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Dissertations / Theses on the topic 'Rachmaninoff'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Koren, Martin Eikeset. "Rakhmaninovs opus 37 Vesper : Analyse som grunnlag for egen kompositorisk praksis." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for musikk, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-15520.

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Cheng, Ruby. "Rachmaninoff the composer-pianist aspects of pianism in his Piano concerto no. 3 in D minor /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835512501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Maritz, Gerhardus Petrus. "Rachmaninoff, Horowitz, and the discursive arena between (re)composition and performance : the case of Rachmaninoff's Piano Sonata, opus 36." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1020784.

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This treatise aims to uncover possible reasons as to why composers rework their compositions. In attempting to answer questions regarding musical and extra-musical (referential) criteria, surrounding conditions and the role performers play in acting as conduits of the aforementioned, the study focuses on three versions of Rachmaninoff’s second Piano Sonata, opus 36. The first of these was composed in 1913, the second constitutes the composer’s revision of this work in 1931, and the third, a subsequent amalgamation of both previously mentioned versions by pianist Horowitz in 1943. The research

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4

Gehl, Robin S. "Reassessing a Legacy: Rachmaninoff in America, 1918 – 43." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1227105259.

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Thesis (Ph.D.)--University of Cincinnati, 2008.<br>Advisor: Bruce McClung PhD (Committee Chair), Jeongwon Joe PhD (Committee Member) , Robert Zierolf PhD (Committee Member). Title from electronic thesis title page (viewed Feb. 9, 2009). Keywords: Rachmaninoff; Steinway; Recordings; Piano performance; America; Twentieth Century; Reception. Includes abstract. Includes bibliographical references.

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Lundtvedt, Natalya V. "Rachmaninoff and Russian pianism performance issues in the Piano concerto in C minor, opus 18 / by Natalya V. Lundtvedt." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1581455111&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Ivanova, Anastassia. "Sergei Rachmaninoff`s piano concertos the odyssey of a stylistic evolution /." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3544.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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7

Mo, Hea-Kyoung. "The use of fantasies in piano works from Mozart to Rachmaninoff." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3072.

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8

Collins, Dana Livingston. "Form, harmony, and tonality in S. Rakhmaninov's three symphonies." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184555.

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Sergey Rakhmaninov wrote three symphonies in different periods of his life. The First Symphony in D Minor, opus 13 (1895) reflects his style as an apprentice and beginning composer; the Second Symphony in E Minor, opus 21 (1907), his mature style of the early 1900's; and the Third Symphony in A Minor, opus 44 (1936), his style at the end of his life in the United States. Each symphony is representative of his musical style at its time of composition. In addition, the evolution of his musical language can be traced through a study of various components of these three works. Structural, harmonic

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9

Lee, Sanghie. "Rachmaninoff's Early Piano works and the Traces of Chopin's Influence: The Morceaux de Fantaisie, Op.3 & The Moments Musicaux, Op.16." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1539960507461835.

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10

Konoval, Michael Brandon. "Two piano recitals : solo and chamber music of Bartok, Brahms, Mozart and Rachmaninoff." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/27375.

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Wu, Ching-Jen. "Twelve Rachmaninoff songs as transcribed for piano by Earl Wild : an introductory study." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1260290350.

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McLean, Florence Anne. "Rakhmaninov's "Corelli" variations : new directions." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/31115.

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Only a few of RakJimaninov's compositions were popular with audiences during the lifetime of this Titan of the piano. Such youthful works as the Prelude in c# minor, op. 3, no. 2 and the Piano Concerto no. 2, op. 18 demonstrated only one facet of a creative process that evolved throughout his life. The purpose of this thesis, therefore, is to consider the extent of Rakhmaninov's stylistic evolution, especially the changes embodied in the large scale piano solo, Variations on a Theme of Corelli, written in the last decade of the composer's life. In the discussion of Rakhmaninov's lifelong styl

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13

Radiushina, Marina. "A Performer's Perspective on the Technical Challenges and Interpretive Aspects of Sergei Rachmaninoff's Etudes-Tableaux Opus 39." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/202.

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The focus of this project is the performance of Sergei Rachmaninoff's Etudes-Tableaux Op. 39. The purpose is to provide interested performers with a clear understanding of the inner workings of these compositions and to address many problems of interpretation and technical challenges of the Etudes-Tableaux Op. 39. The author's goal is to offer creative interpretive explanations and technical solutions to the existing pianistic problems and to aid a performer in his/her approach to learning in order to create a credible and skillful performance. The study makes use of the multi-faceted opportu

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14

Kang, Heejung. "Rachmaninoff's Rhapsody on a Theme by Paganini, Op.43; Analysis and Discourse." Thesis, connect to online resource, 2004. http://www.unt.edu/theses/open/20041/kang%5Fheejung/index.htm.

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Kono, Yutaka. "Discussion of transcribing music for tuba and a transcription of Sergei Rachmaninoff's Sonata for cello and piano in G minor, op. 19 /." Full text (PDF) from UMI/Dissertation Abstracts International, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3075616.

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Ko, Cha-Hui. "Solutions to technical difficulties in the rhapsody on a theme by Paganini, Opus 43 of Rachmaninoff." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384532673.

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Michelson, Helena. "I. Music and poetic word : the romances of Sergei Rachmaninoff ; II. A journey metamorphosed for orchestra /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2003. http://uclibs.org/PID/11984.

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Pisano, Paul W. "Ursatz, Grundgestalt, and Hyperdissonance: Post-Kuchkist Compound Syntax in Rachmaninoff Etudes-Tableaux, Op. 39, Nos. 1-3." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404385.

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Ruttle, Mark. "Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330593/.

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This document identifies elements of a stylistic change which occurred in several of the pieces Rachmaninoff wrote during the last years of his life. These elements reflect a progressive trend in his music, which certainly maintained in spite of the change, its characteristic sound. The Variations on a Theme of Corelli, Op. 42 illustrate these new developments in their lean, angular unison sonorities, stripped of chordal padding and virtuosic display, in their percussive, staccato and incisive ostinato rhythmic figures, astringent chromatic harmony and modern air of detachment. The Rhapsody on

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Buxton, Robert S. "Musical Time and Memory: A Bergsonian Interpretation of Sergei Rachmaninoff's Prelude Op. 32 No. 10 in B Minor." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248480/.

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This study uses Bergson's concepts of duration and spontaneous (now termed episodic) memory to reveal how musical material in Rachmaninoff's Prelude Op. 32 No. 10 in B Minor (1910) turns back on itself in recurring remembrances of its own past, bringing the listener out of ordinary time; a process that mirrors themes both from Rachmaninoff's life, and Arnold Böcklin's Die Heimkehr, the painting that inspired this piece. Time perception slows or even suspends when one reflects on the past, either a personal past or the historical past. Musical material in the Prelude undergoes analogous time wa

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Luo, Yeou-Huey. "The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc332339/.

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One of the most important compositional theories of Alexander Tcherepnin (1899-1977), Russian-American composer and pianist, is the Eurasian ideology, which was a result of the influence of Eastern culture. Inspired by this theory, Tcherepnin not only extricated himself from his own compositional techniques, but also intensified his search for musical folklore. In April, 1934, he began a world tour which was to include China, Japan, Singapore, the Philippines, Egypt, and Palestine, to search for "musical folklore." He became so fascinated with the culture of ancient China that he cancelled the

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Kwon, Suk-Rahn. "Young-Jo Lee's Variations on the theme of Baugogae: In search of his own language, a lecture recital, together with three recitals of selected works of J. Haydn, S. Rachmaninoff, R. Schumann, O. Messiaen, and F. Liszt." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2464/.

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The objective of the dissertation is to examine Young-Jo Lee's (b. 1943) musical language as exhibited in his piano composition, Variations on the theme of Baugogae. Subjects of discussion include Lee's use of direct and indirect musical borrowings from past European composers and traditional Korean folk idioms. Also included are a biographical sketch of the composer and historical overview of modern Korean composers. This dissertation investigates Lee's effort to synthesize traditional Korean music and Western music in one art form and ultimately, to create his own musical language.

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Hansen, Mark R. (Mark Russell). "The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc332111/.

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Enrique Granados, Frank Marshall, and Alicia de Larrocha are the chief exponents of a school of piano playing characterized by special attention to details of pedalling, voicing, and refined piano sonority. Granados and Marshall dedicated the major part of their efforts in the field to the pedagogy of these principles. Their work led to the establishment of the Granados Academy in Barcelona, a keyboard conservatory which operates today under the name of the Frank Marshall Academy. Both Granados and Marshall have left published method books detailing their pedagogy of pedalling and tone product

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Chiao, Yuanpu. "The changing style of playing Rachmaninoff's piano music." Thesis, King's College London (University of London), 2012. https://kclpure.kcl.ac.uk/portal/en/theses/the-changing-style-of-playing-rachmaninoffs-piano-music(222322e7-28b1-4a7c-90d2-70a778871d08).html.

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Rachmaninoff was not only a fine composer but also an extraordinary pianist. Due to his virtuosity, he established a powerful interpretative style for his music that clearly influenced his contemporaries. However, the way people have performed his piano music has changed over the years. In this thesis, I show how the recorded interpretations of some important figures have become 'authoritative renditions' for other pianists to follow and argue that these have caused performance fashions to change in specific areas and periods. From time to time, pianists have also reacted against existing norm

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Doti, Jacopo <1984&gt. "L'apprendistato e il debutto operistico di Sergej Rachmaninov." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6576/1/Doti_Jacopo_tesi.pdf.

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All’ascolto dell’incompiuto Matrimonio di Musorgskij, Borodin aveva sentenziato lapidariamente: «une chose manquée». Uguale commento viene riservato tuttora alla produzione operistica di Sergej Rachmaninov. In questo caso però non ci troviamo di fronte a un teatro rivoluzionario che si trova costretto a fare un passo indietro rispetto ai principi programmatici di cui si vuol far portatore, bensì a un potenziale inespresso, a un profilo drammaturgico mai giunto a piena maturazione. L’evidente eterogeneità della produzione operistica lasciataci in eredità dal compositore non permette infatti di

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Doti, Jacopo <1984&gt. "L'apprendistato e il debutto operistico di Sergej Rachmaninov." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6576/.

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All’ascolto dell’incompiuto Matrimonio di Musorgskij, Borodin aveva sentenziato lapidariamente: «une chose manquée». Uguale commento viene riservato tuttora alla produzione operistica di Sergej Rachmaninov. In questo caso però non ci troviamo di fronte a un teatro rivoluzionario che si trova costretto a fare un passo indietro rispetto ai principi programmatici di cui si vuol far portatore, bensì a un potenziale inespresso, a un profilo drammaturgico mai giunto a piena maturazione. L’evidente eterogeneità della produzione operistica lasciataci in eredità dal compositore non permette infatti di

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Lasarenko, Kim Andrei. "A Style Change in Rachmaninoff's Piano Music as Seen in the Second Piano Sonata in B-Flat Minor, Opus 36 (1913 and 1931 Versions)." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1389185090.

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Tamura, Atsushi. "The revision of Rachmaninoff's second piano sonata, Op. 36." Thesis, Ulster University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485470.

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This project focuses on Sergei Rachmaninoff's Piano Sonata no. 2 and the revisions it underwent over a period of some 70 years. Rachmaninoff's works are central to the piano literature; the second sonata is particularly popular because of its dramatic musical content. There is, however, another reason for interest in the piece: Rachmaninoff composed it in. 1913 but, 18 years later, dissatisfied with his early compositional style, he overhauled it extensively. It was not the only work for piano revised by the composer (some early, shorter pieces were also re-worked), and, needless to say, many

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Timoščuk, Roman. "Přehled klavírního díla Sergeje Rachmaninova, jeho tématika a psychologické aspekty." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78802.

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Švehláková, Zdeňka. "Klavírní dílo S. Rachmaninova se zaměřením na cyklus Moments Musicaux." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177955.

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This Diploma´s thesis is focused on a composer Sergej Vasiljevic Rachmaninov. It contains his biography and the list of his piano works. The main part of the work is focused on the piano cycle Moments musical, which consists of six compositions. The thesis includes a formal analysis and recommendation how to play and practice this work. The final part of the thesis is devoted to the recordings of this cycle. It contains the list of the recordings and the comparison of the three representative pianists. There is also a piece of information about all of them.

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Winiarski, Sofia. "Från Rachmaninov till Celibidache : En essä om (o)medvetandets musicerande." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3112.

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<p>Examenskonsert i orkesterdirigering.</p><p>Kortversion av Mozarts Figaros bröllop, tillsammans med, och i bearbetning av bl a Cecilia Eriksson och Nils Löfgren. Sinfonietta med studenter från Kungliga musikhögskolan. Regi Ninni Molin. </p>

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Bystritskaya, Alina. "Les oeuvres de S. Rachmaninov d'apres des textes d'A. Pouchkine." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080012.

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Le travail de recherche présenté dans notre thèse, Les oeuvres de Rachmaninov d'après des textes de Pouchkine, s’élabore à partird’un large corpus littéraire. Il s’agit de comprendre comment s’opère la transposition musicale d’oeuvres littéraires. Le filconducteur de la thèse n’est autre que le dialogue fécond qui se noue entre le texte et la musique. Dans cette thèse, notre intérêts’est principalement porté sur la création musicale de deux opéras : Aleko e t Le Chevalier avare . Accessoirement, nous avonségalement contribué à l’étude de pièces courtes, comme les romances. La réflexion menée t

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Bystritskaya, Alina. "Les oeuvres de S. Rachmaninov d'apres des textes d'A. Pouchkine." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080012.

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Le travail de recherche présenté dans notre thèse, Les oeuvres de Rachmaninov d'après des textes de Pouchkine, s’élabore à partird’un large corpus littéraire. Il s’agit de comprendre comment s’opère la transposition musicale d’oeuvres littéraires. Le filconducteur de la thèse n’est autre que le dialogue fécond qui se noue entre le texte et la musique. Dans cette thèse, notre intérêts’est principalement porté sur la création musicale de deux opéras : Aleko e t Le Chevalier avare . Accessoirement, nous avonségalement contribué à l’étude de pièces courtes, comme les romances. La réflexion menée t

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Swanevelder, J. de Ville. "'n Analitiese ondersoek van sewe van Sergei Rachmaninof se Preludes, opp. 23 en 32." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/15430.

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Bibliography: leaves 68-70.<br>Ten spyte van toenemende belangstelling in die solo-klavierwerke van Sergei Rachmaninof, is daar nog steeds beperkte studies vir die bestudering daarvan beskikbaar. Die doel van hierdie studie is die ontleding van 'n aantal aspekte wat 'n invloed op die bestudering en uitvoering van sewe van Rachmaninof se Preludes,.Opp. 23 en 32, het. In die studie word die historiese gebeure rondom sy lewe bespreek, wat dien as agtergrond tot die komposissie van Rachmaninof se Preludes. Die bespreking oor die klawerbordprelude verwys na die onstaan van klawerbordpreludes, die p

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Caillet, Laurent. "L'œuvre pour piano de Serge Rachmaninov (1873-1943) : langage et style." Paris 4, 2007. http://www.theses.fr/2007PA040244.

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Serge Rachmaninov, compositeur, pianiste et chef d'orchestre russe (1873-1943), occupe dans la musique du début du XXe siècle une situation paradoxale. Resté à l'écart des courants musicaux de son temps, Rachmaninov a toutefois développé une esthétique d'une originalité surprenante, dont le style se distingue au sein de la musique russe. En prenant en compte l'intégralité du corpus pour piano et des enregistrements discographiques de l'interprète, nous avons tenté de répertorier les diverses constantes de son langage musical et de son style pianistique. Usant de procédés d'écriture caractérist

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Chung, So-Ham Kim. "An analysis of Rachmaninoff's Concerto no. 2 in C minor, op. 18 : aids towards performance." Connect to resource, 1988. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1235232062.

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Generalow, Alice. "The Orthodox Concert Stage: Performing Rachmaninoff's All-Night Vigil, Op. 37 in a Liturgical Style." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/594557.

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The purpose of this study is to demonstrate that Sergei Rachmaninoff's All-Night Vigil, op. 37 can successfully be performed by choral ensembles in a liturgical style by careful selection and grouping of individual movements, along with the interpolation of other chants or musical settings traditionally used in the Russian Orthodox Church that are not part of the composer's original score. This would make the work more accessible to choirs and conductors that may otherwise not be inclined to program an unaccompanied work over seventy minutes in duration. Additionally, such performances would m

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Lee, Ji Young. "A Style Study of Sergei Rachmaninoff's and Lowell Liebermann's Rhapsodies on a Theme of Paganini." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428047656.

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Chung, So-Ham Kim. "An analysis of Rachmaninoff's Concerto No. 2 in c minor, opus 18: Aids towards performance /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487591658173218.

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Ivsinovic, Karmela. "Pianoteknik en konstnärlig och pedagogisk utmaning : från start till slutresultat med Rachmaninovs Preludium Op. 32 No. 10 i b-moll." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2344.

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Det krävs en underliggande kunskap och en utvecklad grund för att kunna uppnå ett önskvrt resultat med ett verk. Denna undersökning har gått ut på att hitta olika tekniska tillvägagångssätt för pianospel med hjälp av Rachmaninovs preludium Op. 32 No. 10 i b-moll. Genomförandet har skett utifrån litteraturstudier, infallsvinklar från Johan Fröst, observationer av processen och dokumentation i form av videoinspelning. Undersökningen har resulterat i kunskap om olika tekniska tillvägagångssätt och lösningar till preludiets svårigheter, om Rachmaninovs livshistoria och om inspirationskällan till p

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Nordmark, Linus. ""Bra musik finns ju redan" : En processbeskrivning av hur man drar nytta av en annan tonsättares mästerverk." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-64034.

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Det här arbetet är en processbeskrivning av hur jag komponerat pianostycket Preludium i Db-dur. Arbetet innefattar en omsorgsfull och omfattande djupdykning i musikaliska teman och utvalda motiviska element från ett preludium av Sergej Rachmaninov, Preludium nr. 4 i D-dur (op. 23, 1903). Valet att göra den här undersökningen grundar sig i ett brinnande intresse för den klassiska pianorepertoaren, såväl som en intensiv fascination över hur ett välkomponerat musikverk är uppbyggt. Som kompositör är det vissa frågor jag ställer mig nästan dagligen när jag lyssnar på musik som tilltalar mig: Varfö

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Chang, Lin-Min. "A Study of Tyzen Hsiao’s Piano Concerto, Op. 53:A Comparison with Rachmaninoff’s Piano Concerto No. 2." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1525704884317404.

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Cunha, Taíssa Poliakova Pacheco. "A influência dos sinos em obras para piano de Messiaen, Debussy e Rachmaninov e as respectivas consequências na sua performance." Master's thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/21824.

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Mestrado em Música<br>Este trabalho procura confrontar as características específicas das diferentes tradições sineiras, quer da Europa, quer da Rússia, com as obras Noël de Olivier Messiaen, Cloches à travers les feuilles de Claude Debussy e Sonata op. 36 nº 2 de Sergei Rachmaninov. Para isso, são apresentadas e estudadas as escolas sineiras, analisados os trechos musicais com inspiração sineira das obras seleccionadas e enquadrados biograficamente os três autores em causa. Através desta confrontação encontrei soluções técnicas e interpretativas para os referidos trechos musicais que respeita

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Lin, Kuo-chen, and 林幗貞. "The interpretation of Rachmaninoff." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/40568287174850800430.

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碩士<br>國立臺灣師範大學<br>音樂研究所<br>90<br>This thesis is the thorough research regarding the interpretation and realization in the performance of Sergei Rachmaninoff’s piano work “Variations on a theme of Chopin,op.22” written in 1902. In this paper，the author departs from the inspirations and background of the Variations’ composition, the detailed analysis of each variation, and the thorough comparison of the Variations. To conclude the analysis of each variation, it is strict and still within the criteria of the theme in variation I to X in modes, structures, harmonies.few breaks between

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Glover, Angela Streem James. "An annotated catalog of the major piano works of Sergei Rachmaninoff." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-08262003-154535/.

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Treatise (D.M.A.)--Florida State University, 2003.<br>Advisor: James Streem, Florida State University, School of Music. Title and description from treatise home page (viewed 9-23-04). Document formatted into pages; contains 86 pages. Includes biographical sketch. Includes bibliographical references.

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Wu, Yen-Jin, and 吳彥瑾. "Sergei Rachmaninoff Preludes for piano." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/8wmy4r.

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Wu, Jung-wei, and 吳容維. "A Study of Sergei Rachmaninoff “Preludes,” Op. 32." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/qe4dx7.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>100<br>Scope of this research is narrow down to “Preludes, ”Op.32 which was written in 1910 by Sergei Rachmaninoff. Rachmaninoff had presented his debut and following tour in America in 1909. This debut was a great success and the audiences were admiring his efforts on performing. This great achievement enhanced his confidence on composition and inspired him for creating this research subject, “Preludes, ”Op.32 in the following year. This creation is also considered as a mature one. This research starts from discussing the development of preludes from references, an

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Wen-chin, Chen, and 陳玟瑾. "The Study of Rachmaninoff Piano Concerto No.3." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/10266493037498914283.

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Huang, Chiao-Li, and 黃喬莉. "The Analysis and Interpretation of Rachmaninoff’s《Moment Musicaux》 The Analysis and Interpretation of Rachmaninoff’s《Moment Musicaux》 The Analysis and Interpretation of Rachmaninoff’s《Moment Musicaux》 The Analysis and Interpretation of Rachmaninoff'." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/42565008930150952634.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>97<br>Abstract In the late 19th century, many new trends emerged from musical field, including Impressionism and Expressionism. In spite of that, the Russian composer, Sergei Rachmaninoff, still succeeded to the compositional manner of the Romantic period and enhanced it. He was not only a brilliant pianist, but also a fantastic conductor. His recordings are still wide-spreaded. This thesis takes Rachmaninoff’s 《Moment Musicaux》as the topic with the goal of understanding his music style and compositional technique. The first part of this paper is the study of

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Wu, Yu-Ping, and 吳玉萍. "Sergei Rachmaninoff Cello Sonata in G minor, op.19." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/vq9jtd.

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碩士<br>國立臺北藝術大學<br>管絃與擊樂研究所碩士班<br>99<br>Sergei Vasilievich Rachmaninoff1 April was a Russian composer, pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom that included a pronounced lyricism, expressive breadth, structural ingenuity, and a tonal palette of rich, distinctive orchestral colors. The piano is featured prominently in Rachman

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