Books on the topic 'Radicalism and music'

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1

Levy, Alan Howard. Radical aesthetics and music criticism in America, 1930-1950. Lewiston: Edwin Mellen Press, 1991.

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2

Willis, Ellen. Beginning to see the light: Sex, hope, and rock-and-roll. Hanover: Wesleyan University Press, 1992.

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3

Willis, Ellen. Beginning to see the light: Sex, hope, and rock-and-roll. Minneapolis: University of Minnesota Press, 2012.

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4

Reed, T. V. The art of protest: Culture and activism from the civil rights movement to the streets of Seattle. Minneapolis: University of Minnesota Press, 2005.

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5

Reed, T. V. The art of protest: Culture and activism from the civil rights movement to the streets of Seattle. Minneapolis: University of Minnesota Press, 2005.

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6

Wimsatt, William Upski. Bomb the suburbs. 2nd ed. New York, NY: Soft Skull Press, 2000.

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7

Wimsatt, William Upski. Bomb the suburbs. 2nd ed. Chicago: Subway and Elevated Press, 1994.

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8

Unger, Heinz Rudolf. Die Proletenpassion: Dokumentation einer Legende. Wien: Europaverlag, 1989.

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9

Doggett, Peter. There's a riot going on: Revolutionaries, rock stars and the rise and fall of '60s counter-culture. Edinburgh: Canongate, 2007.

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10

Doggett, Peter. There's a riot going on: Revolutionaries, rock stars, and the rise and fall of the '60s. Edinburgh: Canongate, 2007.

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11

Kaufman, Will. Woody Guthrie, American radical. Urbana: University of Illinois Press, 2011.

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12

Ho, Fred Wei-han. Wicked theory, naked practice: A Fred Ho reader. Minneapolis: University of Minnesota Press, 2009.

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13

Cresti, Antonello. Lucifer over London: Industrial, folk apocalittico e controculture radicali in Inghilterra. Milano: Aereostella, 2010.

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14

Pieslak, Jonathan R. Radicalism & music: An introduction to the music cultures of al-Qa'ida, racist skinheads, Christian-affiliated radicals, and eco-animal rights militants. 2015.

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15

Pickering, Paul, and Kate Bowan. Sounds of Liberty: Music and Politics in the Nineteenth-Century British World. Manchester University Press, 2017.

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16

Pickering, Paul, and Kate Bowan. Sounds of Liberty: Music, Radicalism and Reform in the Anglophone World, 1790-1914. Manchester University Press, 2019.

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17

Forbes, Robert. The white nationalist skinhead movement: UK & USA, 1979-1993. 2015.

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18

Georg, Schuppener, ed. Sprache des Rechtsextremismus: Spezifika der Sprache rechtsextremistischer Publikationen und rechter Musik. [Leipzig]: Edition Hamouda, 2008.

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19

Reed, T. V. Art of Protest: Culture and Activism from the Civil Rights Movement to the Present. University of Minnesota Press, 2019.

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20

Reed, T. V. The Art of Protest: Culture and Activism from the Civil Rights Movement to the Present. Univ Of Minnesota Press, 2019.

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21

Wimsatt, William Upski. Bomb the Suburbs: Graffiti, Race, Freight-Hopping and the Search for Hip-Hop's Moral Center. Soft Skull Press, 2008.

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22

Wimsatt, William Upski. Bomb the Suburbs. Subway & Elevator Press, 1995.

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23

Wimsatt, William Upski. Bomb the Suburbs. Soft Skull Press, 2001.

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24

There's a Riot Going On. Edinburgh: Canongate Books, 2009.

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25

Doggett, Peter. There's a Riot Going On: Revolutionaries, Rock Stars and the Rise and Fall of '60s Counter-Culture. Canongate Books, 2008.

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26

Sinclair, John. Guitar Army: Rock & Revolution With the MC5 and the White Panther Party. Process, 2007.

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27

Bragg, Billy. Roots, radicals and rockers: How skiffle changed the world. 2017.

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28

Bragg, Billy. Roots, Radicals and Rockers: How Skiffle Changed the World. Faber & Faber Social, 2019.

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29

Goldfield, Michael. The Southern Key. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190079321.001.0001.

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Abstract:
The South is today, as it always has been, the key to understanding American society, its politics, its constitutional anomalies and government structure, its culture, its social relations, its music and literature, its media focus, its blind spots, and virtually everything else. The Southern Key argues that much of what is important in American politics and society today was largely shaped by the successes and failures of the labor movements of the 1930s and 1940s, and most notably the failures of southern labor organizing during this period. It also argues that these failures, despite some important successes in organizing interracial unions, left the South (and consequentially much of the rest of the United States as well) racially backward and open to right-wing demagoguery. These failures have led to a nationwide decline in unionization, growing economic inequality, and overall failures to confront white supremacy head on. In an in-depth look at unexamined archival material and detailed data, The Southern Key challenges established historiography, both telling a tale of race, radicalism, and betrayal and arguing that the outcome was not at all predetermined.
30

Die at the Right Time! A Subjective Cultural History of the American Sixties. Gegensatz Press, 2009.

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31

Baele, Stephane J., Katharine A. Boyd, and Travis G. Coan, eds. ISIS Propaganda. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190932459.001.0001.

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Abstract:
ISIS Propaganda offers a comprehensive overview and analysis of the Islamic State’s (IS) propaganda. Combining a range of different theoretical perspectives from across the social sciences and using rigorous methods, the authors pursue several interconnected tasks. They trace the origins of IS’s message, they lay bare the strategic logic guiding its evolution, they examine each of its many components (magazines, videos, music, social media, etc.) and show how they work together to radicalize audiences’ worldviews, and they highlight the challenges such a “full-spectrum propaganda” raises in terms of counterterrorism. The volume hence not only represents a one-stop point for any analyst of IS and Salafi-jihadism, but also a rich contribution to the study of text and visual propaganda, radicalization and political violence, and international security.
32

Contemporary musicians: Profiles of the people in music. Detroit, MI: Thomson Gale, 2006.

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