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Dissertations / Theses on the topic 'Race au cinéma'

Author: Grafiati
Published: 11 December 2022
Last updated: 31 July 2025

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1

Cervulle, Maxime. "L'écran blanc : diversité, rapports sociaux de "race" et sociologie des spectateurs de cinéma." Paris 1, 2011. http://www.theses.fr/2011PA010559.

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L'émergence du thème de la « diversité » dans le discours politique français a rendu public les débats autour de la part de représentation des « minorités visibles» dans les secteurs audiovisuels et cinématographiques. L'exigence de représentativité et d'inclusion qui leur est désormais adressée pose la question du rôle social et symbolique attribué à ces secteurs, aussi bien par les pouvoirs publics que par les publics eux-mêmes. Cette thèse interroge les termes du débat contemporain autour de la « diversité » et du cinéma, appréhendant dans le cadre d'une sociologie compréhensive les croyanc
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2

Telseren, Asli. "Reproduction et reconstruction des rapports sociaux de sexe et de « race » après le 11 septembre 2001 : Le cas des films hollywoodiens (2001-2011)." Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC019.

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Cette thèse a pour objet d'étude la reproduction et la reconstruction des rapports sociaux de sexe et de « race » après les attentats du 1: septembre 2001 au travers de la fabrication des images des femmes (dites) musulmanes du Moyen-Orient et des femmes musulmanes vivant en occident. La recherche qui est en partie fondée sur des sources bibliographiques s'appuie aussi sur l'analyse de films d'action hollywoodiens et des rhétoriques de la « guerre contre le terrorisme » dans un contexte idéologique que nous qualifions de « néo/orientaliste ». Ce dernier est entendu comme une idéologie de néoco
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3

Cerisuelo, Marc. "L'Instauration du cinéma : Poétique des films et interprétation : L'exemple des métafilms hollywoodiens." Paris 3, 1998. http://www.theses.fr/1998PA030188.

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La presente etude se propose d'illustrer les liens entre la poetique des films, l'histoire du cinema et la necessite d'une approche interpretative d'inspiration litteraire et philosophique. Une longue introduction presente la "discipline" en justifiant le recours au terme de poetique, et s'attache a demontrer - ou a rappeler - que le cinema n'est pas l'art de l'image. Une premiere partie definit la notion de metafilm, en la distinguant des autres productions consacrees au cinema et en proposant l'idee d'un genre ouvert. La seconde partie etudie le deploiement historique du genre a hollywood. L
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4

Kessous, Hélène. "La blancheur de la peau en Inde. Des pratiques cosmétiques à la redéfinition des identités." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH168.

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Le succès des crèmes blanchissantes en Inde n’est plus à démontrer. Qu’il s’agisse des crèmes pour le visage de Fair & Lovely (F&L) ou des savons blanchissants pour la toilette intime, chaque partie du corps semble soumise à l’injonction de la blancheur. Dans les années 1990 et la libéralisation du marché économique, F&L qui avait régné en maître pendant 30 ans, voit ses parts de marché se réduire. Concurrence indienne, concurrence occidentale, si le développement du marché dit des cosmetics joue un rôle important dans cet engouement pour la blancheur, il ne doit
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5

Larcher, Jonathan. "Des arts filmiques en anthropologie. Enquête, expérience et écologie des images en "tsiganie"." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH045/document.

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Cette recherche s’est initialement constituée autour de la réalisation de films documentaires et d’une collecte d’images vernaculaires produites dans le « quartier tsigane » (une « ţigănie ») du village de Dițești, au sud de la Roumanie. Dès le début de l’enquête, mes interlocuteurs m’indiquent que leur tsiganie est peuplée d’images ; des telenovelas, des images domestiques, des « films de commande familiaux », etc. Chaque situation filmée fait ainsi l’objet d’intenses négociations entre des pratiques et des expériences filmiques contrastées. Ce travail de description et de reconstitution de l
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6

Martins, Fernanda Aguiar Carneiro. "Le dialogue avec le passé : l'amalgame complexe entre En Rade (1927) et Le Chant de la mer (O Canto do mar, 1953) de Alberto Cavalcanti." Paris 3, 2008. http://www.theses.fr/2008PA030014.

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Cette recherche concernant le réalisateur brésilien Alberto Cavalcanti a pour but d´effectuer une analyse comparative de ses deux films, En rade (1927) et Le Chant de la mer (O Canto do Mar, 1953) – entre lesquels le cinéaste établit un dialogue, puisque Le Chant de la mer est une nouvelle version d´En rade. Ce travail essaie d´élucider des aspects qui, jusqu’à présent, restaient ignorés dans la filmographie cavalcantienne. En dépit de la multitude de facteurs qui caractérisent cette filmographie, l´étude approfondie d´En rade et du Chant de la mer permet d’appréhender ce qui s´avère central p
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7

Edwards, Tonia M. "From Boyz to the banlieue race, nation, and mediated resistance /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3331250.

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Thesis (Ph.D.)--Indiana University, Dept. of Communication and Culture, 2008.<br>Title from PDF t.p. (viewed on Jul 23, 2009). Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4161. Adviser: Joan Hawkins.
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8

Graham, Paula. "Imitation of life : gender, race, and sexuality in popular cinema." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311459.

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9

Thompson, Katherine Clay. "Cinema, Race, and Justice: A Qualitative Analysis of Selected Themes." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2109.

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The purpose of this study was to examine 7 different crime and justice films and provide a content analysis incorporating restorative justice and peacemaking perspectives. The 7 films examined in this study included 12 Angry Men, A Family Thing, American History X, American Me, Crash, Shawshank Redemption, and Traffic. The researcher examined the films and used content analysis to examine the behaviors and actions of the characters. The films were examined using 5 different analytical themes: "embracing change", "second chances", "hope", "connectedness", and "becoming more human". The current
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10

Barrero, Franquet Anna. "Ultra-endurance triathlon: heart rate-based intensity profile, energy balance, muscle damage and race performance." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/362661.

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This thesis presents the results of two research studies related to the physiological demands, the energy balance and the muscle damage induced by an ultra-endurance triathlon. The first study of this thesis examined the heart rate response during an ultra-endurance triathlon race in relation with heart rate-based intensity markers derived from specific swimming, cycling and running incremental tests. We found that, contrary to what was believed until now, the absolute or relative heart rate (expressed as percentage of heart rate peak) is greater in the swimming stage than in the cycling and
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11

Steains, Timothy Kazuo. "Becoming Mixed: Intercultural Engagement with Japan in Contemporary Australian Literature, Cinema, and Theatre." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16552.

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This thesis examines intercultural engagement between Australians and Japanese in a total of nine examples of contemporary Australian literature, cinema, and theatre. Given the recent political rhetoric surrounding Australia’s role in the ‘Asian century’ and its need to ‘engage’ Asia, this study considers how intercultural exchanges might lead to productive forms of cultural mixture in Australia. I use mixed racial and cultural experiences – such as my own – as a framework to think about the benefits of mixed cultural identification. I argue that cross-cultural engagement can lead individuals
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12

Copsey, Dickon. "Race, gender and nation : the cultural construction of identity within 1990s German cinema." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1927/.

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This study offers a cultural studies reading of race, gender and nation as represented in three thematic sub-genres of contemporary German film production. The aim of this study is to demonstrate that each of these thematic sub-genres offers a unique insight into the cultural construction of a distinct, yet problematic and porous umbrella identity enjoying a particular cultural currency in post-Wall Germany. It should be noted that, in this respect, this study represents a move away from these traditional diachronic analyses of German film, which attempt a snapshot of an entire history filmic
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13

Slack, Neil Graham. "A cinema of white masculine crisis : race and gender in contemporary British film." Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/2380/.

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The focus of this thesis is contemporary British cinema. Specifically, the emergence of a representational trend within its texts that has resulted in a disproportionate number of films whose protagonists are white, male, and who are in some way, beset by crisis. Two categories of identity are thus explored in this thesis, each of which possesses its own register of meaning, each of which requires (or seems to require) a particular approach in terms of the way that it is represented in film. These two categories are race and gender. In every sense then, this thesis seeks to take part in the di
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14

Hofstetter, Angela Dawn. "Lyrical beasts equine metaphors of race, class, and gender in contemporary Hollywood cinema /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3357987.

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Thesis (Ph.D.)--Indiana University, Dept. of Comparative Literature, 2009.<br>Title from PDF t.p. (viewed on Feb. 8, 2010). Source: Dissertation Abstracts International, Volume: 70-05, Section: A, page: 1649. Adviser: Barbara Klinger.
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15

Hertaud-Wright, Marie-Helene. "Masculinity, hybridity and nostalgia in French colonial fiction films of the 1930s." Thesis, Loughborough University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327684.

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16

Brown, Bryan. "Addicted to the Addict: Hollywood's Sinuous Relationship With the Drug-Addict in the 1970s." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/906.

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This study explores how the representation of the drug-addict in Hollywood cinema has changed due to governmental and studio policy change, social shifts of opinion, and economic structure. This discussion and exploration primarily focuses upon narrative Hollywood film as this industry has a long and varied history of addiction films. While there have been a variety of shifts in the depiction of drug-addiction due to social changes and industry regulation, perhaps at no other time in cinema history has the culmination of economics, politics, and independent art had such a large impact on the d
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17

Kelber-Kaye, Jodi. "Straighten up and breed White: The representation of race and sexuality in films about reproductive technologies." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/289943.

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This dissertation is concerned with the monstrous, specifically as it enters our understanding of reproductive technologies, and is represented through a series of films, beginning in the 1930s. In looking at filmic representations of reproductive technologies, this study indicates how the use of, and the results from, those technologies are characterized as monstrous. Because technological reproduction is demarcated as monstrous, non-technological reproduction is naturalized. Importantly, this naturalized reproduction in the films is not only non-technological, but specifically derived from h
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18

Rodrigues, Ana Ligia Muniz. "Trajetórias Imaginadas: representações da juventude negra no cinema brasileiro contemporâneo João Pessoa 2014." Universidade Federal da Paraí­ba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/7327.

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Made available in DSpace on 2015-05-14T13:27:11Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2067687 bytes, checksum: 5015ebdee2a9f4e76d39762a63c80ec5 (MD5) Previous issue date: 2014-02-20<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This work analyzes the representations of the black youth on the contemporary Brazilian cinema from the movie Bróder! (Jeferson De, 2010), considering that racial tensions that have marked the Brazilian society can be understood from film representations. Reviewing the 2000 s productions, the context of the movie production as a
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19

Ricci, Dario. "Guilty Pleasures: i piaceri perversi del rape and revenge." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amslaurea.unibo.it/25232/.

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Cosa può esserci di attraente in un genere cinematografico incentrato su stupri e omicidi quale il rape and revenge? Gli studi sull’argomento prediligono un approccio fondato sull’identità sessuale dello spettatore, e su come esso pregiudichi l’identificazione con i personaggi. La studiosa che più di tutte ha costruito la struttura su cui poggia questa visione è Laura Mulvey. L’intersezione fra appartenenza sessuale dello spettatore e ideologia promossa dal film, giustificata dalle teorie psicanalitiche e animata da un intento militante, ha posto le fondamenta su cui altre studiose, tra cui Ba
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20

Miao, Hui. "In-visibility : the sentimental in Chinese cinema since the 1990s." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3256/.

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The greater visibility of Chinese films brought by the wider global access and circulation has not satisfied the culturally specific understanding of Chinese cinema. The subject/object power relations stemming from the legacy of colonial and postcolonial discourse hinders the arrival of a better-balanced cross-cultural reading. The visibility of cinema provides a visual spectacle, it also challenges the audience with a communication of the epistemic side of visibility which feeds the images meaning and imagination and facilitates a more balanced culturally specific understanding. However, the
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Naveh, Jonathan. "Narratives on the Watch: Bodies, Images, & Technologies of Control in Contemporary Surveillance Cinema." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1407952133.

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22

Hirano, Luis Felipe Kojima. "Uma interpretação do cinema brasileiro através de Grande Otelo: raça, corpo e gênero em sua performance cinematográfica (1917-1993)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-14112013-122614/.

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Esta tese pretende analisar a trajetória de mais de 70 anos de Sebastião Bernardes de Souza Prata, Grande Otelo (1917-1993). Por um ângulo, ela contribui para pensar diferentes momentos do cinema brasileiro, tendo em vista que o ator foi parte integrante do imaginário cinematográfico nacional dos anos 1930 aos 1990, em filmes da Cinédia e Sonofilmes, em Its all true projeto inacabado de Orson Welles no Brasil , em produções do realismo carioca, nas chanchadas da Atlântida, no Cinema Novo e no Cinema Marginal. Por outro ângulo, observar essa trajetória permite refletir sobre o modo como as rel
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23

Burns, Ruth Barbara. "Reading race in Western Christian visual culture : tracing a delirium from Renaissance art to the Chris Ofili affair and contemporary religious cinema." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98915.

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This thesis examines the role of the Manichean dualism, the pervasive colour symbolism of white as good and black as evil. It looks at the manifestation of this symbolism in representations of Christianity, and the subsequent implications for race and racism in Western society. Through images of Jesus Christ and the Virgin Mary, I posit that the Western conflation of holiness with whiteness is a primary means through which whiteness retains hegemony. I argue that Renaissance painting has had a pivotal role in privileging the white body through its hyper-whitening of both Jesus and Mary. Both f
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Bondurand, Mouawad Michel. "Corps de terreur : genres, races et sexualités dans les représentations hollywoodiennes du terrorisme (1960-2010)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA116/document.

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La violence terroriste se définit principalement par le projet politique qui la motive. Or, depuis plusieurs décennies, Hollywood propose des personnages terroristes sans motivations politique avérées. Notre étude montre que la dépolitisation apparente de ces antagonistes particuliers fait entrer la représentation du terroriste dans une politique identitaire complexe dans laquelle le corps du personnage devient le véhicule principal du discours politique et que ce dernier porte principalement sur la renégociation des identités culturelles américaines, notamment sur les questions de races, de g
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25

García, Blizzard Mónica del Carmen. "The Indigenismos of Mexican Cinema before and through the Golden Age: Ethnographic Spectacle, “Whiteness,” and Spiritual Otherness." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1468943537.

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26

Denaro, Aurelia <1994&gt. "Terre rare, con repertorio terminografico." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14329.

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L’elaborato si propone di fornire indicazioni sulla natura, collocazione e industria delle terre rare, elementi chimici usati per la creazione di tecnologie all’avanguardia tra cui le tecnologie “verdi”. Queste materie prime, oltre che avere una forte influenza nell’economia mondiale, sono utili per la creazione di oggetti che non inquinano l’ambiente, ma la loro estrazione comporta gravi danni ambientali e talvolta sfruttamento di mano d’opera. Inoltre molte di queste sostanze provocano gravi malattie nelle persone che abitano nelle zone circostanti le miniere, che vi lavorano e che si occupa
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27

Jacobson, Lara K. "Diversity and Democracy at War: Analyzing Race and Ethnicity in Squad Films from 1940-1960." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/war_and_society_theses/6.

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Both the Second World War and the Korean War presented Hollywood with the opportunity to produce combat films that roused patriotic spirit amongst the American people. The obvious choice was to continue making the popular squad films that portrayed a group of soldiers working together to overcome a common challenge posed by the war. However, in the wake of various racial and ethnic tensions consistently unfolding in the United States from 1940 to 1960, it became apparent to Hollywood that the nation needed pictures of unity more than ever, especially if America was going to win its wars. Using
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28

Beverly, Michele P. "Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/37.

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In recent years, film, art, new media, and music video works created by black makers have demonstrated an increasingly “post-black” impulse. The term “post-black” was originally coined in response to innovative practices and works created by a generation of black artists who were shaped by hip-hop culture and Afro-modernist thinking. I use the term as a theoretical tool to discuss what lies beyond the racial character of a work, image, or body. Using a post-black theoretical methodology I examine a range of works by black filmmakers Kathleen Collins Prettyman and Lee Daniels, visual artists Wa
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29

Nascimento, Angelo Augusto Paula do. "Avalia??o da cinem?tica do complexo t?raco-abdominal durante repouso e endurance muscular respirat?ria em obesos." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16706.

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Made available in DSpace on 2014-12-17T15:16:13Z (GMT). No. of bitstreams: 1 AngeloAPN_DISSERT.pdf: 995336 bytes, checksum: 4255a44d807a847caa19fe61283e58b9 (MD5) Previous issue date: 2011-04-15<br>Background: Obesity may affect the respiratory system, causing changes in respiratory function and in the pulmonary volumes and flows. Objectives: To evaluate the influence of obesity in the movement of thoracoabdominal complex at rest and during maximal voluntary ventilation (MVV), and the contribution between the different compartments of this complex and the volume changes of chest wall bet
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30

Tofighian, Nadi. "Blurring the Colonial Binary : Turn-of-the-Century Transnational Entertainment in Southeast Asia." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-94155.

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This dissertation examines and writes the early history of distribution and exhibition of moving images in Southeast Asia by observing the intersection of transnational itinerant entertainment and colonialism. It is a cultural history of turn-of-the-century Southeast Asia, and focuses on the movement of films, people, and amusements across oceans and national borders. The starting point is two simultaneous and interrelated processes in the late 1800s, to which cinema contributed. One process, colonialism and imperialism, separated people into different classes of people, ruler and ruled, white
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Jacobs, Bidhan. "Vers une esthétique du signal. Dynamiques du flou et libérations du code dans les arts filmiques (1990-2010)." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030089.

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Au cours de la décennie 1990, l'introduction puis l’expansion accélérée du numérique par les industries techniques ont favorisé le développement dans les arts filmiques d’un courant critique spontané et collectif portant sur le signal. Nous élaborons une histoire des techniques et des formes esthétiques critiques du signal, en faisceaux de segments, selon une taxinomie qui prolonge le structuralisme matériologique des années 70 (Malcolm Le Grice, Peter Gidal, Paul Sharits, Anthony McCall). Cette histoire embrasse et met en perspective cinéma, vidéo et numérique, de manière à réorganiser nos co
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Mai, Nadin. "The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/22990.

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Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema of Filipino filmmaker Lav Diaz merges aesthetics of cinematic slowness with narratives of post-trauma in his films Melancholia (2008), Death in the Land of Encantos (2007) and Florentina Hubaldo, CTE (2012). Diaz has been repeatedly considered as representative of what Jonathan Romney termed in 2004 “Slow Cinema”. The director uses cinematic slowness for an alternative approach to an on-screen representation of post-trauma. Contr
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33

Ferreira, Mário Cézar Alves. "Ensinando história: produção de uma sequência didática sobre as representações do negro no Brasil." Universidade Tecnológica Federal do Paraná, 2015. http://repositorio.utfpr.edu.br/jspui/handle/1/1392.

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Acompanha: Ensinando história: produção de uma sequência didática sobre as representações do negro no Brasil<br>Este trabalho tem como objetivo principal apresentar a produção e a aplicação de uma sequência didática como produto educacional, para a apropriação do conhecimento de professores e de estudantes sobre as relações étnico-raciais no Brasil, no ensino de História. Os conceitos de representação, apropriação e práticas culturais da Nova História balizaram a construção deste objeto de análise. No que diz respeito às representações do negro, buscou-se, durante a aplicação do produto educac
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Rancan, Eleonora <1991&gt. "LE TERRE RARE: I 17 ELEMENTI CHIMICI DEL FUTURO E IL RUOLO DELLA CINA NEL SETTORE. PROPOSTA DI TRADUZIONE E COMMENTO DI DUE ARTICOLI SPECIALISTICI." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8111.

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Durante il “viaggio a Sud” tenutosi nel gennaio del 1992, Deng Xiaoping ha sottolineato, attraverso le seguenti parole, l’importanza strategica delle terre rare: “Il Medio Oriente possiede il petrolio, la Cina possiede le terre rare”. Il promotore del rilancio e del rafforzamento della politica di liberalizzazione economica, riferendosi allo sviluppo della Regione Autonoma della Mongolia Interna, ha, dunque, compreso l’importanza e l’essenzialità di questi 17 elementi chimici contenuti nella tavola periodica nei riguardi delle industrie cinesi e di quelle mondiali. Risulta, quindi, fondament
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Kolakoski, Mike. "The appeal to be heard and the trope of listening in classic film and African American literature." Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3590009.

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<p> This dissertation analyzes the narrative use of sound, the rhetorical appeal to be heard and the trope of listening in African American literature as well as Hollywood and international cinema. Contributing to the burgeoning fields of film sound and listening studies, Chapter One explores the relationship between the first experiments with synchronous sound recording technology and the construction of subjectivity along the lines of ethnicity, religion and gender in early talkies such as Al Jolson's <i>The Jazz Singer</i> and Alfred Hitchcock's <i>Blackmail.</i> Chapter Two surveys a range
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Gradinari, Irina. "Feministische Filmtheorie." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219800.

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Feministische Filmtheorien erforschen Kino als kulturelle Institution und untersuchen vor allem seine geschlechtsspezifischen Repräsentationsstrategien, seine Subjektivitätskonzepte und seine geschlechterdifferenten Produktions- und Rezeptionsbedingungen. Ihre Anfänge nahmen sie während der zweiten Frauenbewegung der 1960er Jahre. Gesucht werden u. a. Gegenentwürfe zur männlichen Perspektive populärer Filme, in denen Frauen als passive Objekte fungieren.
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Tobin, Erin C. "Campy Feminisms: The Feminist Camp Gaze in Independent Film." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594039952349499.

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38

Ciarla, Roberto <1951&gt. "Interazioni culturali e tecnologiche tra Cina meridionale e Sudest asiatico continentale tra la fine del 2. millennio a.C. e l'inizio del 1. millennio a.C.: la dispersione meridionale della tecnologia del rame/bronzo." Doctoral thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3058.

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La ricerca risponde a 2 concorrenti modelli di trasferimento tecnologico e affronta il problema delle traiettorie, cronologia e implicazioni socio-culturali relative alla dispersione della tecnologia del rame/bronzo in Cina e nel Sudest asiatico continentale (SEAC). I due modelli riconoscono una trasmissione tecnologica nel SEAC da ambiti culturali esterni: il primo ricerca una trasmissione diretta (della tecnologia o dei fonditori) dalle regioni orientali dell’Asia centrale a ridosso del 2000 a.C., il secondo vede nel tardo II millennio a.C. la trasmissione dalla zona degli affioramenti miner
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Crum, Melissa Renee. "THE CREATION OF BLACK CHARACTER FORMULAS: A CRITICAL EXAMINATION OF STEREOTYPICAL ANTHROPOMORPHIC DEPICTIONS AND THEIR ROLE IN MAINTAINING WHITENESS." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1268255174.

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Gradinari, Irina. "Feministische Filmtheorie." Humboldt-Universität, 2015. https://ul.qucosa.de/id/qucosa%3A15370.

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Feministische Filmtheorien erforschen Kino als kulturelle Institution und untersuchen vor allem seine geschlechtsspezifischen Repräsentationsstrategien, seine Subjektivitätskonzepte und seine geschlechterdifferenten Produktions- und Rezeptionsbedingungen. Ihre Anfänge nahmen sie während der zweiten Frauenbewegung der 1960er Jahre. Gesucht werden u. a. Gegenentwürfe zur männlichen Perspektive populärer Filme, in denen Frauen als passive Objekte fungieren.
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Dal, Lago Giulia. "Rappresentazioni ed empowerment delle donne afroamericane nella televisione statunitense." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amslaurea.unibo.it/25143/.

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Questo elaborato esplora in che modo la televisione americana ha permesso di cambiare la rappresentazione delle donne afroamericane sullo schermo nel passaggio alla peak tv. Tramite la descrizione del panorama storico-teorico e culturale in cui è stata creata l’identità stereotipata della donna nera nella televisione americana e la successiva analisi di una nuova visione veicolata dall’emersione dell’empowerment femminile professionale nel settore dei media, si individuano i prodotti televisivi di Issa Rae e Misha Green. Queste due autrici contemporanee riflettono il nuovo contesto contro le l
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Muraro, Wilson. "Avaliação do funcionamento de motor ice com gas de baixo poder calorifico proveniente da gaseificação de casca de arroz." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/264119.

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Orientador: Caio Glauco Sanchez<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Mecanica.<br>Made available in DSpace on 2018-08-06T19:32:34Z (GMT). No. of bitstreams: 1 Muraro_Wilson_M.pdf: 1394873 bytes, checksum: fc32a4e69a7d3e841edaf12eb62d7411 (MD5) Previous issue date: 2006<br>Resumo: Hoje no mundo há uma grande rejeição de matériais, resíduos e outros compostos orgânicos que podem ser aproveitados como fontes de energia. Exemplos podem ser observados em todo o mundo e principalmente em regiões onde a pobreza impera e que a energia elétrica pode s
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Linscott, Charles P. "Sonic Overlook: Blackness between Sound and Image." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438950059.

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Skinner, Katharine Virginia. "The Castle/Nikki Heat Phenomenon: A Detailed Examination of Female Representation in Entertainment Media." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955124/.

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As entertainment reflects a culture's ideology, it is important for researchers to study its messages and subsequently its potential meanings. Entertainment has the power to inform and persuade, creating models for behavior with which the public interacts. The entertainment texts for the purpose of this study are the Castle television series and the Nikki Heat novels. Together, they create a unique multi-layer fictional world. By using postmodern, feminist, communication, and entertainment theories, the results of this study provide a tightly focused lens which views a narrow aspect of enterta
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Ducados, Quentin. "Les limites du concept de transclasse dans la mobilité sociale chez les individus racisés : études de quelques représentations cinématographiques et projet documentaire." Thesis, 2020. http://hdl.handle.net/1866/24297.

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Ce mémoire analyse le phénomène de mobilité sociale chez les individus racisés en prenant comme fondement de la réflexion le concept de « transclasse » de la philosophe française Chantal Jaquet. Prenant comme point de départ les travaux de Jaquet, cette étude interrogera dans un premier temps les caractéristiques de cette figure du transclasse, les partis pris de la philosophe ainsi que les limites d’un tel concept. Les analyses de films qui ponctuent le second mouvement de cette étude viendra compléter les hypothèses et illustrer nos propos ; ces analyses – portant sur un corpus
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Torner, Evan. "The race-time continuum: Race projection in DEFA genre cinema." 2013. https://scholarworks.umass.edu/dissertations/AAI3589196.

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This dissertation is a book-length investigation of race representation in three different East German feature film genres produced by the Deutsche Film Aktiensgesellschaft (DEFA): the western (Indianerfilm), the musical, and the science-fiction film. The primary films examined include Osceola (1971), Meine Frau macht Musik (1958), Revue um Mitternacht (1962) and Der schweigende Stern (1960). I specifically articulate how each genre structures a temporality around race politics that tells us more about unique East German conceptions of whiteness, non-whites' role in society and "progress" than
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"Cinema, Race and Justice: A Qualitative Analysis of Selected Themes." East Tennessee State University, 2007. http://etd-submit.etsu.edu/etd/theses/available/etd-0503107-145301/.

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Martin, Marie-Ève. "Représentations filmiques de lesbiennes/queers issues de la diaspora indienne en Occident." Thèse, 2013. http://hdl.handle.net/1866/10368.

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Devant l’explosion des représentations filmiques des pratiques et identités sexuelles non normatives qui caractérise actuellement la sphère cinématographique, la présente étude, dotée d’outils théoriques et méthodologiques issus de la sociologie du cinéma, des cultural studies et de l’approche féministe intersectionnelle, investit analytiquement trois longs métrages de fiction de narration conventionnelle dont des lesbiennes/ queers d’origine indienne en Occident, aux positionnements partiellement minoritaires sur les axes de division sociale que sont le sexe, la race et l’ethnicité, et la sex
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Olund, Eric Nicholas. "Whitewatching : cinema, race and regulation in the progressive-era United States." Thesis, 2006. http://hdl.handle.net/2429/18481.

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Cinema emerged during a period of enormous social change in the United States. Gender relations were changing as the "New Woman" asserted her place in public life on more individualistic grounds, and ethnic relations were changing as vast numbers of Catholic and Jewish "New Immigrants" were changing the face of the growing industrial cities of the Northeast and Midwest. Urban reformers, many of whom were themselves New Women as well as professionals characteristic of the corporate capitalism emerging at the time, saw cinema as an opportunity to assimilate immigrants to the self-governin
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"Lyrical beasts: Equine metaphors of race, class, and gender in contemporary Hollywood cinema." INDIANA UNIVERSITY, 2009. http://pqdtopen.proquest.com/#viewpdf?dispub=3357987.

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