Academic literature on the topic 'Radio Broadcasting to Cuba (Organization)'
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Journal articles on the topic "Radio Broadcasting to Cuba (Organization)"
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Krysko, Michael A. "US–Cuban Relations, American Identities and the 1946 North American Regional Broadcasting Agreement." Journal of Contemporary History 53, no. 4 (November 16, 2017): 762–87. http://dx.doi.org/10.1177/0022009417712114.
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By 1946, Cuban–US relations had become strained over radio. Broadcasting from each nation repeatedly crossed borders and interfered with radio reception in the other country. The 1946 North American Regional Broadcasting Agreement (NARBA) attempted to remedy that problem. This account of the impassioned reactions and heated rhetoric surrounding the 1946 NARBA underscores the enduring strength of national and regional identities in a globalizing world. Encounters with US radio programming in Cuba inspired Cubans to fight for distinctly Cuban radio interests. The resulting 1946 NARBA, which imposed new restrictions on US broadcasting to benefit Cuba, provoked farmers from California and Arizona, who – as those who believed they were the most affected by the new restraints imposed on US radio – railed against their government’s acquiescence. Their reactions, in fact, were deeply entangled with the complex history of US identity formation, which had from the nation’s earliest years privileged specific regional loyalties that coexisted alongside both local and national ones. It is, in sum, a story that shows how in certain contexts audiences can and will resist globalizing influences by leaning on their existing national, regional, and local identities that provide meaning in their world.
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Gallimore, Tim. "Radio and television broadcasting to Cuba: U.S. communication policy and the International First Amendment." Gazette (Leiden, Netherlands) 52, no. 1 (August 1993): 43–56. http://dx.doi.org/10.1177/001654929305200103.
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Molchanova, Olga I. "Aspects of social management of a modern radio station in the conditions of media convergence on the example ofradio“EchoofMoscow." Moscow State University Bulletin. Series 18. Sociology and Political Science 25, no. 1 (April 18, 2019): 78–95. http://dx.doi.org/10.24290/1029-3736-2019-25-1-78-95.
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The article is devoted to the identification of specific features of social management of the editorial office of a modern radio station. The purpose of this article is to consider various aspects of the management of a modern radio station, on the example of “Echo of Moscow” to identify the principles of its functioning, the interaction of editorial staff with the target audience. The objectives of the study include consideration of such concepts as “format”, “programming”, “formatting” of radio broadcasting, as well as factors affecting the effectiveness of management, such as the potential of employees, means of production, culture of organization, leadership of the head of mass media, classroom factor; analysis of the classification of modern radio stations; identification of specific for modern socio-political radio “Echo of Moscow” methods of team management and work with the audience. Today, like other mass media, radio has become a mobile source of broadcasting. This factor has transformed the style of broadcasting and the content of radio programs in General. “Echo of Moscow” is a universal radio station on the thematic focus of broadcasting, but it is focused mainly on broadcasting news, special attention is paid to news of politics and culture, reviews of the press, conversations with guests who are experts on various socially significant issues. The organizational structure of the radio station “Echo of Moscow” should be considered to the structure of the linear-functional type, in which the full power takes over the linear head, who heads the team. This structure has both pros and cons. The editorial office of the radio station “Echo of Moscow” is a social organization in which specific relationships are formed, due to the organizational structure of the enterprise and the overall goal of the team. Mutual assistance, team spirit, willingness to help, both in professional activities and at the interpersonal level, speak of the formation of corporate relations in the team of “Echo of Moscow”. Joint events, collective events unite employees and help to solve the branding problem, contribute to the promotion of the media and strengthen its positive reputation.
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Goian, Oles, and Vita Goian. "First Commercial Private Radio Stations in Ukraine: From Experiments to Business." Current Issues of Mass Communication, no. 25 (2019): 33–50. http://dx.doi.org/10.17721/2312-5160.2019.25.33-50.
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The article concerns the first two years (1992-1993) of the formation of commercial broadcasting in Ukraine. It studies the factors that influenced the creation of the first commercial radio stations, which gradually attempted to switch from a “game mode” to the broadcasting business and business entrepreneurship. The activity of the first ten commercial radio companies is studied by means of systematization, content analysis, generalization and other methods. The authors of the article offer the documented time of the first airwaves of each company mentioned (from the authors‟ personal archives). The role that these stations played in the formation of commercial private broadcasting in Ukraine is analyzed. Additional information is given about the creation of the Association of Private Radio Stations in Ukraine which was intended to unite commercial radio stations. The minute of the seminar “Local Radio” is published for the first time. The meeting with the head officers of the radio stations present was organized by the public organization International Media Center – Internews (Ukraine) and by the training center British Broadcasting Corporation (BBC, England) from May 20 to June 3, 1994 in Pushcha-Vodytsia near Kyiv. It was there where they decided to create the association. One of the radio projects of MMC-Internews “Interview from Internews” is examined. It may be considered as the first radio project unifying commercial radio stations, and also the first student radio project at the private radio station in Ukraine. Therefore, the purpose of the article is to study facts and documents (from the authors‟ personal archive) certifying the dialectic progress of Ukrainian commercial broadcasting from the so-called “musical patchwork” to the transformation into a profitable means of mass communication.
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Pattanajakr, Adisak, Apirat Siritaratiwat, and Anan Kruesubthaworn. "Automation Broadcast Radio Controlled by Using Audio Mute Clock." Applied Mechanics and Materials 781 (August 2015): 11–14. http://dx.doi.org/10.4028/www.scientific.net/amm.781.11.
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This paper presents distribution and automation radio broadcasting organization that is operated by international radio stations such as Voice of America (VOA) using the control center that must rely on the cost of the electrical and electronic instruments and the operation and must be very high dependency computer technology that is relative to clock and must be done regularly to ensure the accuracy. The changing schedule of automation radio broadcasting controlled by programmable logic controller, PLC [1] and the master clock [2] is time in second is required to execute the PLC program for every changing of the schedule program. The ideology of silence of sound signal (Audio Mute) is used when each program ends instead using the master clock to execute the PLC program for changing the schedule radio program. The application of audio mute for changing new schedule when each program ends can be compared with the using the master clock controlling the PLC will be also minimum deviation of the time that will impact on automation radio broadcasting.
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Mazur, Olexander. "Sound recordings from radio archives: the restoration of music in digits." Obraz 35, no. 1 (2021): 142–51. http://dx.doi.org/10.21272/obraz.2021.1(35)-142-151.
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A holistic historical and informational analysis was conducted in the scientific context of the synergy of two systems – sound recording and radio broadcasting. Methodological support of the study was based on the use of general scientific and special methods. Taking into account the experience of «BBC Radio 1» in creating a unique collection of sound recordings and areas of use of music collections as objects of archival storage, the features of recording music sessions in recording studios of radio stations are revealed. The main methods of restoration, restoration and digitization of stock music phonograms of radio broadcasting subjects are revealed. Find out which software products perform digitization tasks. The author concludes that the basis for the protection and storage of music collections of radio archives is the organization of a system of backup and duplication of data.
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Dwiana, Ressi, Ade Armando, and Mario Antonius Birowo. "Emergency Broadcasting Radio in Indonesia: Comparative Studies in Lombok and Palu." Journal of Disaster Research 15, no. 5 (August 1, 2020): 655–63. http://dx.doi.org/10.20965/jdr.2020.p0655.
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In every disaster, problems of information and communication distribution always occur. The communication channel is very dependent on various supporting facilities. Electricity, transmitter towers, broadcasting stations, to human resources. In two big disasters in Indonesia in 2018: the Lombok earthquake; and the earthquake, tsunami and liquefaction in Palu, there were issues of the information and communication channels. Local people do not know the conditions that occur in their area and the situation of their families. While outsiders, the government, and rescue teams did not get detailed information from the affected areas. In countries with high intensity of natural disasters, emergency broadcasting policies have been long practiced. The simplest device for emergency broadcasting is radio. This kind of media can immediately air with simple facilities. Regardless, the initiative of emergency radio has not yet adopted into regulation in Indonesia. Therefore, the emergency radio initiator limited to a handful of organization like in Lombok earthquake. Conversely in Palu disaster, there was a Ministerial Decree of Information and Communication Ministry Number 773/2018 (KM 773), regulation that simplify access to radio frequency. Using comparative method, this research examined these two disasters to analyze the differences of emergency radio practices. Only 1.5 months away and similar location features, the emergency radios initiation differ in several aspects related subjects that regulated in this KM. The result shows that this KM can broaden all aspects of emergency broadcasting radio. Although, the KM unable to shorten the time of emergency radio implementation. Regulation change only limited to frequency access. A broader regulation change is needed to support the practice of emergency radio.
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King, Gretchen, and Omme-Salma Rahemtullah. "Community radio contradictions in Canada: Learning from volunteers impacted by commercialising policies and practices." Journal of Alternative & Community Media 4, no. 4 (December 1, 2019): 20–36. http://dx.doi.org/10.1386/joacm_00064_1.
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Community radio has been defined by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as promoting non-profit ownership of stations and volunteer participation. The increasing commercialisation of community radio in Canada, evident in changing station practices and regulatory policies, has resulted in the erosion of volunteer run governance and programming. This article draws on community media, anti-oppression, and third-sector studies literature to investigate the experiences of volunteers from two stations, CHRY in Toronto and Radio Centre-Ville in Montral. Current Canadian Radio-television and Telecommunications Commission (CRTC) regulations define community radio by virtue of its place in the communities served. This article concludes that reducing the engagement and empowerment of volunteers in community radio programming and governance limits the place of community radio in the community. The authors will also identify best practices that are needed to re-centre community radio within the community while ensuring a sustainable non-profit community broadcasting sector.
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Stamm, Michael. "Broadcasting Mainline Protestantism: The Chicago Sunday Evening Club and the Evolution of Audience Expectations from Radio to Television." Religion and American Culture: A Journal of Interpretation 22, no. 2 (2012): 233–64. http://dx.doi.org/10.1525/rac.2012.22.2.233.
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AbstractThis article analyzes the broadcast activities of the Chicago Sunday Evening Club (CSEC), a mainline Protestant organization founded in 1908 and still active today. The CSEC began broadcasting its weekly meetings on the radio in 1922 and on television in 1956. Drawing on archival organizational records from the CSEC and from listener correspondence, this essay traces how the club's use of the new media of particular historical moments shaped its history as a public entity.This study makes two claims. First, it argues that, though evangelicals and fundamentalists took to radio and television broadcasting with greater vigor, mainline Protestant groups did as well, and the persistence of a group like the CSEC offers a way to understand the challenges that broadcasting presented to religious organizations. Second, this article shows how audience expectations for religious programming evolved from radio to television. For many listeners, radio offered what they told the CSEC was a spiritual and even miraculous experience, and they marveled at being able to tune in to religious services from their homes. Television, however, prompted remarks often focused on visual style, and the club found itself struggling to compete with the newly emerging group of religious television programs not only on denominational terms (many were evangelicals and fundamentalists) but also on aesthetic terms. In contrast to radio, as many viewers wrote to the CSEC, television seemed to provide not a singular “experience” but rather spectatorial access to events taking place elsewhere. In the context of competition from the more telegenic programming of evangelicals and fundamentalists, these shifting audience expectations shaped both the history of the CSEC as a public entity and the broader history of mainline Protestantism in the mass media.
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Петрова, В. Д. "Якутское радио в годы Великой Отечественной войны: редакция политического вещания." ОЙКУМЕНА. РЕГИОНОВЕДЧЕСКИЕ ИССЛЕДОВАНИЯ, no. 4 (2020): 65–70. http://dx.doi.org/10.24866/1998-6785/2020-4/65-70.
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В статье рассматривается деятельность редакции политического вещания Якутского регионального радиокомитета в годы Великой Отечественной войны на основе вводимых в научный оборот новых документальных материалов, которые еще не стали предметом исследования в отечественной историографии. С началом войны главное место на радио занимало политическое вещание, которое направляло основную нагрузку радиопередач на мобилизацию народной силы в оказании помощи фронту и на стимулирование трудового подвига в тылу. В статье изложено тематическое содержание политического вещания, включая сводку Совинформбюро, материалов ТАСС, выпусков "Последних известий" и трансляции главных новостей из Москвы. Проводится анализ организации информационно-пропагандистских радиопередач, настроения жителей и участия творческого актива общественных организаций в подготовке ради- оматериалов, на основе которого подводится итог идейно-политической, массово-сти- мулирующей роли радиовещания в 1941–1945 гг. в Якутии. The article examines the activities of the editorial office of political broadcasting of the Yakut regional radio Committee during the great Patriotic war on the basis of new documentary materials introduced into scientific circulation, which have not yet become the subject of research in Russian historiography. With the beginning of the war, the main place on the radio was occupied by political broadcasting, which directed the main load of radio broadcasts to mobilize people's power in helping the front and stimulating labor feats in the rear. The article describes the thematic content of political broadcasting, including a summary of the Sovinformburo, TASS materials, issues of "Latest news" and broadcasts of the main news from Moscow. Analyzes the organization of awareness-raising broadcasts, the mood of the people and participation of the creative asset of public organizations in the preparation of radio materials on the basis of which sums up the ideological-political, mass-stimulating the role of the radio in 1941–1945.
Dissertations / Theses on the topic "Radio Broadcasting to Cuba (Organization)"
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Tyali, Siyasanga Mhlangabezi. "Africanising community radio broadcasting: the case of Vukani Community Radio (VCR) in South Africa." Thesis, 2017. https://hdl.handle.net/10539/24600.
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A thesis submitted to University of the Witwatersrand in fulfilment of the requirements for
the degree of Doctor of Philosophy, Johannesburg, 2017Decolonisation and Africanisation of spaces emerging from administrative and settler colonialism have been suggested as forms of challenging colonial legacies that are still largely present in the Global South and particularly within the African continent. Mainly, this has also been the case in recent South African discourses that have called for the decolonisation and ‘transformation’ of key areas in the country to build a decolonised African country of the future. This thesis, therefore, deals with the subject of the community radio broadcasting sector that is operating during South Africa’s ‘postcolonial’ era, and the steps undertaken by this sector in Africanising itself. Starting from the conviction that the media has a historical role in shaping and communicating cultures as well as identities of the colonised and ‘formerly’ colonised, the thesis posits that the community radio sector is one of the vital arenas that can be used to understand the continuities and discontinuities of colonial cultures in media institutions. Thus, to comprehend and establish the state of Africanisation within the community radio sector of the country, the study investigated and analysed the case of Vukani Community Radio (VCR); a community radio station that is easily one of the oldest community orientated broadcasters in South Africa. Furthermore, to challenge the idea of colonised and neo-colonised media spaces, this thesis was grounded on an understanding of the complexities of Africanisation as a decolonising project in a media institution that is operating in the post-settler-colonial administration of this country. Adopting a case study approach, this study attempted to understand the urgency of a broadcast media platform in asserting the cultures and identities of ‘previously’ colonised Africans on the medium's airwaves. To make sense of the conceptual challenges surrounding the study, the thesis has drawn on decolonial discourses, including the theory of Afrocentricity, the coloniality of power, coloniality of knowledge, the coloniality of being and the decolonial turn. The adoption of these theories by the study, therefore, also demonstrates a conscious delinking of this study from the traditional theories of media and cultural studies that have habitually underpinned the South African canon. Moreover, this study has adopted the use of critical decolonised methodologies approach in the pursuit of answers about the extent of Africanisation of the media institution. The decolonised approach of the adopted method lay in revealing the colonial excesses that have underpinned research methodologies as well as an ‘auto-critique’ of these excesses in the context of this study. The data analysed to arrive at the findings of this study included several macro and micro policy documents, a content analysis of three (3) categories of community radio programmes [Talk Radio, African Cultural Lifestyle & News Programming] that totalled 270 hours of community radio content. The study also relied on several semi structured interviews with various internal and external stakeholders that make up the station's key constituencies. In the analysis of evidence that would uncover the extent of the Africanisation of the community radio station, the findings of the thesis revealed several yet overlapping thematic areas that suggest pathways towards the Africanisation of the media institution. These, among others, included the use of this media institution as an African public sphere, its embracing of the philosophy of Ubuntu, its role in the decolonisation of African memory and its approaches towards ethnicity and Africanity within the broadcasting area. These themes emanating from the analysed data of the study also illustrate how this media institution is operating as a pocket of resistance against colonial, neo-colonial and imperialistic media cultures. In addition to these thematic areas, the findings of this study also demonstrate that when only media policy documents are adopted, this can lead to ambiguities in the pursuit of Africanisation as decolonisation. The study however also demonstrates that the urgency of the community radio station in catering for the surrounding constituency can potentially demonstrate an eventual Africanisation of the airwaves. Finally, this study concludes that the Africanisation of the airwaves is demonstrable at Vukani Community Radio (VCR) but its permanent enforcement is dependent on the vigilance of the stations constituencies and how they define and enforce the role of their media institution.
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Books on the topic "Radio Broadcasting to Cuba (Organization)"
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López, Oscar Luis. La radio en Cuba. 2nd ed. La Habana, Cuba: Letras Cubanas, 1998.
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Radio and television in Cuba: The pre-Castro era. Ames: Iowa State University Press, 1994.
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Report by the Advisory Board for Radio Broadcasting to Cuba. Washington, D.C: The Board, 1986.
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Board, Radio Broadcasting to Cuba (Organization) Advisory. Report by the Advisory Board for Cuba Broadcasting 1989. [Washington, DC: Advisory Board for Cuba Broadcasting, 1990.
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Terrorismo en el éter: Agresión radio televisiva contra Cuba. La Habana: Editora Política, 2004.
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Berry, Steven. Free entry and social inefficiency in radio broadcasting. Cambridge, MA: National Bureau of Economic Research, 1996.
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Antich, Arnaldo Coro. La guerra radial de Estados Unidos contra Cuba: Premio artículo, 1984. [La Habana]: Departamento de Actividades Culturales, Universidad de La Habana, 1985.
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An air war with Cuba: The United States radio campaign against Castro. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2011.
Find full textBook chapters on the topic "Radio Broadcasting to Cuba (Organization)"
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Matzko, Paul. "“The Red Lion Roars Again”." In The Radio Right, 125–58. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190073220.003.0005.
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After the assassination of John F. Kennedy, leadership of the counter–Radio Right censorship campaign passed to the Democratic National Committee (DNC). DNC Chairman John Bailey recruited operative Wayne Phillips to take charge of a team that would intimidate conservative broadcasters who either supported Barry Goldwater or attacked Lyndon Johnson during the 1964 election. By Phillips’s own estimations, the project was a remarkable success, garnering hundreds of hours of free airtime via Fairness Doctrine complaints. They were aided by a new front organization—secretly created by the DNC—called the National Council for Civic Responsibility. As a bonus, the campaign also generated a court challenge from journalist Fred Cook against conservative radio station owner John Norris. The resulting court case, Red Lion Broadcasting Co., Inc. v. FCC, went all the way to the US Supreme Court, which ultimately upheld the Fairness Doctrine.
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Bronfman, Alejandra. "Receivers." In Isles of Noise. University of North Carolina Press, 2016. http://dx.doi.org/10.5149/northcarolina/9781469628691.003.0003.
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Picking up in the early 1920s, this chapter tracks the shift of radio technology from military to commercial uses. It follows linkages among the changing material conditions for Caribbean workers, the radio industry’s search for materials like mica and bakelite, and the generation of new markets. Having placed broadcasting in its ecological and political contexts, the chapter uses the trajectories of two amateur radio operators, John Grinan, a New Yorker/Jamaican son of a plantation owner and a member of the team which produced the first transatlantic wireless signals, and Frank Jones, an American plantation manager in Cuba, famous for his self-promoting shortwave transmissions to recover the world of the tinkerers’ romance with an ether jammed with distant sounds. It traces the creation of audiences and publics for the emerging technology, arguing that radio appealed to listeners not because it shrank distances, but because it underscored them, demarcating the Caribbean as exotic and remote. Ironically, it was the deeper technological connections that would propel the mapping of these imagined boundaries between the “tropics” and “the world.”
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Bronfman, Alejandra. "Ears." In Isles of Noise. University of North Carolina Press, 2016. http://dx.doi.org/10.5149/northcarolina/9781469628691.003.0006.
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This chapter opens with an exploration of audience research techniques and the ways that even those conducting the research acknowledged the impossible nature of their task. This sets out the paradox that structures the chapter: even while there was no guarantee that listening publics were listening, they came to occupy a central position in the political struggles of the late 1950s and early 1960s. The notion of fidelity runs through the chapter as it traces the mediated strategies with which institutions and entities vied for the loyalty of listeners and laid the ground for the media battles of the anti-Batista struggle in Cuba. The “radio wars” that erupted in the Caribbean, a series of clandestine broadcasts urging the overthrow of Castro, Trujillo, and Duvalier in the early 1960s, speak to the centrality of mediated interventions in the changing geopolitics of the Cold War. The chapter ends with an emphasis on silence, as it attends to the ways that Jamaican broadcasting continued to speak only to limited publics and tendered a deaf ear to the creole-inflected sounds of politics on the eve of decolonization.
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Parrish, Susan Scott. "A Northern Army of Relief." In The Flood Year 1927. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691168838.003.0003.
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The Red Cross needed to draw national and international attention to the flood to prevent it from causing greater devastation of life. Commanded by the executive branch and aided by the military, the Red Cross enjoined privately owned media channels—newspapers, magazines, radio broadcasting companies, moving picture theaters—not only to disseminate the messages crafted by its Public Information bureau but also to be official channels for collecting donations from the public. This chapter considers how the media and entertainment industries produced public engagement out of the flood. The publicity push skirted the issue of the flood as evidence of a federal engineering blunder by representing relief efforts as a massive and flawless technocratic mechanism assembled by the country's best experts. At the broadest level, military scenes dominated the narrative. The flood was imagined as a fight between modern organization and primordial forces, as a battle between modern and ancient.
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Host, Jim, and Eric A. Moyen. "Working in an Ever-Changing Environment." In Changing the Game, 95–112. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813179551.003.0007.
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Host lost the broadcast rights for University of Kentucky sports in 1980, so he turned his attention to other ventures. He met with the athletic directors of the Southwest Conference (including Frank Broyles and Darrell Royal), and by the end of the meeting, they had asked Host’s company to operate the SWC Radio Network. The SWC Network was a resounding success, but Texas A&M football coach Jackie Sherrill led a successful campaign to end the network, allowing the larger universities in the conference to keep more broadcasting revenue. Host then signed a deal with athletic director DeLoss Dodds to control the broadcast and media rights for the University of Texas, and he rapidly expanded the commercial appeal of Texas athletics. Host continued to work with the NCAA and the NTBA. The NCAA struggled for control of college athletics with the College Football Association, which resulted in the 1984 Supreme Court decision in NCAA v. Board of Regents. The NTBA faced deregulation by the federal government, which resulted in a name change to the National Tour Association, larger membership in the organization, and increased revenue.
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Rahman, Hakikur. "Interactive Multimedia Technologies for Distance Education Systems." In Encyclopedia of Multimedia Technology and Networking, Second Edition, 742–48. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-014-1.ch100.
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Information is typically stored, manipulated, delivered, and retrieved using a plethora of existing and emerging technologies. Businesses and organizations must adopt these emerging technologies to remain competitive. However, the evolution and progress of the technology (object orientation, high-speed networking, Internet, and so on) has been so rapid, that organizations are constantly facing new challenges in end-user training programs. These new technologies are impacting the whole organization, creating a paradigm shift which, in turn, enables them to do business in ways never possible before (Chatterjee & Jin, 1997). Information systems based on hypertext can be extended to include a wide range of data types, resulting in hypermedia, providing a new approach to information access with data storage devices, such as magnetic media, video disk, and compact disk. Along with alphanumeric data, today’s computer systems can handle text, graphics, and images, thus bringing audio and video into everyday use. DETF Report (2000) refers that technology can be classified into noninteractive and time-delayed interactive systems, and interactive distance learning systems. Noninteractive and time-delayed interactive systems include printed materials, correspondence, one-way radio, and television broadcasting. Interactive distance learning systems can be termed as “live interactive” or “stored interactive,” and range from satellite and compressed videoconferencing, to standalone computer-assisted instruction with two or more participants linked together, but situated in locations that are separated by time and/or place. Different types of telecommunications technology are available for the delivery of educational programs to single and multiple sites throughout disunited areas and locations. Diaz (1999) indicated that there are numerous multimedia technologies that can facilitate self-directed, practice-centered learning and meet the challenges of educational delivery to the adult learner. Though, delivering content via the WWW has been tormented by unreliability and inconsistency of information transfer, resulting in unacceptable delays and the inability to effectively deliver complex multimedia elements, including audio, video, and graphics. A CD/Web hybrid, a Web site on a compact disc (CD), combining the strengths of the CD-ROM and the WWW, can facilitate the delivery of multimedia elements by preserving connectivity, even at constricted bandwidth. Compressing a Web site onto a CD-ROM can reduce the amount of time that students spend interacting with a given technology, and can increase the amount of time they spend learning. University teaching and learning experiences are being replicated independently of time and place via appropriate technology-mediated learning processes, like the Internet, the Web, CD-ROM, and so on. However, it is possible to increase the educational gains possible by using the Internet while continuing to optimize the integration of other learning media and resources through interactive multimedia communications. Among other conventional interactive teaching methods, Interactive Multimedia Methods (IMMs) seems to be adopted as another mainstream in the path of distance learning system.
Conference papers on the topic "Radio Broadcasting to Cuba (Organization)"
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Varlamov, O. V. "Organization of single frequency DRM digital radio broadcasting networks. Features and results of practical tests." In 2018 Systems of Signal Synchronization, Generating and Processing in Telecommunications (SYNCHROINFO). IEEE, 2018. http://dx.doi.org/10.1109/synchroinfo.2018.8456925.
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