australia." Art Libraries Journal 13, no. 4 (1988): 22–23. http://dx.doi.org/10.1017/s0307472200005940.

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Western Australia has the dual problem of a very large land area and a small population with its capital city, Perth, one of the most geographically isolated cities in the world. The art community is active; art organisations, collectors and academic institutions are increasingly aware of their role in the promotion of the local heritage while realising the importance of trying to overcome cultural isolation.For librarians, isolation limits personal communication with eastern states colleagues, hinders access to larger interstate resources, and adversely affects the currency of their collections, but it also encourages a spirit of co-operation, communication and sharing of resources at the local level.

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10

Julia Emberley. "Epistemic Encounters: Indigenous Cosmopolitan Hospitality, Marxist Anthropology, Deconstruction, and Doris Pilkington’s Rabbit-Proof Fence." ESC: English Studies in Canada 34, no. 4 (2008): 147–70. http://dx.doi.org/10.1353/esc.0.0152.

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Books on the topic "Rabbit-proof fence"

1

Rabbit-proof fence. New York: Miramax Books, 2002.

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2

Follow the rabbit-proof fence. St. Lucia, Qld: University of Queensland Press, 1996.

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3

Walker, Terry. Murder on the rabbit proof fence: The strange case of Arthur Upfield and Snowy Rowles. Carlisle, W.A: Hesperian Press, 1993.

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4

McCarthy, Greg. Australian cinema and the spectres of post-coloniality: Rabbit-proof fence, Australian rules, the Tracker and Beneath clouds. London: Menzies Centre for Australian Studies, 2004.

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5

Noyce, Phillip. Rabbit-Proof Fence. Miramax Home Entertainment, 2003.

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6

Pilkington, Doris. Rabbit-proof Fence. Currency Press Pty Ltd, 2002.

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7

Noyce, Phillip. Rabbit-Proof Fence. Miramax Home Entertainment, 2003.

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8

Pilkington, Doris. Rabbit-proof Fence. Brand:, 2008.

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9

Rabbit-Proof Fence. Oxford University Press, 2007.

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10

Pilkington, Doris. Follow the Rabbit-Proof Fence. JOVERS, 2012.

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Book chapters on the topic "Rabbit-proof fence"

1

Butler, Kathy. "Rabbit Proof Fence." In Making Film and Television Histories. I.B.Tauris, 2012. http://dx.doi.org/10.5040/9780755698707.0010.

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2

Herrero, Dolores. "Rabbit-Proof Fence." In Narrating Nomadism, 81–91. Routledge India, 2020. http://dx.doi.org/10.4324/9780367818449-5.

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3

"Rabbit-Proof Fence (Phillip Noyce, 2002)." In Watching Human Rights, 118–26. Routledge, 2015. http://dx.doi.org/10.4324/9781315631219-57.

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4

Seal, Lizzie, and Maggie O’Neill. "Historical Spaces of Confinement 1: Homes for Indigenous Children in Australia." In Imaginative Criminology, 21–36. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529202687.003.0002.

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This chapter examines historical confinement via the example of homes for Indigenous children in Australia. Between 1910 and 1970 Indigenous children were removed from their families and placed in children’s homes in order to assimilate and ‘civilise’ them. Frequently, this removal was forcible. This chapter explores how these homes are remembered and imagined in oral history testimonies, as well as in the cultural representations, Follow the Rabbit Proof Fence (2002), Doris Garimara Pilkington’s life narrative and its film adaptation, Rabbit Proof Fence (Noyce, 2002).

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5

"Lost, Stolen and Found in Rabbit-Proof Fence." In Australian Cinema After Mabo, 133–51. Cambridge University Press, 2004. http://dx.doi.org/10.1017/cbo9780511802324.008.

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6

"Stolen-Generations Literature: —My Place and Rabbit-Proof Fence." In Cultural Memory and Literature, 73–83. Brill | Rodopi, 2016. http://dx.doi.org/10.1163/9789004304086_007.

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7

Riley, Kathleen. "Doris Pilkington Garimara’s Follow the Rabbit-Proof Fence (1996)." In Imagining Ithaca, 155–65. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198852971.003.0013.

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Chapter 12 focuses on Doris Pilkington Garimara’s Follow the Rabbit-Proof Fence, which reconstructs, through firsthand testimony and archival sources, the epic nostos undertaken in 1931 by three Australian Aboriginal girls who were part of the Stolen Generations of Indigenous children forcibly removed from their families in accordance with government policy. The chapter also looks at some of the testimony included in Bringing Them Home, the 1997 Report of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from their Families. And it considers, with reference to Indigenous Australia, the phenomenon of ‘solastalgia’, a term devised by environmental philosopher Glenn Albrecht to convey the homesickness a person feels while remaining at home.

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8

Aitken, Sue. "State Paternalism, Postcolonial Theory and Curricula Content: Rabbit-Proof Fence." In Using Film to Understand Childhood and Practice. Bloomsbury Academic, 2018. http://dx.doi.org/10.5040/9781474274593.ch-003.

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9

"Orientation and Narration: Aboriginal Identity in Nugi Garimara’s Follow the Rabbit-Proof Fence." In Contested Communities, 187–201. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004335288_013.

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