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Journal articles on the topic 'Radio broadcasters – United States – Biography'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Fèvre-Berthelot, Anaïs Le. "Radio and democracy: Recovering the history of municipal radio in the United States." Radio Journal:International Studies in Broadcast & Audio Media 23, no. 1 (2025): 83–101. https://doi.org/10.1386/rjao_00109_1.

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The history of municipal radio stations in the United States has yet to be written. Between 1921 and 1927, at least twelve municipalities obtained licences to broadcast over the air and there are traces of dozens of municipal radio projects across the United States in the 1920s. Apart from WNYC, New York’s municipal station from 1924 to 1996, most of them have been dismissed as failures and sunk into oblivion. Based on archival research, this article seeks to recover that part of the history of broadcasting and capture what citizens, elected officials and broadcasters meant when they talked ab

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2

Anderson, Heather, and Clemencia Rodríguez. "Is community radio in crisis in the Global North?: Lessons from Australia and the United States." Journal of Alternative & Community Media 4, no. 4 (2019): 51–65. http://dx.doi.org/10.1386/joacm_00066_1.

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This article explores the relevance of community radio in the Global North. Its significance in the Global South is uncontested (Gumucio Dagron, 2011; Rodrguez, 2011; Tacchi, 2002), however, in the Global North the role of community radio is not necessarily so clear. According to a 2017 study published by New York University, newer digital services are changing the way people listen to content, endangering the future of traditional radio (Miller, 2017). In this environment, the relevance of community radio can be put into question. Based on three different case studies two in Australia and one

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3

Anderson, Heather, and Charlotte Bedford. "Prisoner radio as an abolitionist tool: A scholactivist reflection." Journal of Alternative & Community Media 6, no. 1 (2021): 55–68. http://dx.doi.org/10.1386/joacm_00093_1.

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Prisoner and prison radio – audio production and broadcasting that services prisoner and prison communities – has existed in a variety of forms in a diverse range of countries for over 30 years and has recently seen a surge in popularity and awareness. At the same time, the prison abolition movement has also gained momentum and visibility, after an equally long presence and history. Recently in the United States, the New York City Council voted to close Rikers Island by 2026 in response to community campaigning driven by an abolition agenda. Likewise, the Black Lives Matter movement has introd

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4

Lau, Doretta, and Jim Wong-Chu. "Simon Johnston: Two Cultures, One Vision." Canadian Theatre Review 110 (March 2002): 31–34. http://dx.doi.org/10.3138/ctr.110.008.

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“If you know two languages, then you have two truths because you have two ways of saying the same thing,” says Gateway Theatre’s Artistic Producer and General Manager Simon Johnston late in the interview. This astute point becomes more pertinent upon closer examination of Johnston’s personal experience and character. Johnston’s abridged biographical notes span a page; his career is long and storied. In addition to the theatre, where he has served as actor, director, playwright, producer and artistic director, he has taught at the University of Toronto, York University, Ryerson University, Sher

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Jelisavac, Sanja. "International regulation of intellectual property rights." Medjunarodni problemi 56, no. 2-3 (2004): 279–303. http://dx.doi.org/10.2298/medjp0403279j.

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Intellectual property refers to creations of the mind: inventions, literary and works of art, as well as symbols, names, images, and designs that are used in commerce. Intellectual property is divided into two categories industrial property, which includes inventions (patents), trademarks industrial designs, and geographic indications of source; and copyright which includes literary and works of art such as novels, poems and plays films, musical works, works of art such as drawings, paintings, photographs and sculptures, and architectural designs. Rights related to copyright include those of p

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6

Richardson, Malcolm L. "Radio Boston Goes to War: The ‘Strange Case of WRUL’ Revisited." Journal of Contemporary History, June 11, 2025. https://doi.org/10.1177/00220094251339447.

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Drawing upon previously untapped archival sources, this article traces the evolution of nonprofit radio station WRUL between 1939 and 1942 when its founder, Walter Lemmon, sought to transform an experimental shortwave radio station into an international voice for democracy and resistance to Axis aggression. With substantial funding from the Rockefeller Foundation, the station emerged as the leading national voice for educational broadcasting by 1939. At this crucial juncture, WRUL’s development coincided with the onset of the Second World War and a bitter debate in the United States over Ameri

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7

Beattie, Alex, and Michael S. Daubs. "Framing 'digital well-being' as a social good." First Monday, November 23, 2020. http://dx.doi.org/10.5210/fm.v25i12.10430.

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This contribution argues that companies such as Apple, Facebook, and Google are increasingly incorporating features that supposedly promote “digital well-being” to forestall regulation of their platforms and services. The inclusion of these features, such as Apple’s Screen Time, frames these commercial platforms as providing a social good by promising to encourage more “intentional” or “mindful” use of social media and mobile devices. As a result, oft-critiqued platforms are increasingly adopting the language of their critics in order to frame themselves as a social good. This strategy mimics

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8

Stoneman, Timothy H. B. "An "African" Gospel: American Evangelical Radio in West Africa, 1954-1970." New Global Studies 1, no. 1 (2007). http://dx.doi.org/10.2202/1940-0004.1006.

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During the second half of the twentieth century, Christianity underwent an epochal transformation from a predominantly Western religion to a world religion largely defined by non-Western adherents in Africa, Asia, and Latin America. Broadcast media, spearheaded by American evangelical missionaries, played an important role in the globalization of Christianity. After WWII, conservative Protestant missionaries from the United States established a ``far-flung global network" of radio stations around the world with the avowed purpose of proselytizing the entire globe. In Liberia, American missiona

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Priest, Eric. "The Future of Music Copyright Collectives in the Digital Streaming Age." Columbia Journal of Law & the Arts 45, no. 1 (2021). http://dx.doi.org/10.52214/jla.v45i1.8953.

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Copyright collectives are critical to the economic health of the music industry, but they are at a curious crossroads. Collective copyright management is used more extensively in the music business than ever before. Expanded collective copyright management for digital streaming is the centerpiece of the Music Modernization Act (MMA)—the most extensive revision to the Copyright Act in two decades. At the same time, major music publishers, who rely heavily on collective licensing revenue, are on a years-long mission to end collective licensing for certain digital streaming rights. These trends r

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10

Dwyer, Tim. "Transformations." M/C Journal 7, no. 2 (2004). http://dx.doi.org/10.5204/mcj.2339.

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The Australian Government has been actively evaluating how best to merge the functions of the Australian Communications Authority (ACA) and the Australian Broadcasting Authority (ABA) for around two years now. Broadly, the reason for this is an attempt to keep pace with the communications media transformations we reduce to the term “convergence.” Mounting pressure for restructuring is emerging as a site of turf contestation: the possibility of a regulatory “one-stop shop” for governments (and some industry players) is an end game of considerable force. But, from a public interest perspective,

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11

Fowles, Jib. "Television Violence and You." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1828.

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Introduction Television has become more and more restricted within the past few years. Rating systems and "family programming" have taken over the broadcast networks, relegating violent programming, often some of the most cutting edge work in television, to pay channels. There are very few people willing to stand up and say that viewers -- even young children -- should be able to watch whatever they want, and that viewing acts of violence can actually result in more mature, balanced adults. Jib Fowles is one of those people. His book, The Case For Television Violence, explores the long history

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12

See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.

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13

Blackwood, Gemma. "<em>The Serpent</em> (2021)." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2835.

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The Netflix/BBC eight-part limited true crime series The Serpent (2021) provides a commentary on the impact of the tourist industry in South-East Asia in the 1970s. The series portrays the story of French serial killer Charles Sobhraj (played by Tahar Rahim)—a psychopathic international con artist of Vietnamese-Indian descent—who regularly targeted Western travellers, especially the long-term wanderers of the legendary “Hippie Trail” (or the “Overland”), running between eastern Europe and Asia. The series, which was filmed on location in Thailand—in Bangkok and the Thai town of Hua Hin—is set

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14

Simpson, Catherine. "Communicating Uncertainty about Climate Change: The Scientists’ Dilemma." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.348.

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Photograph by Gonzalo Echeverria (2010)We need to get some broad-based support, to capture the public’s imagination … so we have to offer up scary scenarios, make simplified, dramatic statements and make little mention of any doubts … each of us has to decide what the right balance is between being effective and being honest (Hulme 347). Acclaimed climate scientist, the late Stephen Schneider, made this comment in 1988. Later he regretted it and said that there are ways of using metaphors that can “convey both urgency and uncertainty” (Hulme 347). What Schneider encapsulates here is the great

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15

Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of

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16

Beyer, Sue. "Metamodern Spell Casting." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2999.

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There are spells in the world: incantations that can transform reality through the power of procedural utterances. The marriage vow, the courtroom sentence, the shaman’s curse: these words are codes that change reality. (Finn 90) Introduction As a child, stories on magic were “opportunities to escape from reality” (Brugué and Llompart 1), or what Rosengren and Hickling describe as being part of a set of “causal belief systems” (77). As an adult, magic is typically seen as being “pure fantasy” (Rosengren and Hickling 75), while Bever argues that magic is something lost to time and materialism,

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17

Pavlidis, Adele, and David Rowe. "The Sporting Bubble as Gilded Cage." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2736.

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Introduction: Bubbles and Sport The ephemeral materiality of bubbles – beautiful, spectacular, and distracting but ultimately fragile – when applied to protect or conserve in the interests of sport-media profit, creates conditions that exacerbate existing inequalities in sport and society. Bubbles are usually something to watch, admire, and chase after in their brief yet shiny lives. There is supposed to be, technically, nothing inside them other than one or more gasses, and yet we constantly refer to people and objects being inside bubbles. The metaphor of the bubble has been used to describe

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