Relevant bibliographies by topics / Radio broadcasting, india

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Radio broadcasting, india'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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Journal articles on the topic "Radio broadcasting, india"

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Sen, Biswarup. "A new kind of radio: FM broadcasting in India." Media, Culture & Society 36, no. 8 (2014): 1084–99. http://dx.doi.org/10.1177/0163443714544998.

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In 2001, India’s first private FM station – Radio City, Bangalore – came on air, ending an era of state broadcasting that began in 1930. In the past decade, FM radio has enjoyed spectacular success: over 200 stations are now in operation, and the FM industry has seen spectacular growth in listenership and revenues. FM’s impact goes beyond economics; it is now a cultural signifier synonymous with modernity – as the ‘tagline’ for a popular FM network puts it ‘Radio Mirchi – it’s hot!’ FM, I argue in this article, represents a new kind of radio. The shift from state-controlled, nationwide AM tran
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PINKERTON, ALASDAIR. "Radio and the Raj: broadcasting in British India (1920–1940)." Journal of the Royal Asiatic Society of Great Britain & Ireland 18, no. 2 (2008): 167–91. http://dx.doi.org/10.1017/s1356186307008048.

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India offers special opportunities for the development of broadcasting. Its distances and wide spaces alone make it a promising field. In India's remote villages there are many who, after the day's work is done, find time hangs nearly enough upon their hands, and there must be many officials and others whose duties carry them into out-of-the-way places where they crave for the company of their friends and the solace of human companionship. There are of course, too, in many households, those whom social custom debars from taking part in recreation outside their own homes. To all these and many
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Backhaus, Bridget. "News by any other name: community radio journalism in India." Journal of Alternative & Community Media 4, no. 2 (2019): 91–104. http://dx.doi.org/10.1386/joacm_00051_1.

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Community radio journalism is a cultural resource that offers a voice to local communities and works to democratise media landscapes. Despite its indisputable value, community radio journalism in India faces a unique set of challenges: the foremost being that, officially, it does not exist. According to government policy, community radio stations are prohibited from broadcasting any news and current affairs content. The situation is further complicated by the presence of a development discourse underpinning the entire rationale for the sector. Instead of serving their listeners, community radi
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Backhaus, Bridget. "Community Radio as Amplification of Rural Knowledge Sharing." Asia Pacific Media Educator 29, no. 2 (2019): 137–50. http://dx.doi.org/10.1177/1326365x19864476.

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Community radio’s relationship with the farming communities has a long history in India. The earliest successful experiments in community broadcasting involved both farmers and agriculture. In terms of development communication, community radio in India represents a confluence of somewhat conflicting paradigms. While community radio is generally presented as a highly democratic, participatory medium, the way it is operationalized in India more closely aligns with the modernization/diffusion paradigm. In 1976, Joseph Ascroft observed the phenomenon of ‘interpersonal diffusion’ among farmers, wh
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Yadav, Gaurav. "ROLE OF COMMUNICATION TOOLS IN THE PROMOTION OF MUSIC." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3475.

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The first half of the twentieth century can be termed as the heyday of the scientific revolution, where some of the instruments were invented under the scientific inventions that accelerated the propagation of music. A scientific invention in the field of music in the early stages of communication means special importance, which revolutionized the world not only in the field of Indian music but it was the advent of radio. It was established in India in 1926 AD. In 1937, the name of the Indian State Broadcasting Service was changed to All India Radio.
 बीसवीं शताब्दी के पूर्वार्द्ध को वैज्
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Huacuja Alonso, Isabel. "Broadcasting the ‘(anti)colonial sublime’: Radio SEAC, Congress Radio, and the Second World War in South Asia." Modern Asian Studies 57, no. 5 (2023): 1615–49. http://dx.doi.org/10.1017/s0026749x2200049x.

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AbstractThis article considers the Second World War’s effects on radio infrastructures and listening cultures in India through a detailed analysis of two radio stations: Radio SEAC and Congress Radio. Radio SEAC was a military radio station based in Ceylon targeting British soldiers stationed in Asia. It housed what was then one of the most wide-reaching transmitters. Congress Radio was a makeshift station in Bombay run by young and largely unknown anticolonial activists. While operating on vastly different scales and with rival goals, these stations’ political ambitions were surprisingly simi
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Robinson, B. J. "Protection of Passive Bands in Australia, India, and Japan." International Astronomical Union Colloquium 112 (1991): 189. http://dx.doi.org/10.1017/s0252921100003973.

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ABSTRACTThe problems of protecting passive bands in Australia, India, and Japan reflect the variety of research activities and radio telescopes in those countries, colored by the degree of user friendliness of the frequency management authorities.In India, it is important to protect frequencies below 1400 MHz (for high redshift hydrogen line absorption or emission) and continuum bands at 327 MHz and 150 MHz (the latter currently allocated to cordless phones, paging systems, and rural communication).In Japan, protection from harmful interference has been sought and refused at 4.8 and 5 GHz (mic
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Pradhan, Pitabas. "Community Radio as an Alternative Tier of Broadcasting - The Challenges and Prospects in India." Media Watch 2, no. 1 (2011): 3–11. http://dx.doi.org/10.1177/0976091120110102.

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Srivastava, Dr Shuchi. "Community Radio: An Emerging Platform for Awareness and Empowerment." South Asian Research Journal of Humanities and Social Sciences 4, no. 1 (2022): 66–70. http://dx.doi.org/10.36346/sarjhss.2022.v04i01.007.

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Community radio plays an important role in the communication of a certain community and is a form of public-service broadcasting. It upholds the principles of participatory communication. The present study was conduct to know about the role of Radio Dhadkan, a community radio, in sensitizing and empowering the Sahariya tribe of Shivpuri district in Madhya Pradesh of India. Here mainly secondary sources of data have been used. There are some development gaps in meeting the needs of Sahariyas and other marginalized communities living in villages and urban slums of Shivpuri district. To fill thes
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Nijhawan, Shobna. "Hindi, Urdu or Hindustani? Revisiting ‘National Language’ Debates through Radio Broadcasting in Late Colonial India." South Asia Research 36, no. 1 (2016): 80–97. http://dx.doi.org/10.1177/0262728015615486.

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Dissertations / Theses on the topic "Radio broadcasting, india"

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Yesudhasan, Thomas J. "Remote audiences beyond 2000 : radio, everyday life and development in South India." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/729.

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The core of this thesis is that radio remains an important communication tool for tribal communities living In remote hill areas of South India. Some of the more salient findings relate to media uses and preferences ot people, suggesting that sophisticated negotiations take place between audiences and media. These Include suspicion of television and its impact upon work practices and education, the organization of time and space to accommodate radio and television Into people's busy daily lives, and the recognition that radio may be a more Innovative medium than television. These conclusions h
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Cyzewski, Julie Hamilton Ludlam. "Broadcasting Friendship: Decolonization, Literature, and the BBC." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461169080.

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Castells-Talens, Antoni. "The negotiation of indigenist radio policy in Mexico." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0004365.

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Fejtková, Pavlína. "Jan Petránek a jeho pozice v médiích. Životopisná studie." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-265154.

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The master thesis Jan Petránek and his position in media. A biographical study. is describing life and publishing activities of journalist Jan Petránek. Text is dedicated to extensive period of time, from the birth of Petránek in 1931 up to the current year 2016. In each chapter, you can find foreword describing political and social context, which influenced not only Czechoslovakia Radio but the journalist himself. The used key methodology was oral history, conversations with Jan Petránek, research and work with the archived materials from National Archive in Prague and Archive of Czechoslovak
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Jackson, Melveen Beth. "Indian South African popular music, the broadcast media, and the record industry, 1920-1983." Thesis, 1999. http://hdl.handle.net/10413/8883.

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This thesis is an historiographical and sociological study of Indian South African broadcasting and the music industry between 1924 and 1983. A multilevel approach which integrates empirical and cultural materialist critical theoretical methodologies reveals the relationships between the media, industry, economy, politics, and culture. Until the sixties, Indian South Africans were denied the civic rights that were taken for granted by white South Africans. Broadcasting, for them, was to be a concession. On being declared South Africans, broadcast programmes were expanded and designed to pacify
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Books on the topic "Radio broadcasting, india"

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Chatterji, P. C. Broadcasting in India. Sage, 1987.

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Radio, All India, ed. Radio in India. Library of Congress Office, 1992.

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Baptista, Nerita. Radio lives!: The story of radio in India. Xavier Institute of Communications, 2005.

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Chatterji, P. C. Broadcasting in India. Sage Publications in association with International Institute of Communications, 1987.

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Chatterji, P. C. Broadcasting in India. Sage Publications, 1991.

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Verghese, B. G. Public service broadcasting for India: National lecture. Centre for Media Studies, 2000.

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The adventure of Indian broadcasting: A philosopher's autobiography. Konark Publishers, 1998.

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Athawale, Pankaj. Stay tuned: The story of radio in India. Indus Source Books, 2017.

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Centre for Studies in Social Sciences., ed. Radio and the Raj, 1921-47. Published for Centre for Studies in Social Sciences, by K.P. Bagchi & Co., 1995.

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Indira Gandhi National Centre for the Arts and India. Ministry of Information and Broadcasting. Publications Division, eds. Untold story of broadcast during Quit India Movement. Indira Gandhi National Centre for the Arts, 2018.

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Book chapters on the topic "Radio broadcasting, india"

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Alexander, Colin R. "Radio Broadcasting in Colonial India." In Administering Colonialism and War. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199493739.003.0003.

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This chapter discusses the preparations for World War II in relation to advances in radio broadcasting to the Indian public. Responsibility for radio broadcasting in British India became part of the portfolio of the Labour Bureau and thus one of the state’s apparatus surrounding the maintenance of colonial power. The arrangement in India was different from that of radio broadcasting in the UK during the 1920s, 1930s and 1940s where the British Broadcasting Corporation (BBC) had been created under Royal Charter with editorial independence from government and commercial interests. In contrast, the British Government of India, and several of Britain’s other colonial territories set up public communications departments that were attached to central government bureaus primarily because the notion of public service broadcasting sat awkwardly against colonial power structures.
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"Broadcasting: BBC, All India Radio and Radio SEAC." In Managing the Media in the India-Burma War, 1941–1945. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350275942.ch-009.

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Mahmudabad, Ali Khan. "Lineages, Loudspeakers, and Labourers." In Poetry of Belonging. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190121013.003.0004.

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Chapter 3 will also use a set of mushā‘irahs held in small and large towns across north India in order to illustrate the continuing material, structural, and cultural changes. The impact of radio broadcasting, ease of travel, dispersed forms of patronage, changing relevance of ustād–shāgird (teacher–student) relationships, and response to changing political contexts will all form the basis of this chapter. It is structured as a series of case studies in order to present the nuanced and rich details of the mushā‘irah, particularly since there is no extant work in this field and this book hopes to provide a foundation on which scholars may build further.
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Alejandra, Bronfman. "Glittery." In Audible Infrastructures. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190932633.003.0004.

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During the commercial broadcasting boom of the 1920s, mica became an essential component of various radio parts, especially the audion vacuum tube, which became central to signal amplification during this period. As uses multiplied and factories produced greater quantities of sound-reproduction machines, the demand for mica exploded. This chapter traces a history of mica through the interwar years, arguing that the newfound necessity of this mineral pushed radio manufacturing into an existing—and vexed—infrastructure held together through exploitative labor regimes, environmental degradation, and the tense politics of empire during this period. It uncovers the surprisingly far-reaching political and social contexts involved in the production of a single radio component. The point of departure is RCA’s effort to find alternative sources of mica, which was primarily controlled by UK interests that, in turn, controlled key mica mines in India. These mines relied on female and child workers, deemed by many observers as the most efficient at splitting the extracted mineral into fine sheets. Such considerations drew RCA into direct negotiations with the US Bureau of Mines, the US Army, and mica mines in Appalachia and New Hampshire, thereby tethering them to hundreds of women and children in various parts of the world whose labor they deemed essential to their enterprise.
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Whittington, Ian. "Calling the West Indies: Una Marson’s Wireless Black Atlantic." In Writing the Radio War. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474413596.003.0006.

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As a colonial subject and woman of colour, Una Marson occupies a unique place in the history of wartime broadcasting in Britain. Her weekly programCalling the West Indies began as a “message home” program for Caribbean soldiers stationed in the UK but grew, as the war progressed, into a literary and cultural forum for writers from across the Black Atlantic. Though barred from advocating openly for independence, Marson used her program to promote West Indian cultural autonomy by spotlighting emerging Caribbean literary figures and forging connections with activists and intellectuals from the U.S., Britain, Africa, and elsewhere. Beyond building such transatlantic networks, Calling the West Indies afforded listeners in the Caribbean the first opportunities to hear literature spoken in the West Indian forms of English which Edward Kamau Brathwaite would go on to call “nation language.” By focusing on Marson’s wartime work, this chapter rectifies a persistent tendency, in histories of Caribbean literature and broadcasting, to omit not only the central role played by this progressive feminist intellectual, but also the role of the war itself as catalyst to the postwar literary renaissance in the West Indies.
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Minks, Amanda. "Radio, Recording, and Inter-American Indigenismo in Mexico." In Indigenous Audibilities. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197532485.003.0003.

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Abstract Chapter 2 focuses on the emergence of the Inter-American Indian Institute in 1940, growing out of interaction between Mexican and US intellectuals, as well as earlier precedents in Latin America. In 1941, the US ethnomusicologist Henrietta Yurchenco followed artistic networks from New York to Mexico City and became deeply involved in the collection and broadcasting of Indigenous music under the auspices of the Inter-American Indian Institute. These projects resulted from multiple agendas and collaborations among institutions and individuals. The analysis shows how documentary recordings moved notions of authenticity from Indigenous communities to institutional archival collections. Yurchenco’s activities had a variety of impacts. On the one hand, her work contributed to the hegemony of mechanical recording which displaced other modes of inscription, such as aural transcription, in fieldwork. On the other hand, Yurchenco made explicit the role of listening and active mediation to create a sense of liveness in field recording. She also reconfigured the instrumentality of institutional discourses to engage in dynamic social relations, which opened up new channels for the audibility of diverse repertoires across cultural and national borders.
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Procter, James. "Voice." In Scripting Empire. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198894179.003.0003.

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Abstract This chapter argues that long-standing misconceptions of the radio archive have obscured the history of African Caribbean cultural production at the BBC. Taking the literary magazine programmes ‘Caribbean Voices’ and ‘West African Voices’ as its point of departure, it considers the work that voice performs as it code-switches across the BBC’s daily menus. West Indian and West African broadcasters were rarely just literary contributors. Working across an array of programme sub-genres—sport, current affairs, education, religion, politics, variety, and entertainment—writers ventriloquized the rhetorical conventions demanded by alternative formats at the very moment they were seeking to establish their literary voices and reputations on air. Locating the work of Louise Bennett and Wole Soyinka within an unfolding genealogy of programmes, this chapter explores how the dramatic monologue and related modes of monologic address were reinvented in conjunction with broadcasting’s own structural principles of communication as a system of one-way exchange.
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Ehrenfeld, David. "Forecast: Chilly Overcast Light Drizzle No People Left." In Swimming Lessons. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195148527.003.0014.

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I used to enjoy listening to the National Weather Service forecasts on my short-wave weather radio. An endlessly repeated taped message updated every few hours might be less than thrilling, but the voices of the half-dozen or so forecasters made it come alive. Each one had an identifiable style and intonation; it was easy to assign personalities, even faces, to them. Ten years ago the announcers were all men. There was the one I labeled the grand elder, with his pontifical voice and distinctive, rolling rhythms. When cost-cutting forced the station to move from Manhattan to the grounds of the Brookhaven National Laboratory, way out on Long Island, he disappeared from the airways. Perhaps the daily commute on the Long Island Expressway was too much for the old fellow. I am sure I wasn’t the only listener to mourn the loss of his avuncular cadences. Another announcer who appealed to me spoke fluently until he came to an American Indian place name such as Manasquan or Wanaque (both in New Jersey). Then he hesitated. I could imagine the look of terror in his eyes when he scanned the next line of the script, and there it was, a word with fearsome Q-sounds or daunting combinations of con-sonants and vowels. If I had had any way of getting in touch with him, I would have comforted him by explaining how lucky he was to be broadcasting in the New York–New Jersey metropolitan area. Up in northern Maine, the forecasters have to cope with names such as Caucomgomoc and Chemquasabamticook. Some announcers proclaimed their individuality with what seemed like deliberately odd pronunciations of common words. The most original was the fellow who figured out a new way to say “climate,” an achievement I would have thought was impossible. He did it by lengthening the separation between the two syllables and heavily stressing the second: “cly-matt.”Eventually, the Weather Service hired its first woman announcer, a welcome addition; she made her mark immediately by shortening the phrase “Here are the latest Central Park observations” to “Here is the latest Central Park.”
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Conference papers on the topic "Radio broadcasting, india"

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Dewal, Om Prakash, and Amit Kumar. "Education for All: Practical Training for Heterogeneous Groups of Learners- An IGNOU Experience." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.7457.

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The teaching-learning process has undergone a major shift due to the Covid-19 pandemic. The situation has necessitated the use of online media more aggressively to reach out to learners and address their academic needs. However, the digital divide prevalent in many parts of the world is a stumbling block. Academic Programme delivery through technological interventions, having a judicious mix of online and broadcast media, was the solution, Indira Gandhi National Open University thought of while delivering their MA (Journalism & Mass Communication) Programme. // The university has been usin
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