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Journal articles on the topic 'Rabinal Achí­'

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1

Paniagua, Carlos. "Del acontecimiento teatral al papel: Rabinal Achí." LETRAS 2, no. 64 (2019): 87. http://dx.doi.org/10.15359/rl.2-64.5.

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Este artículo analiza las implicaciones culturales de la fijación, la traducción y la recuperación textual de Rabinal Achí, mediante géneros, instrumentos y principios de filiación europea. Se estudian los distintos momentos históricos de este proceso cultural y sus actores. A partir del examen del discurso teatral, se plantean algunas consideraciones acerca de la relación entre cultura hegemónica y cultura subalterna.
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2

Yurchenco, Henrietta. "The Rabinal Achí: A Twelfth Century Drama of the Maya-Quiché of Guatemala." Acta Musicologica 57, no. 1 (1985): 37. http://dx.doi.org/10.2307/932688.

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3

Versényi, Adam. "Ritual Meets the Postmodern: Contemporary Mexican Theatre." New Theatre Quarterly 8, no. 31 (1992): 221–25. http://dx.doi.org/10.1017/s0266464x00006849.

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Adam Versényi here considers responses to the call for a new kind of Latin American theatre, combining anthropological awareness of the area's history and culture with the technical abilities and thematic sophistication of western theatre, through an analysis of two plays which suggests both the benefits and pitfalls of such an approach. These are Nahui Ollin, a shadow-puppet play dramatizing episodes from Nahuatl cosmogeny, and Los enemigos, a contemporary adaptation of the unique Mayan script, the Rabinal Achí. Adam Versényi has written widely on the theatre of Latin America, including a stu
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4

Graham-Jones, Jean. "The Coyote-Scholar in the Doctoral Theatre and Performance Studies Classroom: Reading Rabinal Achí, Güegüence, sor Juana, and Rascón Banda." Latin American Theatre Review 50, no. 1 (2016): 93–111. http://dx.doi.org/10.1353/ltr.2016.0062.

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5

Navarrete-Pellicer, Sergio. " El baile drama del Rabinal Achi: Notas críticas a la proclama The dance drama of Rabinal Achi: Critical notes to the proclamation." Ciencias Sociales y Humanidades 6, no. 1 (2019): 93–99. http://dx.doi.org/10.36829/63chs.v6i1.744.

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Se analiza la propuesta del gobierno de Guatemala del baile drama del Rabinal Achi como obra maestra del patrimonio oral intangible de la humanidad, el dictamen del autor, el impacto da declaratoria y algunas recomendaciones en torno a la riqueza de bailes drama como parte de la historia oral de Guatemala.
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6

Hamann, Byron Ellsworth. "Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama." Hispanic American Historical Review 89, no. 2 (2009): 325–26. http://dx.doi.org/10.1215/00182168-2008-087.

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7

Arrivillaga-Cortés, Alfonso, and Matthias Stöckli. "Las transcripciones musicales del Baile Drama del Rabinal Achi." Ciencias Sociales y Humanidades 6, no. 1 (2019): 101–9. http://dx.doi.org/10.36829/63chs.v6i1.785.

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8

Restall, Matthew. "The Rabinal Achi: A Mayan Drama of War and Sacrifice." Journal of Latin American Anthropology 9, no. 2 (2008): 467–68. http://dx.doi.org/10.1525/jlca.2004.9.2.467.

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9

Hamann, B. E. "The "Rabinal Achi": A Mayan Drama of War and Sacrifice." Ethnohistory 52, no. 2 (2005): 496–97. http://dx.doi.org/10.1215/00141801-52-2-496.

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10

Underiner, Tamara L. "Rabinal Achi: A Mayan Drama of War and Sacrifice (review)." Theatre Journal 56, no. 3 (2004): 517–18. http://dx.doi.org/10.1353/tj.2004.0132.

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11

Restall, Matthew. "The Rabinal Achi: A Mayan Drama of War and Sacrifice:The Rabinal Achi:A Mayan Drama of War and Sacrifice." Journal of Latin American Anthropology 9, no. 2 (2004): 467–68. http://dx.doi.org/10.1525/jlat.2004.9.2.467.

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12

Coe, Michael D. "Rabinal Achi: A Mayan Drama of War and Sacrifice. Dennis Tedlock." Journal of Anthropological Research 61, no. 1 (2005): 102–3. http://dx.doi.org/10.1086/jar.61.1.3631302.

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13

Carmack, Robert. "Rabina Achi: A Mayan Drama of War and Sacrifice." Hispanic American Historical Review 86, no. 1 (2006): 140–42. http://dx.doi.org/10.1215/00182168-86-1-140.

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14

Henríquez Puentes, Patricia. "Rabinal Achi o Danza del Tun: Asuntos sobre el legado de un Don." Atenea (Concepción), no. 502 (2010): 55–72. http://dx.doi.org/10.4067/s0718-04622010000200004.

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15

Albert, Santiago. "Xajooj Tun o Baile del Tun: Un registro fotográfico sobre el Rabinal Achi." Ciencias Sociales y Humanidades 6, no. 1 (2019): 135–49. http://dx.doi.org/10.36829/63chs.v6i1.745.

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16

von Schwerin, Jennifer. "Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama. Alain Breton , Teresa Lavender Fagan , Robert Schneider." Journal of Anthropological Research 65, no. 3 (2009): 507–9. http://dx.doi.org/10.1086/jar.65.3.25608243.

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17

Christenson, Allen J. "Dancing the World of the Ancients (Rabinal Achi: A Mayan Drama of War and Sacrifice, Dennis Tedlock)." Anthropology Humanism 29, no. 2 (2004): 206–7. http://dx.doi.org/10.1525/ahu.2004.29.2.206.

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18

Hinojosa, Servando Z. "Ossified and Materialized Selves in Three Manuscripts of Colonial Guatemala: Connections with the Sacred Instrumentality of Bone." Ethnohistory 66, no. 4 (2019): 667–88. http://dx.doi.org/10.1215/00141801-7683276.

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Abstract Guatemalan colonial-period documents have proven valuable for revealing Maya thinking about bone, especially how Mayas imbued bones with personal identity. At key moments in the narratives of three Guatemalan manuscripts, the Rabinal Achi, Xpantzay Cartulary, and Pop Wuj, Mayas materialized the self of important individuals through their bones, treating the bones at times like captives. By doing this, colonial-era Mayas were revealing their ideational linkages with Mayas from the Classic and Postclassic periods who practiced ancestor veneration using bones. In this network of practice
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19

Nurdin, Abidin. "INTEGRASI AGAMA DAN BUDAYA: Kajian Tentang Tradisi Maulod dalam Masyarakat Aceh." El-HARAKAH (TERAKREDITASI) 18, no. 1 (2016): 45. http://dx.doi.org/10.18860/el.v18i1.3415.

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<p>Islam and tradition in Aceh Community likes substance and attribut that cannot be separated each other. Religion and culture has been integrated in way of life, system social, culture and Islamic values. In cultural perspective, tradition of <em>maulod</em> has become deeping ritual of religion that integrated by values of religion and tradition that connected each other. This study used sociological and religion anthropology approach by using data collection such as observation, interview and library research. The result of this study describe that in <em>maulud<
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20

Edmonson, Munro. "Rabinal Achi: Un drame dynastique maya de quinzième siècle. Édition Établie D'Apres le Manuscrit Pérez. Alain Breton. La Société d'Ethnologie, Université de Paris, 1994. 452 pp., 4 figures, glossary, bibliography. Fr 160,00 (paper)." Latin American Antiquity 7, no. 2 (1996): 174. http://dx.doi.org/10.2307/971624.

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21

Christenson, Allen J. "Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama. Edited by Alain Breton; translated by Teresa Lavender Fagan and Robert Schneider. Boulder: University Press of Colorado, 2007. Pp. xviii, 396. Illustrations. Maps. Glossary. Index. $34.95 paper, $75.00 cloth." Americas 65, no. 1 (2008): 111–12. http://dx.doi.org/10.1353/tam.0.0005.

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22

Henríquez Puentes, Patricia. "TEATRO MAYA: RABINAL ACHÍ O DANZA DEL TUN." Revista chilena de literatura, no. 70 (April 2007). http://dx.doi.org/10.4067/s0718-22952007000100004.

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23

Chen, Guillermo. "La Identidad del Pueblo Maya Achi, antes, durante y después del conflicto armado interno." Revista Ciencia Multidisciplinaria CUNORI 2, no. 1 (2018). http://dx.doi.org/10.36314/cunori.v2i1.60.

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La Identidad del Pueblo Maya Achí, antes, durante y después del conflicto armado interno. La investigación se centra en la comunidad de Rabinal, pueblo Maya Achí, que en general sobrevivió una represión estructural y sistemática, denominada por Naciones Unidas como un conflicto armado interno (CAI) y denominado por la sociedad civil como genocidio, ha enfrentado problemas estructurales internos y externos que han debilitado su organización político-social y ha puesto en riesgo la continuidad de la reproducción de los saberes ancestrales de su propio pueblo, que son necesarios para la cohesión
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24

Craveri Slaviero, Michela Elisa. "Aproximación a la Retórica Kíche´." Estudios de Cultura Maya 24 (January 15, 2013). http://dx.doi.org/10.19130/iifl.ecm.2003.24.382.

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El artículo versa sobre el análisis de la retórica de .los textos contemporáneos del área k´iche´y de algunos fragmentos del Popol Vuh y del Rabinal Achí. Con respecto a la retórica occidental, los recursos están vinculados entre sí en cadenas de significación, en las que las mismas asociaciones semánticas adquieren varios significados en los diferentes contextos simbólicos y gramaticales. Las metáforas son los recursos claves de la retórica k´iche´ ya que permiten la connotación de la realidad a través de nuevos aspectos no incluidos en la esfera originaria del referente. También la versifica
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25

Henríquez Puentes, Patricia. "De la escena ritual a la teatral en una obra de teatro indígena prehispánico: Rabinal Achí o Danza del Tun." Aisthesis, no. 44 (December 2008). http://dx.doi.org/10.4067/s0718-71812008000100004.

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26

"Rabinal Achi: a Mayan drama of war and sacrifice." Choice Reviews Online 41, no. 06 (2004): 41–3518. http://dx.doi.org/10.5860/choice.41-3518.

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27

Taube, Karl. "DENNIS TEDLOCK (translator and interpreter), Rabinal Achi: A Mayan drama of war and sacrifice." Language in Society 36, no. 03 (2007). http://dx.doi.org/10.1017/s0047404507070212.

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28

ÇEVİK, Adnan. "Maya Uygarlığından Bir Tiyatro Örneği Rabinal Achi Veya Xajoj Tun A Theatre Example from Maya CivilizationRabinal Achi or Xajoj Tun." Tiyatro Ara, 2006. http://dx.doi.org/10.1501/tad_0000000029.

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29

Henríquez, Patricia. "RITOS DE PASO PARA LA PUESTA EN ESCENA DEL RABINAL ACHI O DANZA DEL TUN." Revista chilena de literatura, no. 76 (April 2010). http://dx.doi.org/10.4067/s0718-22952010000100011.

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