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Journal articles on the topic 'Race and television'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Waters, Rob. "Black Power on the Telly: America, Television, and Race in 1960s and 1970s Britain." Journal of British Studies 54, no. 4 (2015): 947–70. http://dx.doi.org/10.1017/jbr.2015.112.

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AbstractThis paper proposes the importance of television, the televisation of US and British race politics, and the framing of “Black Power” in this television coverage, for race politics in Britain in the late 1960s and early 1970s. British politics and culture was “re-racialized” in the postwar era, and television, for white and black Britons, became a site of racial knowledge, racial identification, and racial dislocation. The rise of television as a central medium of everyday life saw it emerge, too, as a central site for the imagination of community. As critics have long noted, the commun

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2

Dasgupta, Sudeep, and Anikó Imre. "Editorial: Race and TV in Europe." Race and European TV Histories 10, no. 20 (2021): 1. http://dx.doi.org/10.18146/view.284.

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This special issue on race and European television will begin the work of documenting and understanding the many ways in which television has both perpetuated and critically interrogated racialized regimes in Europe and in European countries’ ongoing relationships to their postcolonial geopolitical spheres. We have a dual goal for this issue: to break the silence and begin to describe, both retroactively and with a look to the future, television’s specific roles in visualizing, naturalizing, subverting and silencing race in Europe; and to account for the enduring reluctance to do this work in

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3

Jacobs Henderson, Jennifer, and Gerald J. Baldasty. "Race, Advertising, and Prime-Time Television." Howard Journal of Communications 14, no. 2 (2003): 97–112. http://dx.doi.org/10.1080/10646170304267.

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Bramlett‐Solomon, Sharon, and Yvette Roeder. "Looking at Race in Children's Television." Journal of Children and Media 2, no. 1 (2008): 56–66. http://dx.doi.org/10.1080/17482790701733187.

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5

Frandsen, Kirsten. "Tour de France in a digital television paradigm." MedieKultur: Journal of media and communication research 39, no. 75 (2023): 032–52. http://dx.doi.org/10.7146/mk.v39i75.138616.

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This article analyses sports events as mega-events with global appeal and increasing socio-economic and cultural significance, and as genres which have now become important in the television industry’s transformation from broadcast to online streaming. It presents findings from a qualitative production analysis of how the Tour de France 2022 was shaped in a twofold strategic context. Genre specific aspects of the media event in the ongoing transformation of the television industry and wider strategic interests behind the hosting and organization of the start of the race in Denmark 2022 are dis

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Ruano-López, Soledad. "Culture and television. A controversial relation." Comunicar 14, no. 28 (2007): 177–82. http://dx.doi.org/10.3916/c28-2007-17.

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From the birth of the public television in Europe, media has been related with cultural and divulging objectives. Nevertheless, it is necessary to admit that the relation between television and culture have always been difficult or al least controversial. Until the eighties there seemed to exist a mutual respect among each other but since the loss of monopoly on the part of the public European chains the relation has been getting worse. Public television has got involved in drag by a crazy race for audience rates where programmes on or with cultural values have been progressively diminished. D

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7

Rogers, Liam. "The Black Android, Janelle Monáe and Crossover Stardom: Race and Technology On-screen." Film-Philosophy 29, no. 2 (2025): 329–55. https://doi.org/10.3366/film.2025.0308.

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Artificial people, far from embodying the false promise of a post-racial future, come to be inscribed with signifiers of race across science fiction film and television. However, like Western philosophy’s theorisation of technology, on-screen imaginations of artificial people are overwhelmingly white. With the help of critical race theory and critical philosophies of race, this article explores what it means for an artificial person to be Black. It brings a comprehensive account of the racialisation of technology, both off- and on-screen, into conversation with the work of Afrofuturist musicia

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8

Liarou, Eleni. "British Television's Lost New Wave Moment: Single Drama and Race." Journal of British Cinema and Television 9, no. 4 (2012): 612–27. http://dx.doi.org/10.3366/jbctv.2012.0108.

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The article argues that the working-class realism of post-WWII British television single drama is neither as English nor as white as is often implied. The surviving audiovisual material and written sources (reviews, publicity material, biographies of television writers and directors) reveal ITV's dynamic role in offering a range of views and representations of Britain's black population and their multi-layered relationship with white working-class cultures. By examining this neglected history of postwar British drama, this article argues for more inclusive historiographies of British televisio

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9

McGuire, Maureen T., Dianne R. Neumark-Sztainer, and Mary Story. "Correlates of Time Spent in Physical Activity and Television Viewing in a Multi-Racial Sample of Adolescents." Pediatric Exercise Science 14, no. 1 (2002): 75–86. http://dx.doi.org/10.1123/pes.14.1.75.

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This study assessed whether the correlates related to physical activity and television viewing differed across gender, grade, and racial groups. Adolescents (n = 4746) from 31 junior and senior high schools completed a self-administered survey. Adolescents’ physical activity was related to their families’ and friends’ fitness concerns. Adolescents’ physical activity was also related to their own fitness and health concerns. Few correlates of physical activity differed by gender, age, or race. Television viewing was negatively related to the family’s fitness concerns and health concerns; howeve

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10

Lipschultz, Jeremy H., and Michael L. Hilt. "Race and Local Television News Crime Coverage." SIMILE: Studies In Media & Information Literacy Education 3, no. 4 (2003): 1–10. http://dx.doi.org/10.3138/sim.3.4.003.

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11

Li-Vollmer, Meredith. "Race Representation in Child-Targeted Television Commercials." Mass Communication and Society 5, no. 2 (2002): 207–28. http://dx.doi.org/10.1207/s15327825mcs0502_6.

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12

Denzin, Norman K., and Herman Gray. "Watching Race: Television and the Struggle for "Blackness"." Contemporary Sociology 25, no. 5 (1996): 688. http://dx.doi.org/10.2307/2077600.

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13

Larson, Mary Strom. "Race and Interracial Relationships In Children's Television Commercials." Howard Journal of Communications 13, no. 3 (2002): 223–35. http://dx.doi.org/10.1080/10646170290109707.

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14

Marchetti, Gina. "Race, Class, Gender, and Television Action:Vanishing SonandMartial Law." Film International 1, no. 2 (2003): 33–43. http://dx.doi.org/10.1386/fiin.1.2.33.

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15

Wolock, Lia, and Aswin Punathambekar. "Race and Ethnicity in Post-network American Television." Television & New Media 16, no. 7 (2014): 664–79. http://dx.doi.org/10.1177/1527476414564985.

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16

Rivadeneyra, Rocío. "Gender and Race Portrayals on Spanish-Language Television." Sex Roles 65, no. 3-4 (2011): 208–22. http://dx.doi.org/10.1007/s11199-011-0010-9.

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17

Smit, Alexia, and Tanja Bosch. "Television and Black Twitter in South Africa: Our Perfect Wedding." Media, Culture & Society 42, no. 7-8 (2020): 1512–27. http://dx.doi.org/10.1177/0163443720926040.

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This article examines Twitter use by audiences of the popular South African television show, Our Perfect Wedding. We argue that the show’s Twitter feed provides an extension of South Africa’s ‘Black Twitter’ facilitating a space for recognition and group identity for Black South African television viewers. Such a space is significant since Black audiences have been neglected in the short history of South African television broadcasting. On Our Perfect Wedding, broadcast on a satellite television service DStv to paying subscribers, questions of class and race are salient for an audience group p

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18

Carson, Valerie, Amanda E. Staiano, and Peter T. Katzmarzyk. "Physical Activity, Screen Time, and Sitting Among U.S. Adolescents." Pediatric Exercise Science 27, no. 1 (2015): 151–59. http://dx.doi.org/10.1123/pes.2014-0022.

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The purpose of this study was to describe self-reported levels of sitting, moderate- to vigorous-intensity physical activity (MVPA), television viewing, and computer use in a representative sample of US adolescents and to make comparisons between sex, race/ethnicity, weight status, and age groups. Results are based on 3556 adolescents aged 12-19 years from the 2007-2012 National Health and Nutrition Examination Survey. Participants self-reported demographic, sitting, MVPA, television viewing (2011-2012 only) and computer use (2011-2012 only) variables. Height and weight were measured to calcul

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19

Patricia, M. Muhammad. "BOOK REVIEW: Technicolored: Reflections on Race in Time of TV." International Social Science Review 95, no. 1 (2019): Art. 7. https://doi.org/10.5281/zenodo.2652459.

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Ann duCille, Professor Emeritus at Wesleyan University, introduces readers to a limited litany of various television programs and actors, hailing black theatrical representation since its advent in the 1950s and correlated with historical events. For many readers, the author’s assessment—a portion of which is commentary and the other part memoir—is an introduction to early television shows that ended before several generations had the opportunity to make their own analysis of them. This text provides ample American history as well as critical race theory analysis suitable for

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20

Calderón-Sandoval, Orianna, Ángela Rivera-Izquierdo, and Adelina Sánchez-Espinosa. "Race-ing Masculinity." Feminist Media Histories 10, no. 4 (2024): 109–31. http://dx.doi.org/10.1525/fmh.2024.10.4.109.

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Studies about representations of Latinidad in US and European media have identified stereotypes like criminalization and hypersexualization. Furthermore, it has been argued that comedy operates as a double-edged sword in exposing racism, as humor can be deployed to simultaneously mask/justify and show/denounce racial discrimination and monolithic representations of Latinidad. Using a feminist intersectional perspective that foregrounds constructions of masculinities and racialization/migration as exclusionary factors, this essay discusses how RTVE Playz, the digital platform of the Spanish pub

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21

Bristor, Julia M., Renée Gravois Lee, and Michelle R. Hunt. "Race and Ideology: African-American Images in Television Advertising." Journal of Public Policy & Marketing 14, no. 1 (1995): 48–59. http://dx.doi.org/10.1177/074391569501400105.

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Although the numerical representation of African-Americans in contemporary television advertising has improved in recent years, the authors’ analysis illustrates how the potentially positive effects of including more African-Americans in advertisements are often mitigated by subtle racist elements that suggest African-American inferiority. Using an interpretive approach, the authors cast the problem within a framework of racism as ideology, that is, the dominant white ideology pervading the advertising industry. Their discussion of six themes identified in their analysis of prime-time televisi

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22

Shehab, Ali J. Al. "GENDER AND RACIAL REPRESENTATION IN CHILDREN’S TELEVISION PROGRAMMING IN KUWAIT: IMPLICATIONS FOR EDUCATION." Social Behavior and Personality: an international journal 36, no. 1 (2008): 49–64. http://dx.doi.org/10.2224/sbp.2008.36.1.49.

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An examination was carried out of television programs made for children and also television programs that involved children, regardless of their intended audience. The aim of the study was to determine the effects of these programs in terms of gender and race representations and stereotypes. A content analysis was run on segments from two television channels, the Kuwait national channel and the Egyptian satellite channel. Findings are given and discussed against a rich background of research in this area, and conclusions and implications for education are presented.

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23

Coover, Gail E. "Television and Social Identity: Race Representation as "White" Accommodation." Journal of Broadcasting & Electronic Media 45, no. 3 (2001): 413–31. http://dx.doi.org/10.1207/s15506878jobem4503_3.

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24

Murphy, Caryn. "Network television writers and the ‘race problems’ of 1968." Journal of Screenwriting 10, no. 3 (2019): 307–21. http://dx.doi.org/10.1386/josc_00006_1.

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This article examines the development of television scripts in the crime drama genre within the context of US commercial broadcasting in the network era. In 1968, public discourse around race relations, civil rights and violence reached a height following the assassinations of Martin Luther King, Jr and Robert F. Kennedy, and the release of a government study on urban uprisings by the National Advisory Commission on Civil Disorders. Ironside (1967‐75, NBC) and N.Y.P.D. (1967‐69, ABC) are two crime dramas that drew on recent events related to black militants and white supremacy in order to appe

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25

Billah, Zakiyah Dania. "Watchmen (2019): Is it an African-American superhero narrative or another traditional way to present racism?" Leksika: Jurnal Bahasa, Sastra dan Pengajarannya 17, no. 1 (2023): 56. http://dx.doi.org/10.30595/lks.v17i1.15797.

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There have been many studies on race relations between African-American and White-American or Asian-American and White-American. However, there are few studies regarding the portrayal of these three races in media, such as film. The purpose of this study is to expose the Watchmen (2019) television series’ African-American superhero narrative and its racial relationship between white Americans, African Americans, and Vietnamese Americans (Asian Americans). In the United States, recent race relation is considered better than in the past, as proved by Obama serving the country for two terms, but

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26

Chan, Sally. "Constructions of race in advertising archives: The “silent” Chinese minority." Alphaville: journal of film and screen media, no. 25 (August 30, 2023): 104–14. http://dx.doi.org/10.33178/alpha.25.07.

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What do historical representational imageries of the Chinese in television commercials tell us about Britain’s perceptions of this ‘silent’ community? The power of advertising to distort reality and misrepresent ‘the Other’ is well documented. This report addresses colonial constructions of race in advertising using historical archival evidence of the Chinese as a hidden ethnic minority community in Britain. The arguments, drawn from my doctoral thesis, emphasises the importance of archival analysis in historical research on race. In particular, cultural commodification of Chinese culture is e

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27

Fareed, Naleef, Christine M. Swoboda, Pallavi Jonnalagadda, Daniel M. Walker, and Timothy R. Huerta. "Differences Between Races in Health Information Seeking and Trust Over Time: Evidence From a Cross-Sectional, Pooled Analyses of HINTS Data." American Journal of Health Promotion 35, no. 1 (2020): 84–92. http://dx.doi.org/10.1177/0890117120934609.

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Purpose: Assessed racial disparities in health information-seeking behavior and trust of information sources from 2007 to 2017. Design: Pooled cross-sectional survey data. Setting: Health Information National Trends Survey (HINTS). Participation: Data included 6 iterations of HINTS (pooled: N = 19 496; 2007: n = 3593; 2011: n = 3959; 2013: n = 3185; Food and Drug Administration [FDA] 2015: n = 3738; 2017: n = 3285; and FDA 2017: n = 1736). Measures: Outcome variables were health information seeking, high confidence, and high trust of health information from several sources. Independent variabl

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28

Aspler, John, Kelly D. Harding, and M. Ariel Cascio. "Representation Matters: Race, Gender, Class, and Intersectional Representations of Autistic and Disabled Characters on Television." Studies in Social Justice 16, no. 2 (2022): 323–48. http://dx.doi.org/10.26522/ssj.v16i2.2702.

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Media reflect and affect social understandings, beliefs, and values on many topics, including the lives of autistic and disabled people. Media analysis has garnered attention in the field of disability studies, which some scholars and activists consider a promising approach to discussing the experiences of – and for promoting social justice for – autistic people, who remain underrepresented on scripted television. Additionally, existing portrayals often rely on stereotyped representations of disabled individuals as objects of pity, objects of inspiration, or villains. Television may also serve

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29

Baker, Catherine. "Your Race Sounds Familiar?" Race and European TV Histories 10, no. 20 (2021): 83. http://dx.doi.org/10.18146/view.267.

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Your Face Sounds Familiar, a celebrity talent television format developed by the Dutch production company Endemol and first broadcast in Spain in 2011, has entertained audiences in more than forty countries with the sight of well-known professional musicians impersonating foreign and domestic stars through cross-gender drag and, on many national editions, cross-racial drag, with results that would widely be regarded as offensive blackface where this has already been extensively challenged as racist in public. In central/south-east Europe, however, blackface is sometimes justified by arguing th

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30

CHOPRA-GANT, MIKE. "The Law of the Father, the Law of the Land: Power, Gender and Race in The Shield." Journal of American Studies 41, no. 3 (2007): 659–73. http://dx.doi.org/10.1017/s0021875807004045.

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This article examines the construction of gender and race in the television series The Shield (FX 2002–). The article argues that while The Shield seems to offer an ostensibly progressive vision of a multi-cultural society in which race and gender represent no barrier to the possession of legitimate authority, the series premises the possibility of such access to power on the continuing possession of “real” power by a paternalistic white, male figure, thus presenting a regressive conservative vision of gender and race relations in contemporary US society.

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31

Classen, S. D. "Television in Black-and-White America: Race and National Identity." Journal of American History 93, no. 2 (2006): 588–89. http://dx.doi.org/10.2307/4486357.

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32

Takacs, Stacy. "Television in Black-and-White America: Race and National Identity." History: Reviews of New Books 34, no. 2 (2006): 38–39. http://dx.doi.org/10.1080/03612759.2006.10526769.

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33

Milner, Laura M. "Race Portrayals in Ghana, Kenya, and South Africa Television Advertisements." Journal of African Business 8, no. 2 (2007): 41–59. http://dx.doi.org/10.1300/j156v08n02_04.

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34

Dixon, Travis L., and Daniel Linz. "Television News, Prejudicial Pretrial Publicity, and the Depiction of Race." Journal of Broadcasting & Electronic Media 46, no. 1 (2002): 112–36. http://dx.doi.org/10.1207/s15506878jobem4601_7.

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35

Busselle, Rick, and Heather Crandall. "Television Viewing and Perceptions About Race Differences in Socioeconomic Success." Journal of Broadcasting & Electronic Media 46, no. 2 (2002): 265–82. http://dx.doi.org/10.1207/s15506878jobem4602_6.

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36

Dixon, Travis L., Cristina L. Azocar, and Michael Casas. "The Portrayal of Race and Crime on Television Network News." Journal of Broadcasting & Electronic Media 47, no. 4 (2003): 498–523. http://dx.doi.org/10.1207/s15506878jobem4704_2.

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37

Mathews, Sarah A. "DisruptingThe Amazing Race: Education, Exploration, and Exploitation in Reality Television." Theory & Research in Social Education 37, no. 2 (2009): 247–72. http://dx.doi.org/10.1080/00933104.2009.10473396.

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38

Schaffner, Brian F., and Mark Gadson. "Reinforcing Stereotypes? Race and Local Television News Coverage of Congress*." Social Science Quarterly 85, no. 3 (2004): 604–23. http://dx.doi.org/10.1111/j.0038-4941.2004.00235.x.

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DIXON, TRAVIS L., and DANIEL LINZ. "Race and the Misrepresentation of Victimization on Local Television News." Communication Research 27, no. 5 (2000): 547–73. http://dx.doi.org/10.1177/009365000027005001.

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Alfianto, Rudi. "The Role of Public Relations in the Television Series "The Boys"." Jurnal ISO: Jurnal Ilmu Sosial, Politik dan Humaniora 4, no. 2 (2024): 7. https://doi.org/10.53697/iso.v4i2.1990.

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The television series "The Boys" is a series that tells the story of improving the image of a hero by a public relations practitioner. This television series also raises the issue of the life of a hero in the eyes of the public and the media who have a bad image. The purpose of this research is to find out the role of public relations in the character Ashley J. Barrett, played by Colby Minifie in the television series "The Boys". The research method used by researchers is a qualitative method, with a semiotic approach, namely a science that studies signs. The theory used focuses on the level o

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41

Andrews, Kylie. "Broadcasting inclusion and advocacy: a history of female activism and cross-cultural partnership at the post-war ABC." Media International Australia 174, no. 1 (2019): 97–108. http://dx.doi.org/10.1177/1329878x19876331.

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During the first decade of television in Australia, a cohort of female broadcasters used their hard-won positions at the Australian Broadcasting Commission (ABC) to challenge the social and cultural complacencies of post-war society. Counteracting the assumption that women were largely absent in post-war broadcasting, this research discusses how two of these producers used their roles as public broadcasters to enact their own version of feminism, a social and cultural activism framed through active citizenship. Critiquing race, gender and national identity in their programmes, they partnered w

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42

Heath, Linda, Candace Kruttschnitt, and David Ward. "Television and Violent Criminal Behavior: Beyond the Bobo Doll." Violence and Victims 1, no. 3 (1986): 177–90. http://dx.doi.org/10.1891/0886-6708.1.3.177.

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This study builds on the research concerning television viewing and aggression by extending the external validity, or generalizability, of the dependent variable. We assess the relationship between self-reported television viewing at 8, 10, and 12 years of age and the subsequent commission of a violent criminal act. This study is based on interview data from 48 males incarcerated for violent crimes and 45 nonincarcerated, nonviolent males matched on age, race, and neighborhood of residence during adolescence. Results show that the extent of a respondent’s reported television viewing was not, i

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Alkon, Alison Hope, and Rafi Grosglik. "Eating (with) the Other." Gastronomica 21, no. 2 (2021): 1–13. http://dx.doi.org/10.1525/gfc.2021.21.2.1.

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This article aims to describe and theorize the role of food television in cultivating popular understandings of the relationship between food and race. Although there is burgeoning research on representations of food and identity, scholars have devoted much less attention to representations of race in food-related television programming. This article highlights the necessity of doing so through a comparative examination of shows that aim to expose viewers to racial and ethnic communities through their foodways. We ask to what extent these shows deliver contact across racial difference in hiera

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NAN, ISHA. "DISKRIMINASI IKLAN PEMBERSIH DI TELEVISI DALAM PANDANGAN ISLAM DAN MERVIN DEFLEUR." TASAMUH 18, no. 2 (2020): 265–80. https://doi.org/10.20414/tasamuh.v18i2.2884.

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Cleaning ads are one of the commercial advertising models that often appear on television screens. Choosing television as a medium to broadcast advertisements is inseparable from the existence of television capital in influencing audiences, namely its ability to build images and meaning. This power is often used by advertisements in marketing their products. Advertising is often imaged as a product that can solve human problems, especially those related to cleanliness. The construction and delivery of its subtle messages often make audiences fascinated and hypnotized. Even though without reali

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45

Szczepaniak-Gillece, Jocelyn. "The Right to Sit Still." Film Quarterly 77, no. 4 (2024): 9–18. http://dx.doi.org/10.1525/fq.2024.77.4.9.

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In this essay, Jocelyn Szczepaniak-Gillece considers how criticism, spectatorship, and the markers of the procedural overlap in a contemporary moment where leisure has been ceded to work. By reading across multiple objects, from MovieTok film and television reviews and YouTube video essays, to prestige film and television, to Marxist provocations, to cultural criticism, this essay argues that simply looking at media has been replaced by an obsessive drive toward content creation. Because watchers in late capitalism are encouraged always to produce and never to sit still, the liberatory potenti

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Hodges, Adam. "Ideologies of language and race in US media discourse about the Trayvon Martin shooting." Language in Society 44, no. 3 (2015): 401–23. http://dx.doi.org/10.1017/s004740451500024x.

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AbstractThis article examines the discourse about race and racism that ensued in the US media after the shooting death of an African American youth, Trayvon Martin, by a neighborhood watch volunteer, George Zimmerman, in February 2012. The analysis examines news programs from the three major cable television channels in the United States: CNN, Fox News, and MSNBC. The theoretical framework builds upon Hill's (2008) discussion of the ‘folk theory of race and racism’ in contrast to critical race theory, and asks, to what extent does the mainstream media's discourse about race remain embedded in

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47

Ndlovu, Musa. "Reading young adult South Africans’ reading of national television news." Communicare: Journal for Communication Studies in Africa 29, no. 2 (2022): 26–47. http://dx.doi.org/10.36615/jcsa.v29i2.1682.

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This article introduces a theoretical perspective on young adults’ television news-viewing choicesgrounded in the synthesis of reception aesthetics, socialisation theory and qualitative researchmethodology. It argues that this theoretical framework allows for a deeper contextual reading of thereader-text relationship and for the argument that, despite post-apartheid social transformation,young adult South Africans’ readings of locally produced television news texts are still ideologicallysituated sociocultural imports traceable to their differential class, race and gender positions in thecount

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48

Austin, Richard A., Denisse R. Thompson, and Charlene E. Beckmann. "Locusts for Lunch: Connecting Mathematics, Science, and Literature." Mathematics Teaching in the Middle School 12, no. 4 (2006): 182–89. http://dx.doi.org/10.5951/mtms.12.4.0182.

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Locusts for lunch? if you watch reality television, lunching on locusts is tame compared with some of the edibles that participants in Fear Factor, the Amazing Race, Survivor, and other programs are required to eat. Locusts are considered delicacies in many parts of the world.

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49

Gerbner, George. "Essay Reviews: The Hidden Message in Anti-Violence Public Service Announcements." Harvard Educational Review 65, no. 2 (1995): 292–99. http://dx.doi.org/10.17763/haer.65.2.k102244j40633615.

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In this essay, George Gerbner reviews eight television public service announcements (PSAs) that deal with urban violence and are produced by the media conglomerate HBO/Time Warner. Gerbner couches his critique of the PSAs in terms of the historical tension between the commercial nature of television in the United States and broadcasters' mandated role to serve the public. In creating a framework to understand the anti-violence PSAs, Gerbner broadens the discussion to include both the media industry in the United States and the demand for violence television programming in the international mar

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Marinos, Martin Yoanis. "Roma, Race and Socially Engaged Television on the Fringes of Europe." Race and European TV Histories 10, no. 20 (2021): 104. http://dx.doi.org/10.18146/view.272.

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This article contributes to the work of scholars of Eastern Europe who insist on the relevance of race and racism to the region. The text analyzes a contemporary Bulgarian documentary TV series, called Nichia Zemia (No Man’s Land) and its representation of Roma minorities. The study traces the connections between rising inequalities, poverty, and demographic change that accompany post-socialist neoliberalism and the portrayals of Roma as an external Other, criminals and a demographic threat. The text shows the limits of the concept of ethnicity and highlights the need for a systematic analysis

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