Relevant bibliographies by topics / Radio broadcasting and war

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Radio broadcasting and war'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Radio broadcasting and war"

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Critchlow, James. "Western Cold War Broadcasting." Journal of Cold War Studies 1, no. 3 (September 1999): 168–75. http://dx.doi.org/10.1162/152039799316976841.

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In the 1940s and 1950s, Western governments turned to radio as the most effective means of countering the Soviet information monopoly. U.S. and West European radio stations attempted to provide listeners with the kind of programs they might expect from their own radio stations if the latter were free of censorship. For most of these listeners in the Soviet Union and Eastern Europe, the broadcasts were their only contact with the outside world. The importance of the foreign radio programs was confirmed not only by audience estimates, but also by the considerable efforts the Communist regimes made to jam the transmissions. Given the importance of foreign broadcasting for the political life of the Soviet bloc, it is remarkable that these broadcasts have received scant scholarly attention in the Western countries that sponsored them. The three books reviewed here help to fill that gap.
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Shagdarova, Bayarma B. "Radio Broadcasting in Buryatia During the Great Patriotic War (1941–1945)." Humanitarian Vector 18, no. 4 (December 2023): 173–83. http://dx.doi.org/10.21209/1996-7853-2023-18-4-173-183.

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The article examines the activities of the Buryat radio committee during the Great Patriotic War. During this period, radio broadcasting in Buryatia became the center of political agitation and mass defense work, calling on everyone to defend the Soviet homeland. Radio broadcasting during the war did not decrease, on the contrary, it expanded from year to year. The connections between Buryat radio and its listeners was also seriously strengthened. The study of these issues is extremely important for developing the problems of local radio broadcasting, which experienced serious formation and development during the war years. On the eve of the upcoming 80th anniversary of the Victory of the Soviet people in the Great Patriotic War, the topic of research is especially relevant. The purpose of the study is to study the experience of political broadcasting during the war. The author relied on the principles of scientific objectivity and historicism, as well as universal and specifically scientific methods. This is a problem-chronological approach, systematic and statistical methods. The source base is archival documents from the two funds of the State Archive of the Republic of Buryatia. Namely: resolutions of plenums, minutes of meetings of the Regional Committee of the Party, other organizational and administrative documents. Also, clerical documentation of the fund R1051, monthly transmission plans, materials of correspondence with the All-Union Radio Committee, etc. During the radical restructuring of radio broadcasting, political broadcasting took a special place. Radio revealed its powerful social and technical potential in mobilizing the people to fight the enemy
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Simon, Danielle. "From Radio to Radio-visione." Representations 151, no. 1 (2020): 1–25. http://dx.doi.org/10.1525/rep.2020.151.1.1.

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This article investigates a series of experimental television broadcasts undertaken by Italian Fascism’s national broadcasting entity, the Ente Italiano per le Audizioni Radiofoniche, in the years leading up to the Second World War. It explores both the official autarchical policies and the technological limitations that shaped the radio network’s early experiments with television to show that producers’ attitudes regarding medium specificity shaped decisions about programming and musical content. It then suggests that these early sorties into televisual broadcasting left traces that can be seen in the style and political clout of Italian television even today.
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Петрова, В. Д. "Якутское радио в годы Великой Отечественной войны: редакция политического вещания." ОЙКУМЕНА. РЕГИОНОВЕДЧЕСКИЕ ИССЛЕДОВАНИЯ, no. 4 (2020): 65–70. http://dx.doi.org/10.24866/1998-6785/2020-4/65-70.

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В статье рассматривается деятельность редакции политического вещания Якутского регионального радиокомитета в годы Великой Отечественной войны на основе вводимых в научный оборот новых документальных материалов, которые еще не стали предметом исследования в отечественной историографии. С началом войны главное место на радио занимало политическое вещание, которое направляло основную нагрузку радиопередач на мобилизацию народной силы в оказании помощи фронту и на стимулирование трудового подвига в тылу. В статье изложено тематическое содержание политического вещания, включая сводку Совинформбюро, материалов ТАСС, выпусков "Последних известий" и трансляции главных новостей из Москвы. Проводится анализ организации информационно-пропагандистских радиопередач, настроения жителей и участия творческого актива общественных организаций в подготовке ради- оматериалов, на основе которого подводится итог идейно-политической, массово-сти- мулирующей роли радиовещания в 1941–1945 гг. в Якутии. The article examines the activities of the editorial office of political broadcasting of the Yakut regional radio Committee during the great Patriotic war on the basis of new documentary materials introduced into scientific circulation, which have not yet become the subject of research in Russian historiography. With the beginning of the war, the main place on the radio was occupied by political broadcasting, which directed the main load of radio broadcasts to mobilize people's power in helping the front and stimulating labor feats in the rear. The article describes the thematic content of political broadcasting, including a summary of the Sovinformburo, TASS materials, issues of "Latest news" and broadcasts of the main news from Moscow. Analyzes the organization of awareness-raising broadcasts, the mood of the people and participation of the creative asset of public organizations in the preparation of radio materials on the basis of which sums up the ideological-political, mass-stimulating the role of the radio in 1941–1945.
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Khodnev, A. S. "Lost in Broadcasting: League of Nations, International Broadcasting and Swiss Neutrality." MGIMO Review of International Relations 16, no. 5 (November 13, 2023): 7–27. http://dx.doi.org/10.24833/2071-8160-2023-5-92-7-27.

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The article delves into the historical context of cross-border radio broadcasting during the 1930s by the League of Nations (LN) and the significant impact of Switzerland's neutrality as the host country on this international organization. Drawing from the recently digitized and accessible LN archive in Geneva, this narrative unveils a minor conflict of interest that evolved into a notable political crisis, marking an international legal precedent by showcasing the influence wielded by a smaller host nation upon a global organization. The architects of the League of Nations envisioned Geneva as an ideal hub for the organization's activities, complete with modern communication technologies for global outreach. However, Switzerland's neutral stance posed an obstacle to the establishment of the League's radio broadcasting infrastructure. Recognizing the absence of robust emergency communications, transport links, and the absence of a dedicated radio station in Geneva during the mid-1920s, the LN sought an agreement with the Radio-Swiss station. Consequently, the LN's own radio station, Radio-Nations, commenced broadcasting on February 2, 1932, coinciding with the start of the Conference on the Reduction and Limitation of Arms. By May 1938, amidst mounting tensions in Europe, Switzerland chose to assert complete neutrality within the League. Discussions within the Federal Council revolved around the possibility of suspending the agreement made on May 21, 1930, along with the support for Radio-Nations. Unexpectedly, on November 3, 1938, the LN leadership in Geneva expressed a desire to re-evaluate the 1930 convention. The outbreak of World War II drastically reshaped the relationship between the LN and Radio-Nations. Switzerland decided against entering into a new agreement with the LN, leading to the closure of Radio-Nations on February 2, 1942. Maintaining the nation's neutrality, the Swiss government vigilantly observed the unfolding events during the war. During the peak of Nazi Germany's advances, Bern adopted stringent measures against the LN, upholding a resolute diplomatic stance. However, the Swiss stance toward the LN and the division of Radio-Nations’ ownership gradually shifted from 1943, culminating in the resolution of several financial matters. Ultimately, in 1947, the LN's liquidation commission transferred the remaining assets of Radio-Nations and its radio waves to the United Nations.
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Risso, Linda. "Radio Wars: Broadcasting in the Cold War." Cold War History 13, no. 2 (May 2013): 145–52. http://dx.doi.org/10.1080/14682745.2012.757134.

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Hadlow, Martin. "‘No Propaganda Will Be Broadcast’: The Rise and Demise of Australian Military Broadcasting." Media International Australia 150, no. 1 (February 2014): 77–82. http://dx.doi.org/10.1177/1329878x1415000117.

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Radio broadcasting has played an important role as a medium of information, news and entertainment for Australian military personnel in wartime and conflict situations. However, while many nations have comprehensive units tasked to the full-time provision of broadcasting services, such as the Armed Forces Radio and Television Service (AFRTS) in the United States and the British Forces Broadcasting Service (BFBS) in the United Kingdom, Australia has relied on more ad hoc measures. As contingencies have required, the Australian military has introduced radio broadcasting elements into its table of organisation, the most comprehensive having been the Australian Army Amenities Service (AAAS) during World War II. Now, in a new technological era, perhaps specialised radio for troops will fade completely from the agenda.
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STONEMAN, TIMOTHY. "Global Radio Broadcasting and the Dynamics of American Evangelicalism." Journal of American Studies 51, no. 4 (October 10, 2017): 1139–70. http://dx.doi.org/10.1017/s0021875816002000.

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During the middle decades of the twentieth century, American evangelicals broadened their global outlook and operations, becoming the largest private radio broadcasters in the world. As they expanded overseas after World War II, American evangelicals encountered a world in crisis due to the Cold War, population growth, and processes of decolonization, affecting Western missions. Evangelical broadcasting advocates promoted mass media as a means to address the shifting demographic, political, and religious balance between the global North and South. Global radio broadcasting demonstrated a dynamic tension within American evangelicalism between innovative and conservative impulses, which was particularly evident in the area of reception.
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Gagliarducci, Stefano, Massimiliano Gaetano Onorato, Francesco Sobbrio, and Guido Tabellini. "War of the Waves: Radio and Resistance during World War II." American Economic Journal: Applied Economics 12, no. 4 (October 1, 2020): 1–38. http://dx.doi.org/10.1257/app.20190410.

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We analyze the role of the media in coordinating and mobilizing insurgency against an authoritarian regime, in the context of the Nazi-fascist occupation of Italy during WWII. We study the effect of BBC radio on the intensity of internal resistance. By exploiting variations in monthly sunspot activity that affect the sky-wave propagation of BBC broadcasting toward Italy, we show that BBC radio had a strong impact on political violence. We provide further evidence to document that BBC radio played an important role in coordinating resistance activities but had no lasting role in motivating the population against the Nazi-fascist regime. (JEL D74, L82, N44)
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Griffen-Foley, Bridget. "Kindergarten of the Air: From Australia to the world." Radio Journal:International Studies in Broadcast & Audio Media 17, no. 2 (October 1, 2019): 179–99. http://dx.doi.org/10.1386/rjao_00004_1.

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This article considers the radio programme for kindergarten-aged children that the Australian Broadcasting Commission (ABC) launched during the Second World War and continued to broadcast until 1985. Kindergarten of the Air, thought to be the ‘first of its kind in the world’, was to inspire interest from, and similar programmes throughout, the British empire and beyond. The article examines the imperial and international broadcasting networks that enabled the exchange of ideas and initiatives within the field of educational broadcasting, and the export of one of Australia’s most successful radio initiatives, while also considering the willingness of the British Broadcasting Corporation (BBC) to be influenced by a dominion broadcaster.
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Dissertations / Theses on the topic "Radio broadcasting and war"

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Whittington, Ian. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=119399.

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The social and political transformations of the Second World War in Britain required a massive coordination of public opinion and effort. "Writing the Radio War: British Literature and the Politics of Broadcasting, 1939-1945" examines the mobilization of British writers through their involvement in radio broadcasting. Drawing on theories of mass communication from the 1930s to the present day, this dissertation argues that the power of radio as a medium of propaganda and national identity-formation lay in its ability to generate an aura of intimacy that encouraged listener identification with the national community. Capitalizing on this intimacy, writers imagined listening publics that were at odds with official projects of national unity. Confronted with the Anglophone fascism of pro-Nazi broadcaster William Joyce, Nancy Mitford and Rebecca West used their writings to neutralize the threat of autochthonous extremism by depicting Joyce as a laughable ideological non-national subject. Even among patriotic Britons, political fractures appeared, as when J.B. Priestley used his radio "Postscripts" to frame debates about postwar British society along socialist lines. In the mixed documentary-dramatic genre of the radio "feature," Louis MacNeice modelled collective gain through collaborative effort in The Stones Cry Out, Alexander Nevsky, and Christopher Columbus. On the Overseas Service, George Orwell and E.M. Forster attempted subtle compromises to keep Indian listeners loyal to the Empire, while Jamaican poet Una Marson repurposed the BBC's networks in order to imagine alternative communities. Marson turned the program Calling the West Indies into an incubator for a vibrant Caribbean literary scene. Collectively, these writers used the wireless to guide British listeners through the social and political changes brought on by the war: having entered the conflict as an imperial nation riven by class and ideology, Britain emerged ready to embark on the massive social experiment of the multicultural postwar welfare state with a renewed sense of possibility and promise.
Les transformations sociales et politiques de la deuxième guerre mondiale en Grande-Bretagne ont nécessité une mobilisation énorme d'opinion et d'effort publique. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945" examine la participation des écrivains britanniques dans cette mobilisation au niveau de leur engagement dans la radiodiffusion. Cette thèse utilise diverses théories de communication datant des années 1930 jusqu'au présent pour démontrer la puissance de la radio comme moyen de propagande et de gestion d'identité nationale en raison de sa capacité d'engendrer une semblance d'intimité entre les auditeurs et leur communauté nationale. Les écrivains de cette période ont pris avantage de cette intimité pour imaginer des publiques qui contredisaient les projets officiels d'unification nationale. Face au fascisme anglophone de William Joyce, un propagandiste pronazi, Nancy Mitford et Rebecca West se sont servies de leurs écrits pour rendre neutre la menace d'une extrémisme autochtone en décrivant Joyce comme une aberration idéologique, risible et étranger. Les divisions politiques sont apparues même parmi les Britanniques patriotiques; avec son programme "Postscripts" sur la BBC, J.B. Priestley a poursuit un avenir socialiste pour la Grande Bretagne, ce qui contrevenait les intentions du gouvernement pendant la guerre. Avec ses productions documentaires et dramatiques, incluant The Stones Cry Out, Alexander Nevsky, et Christopher Columbus, Louis MacNeice a modelé un processus de travail collectif au bénéfice du collectif. Dans le Overseas Service du BBC, George Orwell et E.M. Forster tentaient des compromis subtils pour assurer la fidélité des auditeurs indiens à l'Empire Britannique. La poète jamaïquaine Una Marson a profité des réseaux impériaux pour imaginer des communautés autres que celui de l'Empire en transformant le programme Calling the West Indies en incubateur pour une scène littéraire caraïbe dynamique. Ensemble, ces écrivains ont profité de la radiodiffusion pour piloter le public britannique à travers les changements sociopolitiques de la guerre. Ayant rentré dans la guerre une nation impériale fendu par l'idéologie et par les classes sociales, la Grande Bretagne est ressortie avec un esprit de possibilité et se trouvait prêt à embarquer sur la grande expérimentation de l'état social démocratique de caractère multiculturelle.
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Schlosser, Nicholas J. "The Berlin radio war broadcasting in cold war Berlin and the shaping of political culture in divided Germany 1945-1961 /." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8827.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2008.
Thesis research directed by: Dept. of History. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Noble, Andrew V. "Bullets and broadcasting : methods of subversion and subterfuge in the CIA war against the Iron Curtain /." abstract and full text PDF (UNR users only), 2008. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1459468.

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Thesis (M.A.)--University of Nevada, Reno, 2008.
"August, 2008." Includes bibliographical references (leaves 133-143). Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2009]. 1 microfilm reel ; 35 mm. Online version available on the World Wide Web.
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Sumner, Carolyne. "John Weinzweig, Leftist Politics, and Radio Drama at the CBC During the Second World War." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35215.

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Since its rise to prominence in the 1920s, Canadian radio drama has become a topic of growing interest among scholars in the fields of media studies, communications, and literature. During the Second World War, radio drama became an important medium of entertainment for home front civilians, and was utilized as propaganda by the CBC to garner support for the Canadian war effort. At this time, radio drama also became an important artistic outlet for wartime artists to express their political and social values and beliefs during the war. While scholars have examined the art of radio drama in light of its artistic, dramatic and literary value, few have yet to examine the music composed for these dramas. This thesis draws on these scholars as well as archival materials from the John Weinzweig fonds and the CBC Music Library fonds located at Library and Archives Canada, and the CBC radio drama script collection located at the Concordia Centre of Broadcasting and Journalism Studies to examine the incidental music written by John Weinzweig for CBC wartime radio dramas. By considering how composing for this artistic medium impacted his musical language at this time, this thesis examines his scoring for the series New Homes for Old. Specifically, I problematize the modification and simplification of the serial technique in his incidental works, and consider the challenges that informed Weinzweig’s approach to radio drama composition. I propose that Weinzweig’s simplification of his serial technique may be understood in relationship to the social and political climate of the 1930s and 1940s, and within the context of leftist socialist movements, notably the Popular Front. I argue that Weinzweig’s engagement with radical socialism during this period may have prompted him to adopt a simpler and more accessible musical language that reflected and embodied the cultural, political, and aesthetic ideals of the Popular Front. Le théâtre radiophonique canadien est devenu un sujet très prisé parmi les chercheurs dans les domaines des médias, des communications, et de la littérature. Pendant la Deuxième Guerre mondiale, le théâtre radiophonique est devenu une forme de divertissement populaire pour les Canadiens et était souvent utilisé comme un outil de propagande par la CBC. À cette même époque, le théâtre radiophonique est aussi devenu une forme d’expression pour les artistes du temps de guerre pour exprimer leurs valeurs sociales et politiques. Bien que plusieurs chercheurs aient examiné l’art du théâtre radiophonique sous l’angle de sa valeur artistique, dramatique, et littéraire, peu ont examiné la musique qui a été composée pour ces drames. En se servant des matériaux d’archives trouvés dans les fonds “John Weinzweig” et les fonds “CBC music library” situés à la Bibliothèque et Archives Canada (BAC), ainsi que la collection “CBC Radio Dramas” située au Centre for Broadcasting and Journalism Studies (CCJBS) à l’Université Concordia, cette thèse examine la musique de scène écrite par John Weinzweig pour les émissions de théâtre radiophoniques présentées par la CBC pendant la Deuxième Guerre mondiale. En considérant comment le genre radiophonique a influencé le langage musical de Weinzweig, cette thèse examine ses oeuvres pour la série New Homes for Old. Plus précisément, cette thèse examine la modification et simplification de la technique sérielle utilisé par Weinzweig dans ses oeuvres radiophoniques, et considère les défis qui ont influencé son approche compositionnelle. Je suggère que la simplification de la technique sérielle utilisée par Weinzweig peut être étudiée en fonction des conditions politiques des années 1930 et 1940, et aussi en fonction des mouvements politiques de gauche et plus particulièrement du Front populaire. Je soutiens que l’engagement de Weinzweig avec les valeurs socialistes lui a permis d’adopter un langage accessible qui reflète les idéaux culturels, politiques, et esthétiques du Front populaire.
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Maarabouni, Salem A. "Ideological diversity and the fragmentation of broadcasting in the Lebanese civil war : a case study of the illegal radio stations." Thesis, Keele University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304498.

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Badenoch, Alexander Ward. "Echoes of days : reconstructing national identity and everyday life in the radio programmes of occupied Western Germany 1945-1949." Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50606/.

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This thesis unfolds from the observation that, in the years immediately following the defeat of Germany in May 1945, the radio was the best-preserved and most popular medium of mass communication. It explores the implications of the radio's dominance as a medium that both crosses and helps to define the boundaries of nation and region, as well as 'public' and 'private' space during a time when the upheavals of war and occupation were restructuring both the physical space of Germany as well as its political and symbolic spaces. It examines the practices of everyday broadcasting from the Allied-controlled radio stations in the western zones of occupied Germany to show how within the radio programmes, the diverse experiences of radio listeners were able to from part of a larger narrative of 'Germanness' at a time when Germany did not exist. Chapters explore the embedding of the radio within the every mental landscape of Germany, as well as within the private space of the home. It is argued that, in maintaining the relationships between the outside public world and the safe world of the home, the radio not only represented a means of remembering a collective German past, but also one of the primary places for the negotiation of new German identities in the present. Further chapters explore the ambiguities in the visions of these spaces produced by the radio. The production of private space is examined through a discussion of women's programming, showing the way that such programmes structured the debate surrounding women's position in society around their use of the scarce resource of time. A close examination how radio programming addressed the wider space of Germany shows how by imbuing the everyday visions of the broadcast region with the symbols of Heimat, radio programmes created a vision of Germany that at once embraced modernity and gave the impressions of maintaining a link with a usable past.
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Rewinkel, Kimberly Erin. "Representations of Housewife Identity in BBC Home Front Radio Broadcasts, 1939-1945." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363267060.

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Vickery, Edward Louis, and annaeddy@cyberone com au. "Telling Australia's story to the world: The Department of Information 1939-1950." The Australian National University. Faculty of Arts, 2003. http://thesis.anu.edu.au./public/adt-ANU20040721.123626.

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This study focuses on the organisation and operation of the Australian Government’s Department of Information that operated from 1939 to 1950. Equal weighting is given to the wartime and peacetime halves of the Department’s existence, allowing a balanced assessment of the Department’s role and development from its creation through to its abolition. The central issue that the Department had to address was: what was an appropriate and acceptable role for a government information organisation in Australia’s democratic political system? The issue was not primarily one of formal restrictions on the government’s power but rather of the accepted conception of the role of government. No societal consensus had been established before the Department was thrust into dealing with this issue on a practical basis. While the application of the Department’s censorship function attracted considerable comment, the procedures were clear and accepted. Practices laid down in World War I were revived and followed, while arguments were over degree rather than kind. It was mainly in the context of its expressive functions that the Department had to confront the fundamental issue of its role. This study shows that the development of the Department was driven less by sweeping ministerial pronouncements than through a series of pragmatic incremental responses to circumstances as they arose. This Departmental approach was reinforced by its organisational weakness. The Department’s options in its relations with media organisations and other government agencies were, broadly, competition, compulsion and cooperation. Competition was never widely pursued and the limits of compulsion in regard to its expressive functions were rapidly reached and withdrawn from. Particularly through to 1943 the Department struggled when it sought to assert its position against the claims of other government agencies and commercial organisations. Notwithstanding some high profile conflicts, this study shows that the Department primarily adopted a cooperative stance, seeking to supplement rather than supplant the work of other organisations. Following the 1943 Federal elections the Department was strengthened by stable and focused leadership as well as the development of its own distribution channels and outlets whose audience was primarily overseas. While some elements, such as the film unit, remained reasonably politically neutral, the Department as a whole was increasingly employed to promote the message of the Government of the day. This led to a close identification of the Department with the Labor Party, encouraging the Department’s abolition following the Coalition parties’ victory in the 1949 Federal elections. Nevertheless in developing its role the Department had remained within the mainstream of administrative practice in Australia. While some of its staff assumed a greater public profile than had been the practice for prewar public servants, this was not unusual or exceptional at that time. Partly through the efforts of the Department, the accepted conception of the role of government had expanded sufficiently by 1950 that despite the abolition of the Department most of its functions continued within the Australian public sector.
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Sahota, Anu. "Sermon and surprise: the meaning of scheduling in broadcast radio history /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2659.

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Extended Essays (M.A.) - Simon Fraser University, 2006.
Theses (School of Communication) / Simon Fraser University. Senior supervisor : Dr. Catherine Murray. Also issued in digital format and available on the World Wide Web.
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Mezahav, Amatzya. "Radio and structural adjustment in Fairy Hill, Jamaica /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3018383.

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Thesis (Ph. D.)--University of Oregon, 2001.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 216-269). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p3018383.
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Books on the topic "Radio broadcasting and war"

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Anelli, Michele. Radio libertà: Dalla radio della Resistenza alla resistenza delle radio. Milano: Vololibero, 2013.

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Rajesh, Bhat. Radio Kashmir: In times of peace & war. [New Delhi]: Stellar, 2018.

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Escalante, Richard. Radio days in colonial Trinidad, 1929-1939. Arouca, Trinidad: Kairi Publishing House, 2021.

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Puddington, Arch. Broadcasting freedom: The Cold War triumph of Radio Free Europe and Radio Liberty. Lexington: University Press of Kentucky, 2000.

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Michael, Nelson. War of the black heavens: The battles of Western broadcasting in the Cold War. London: Brassey's, 1997.

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Escalante, Richard. Radio wars in colonial Trinidad, 1939-1945. Arouca, Trinidad: Kairi Publishing House, 2021.

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Nelson, Michael. War of the black heavens: The battles of Western broadcasting in the Cold War. [Syracuse, N.Y.]: Syracuse University Press, 1997.

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Jasiewicz, Krzysztof, and Andrzej Budzyński. Polskie Radio w czasie II wojny światowej. Warszawa: Oficyna Wydawnicza "Aspra-JR", 2015.

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Ristanović, Rade. Radio-depeše Jugoslovenske vojske u otadžbini 1941-1942. Beograd: Institut za savremenu istoriju, 2021.

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Ottmann, Solveig. Im Anfang war das Experiment: Das Weimarer Radio bei Hans Flesch und Ernst Schoen. Berlin: Kulturverlag Kadmos, 2013.

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Book chapters on the topic "Radio broadcasting and war"

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Ryō, Namikawa. "Japanese Overseas Broadcasting." In Film & Radio Propaganda in World War II, 319–33. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003208457-15.

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Somerville, Keith. "The Cold War and After: Propaganda Wars and Radio in Regional Conflicts." In Radio Propaganda and the Broadcasting of Hatred, 55–84. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284150_3.

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Campbell, Bruce B. "German Radio Before Broadcasting: Scientists, War, and Imperialism." In The Radio Hobby, Private Associations, and the Challenge of Modernity in Germany, 77–89. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26534-2_3.

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Busch, Peter. "Comrades at War: Soviet Radio Broadcasting during the 1979 Sino-Vietnamese War." In Transnational Radio Monitoring in the Twentieth Century, 87–100. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003501251-7.

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Devlin, JP. "Wartime and Post-War Radio Broadcasting: BBC Hegemony and Commercial Sector Hiatus." In From Analogue to Digital Radio, 39–63. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93070-1_3.

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Einertson, Kristen M. "Transmission Across the East-West Divide: Radio Free Europe/Radio Liberty’s Cold War Broadcasting at Home and Abroad." In The Palgrave Handbook of Non-State Actors in East-West Relations, 1–16. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-05750-2_58-1.

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Ahmad, Nasreen. "My Days at the Swadhin Bangla Betar Kendro: The Radio Broadcasting Centre During Bangladesh Liberation War in 1971." In Recounting the Memories of Bangladesh’s Liberation War, 28–39. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003387572-5.

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Woodard, George W. "CHAPTER 4. Cold War Radio Jamming." In Cold War Broadcasting, 51–66. Central European University Press, 2010. http://dx.doi.org/10.1515/9786155211904-007.

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Sosin, Gene. "CHAPTER 2. Goals of Radio Liberty." In Cold War Broadcasting, 17–24. Central European University Press, 2010. http://dx.doi.org/10.1515/9786155211904-005.

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Alexander, Colin R. "Radio Broadcasting in Colonial India." In Administering Colonialism and War, 89–126. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199493739.003.0003.

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This chapter discusses the preparations for World War II in relation to advances in radio broadcasting to the Indian public. Responsibility for radio broadcasting in British India became part of the portfolio of the Labour Bureau and thus one of the state’s apparatus surrounding the maintenance of colonial power. The arrangement in India was different from that of radio broadcasting in the UK during the 1920s, 1930s and 1940s where the British Broadcasting Corporation (BBC) had been created under Royal Charter with editorial independence from government and commercial interests. In contrast, the British Government of India, and several of Britain’s other colonial territories set up public communications departments that were attached to central government bureaus primarily because the notion of public service broadcasting sat awkwardly against colonial power structures.
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Conference papers on the topic "Radio broadcasting and war"

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Dupin, Andrey. "Formation and Development of the Mass Media of Evenkia and Taimyr in 1930–1940s." In Irkutsk Historical and Economic Yearbook 2021. Baikal State University, 2021. http://dx.doi.org/10.17150/978-5-7253-3040-3.21.

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This article examines the process of creation and development of mass media in the Evenkia and Taimyr national districts in the first half of the XX century. In the 1930s the foundations of radio broadcasting and periodicals are being laid. This process was complicated by a shortage of equipment and a shortage of employees, but despite this, by the end of the decade, many wall newspapers were published in the districts, numbers of district and regional publications were printed, and the radio network was expanding. Already at this time, a number of newspapers began to publish material in the national languages of the indigenous peoples. During the war years, there was no particular development of the media, however, in the post-war period, due to the improvement in the supply of districts, the development of radio broadcasting took place.
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Galdi, Roberto, Francesco Pietra, and Antonio Savini. "Radio broadcasting and its political use in Italy between the two world wars." In 2010 Second IEEE Region 8 Conference on the History of Telecommunications (HISTELCON). IEEE, 2010. http://dx.doi.org/10.1109/histelcon.2010.5735275.

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Deisinger, Marko. "Fortschrittliche Technologie im Dienste eines Antimodernisten. Heinrich Schenker und der österreichische Rundfunk." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.52.

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The Viennese music theoretician Heinrich Schenker opposed modernity during his entire life. At first, this opposition applied to new technologies as well. Despite his skepticism, he purchased a radio shortly after the Austrian Broadcasting Corporation (RAVAG) started broadcasting in October 1924 and soon became an avid radio listener. Schenker quickly grasped the advantages of this new transmission medium and used it to further his own interests, aided by personal contacts with the RAVAG. In 1928, his associate Otto Erich Deutsch delivered a radio lecture co-authored with Schenker about the goals of the “Archive for Photograms of Musical Master Manuscripts” which was founded at Schenker’s instigation. In 1934, the RAVAG sponsored a competition, awarding the best text to a song fragment by Franz Schubert which in turn was discovered by Deutsch. Since the textless fragment lacks the final measures, Schenker had previously composed an ending for the song which was also performed on the radio.
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Chernolutskaia, E. N. "INFORMATION INEQUALITY OF THE ISLAND PERIPHERY AND WAYS TO OVERCOME IT: KURIL DISTRICTS IN THE 1990s – 2000s." In Современные проблемы регионального развития. ИКАРП ДВО РАН, 2022. http://dx.doi.org/10.31433/978-5-904121-35-8-2022-117-119.

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The article shows the immersion of the Kuril districts in the 1990s into information isolation associated with restrictions on postal communications, television and radio broadcasting, which was a consequence of the crisis of the market reforms period. Overcoming the information inequality occurred in the process of connecting the Kuril Islands to satellite communications and digital technologies with the support of federal targeted programs for the development of the Kuril Islands.
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Dewal, Om Prakash, and Amit Kumar. "Education for All: Practical Training for Heterogeneous Groups of Learners- An IGNOU Experience." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.7457.

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The teaching-learning process has undergone a major shift due to the Covid-19 pandemic. The situation has necessitated the use of online media more aggressively to reach out to learners and address their academic needs. However, the digital divide prevalent in many parts of the world is a stumbling block. Academic Programme delivery through technological interventions, having a judicious mix of online and broadcast media, was the solution, Indira Gandhi National Open University thought of while delivering their MA (Journalism & Mass Communication) Programme. // The university has been using various ICTs extensively such as radio, television, interactive radio counselling, broadcast-based teleconferencing, Google Classroom, Google Meet, Face book, WhatsApp, YouTube etc. in complementary and supplementary modes; in addition to printed Self Learning Materials. The use of digital online resources like social media, MOOCs and OERs mixed with traditional broadcasting channels paved the way for skill-oriented training and successful delivery of the programme.
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Murata, Yoshitoshi, Daisei Sato, Yuki Itoga, Tsuyoshi Takayama, Nobuyoshi Sato, and Shoichi Horiguchi. "New Broadcasting System Combined with Radio Broadcasting and WWW." In 2008 IEEE International Conference on Web Services (ICWS). IEEE, 2008. http://dx.doi.org/10.1109/icws.2008.130.

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Austin, B. A. "Wireless in the Boer War." In International Conference on 100 Years of Radio. IEE, 1995. http://dx.doi.org/10.1049/cp:19950788.

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Censor-Hillel, Keren, Bernhard Haeupler, D. Ellis Hershkowitz, and Goran Zuzic. "Broadcasting in Noisy Radio Networks." In PODC '17: ACM Symposium on Principles of Distributed Computing. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3087801.3087808.

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Kuhn, Fabian, Nancy Lynch, Calvin Newport, Rotem Oshman, and Andrea Richa. "Broadcasting in unreliable radio networks." In Proceeding of the 29th ACM SIGACT-SIGOPS symposium. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1835698.1835779.

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Zlatanović, Jovan, and Marina Marjanović Jakovljević. "The Perspective of Radio Broadcasting." In Sinteza 2022. Beograd, Serbia: Singidunum University, 2022. http://dx.doi.org/10.15308/sinteza-2022-211-220.

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Reports on the topic "Radio broadcasting and war"

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Berry, Steven, and Joel Waldfogel. Free Entry and Social Inefficiency in Radio Broadcasting. Cambridge, MA: National Bureau of Economic Research, April 1996. http://dx.doi.org/10.3386/w5528.

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Berry, Steven, and Joel Waldfogel. Mergers, Station Entry, and Programming Variety in Radio Broadcasting. Cambridge, MA: National Bureau of Economic Research, April 1999. http://dx.doi.org/10.3386/w7080.

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Gutiérrez San Miguel, María, JM Martí, I. Ferrer, B. Monclús, and X. Ribes. Spanish primetime radio shows in Facebook and Twitter: Synergies between on-air radio broadcasting and social networks. Revista Latina de Comunicación Social, RLCS, July 2014. http://dx.doi.org/10.4185/rlcs-2014-1018en.

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Seyoum, Asrat. Pathways to viability: Community radio in Ethiopia. FOJO media institute, Linnaeus University, May 2024. http://dx.doi.org/10.15626/fojo.i.202402.

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Ethiopia's community radio landscape, with over 50 licensed stations and approximately 35 broadcasting nationwide, serves as a vital information source in rural areas, broadcasting in over 20 local languages. Despite their significance, these stations face challenges in governance, financial sustainability, and program quality. The media viability assessment aimed to understand these challenges, prioritize them, and inform support activities. The assessment involved 35 managers and program heads from 25 community radio stations and employed online surveys, desktop research, and limited expert interviews. Factors were scored on a scale of 1 to 10 for their importance to station viability, with most receiving high scores. Governance, programming, financial sustainability, and technical issues were key focus areas. The analysis revealed a clear recognition among managers of the complex challenges they face, with factors related to local issue coverage receiving the highest average score. Recommendations include developing robust financial sustainability strategies, prioritizing audience engagement, enhancing board leadership, creating strategic plans, advocating for high-quality content, providing training in project management and media management, offering technical skills training, facilitating networking among managers, and prioritizing digital capacity-building.
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Haertel, Kateryna. ECMI Minorities Blog. National Minority Media and Work of Minority Journalists in the Time of the War of Aggression against Ukraine. European Centre for Minority Issues, October 2022. http://dx.doi.org/10.53779/kjkj7575.

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In this blog post, the author examines the specifics of the work of minority media and minority journalists during the first six months of the war of aggression against Ukraine. The text is based on the author’s interviews with representatives of different types of minority media outlets – printed, digital, as well as the public broadcaster – operating in different regions of Ukraine. The key findings indicate a tendency towards scarcer reporting about the daily lives of ethnic communities and a more vulnerable situation for minority reporters, many of whom have fled abroad, of all media outlets scrutinized. Moreover, a significant decrease in broadcasting in minority languages through the public broadcaster is identified in one of the multi-ethnic regions.
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Antonov, Volodymyr. Natural history BBC documentaries: history and functions. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11402.

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This scientific article studies natural history documentaries produced by BBC and traces important stages of the development of the attitude towards such genre as natural history documentary. This research is about understanding why this kind of programmes is important, particularly for Ukrainians, and why we should study the genre thoroughly, including the BBC’s experience in the field. Accordingly, the main objectives of the study were: 1. To substantiate the necessity for Ukrainian scholars to study natural history documentaries and BBC’s experience in the field. 2. To trace back and describe the main stages of development in the sphere of producing natural history documentaries by British Broadcasting Corporation. 3. To analyze the obstacles which modern journalists, filmmakers are dealing with and to draw attention of Ukrainian specialists to those philosophical questions that modern era is searching for answers to. In the result of the research these main tasks which were outlined above were fulfilled. The author of this article concluded that natural history documentaries help to understand our place in the world we live in. In addition, through the shared environment we can feel unity with those who inhabit our region, country, inhabited it before, will inhabit in future. Documentaries help us understand who we are. And this function of identification is very important for contemporary Ukraine. To understand how to create proper natural history documentary it’s important to learn the global history of creating such programmes and especially that part which covers BBC’s achievements. The achievements of the corporation which gave birth to such prominent figure as David Attenborough. In addition to this, the article described some modern challenges which documentary makers face and those questions which contemporary society needs to have answered. Because you cannot create a proper natural history programme if you know past but do not know modern challenges. To sum up, the topic which is deeply connected with process of self-identification is very important and perspective for Ukrainian society which suffers hybrid war and endeavours of Russian Federation to assimilate Ukrainian people, Ukrainian culture.
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Yatsymirska, Mariya. KEY IMPRESSIONS OF 2020 IN JOURNALISTIC TEXTS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11107.

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The article explores the key vocabulary of 2020 in the network space of Ukraine. Texts of journalistic, official-business style, analytical publications of well-known journalists on current topics are analyzed. Extralinguistic factors of new word formation, their adaptation to the sphere of special and socio-political vocabulary of the Ukrainian language are determined. Examples show modern impressions in the media, their stylistic use and impact on public opinion in a pandemic. New meanings of foreign expressions, media terminology, peculiarities of translation of neologisms from English into Ukrainian have been clarified. According to the materials of the online media, a «dictionary of the coronavirus era» is provided. The journalistic text functions in the media on the basis of logical judgments, credible arguments, impressive language. Its purpose is to show the socio-political problem, to sharpen its significance for society and to propose solutions through convincing considerations. Most researchers emphasize the influential role of journalistic style, which through the media shapes public opinion on issues of politics, economics, education, health care, war, the future of the country. To cover such a wide range of topics, socio-political vocabulary is used first of all – neutral and emotionally-evaluative, rhetorical questions and imperatives, special terminology, foreign words. There is an ongoing discussion in online publications about the use of the new foreign token «lockdown» instead of the word «quarantine», which has long been learned in the Ukrainian language. Research on this topic has shown that at the initial stage of the pandemic, the word «lockdown» prevailed in the colloquial language of politicians, media personalities and part of society did not quite understand its meaning. Lockdown, in its current interpretation, is a restrictive measure to protect people from a dangerous virus that has spread to many countries; isolation of the population («stay in place») in case of risk of spreading Covid-19. In English, US citizens are told what a lockdown is: «A lockdown is a restriction policy for people or communities to stay where they are, usually due to specific risks to themselves or to others if they can move and interact freely. The term «stay-at-home» or «shelter-in-place» is often used for lockdowns that affect an area, rather than specific locations». Content analysis of online texts leads to the conclusion that in 2020 a special vocabulary was actively functioning, with the appropriate definitions, which the media described as a «dictionary of coronavirus vocabulary». Media broadcasting is the deepest and pulsating source of creative texts with new meanings, phrases, expressiveness. The influential power of the word finds its unconditional embodiment in the media. Journalists, bloggers, experts, politicians, analyzing current events, produce concepts of a new reality. The world is changing and the language of the media is responding to these changes. It manifests itself most vividly and emotionally in the network sphere, in various genres and styles.
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Rudyk, Myroslava. BLOGGING PLATFORMS AS ARENAS FOR THE MEDIA ACTIVITIES OF CITIZEN JOURNALISTS. Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12164.

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The article is dedicated to the investigation of blogging platforms as information and communication arenas during wartime. It analyzes the media activities of citizen journalists as a crucial component of the overall information landscape in Ukraine, outlining the peculiarities of their work, the specifics of information dissemination, and the prospects for the development of citizen journalism as a whole. The advantages and disadvantages of citizen journalism are highlighted. Journalism is one of the most dynamic spheres of our existence, and the information space in Ukraine has undergone significant changes since the full-scale war. The development of technological tools always transforms journalism, elevating it to new levels of possibilities. The use of modern blogging platforms, widely accessible not only to professional journalists but also to activists, has contributed to powerful changes in the information sector. Citizen journalism during the Russo-Ukrainian war has taken on entirely different dimensions than before, prompting new reflections on the role of citizen journalists. This expands the scope of the researched issue, from ethical considerations and adherence to journalistic standards to understanding the safety of information activities for both journalists and humanity as a whole. Not every blogger can be called a citizen journalist. The crucial characteristic of citizen journalism, as opposed to mere blogging, is self-awareness, active social action, dedication to an idea, drawing attention to a problem, lobbying for public interests, and serving the function of public control. In the article were examined the activities of citizen journalists, who meet professional standards and exemplify citizen journalism. These include Ihor Lachenkov, Serhiy Sternenko, and Kostyantyn Liberov. Their blogging platforms and social networks were analysed, their content characterised, and posting frequency assessed. The activities of citizen journalists become most in-demand when media representatives cannot capture an event promptly at a particular moment. Citizen journalists find it easier to disseminate information through blogging platforms and social media, especially considering the tremendous trust these platforms enjoy. Survey results illustrate the colossal trust in these platforms. When asked, «What mass media tools did citizens use to get news in 2022?» the responses were as follows: 1. Social networks – 74%, 2. News websites – 42%, 3. Television – 36%, Radio – 11%, Print media – 3%. We observe a trend in the Ukrainian information space where some bloggers position themselves as citizen journalists, even though they previously did not have such a pronounced civic position. This trend became particularly evident at the beginning of Russia’s full-scale invasion of Ukraine when influencers started using their blogs to inform their audience about the events in Ukraine, mobilizing them for active volunteer actions and resisting enemy challenges. Keywords: citizen journalism, information dissemination, blogging platforms, war.
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Babenko, Oksana. Ідеї екуменізму в публіцистиці митрополита Андрея Шептицького: сучасне прочитання. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11717.

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Subject of the article’s study – ecumenism of Metropolitan Andrei Sheptytskyi and reflection of this phenomenon in the works of scientists and modern Ukrainian media. Main objective of the study: analyze what Ukrainian scientists, journalists and different media are writing about Sheptytkyi’s ecumenism. Methodology: We used a bibliographic method to accumulate factual material, a qualitative content analysis to isolate the ideas of ecumenism from the journalism of Metropolitan Andrey Sheptytskyi, a cultural-historical method that made it possible to consider the ideas of ecumenism in the context of the era, the connection with the historical context, as well as methods of synthesis and generalization, induction and deduction. The study process description: In our scientific article, we analyzed the doctoral dissertation of His Beatitude Lubomyr Huzar entitled «Andrei Sheptytskyi, Metropolitan of Halytskyi (1901-1944). Herald of ecumenism». His Beatitude Lubomyr defended this fundamental work at the Pontifical Urbaniana University in Rome back in 1972. Therefore, we observed how this work reflects the historical prerequisites, features and development of Sheptytskyi’s ecumenism, who, according to His Beatitude Lubomir, was a kind of innovator in this field, a person who was ahead of his time. We also analyzed the reflections on the ecumenism of Sheptytskyi´s father, doctor Ivan Datsk, which are reflected in his book «In Search of Faithfulness and Truth». In addition, we turned to the scientific text «Ecumenism of Sheptytskyi» by professors Mykola Vegesh and Mykola Palinchak. Subsequently, it was analyzed how the scientific work became a useful basis for the coverage of Sheptytskyi’s ecumenism in the press. In particular, in the columns of the cultural and social site «Zbruch» in Diana Motruk’s article «In Search of Church Unity». We also turned to the «Spiritual Greatness of Lviv» website, where in 2020 an interview with Mykhailo Perun, who shot the film «Sheptytskyi: Relevant information», was published, illustrating the ecumenical initiatives of this figure. In addition, we analyzed the publication on Radio Svoboda for 2022, dedicated to the anniversary of Sheptytsky’s stepping into eternity. It is also mentioned there about of Sheptytskyi’s ecumenism as his landmark activity. Subsequently, we found an article on the website «Christian and the World», where in a conversation with the scientist Dr. Andrii Sorokovskyi entitled «Andrei Sheptytskyi believed that the union is a synthesis, communion and dialogue between the East and the West, – Andrii Sorokovskyi» also analyzed the phenomenon of Sheptytskyi’s ecumenism. Results: we discovered that Sheptytskyi’s ecumenism was studied not only by numerous scientists, but this meaningful legacy of his is a valuable phenomenon for media coverage. Therefore, Sheptytskyi’s ecumenism becomes the subject of interest of journalists not only of publications that write mainly on church topics, but also socio-political and artistic ones. We are sure that Sheptytskyi’s ecumenism will continue to be studied by professional scientists and representatives of the wider media community. Significance: journalism of a religious orientation, high-quality and substantiated coverage of religious processes and phenomena in the press is still something quite new for modern Ukraine. In Soviet times, journalists were afraid to write about religion in order not to incur the wrath of the authorities, so such materials could not be included in the press. That is why it is very important to study how today’s journalists cover important issues of religion, which, in addition, have a strong scientific basis. In addition, the development of ecumenism and religious unity are extremely important for building national unity, which is necessary for our state to effectively confront the enemy in full-scale war. Key words: ecumenism; Metropolitan Andrey Sheptytskyi; media; interreleigion cooperation; dialogue.
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Broadcasting and narrowcasting: radio and podcasts. Royal Geographical Society (with IBG), 2023. http://dx.doi.org/10.55203/dtdu7479.

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