Academic literature on the topic 'Radio in politics'
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Journal articles on the topic "Radio in politics"
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Birch, David. "Talking politics: Radio Singapore." Continuum 6, no. 1 (January 1992): 75–101. http://dx.doi.org/10.1080/10304319209359383.
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Dinsman, Melissa. "Politics, Eugenics, and Yeats's Radio Broadcasts." International Yeats Studies 3, no. 1 (November 1, 2018): 65–80. http://dx.doi.org/10.34068/iys.03.01.05.
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Much has been written about the right-wing politics and eugenicist sympathies of Yeats’s late-1930s poetry in general and about On the Boiler in particular. Yeats’s focus on Ireland’s degeneration and his calls for its regeneration through cultural (and even biological methods) coincided with his dalliance with the Irish Blueshirts and his frustrations with the transformations of the Irish Free State under Éamon de Valera. However, these years also proved to be Yeats’s most active in terms of radio broadcasting, with six of his nine broadcasts made between 1937 and 1938. In this essay, I read Yeats’s broadcasts, in particular “In the Poet’s Pub,” “In the Poet’s Parlour,” and “My Own Poetry” alongside On the Boiler to show how themes of degeneration and regeneration link these works. As a medium, radio could advance the cultural degeneration and pandering to the masses to which Yeats was opposed. However, it was also within radio’s capabilities to control modes of broadcasting, influencing the public and regenerating Irish culture through the dissemination of poetry.
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Thomas, Pradip. "The Politics of Radio in India." Media Asia 34, no. 2 (January 2007): 113–17. http://dx.doi.org/10.1080/01296612.2007.11726851.
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Skuse, Andrew. "Radio, Politics and Trust in Afghanistan." Gazette (Leiden, Netherlands) 64, no. 3 (June 2002): 267–79. http://dx.doi.org/10.1177/17480485020640030401.
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Turner, Graeme. "Politics, radio and journalism in Australia." Journalism: Theory, Practice & Criticism 10, no. 4 (July 15, 2009): 411–30. http://dx.doi.org/10.1177/1464884909104948.
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Sen, Krishna. "Radio days: Media-politics in Indonesia." Pacific Review 16, no. 4 (December 2003): 573–89. http://dx.doi.org/10.1080/0951274032000132263.
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Griffen-Foley, Bridget. "Talkback Radio and Australian Politics since the Summer of 1967." Media International Australia 122, no. 1 (February 2007): 96–107. http://dx.doi.org/10.1177/1329878x0712200114.
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This article explores the intersections between Australian party politics and commercial talkback radio from 1967 to 1983. It considers the eagerness of individual politicians such as John Gorton and R.W. Askin to exploit the possibilities of ‘dial-in’ radio, addresses how political parties came to view the usefulness (and the dangers) of talkback radio, and assesses the political interventions of Brian White, Ormsby Wilkins and John Laws. In doing so, the article traces the radio industry's campaign against the ban on pre-election comment, the evolution of the Fairness Code for Broadcasters, and the relationship between media monitoring and talkback radio.
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Huber, Katherine M. "Aural Interruptions: The Politics of Sound in Teresa Deevy's Radio Plays." Review of Irish Studies in Europe 7, no. 1 (April 29, 2024): 7–23. http://dx.doi.org/10.32803/rise.v7i1.3240.
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Despite becoming deaf at a young age from Ménière’s disease, Teresa Deevy uses sound in radio dramas to critique how conceptions of the past were materially constraining the possible futures for women in mid-century Ireland. While Deevy remains an understudied playwright, scholars like Caoilfhionn Ní Bheacháin have shown how Deevy’s stage plays challenge gender hierarchies during the Cumann na nGaedhael government and rework forms of naturalism. Few scholars offer sustained analyses of Deevy’s later plays or work on radio, though Emily Bloom’s foundational work on Irish radio modernisms and theorisation of Deevy’s unique forms of engagement with radio and radio dramas inform my examinations of four plays Deevy wrote specifically for radio. Building on current scholarship, this article examines how Deevy drew on the aurality of radio and the in medias res feel of the one-act radio play to reimagine gendered relationships to narrative, place, history and material and built environments amid shifting media and cultural landscapes in mid-century Ireland. In heeding Deevy’s contributions to radio modernism through feminist, ecofeminist and media studies lenses, my analyses demonstrate methods for reading sounds in scripts that reframe how scholars approach Deevy’s later work as they expand studies of Irish radio modernism. Reading sound elements in Dignity (1939) and Within a Marble City (1949) shows how Deevy reworks realist and naturalist forms limiting women’s agency. The auralities in Going Beyond Alma’s Glory (1951) and One Look and What It Led To (1964) meta-critically reflect on the medium of radio to point to a more modernist multiplicity for women’s self-determination. Sounds and silences in and across Deevy’s four radio dramas revise and expand understandings of mid-century Irish naturalisms, realisms and modernisms as they establish an overlooked feminist Irish radio modernism that points to multiple narrative possibilities for women’s self-determination literally hanging in the air.
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Berkman, Dave. "Politics and Radio in the 1924 Campaign." Journalism Quarterly 64, no. 2-3 (March 1987): 422–28. http://dx.doi.org/10.1177/107769908706400219.
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Doliwa, Urszula, and Gabriella Velics. "Community Radio in Hungary and Its Place in the Society, Politics, and Education." Polish Political Science Yearbook 52, no. 4 (December 31, 2023): 59–77. http://dx.doi.org/10.15804/ppsy202392.
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This article examines the community radio scene in Hungary, focusing on two stations in Budapest: Tilos Radio and EPER Radio. The authors explore the unique characteristics and principles of community radio in Hungary through desk research and interviews with key players in the community radio movement conducted in October 2022. They highlight how these two stations, while differing in their specific forms of community broadcasting, share a commonality of being independent and offering an alternative to mainstream and public radio programming. Sustainability was identified as a significant challenge facing community radio stations in Hungary, primarily because of unfriendly media policy promoting voices supporting the government. The article also provides characteristics of the community radio concept and the historical context of community radio in Hungary, noting that this country was the first in Central and Eastern Europe to incorporate the third broadcasting sector into media law.
Dissertations / Theses on the topic "Radio in politics"
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Ramakhula, Abeloang Ramakhula. "The role of the private radio stations in promoting participatory democracry in Lesotho : the case of Moafrika FM, Catholic FM, Peoples's choice FM and Harvest FM." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/859.
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This study is an exploratory assessment of the role of private radio stations in promoting participatory democracy in Lesotho. It seeks to describe the current situation of the role of radio in the country, including levels of rural development programming and community participation. There are eight private radio stations operating in the country. The emergence of the liberalised airwaves created an opportunity for people to have access to information, hence promotion of participatory democracy, though problem of freedom of expression and speech and absence of media policy hinders positive effective participation in issues affecting both journalists and society. The study will use a survey within the purposely selected media professionals to assess how citizens obtain and use information to make informed political choices as well as to measure the influence of private radio stations on political knowledge, attitudes and behavior. The field research will take place in the capital Maseru, where all the private radio stations are based. This will enable the researcher to draw inferences about the role of private radio stations and participatory democracy in Lesotho. The study explores changes that have occurred following the emergence of liberalisation of the radio airwaves in Lesotho from 1994, from almost a century of state owned and dominated national radio station. The central argument in this study is to establish if liberalisation of the airwaves in particular has a significant impact on the democratisation process in the country. Given the country’s limited literacy rate and historic role of broadcast media in Lesotho as a source of all major official information, private radio stations occupies a central role of mobilising and debating issues of national concern. The study, therefore, concludes that the emergence of the private radio stations in Lesotho has increased community participation in political and current affairs. The coverage of radio in the country and its pluralistic character suggest that the private radio stations will remain a crucial broadcast medium of communication in Lesotho, especially for the rural people whose access to television and print are inaccessible.
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Mhlanga, Brilliant. "The politics of ethnic minority radio in South Africa." Thesis, University of Westminster, 2010. https://westminsterresearch.westminster.ac.uk/item/90715/the-politics-of-ethnic-minority-radio-in-south-africa.
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The discourse on the implications of ethnicised radio, for example, in the Nigerian ethnic conflicts, the Rwandan genocide of 1994 and in the Kenyan ethnic violence of 2008 have brought more focus on challenges involved with policing ethnic media and managing ethnic relations in contemporary Africa. This study focuses on attempts by the reformed South African Broadcasting Corporation (SABC), to develop and manage an ethnic minority radio sector in ways that would promote “simunye” or “national unity” as part of its public service mandate and to foster majority rule, in the post-1994 period with the objective of building a “rainbow nation”. The South African case is chosen on account of its long and complex history of apartheid and the overt use of ethnicity for political purposes. Further, it is informed by the post-apartheid efforts to emphasize the centrality of ethnicity; as part of the pluralist policies furthering the neo-liberal economic agenda. My research in 2008-2009 involved five carefully selected ethnic minority radio stations (Lotus FM, Munghana Lonene FM, Phalaphala FM, Radio Sonder Grense FM (RSG) and X-K FM), all owned and managed by the SABC as part of its public service mandate. Using a case study research methodology, the study investigated the development of ethnic minority radio broadcasting policies in post-apartheid South Africa, in the context of residual and incremental broadcasting policy models from the apartheid era. The nexus of ethnic minority radio and nationalism cohesion is a huge challenge in many other African countries and South Africa’s attempts at radio pluralism are a cautious walk on a tight rope given their history, which much like her economy, have local, regional and global aspects. Various theories are used as a conceptual framework; the public service broadcasting (PSB); models of ethnic minority media; and theories of ethnicity and nationalism. The study shows the challenges faced by PSBs in an African context. The discussion also involves the role of radio in the construction of a transient national identity and nation-building as a process. The main findings included the simmering tensions, intense politics and rivalry between groups running the ethnic minority radio stations. The appointment of top SABC personnel on ethnic basis feeds into the perceptions of ethnic relations at the stations and the marked feelings of ethnic consciousness at the radio stations that ubiquitously feed into the ‘rainbow nation’ project as part of the ‘retribalisation’ process. It affirms the rights of ethnic minorities to communicate through radio in their own languages within a multi-ethnic society; thereby giving meaning to its enigmatic instance. However, South Africa’s bold experiment with cultural pluralism in the radio sector offers Africa a delicate but workable way of dealing with ethnicity in public radio broadcasting. This research is an original analysis of policies, politics, history and aspects on the continuity of the ethnic radio sector in a local but rapidly globalising context. The study is important for its epistemological rethinking of public broadcasting and ethnicity in a non-Western context.
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Wachanga, David Ndirangu O'Connor Brian C. "Sanctioned and controlled message propagation in a restrictive information environment the small world of clandestine radio broadcasting /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-5113.
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Smith, David Mark. "Politics through the microphone : BBC radio and the 'New Jerusalem' 1940-1945." Thesis, Queen Mary, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390616.
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Wachanga, David Ndirangu. "Sanctioned and Controlled Message Propagation in a Restrictive Information Environment: The Small World of Clandestine Radio Broadcasting." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5113/.
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This dissertation seeks to identify the elements that inform the model for competing message propagation systems in a restrictive environment. It pays attention to message propagation by sanctioned and clandestine radio stations in pre- and post-independent Zimbabwe. This dissertation uses two models of message propagation in a limiting information environment: Sturges' information model of national liberation struggle and Chatman's small world information model. All the message propagation elements in the Sturges and Chatman's models are present in the broadcast texts analyzed. However, the findings of this dissertation indicate that communication in a restrictive information environment is designed such that its participants make sense of their situation, and come up with ways to solve the challenges of their small world. Also, a restrictive information environment is situational, and message propagators operating in it are subject to tactical changes at different times, accordingly altering their cognitive maps. The two models fail to address these concerns. This dissertation focused on message propagation in Zimbabwe because there is military belligerence involved in the information warfare. It therefore provides an extreme situation, which can help our understanding of more everyday instances of communication and interference of communication. Findings of this dissertation recommend the need to emphasize that information input, output and suppression are components dependent on each other; not discrete and independent categories of information activities.
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Whittington, Ian. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=119399.
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The social and political transformations of the Second World War in Britain required a massive coordination of public opinion and effort. "Writing the Radio War: British Literature and the Politics of Broadcasting, 1939-1945" examines the mobilization of British writers through their involvement in radio broadcasting. Drawing on theories of mass communication from the 1930s to the present day, this dissertation argues that the power of radio as a medium of propaganda and national identity-formation lay in its ability to generate an aura of intimacy that encouraged listener identification with the national community. Capitalizing on this intimacy, writers imagined listening publics that were at odds with official projects of national unity. Confronted with the Anglophone fascism of pro-Nazi broadcaster William Joyce, Nancy Mitford and Rebecca West used their writings to neutralize the threat of autochthonous extremism by depicting Joyce as a laughable ideological non-national subject. Even among patriotic Britons, political fractures appeared, as when J.B. Priestley used his radio "Postscripts" to frame debates about postwar British society along socialist lines. In the mixed documentary-dramatic genre of the radio "feature," Louis MacNeice modelled collective gain through collaborative effort in The Stones Cry Out, Alexander Nevsky, and Christopher Columbus. On the Overseas Service, George Orwell and E.M. Forster attempted subtle compromises to keep Indian listeners loyal to the Empire, while Jamaican poet Una Marson repurposed the BBC's networks in order to imagine alternative communities. Marson turned the program Calling the West Indies into an incubator for a vibrant Caribbean literary scene. Collectively, these writers used the wireless to guide British listeners through the social and political changes brought on by the war: having entered the conflict as an imperial nation riven by class and ideology, Britain emerged ready to embark on the massive social experiment of the multicultural postwar welfare state with a renewed sense of possibility and promise.Les transformations sociales et politiques de la deuxième guerre mondiale en Grande-Bretagne ont nécessité une mobilisation énorme d'opinion et d'effort publique. "Writing the radio war: British literature and the politics of broadcasting, 1939-1945" examine la participation des écrivains britanniques dans cette mobilisation au niveau de leur engagement dans la radiodiffusion. Cette thèse utilise diverses théories de communication datant des années 1930 jusqu'au présent pour démontrer la puissance de la radio comme moyen de propagande et de gestion d'identité nationale en raison de sa capacité d'engendrer une semblance d'intimité entre les auditeurs et leur communauté nationale. Les écrivains de cette période ont pris avantage de cette intimité pour imaginer des publiques qui contredisaient les projets officiels d'unification nationale. Face au fascisme anglophone de William Joyce, un propagandiste pronazi, Nancy Mitford et Rebecca West se sont servies de leurs écrits pour rendre neutre la menace d'une extrémisme autochtone en décrivant Joyce comme une aberration idéologique, risible et étranger. Les divisions politiques sont apparues même parmi les Britanniques patriotiques; avec son programme "Postscripts" sur la BBC, J.B. Priestley a poursuit un avenir socialiste pour la Grande Bretagne, ce qui contrevenait les intentions du gouvernement pendant la guerre. Avec ses productions documentaires et dramatiques, incluant The Stones Cry Out, Alexander Nevsky, et Christopher Columbus, Louis MacNeice a modelé un processus de travail collectif au bénéfice du collectif. Dans le Overseas Service du BBC, George Orwell et E.M. Forster tentaient des compromis subtils pour assurer la fidélité des auditeurs indiens à l'Empire Britannique. La poète jamaïquaine Una Marson a profité des réseaux impériaux pour imaginer des communautés autres que celui de l'Empire en transformant le programme Calling the West Indies en incubateur pour une scène littéraire caraïbe dynamique. Ensemble, ces écrivains ont profité de la radiodiffusion pour piloter le public britannique à travers les changements sociopolitiques de la guerre. Ayant rentré dans la guerre une nation impériale fendu par l'idéologie et par les classes sociales, la Grande Bretagne est ressortie avec un esprit de possibilité et se trouvait prêt à embarquer sur la grande expérimentation de l'état social démocratique de caractère multiculturelle.
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Sumner, Carolyne. "John Weinzweig, Leftist Politics, and Radio Drama at the CBC During the Second World War." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35215.
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Since its rise to prominence in the 1920s, Canadian radio drama has become a topic of growing interest among scholars in the fields of media studies, communications, and literature. During the Second World War, radio drama became an important medium of entertainment for home front civilians, and was utilized as propaganda by the CBC to garner support for the Canadian war effort. At this time, radio drama also became an important artistic outlet for wartime artists to express their political and social values and beliefs during the war.
While scholars have examined the art of radio drama in light of its artistic, dramatic and literary value, few have yet to examine the music composed for these dramas. This thesis draws on these scholars as well as archival materials from the John Weinzweig fonds and the CBC Music Library fonds located at Library and Archives Canada, and the CBC radio drama script collection located at the Concordia Centre of Broadcasting and Journalism Studies to examine the incidental music written by John Weinzweig for CBC wartime radio dramas. By considering how composing for this artistic medium impacted his musical language at this time, this thesis examines his scoring for the series New Homes for Old. Specifically, I problematize the modification and simplification of the serial technique in his incidental works, and consider the challenges that informed Weinzweig’s approach to radio drama composition.
I propose that Weinzweig’s simplification of his serial technique may be understood in relationship to the social and political climate of the 1930s and 1940s, and within the context of leftist socialist movements, notably the Popular Front. I argue that Weinzweig’s engagement with radical socialism during this period may have prompted him to adopt a simpler and more accessible musical language that reflected and embodied the cultural, political, and aesthetic ideals of the Popular Front.
Le théâtre radiophonique canadien est devenu un sujet très prisé parmi les chercheurs dans les domaines des médias, des communications, et de la littérature. Pendant la Deuxième Guerre mondiale, le théâtre radiophonique est devenu une forme de divertissement populaire pour les Canadiens et était souvent utilisé comme un outil de propagande par la CBC. À cette même époque, le théâtre radiophonique est aussi devenu une forme d’expression pour les artistes du temps de guerre pour exprimer leurs valeurs sociales et politiques.
Bien que plusieurs chercheurs aient examiné l’art du théâtre radiophonique sous l’angle de sa valeur artistique, dramatique, et littéraire, peu ont examiné la musique qui a été composée pour ces drames. En se servant des matériaux d’archives trouvés dans les fonds “John Weinzweig” et les fonds “CBC music library” situés à la Bibliothèque et Archives Canada (BAC), ainsi que la collection “CBC Radio Dramas” située au Centre for Broadcasting and Journalism Studies (CCJBS) à l’Université Concordia, cette thèse examine la musique de scène écrite par John Weinzweig pour les émissions de théâtre radiophoniques présentées par la CBC pendant la Deuxième Guerre mondiale. En considérant comment le genre radiophonique a influencé le langage musical de Weinzweig, cette thèse examine ses oeuvres pour la série New Homes for Old. Plus précisément, cette thèse examine la modification et simplification de la technique sérielle utilisé par Weinzweig dans ses oeuvres radiophoniques, et considère les défis qui ont influencé son approche compositionnelle.
Je suggère que la simplification de la technique sérielle utilisée par Weinzweig peut être étudiée en fonction des conditions politiques des années 1930 et 1940, et aussi en fonction des mouvements politiques de gauche et plus particulièrement du Front populaire. Je soutiens que l’engagement de Weinzweig avec les valeurs socialistes lui a permis d’adopter un langage accessible qui reflète les idéaux culturels, politiques, et esthétiques du Front populaire.
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Senger, Saesha. "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/150.
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This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the associated music – was an important, if overlooked or even trivialized, arena in which these shifting gender dynamics played out. This dissertation explores the significance of the Adult Contemporary format at the end of the twentieth century through analysis of chart performance, artist image, musical works, marketing, and contextual factors. By documenting these relevant social, political, economic, and musical factors, the notable role of a format and of artists neglected by scholars becomes clear.
I explore these issues in the form of lengthy case studies. Examinations of how Adult Contemporary artists such as Michael Bolton, Wilson Phillips, Matchbox Twenty, David Gray, and Mariah Carey were produced and marketed, and how their music was disseminated, illustrate record and radio industry strategies for negotiating the musical, political, and social climate of this period. Significantly, musical and lyrical analyses of songs successful on AC stations, and many of their accompanying promotional videos highlight messages about musical genre, gender, race, and age. This dissertation ultimately demonstrates that Adult Contemporary-oriented music figured significantly in the culture wars, second and third wave feminism, expressions of masculinity, Generation-X struggles, postmodern identity, and market segmentation.
This study also illustrates how the record and radio industries have managed audience composition and behavior to effectively and more predictably produce and market music in the United States. This dissertation argues that, amid broader social determinations for taste, the record industry, radio programmers, and Billboard chart compilers and writers have helped to make and reinforce certain assumptions about who listens to which music and why they do so. In addition, critics have weighed in on what different musical genres and artists have offered and for whom, often assigning higher value to music associated with certain genres, socio-political associations, and listeners while claiming over-commercialization, irrelevance, aesthetic insignificance, and bad taste for much other music.
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Shalabieh, Mahmoud I. "A comparison of political persuasion on Radio Cairo in the eras of Nasser and Sadat /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262513408362.
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Webb, Rebecca. "Diminished Democracy? Portland Radio News/Public Affairs After the Telecom Act of 1996." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/157.
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News and public affairs on commercial radio dramatically changed following the 1996 Telecom Act, with rapid consolidation and economic efficiencies radically shrinking commercial radio's role in the provision of political information. By examining jobs data, public files, and the views of broadcast journalists, this project assesses the Act's impact through the lens of civic-minded Portland, Oregon. Because political information enables democracy, and because of radio's uniquely accessible qualities, this paper argues that market emphasis in media policy--especially in the Act's absolute manifestation--has diminished a significant channel of public discourse. Noticing radio's democratic potential, still relevant in the digital age, this work offers support for a revival of discursive opportunities on local commercial radio.
Books on the topic "Radio in politics"
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Lewis, Peter M. Radio: history, politics, production. Uxbridge: Brunel University, 1992.
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Bennett, James T. The History and Politics of Public Radio. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80019-2.
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Varas, José Miguel. Escucha Chile Radio Moscú. Santiago de Chile: LOM Ediciones, 2012.
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Horvath, Ricardo. Qué hacer con la radio? [Buenos Aires]: Ediciones Letra Buena, 1994.
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Terrón, María Teresa Escalona. Radio Farabundo Marti: En la memoria. San Salvador, El Salvador: FundAbril, 2014.
Find full textBook chapters on the topic "Radio in politics"
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Heywood, Emma. "Radio, Women, and Politics." In Palgrave Studies in Communication for Social Change, 55–85. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-35985-9_2.
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AbstractThis chapter examines women’s empowerment through the role of radio in promoting participation in politics and decision-making approaches. It focuses on the output of two radio studios, one in Niger and one in Mali, which both broadcast a series of women-related programmes on political engagement.Radio as a communicative tool draws on multiple formats to promote listener engagement and information retention. Broadcasts must be designed to be ‘listenable’ for their intended audience, and the format and content must therefore ensure that both the message giver (the radio studio) and the message receiver (the listener) have their information needs met.The chapter analyses the benefits and shortcomings of the formats used by the two studios to allow various voices to be heard and to promote political participation among women in the two countries. In doing so, it questions how the provision of information can help women make first-order strategic choices or decisions on a macro level and whether to engage in politics while meeting their civic responsibilities and gendered expectations.
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Bennett, James T. "Radio is Good for You! The Rise of Educational Radio." In The History and Politics of Public Radio, 29–38. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80019-2_3.
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Buell, John. "Introduction: Listening to Talk Radio." In Politics, Religion, and Culture in an Anxious Age, 1–10. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339231_1.
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Taylor, Philip M. "Propaganda In International Politics, 1919-1939." In Film & Radio Propaganda in World War II, 17–48. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003208457-1.
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Lee, Francis L. F., and Angel M. Y. Lin. "Chapter 11. Officials’ accountability performance on Hong Kong talk radio." In Talking Politics in Broadcast Media, 223–42. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.42.17lee.
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Sauti, Lazarus, and Tendai Makaripe. "Converged Radio, Youth, and Participatory Politics in Harare, Zimbabwe." In Converged Radio, Youth and Urbanity in Africa, 15–35. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-19417-7_2.
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Krysko, Michael A. "“We Are Not Interested in the Politics of the Situation”: The Radio Corporation of America in Nationalist China, 1928–37." In American Radio in China, 42–68. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230301931_3.
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Bennett, James T. "Introduction." In The History and Politics of Public Radio, 1–3. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80019-2_1.
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Bennett, James T. "Left, Right, or Always Establishment? The Bias Issue." In The History and Politics of Public Radio, 85–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80019-2_6.
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Bennett, James T. "Conclusion: What Is to Be Done?" In The History and Politics of Public Radio, 125–33. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80019-2_8.
Full textConference papers on the topic "Radio in politics"
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Regino, Juan Carlos Duarte. "Parasitic Radio: combining FM radio signals with environmental sensor data via computing techniques for soundscape creation." In Politics of the Machine Beirut 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/pom19.6.
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"Detecting Financial Statement Fraud Based on Ratio and Digital Analysis." In rd Joint International Conference on Accounting, Business, Economics and Politics. Tishk International University, 2021. http://dx.doi.org/10.23918/icabep2021p8.
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Juniawati, Mrs. "40. Media Culture Radio Broadcast Dynamics in West Borneo." In 5th International Conference on Social and Political Sciences (IcoSaPS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icosaps-18.2018.40.
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La’aro, Oba Abdulkadir, Ahmad Fahmi Mahamood, and Oluwayemisi Omolayo Bamigboye. "Community radio programmes and political participation among rural dwellers of Ondo state, Nigeria." In PROCEEDINGS OF GREEN DESIGN AND MANUFACTURE 2020. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0044576.
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Galdi, Roberto, Francesco Pietra, and Antonio Savini. "Radio broadcasting and its political use in Italy between the two world wars." In 2010 Second IEEE Region 8 Conference on the History of Telecommunications (HISTELCON). IEEE, 2010. http://dx.doi.org/10.1109/histelcon.2010.5735275.
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Tengiz, Yusuf Ziya, Emine Şule Aydeniz, and Ali Göksenli. "Effects of Financial Risks in Turkish and Eurasian Economies on Real Economic Growth and Public Sector Borrowing: 2000-2013." In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01083.
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The effects of global and economical crisis on Turkey and Eurasian countries depend strongly on countries’ dependence ratio of foreign trade, on integrations and economic structure. Real economic growth of Russian and Belarus economies is affected by Euro and US-dollar rate of exchange (RoE), Kazakhstan’s economy by Euro RoE, Turkmenistan’s by Euro exchange and interest and Turkish economy by Euro RoE and consumer price index (CPI). The effect of public borrowings ratio on gross domestic product is affected in Russian economy by Euro RoE, CPI and interests 1 and 2, in Kazakhstan economy by US dollar RoE and interest, in Belarus economy by US dollar RoE, interest and CPI, in Turkmenistan’s by Euro RoE and interest and Turkish economy by interest and CPI. Russia must regulate improving economy politics in Euro exchange, interest and CPI indicators to increase real economical growth and decrease ratio of public borrowings on gross domestic product. Kazakhstan must focus on Euro RoE, US dollar RoE, interest and CPI indicators. The same situation is valid for Belarus. Turkmenistan must give importance to Euro exchange and interests in its politics of economy. Turkey must take Euro exchange, CPI and interests into consideration. Thereby real economy growth will increase and ratio of public borrowings on gross domestic product will decrease. To decrease shocks against fragility, to develop global competition strength and decrease of foreign-source dependency, Turkey and Eurasian countries must develop new strategies and constitute and develop economy politics for global competition capacity.
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Zhang, Kuihua. "Pro-people TV Political News and Reform of Cultivating Radio and TV Director Talents." In 2016 5th International Conference on Social Science, Education and Humanities Research. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.98.
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Afriyanto, Fajar, Hilda Purnamawati, and Iyan Sukiman. "THE EFFECT OF CAPITAL ADEQUACY RATIO (CAR) AND LOAN TO DEPOSIT RATIO (LDR) ON NON PERFORMING LOAN (NPL) (CASE STUDY ON CONVENTIONAL COMMERCIAL BANKS IN INDONESIA ON 2016-2020)." In Seminar Sosial Politik, Bisnis, Akuntansi dan Teknik (SoBAT) ke-3. LPPM USB YPKP, 2021. http://dx.doi.org/10.32897/sobat3.2021.26.
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This study aims to determine the influence of the Capital Adequacy Ratio (CAR) and Loan Deposit Ratio (LDR), both partially and simultaneously, on Non Performing Loans (NPL) in Conventional Commercial Banks in Indonesia for the period 2016-2020. This research is associative research with a quantitative approach. The data used in this study is secondary data, data analysis techniques using a data regression panel. Testing panel data include CEM, FEM and REM, Chow Test, Hausman Test, Lagrange Multiplier Test. Classic assumption tests include The Test of Normality, Heteroskedastisitas, Multicollinearity and Autocorrelation. Data analysis using correlation and determination coefficient analysis, Simultaneous and Partial Hypothesis Test. The population in this study was 99 Conventional Commercial Banks in Indonesia and a sample of 25 Conventional Commercial Banks in Indonesia with purposive sampling techniques. Based on the results of simultaneous hypothesis testing where CAR and LDR jointly have a significant effect on NPL Conventional Commercial Banks in Indonesia, the results off count 6.89 > 3.42 f table with a significant rate of 0.001457 lower than the α 0.05. While the partial hypothesis testing where CAR affects NPL Conventional Commercial Banks in Indonesia seen the results of t count -3,507 < 2,068 t table with a signifies value of CAR of 0.0006 is smaller than α 0.05. LDR has no effect on NPL of Conventional Commercial Banks with the calculation result of -1,116 < 2,068 t table with a significant LDR value of 0.2665 greater than α 0.05.
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Ionin, Evghenii. "Analytical indicators in ensuring the sustainable development of entrepreneurship." In Conferinta stiintifica internationala "Strategii si politici de management in economia contemporana", editia VII. Academy of Economic Studies of Moldova, 2023. http://dx.doi.org/10.53486/icspm2022.41.
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The article is devoted to the most important analytical indicators in ensuring sustainable business development. Key financial indicators in conjunction with the basic concepts of International Financial Reporting Standards are considered: the concept of continuity and the concept of preservation of physical and financial capital. The accounting features of profit calculation lead to the fact that this indicator is "detached" from cash and may not be sufficiently objective to interpret the financial condition. The necessity of introducing a financial monetization ratio into the current practice, which makes it possible to confirm the filling of profits with cash, which makes it possible to combine the accrual method and the cash method in this indicator is argued. The balance of profit and net cash flow over time is a guarantee to finance future expenses in a timely manner and in full. The value of the monetization ratio in the long term ≈1, which will be a real confirmation of business efficiency and solvency, the ability to continue activities, is substantiated. The monetization ratio fully complies with the requirements of IFRS and its conceptual basis.
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Rachmaria, Laksmi. "Convergence and Political Economy of the Media in the Macarena Segment of the Jakarta Delta Radio FM." In International Conference on IT, Communication and Technology for Better Life. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008929000400044.
Full textReports on the topic "Radio in politics"
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.
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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
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Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), November 2020. http://dx.doi.org/10.19088/ids.2020.001.
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This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field interviews and observations among audiences at selected popular music concerts and public workshops in Maputo city. Secondary data were drawn from radio broadcasts, digital media, and social networks. The songs analysed were widely played in the past two decades (1998–2018), a period in which three different presidents led the country. Our focus is on the protest song, conceived as those musical products that are concerned with public affairs, particularly public policy and how it affects citizens’ social, political and economic life, and the relationship between citizens and the state.
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Ricciulli-Marín, Diana. The Fiscal Cost of Conflict: Evidence from La Violencia in Colombia. Banco de la República de Colombia, December 2020. http://dx.doi.org/10.32468/chee.53.
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This paper studies the effect of internal conflict on local fiscal capacity using evidence from Colombia’s political conflict in the mid-20th century, better known as La Violencia. Following a difference-in-differences strategy, I find that internal conflict has negative long-term consequences in local fiscal capacity. More precisely, municipalities affected by La Violencia experienced an average reduction of 10.3% in their tax revenue and a fall of 2.8 percentage points on their ratio of taxes to total revenue. Effects lasted for more than a decade and are only partially explained by a population and economic activity downturn. These results are consistent with previous evidence indicating a negative effect of violence on tax collection efficiency at the local level.
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Arce, Eliécer, and Edgar A. Robles. Fiscal Rules and the Behavior of Public Investment in Costa Rica and Panama: Towards Growth-Friendly Fiscal Policy? Inter-American Development Bank, March 2021. http://dx.doi.org/10.18235/0003071.
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This paper aims to provide evidence on the effects of fiscal rules on public investment, fiscal results and growth in Costa Rica and Panama. First, we find that the budget formulation process and the political economy behind the adoption and compliance of fiscal rules explain that Panama has a bias to create and sequentially pile up rules, while Costa Rica has a tendency not to comply with them. Second, a retrospective analysis of the 2018 fiscal rules in both nations finds asymmetric effects on the fiscal results. In Panama it is difficult to separate the effect of fiscal rule designs on public investment; and, in Costa Rica, the application of the fiscal rule will decrease public investment, if the debt to GDP ratio exceeds 60 percent and current expenditure crowds out capital expenditure. Two lessons emerge. First, an effective fiscal rule compliance requires time consistent institutions, solid monitoring, enforcement schemes and improving the quality of public financial management systems. Second, it is necessary to review the design of fiscal rules in both countries to ensure they are investment and growth friendly.
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Vela, Mauricio A., and Sebastián J. Miller. Are Environmental Taxes Affected by Legislatures' Ideological Positions? Inter-American Development Bank, September 2013. http://dx.doi.org/10.18235/0011501.
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Environmental taxes have been discussed as one of the main mechanisms to deal with environmental problems. Nonetheless, instruments of this type have rarely been implemented, and the adoption of new or higher environmental taxes has faced resistance in some countries. The purpose of this work is to identify one possible political answer to why adoption of environmental taxes varies. One explanation is that legislatures' ideological position affects the degree of usage of taxes generally and environ- mental taxes in particular. For example, right-wing parties tend to be less associated with environmental concerns and more associated with lower government intervention. This paper presents evidence that reflects this relationship, showing the positive association of more left-wing legislatures with higher levels of environmental taxation. A panel of data for 37 developed and developing countries over 16 years is used considering the percentage of total revenue from environmentally related taxes, the ratio of this revenue to total energy use and tax levels in industry and household sectors. The results show that most of these impacts involve environmentally related taxes in the industry sector. Proportional representation electoral systems and high seat concentration by few parties appear to be necessary conditions for the negative relation of right-wing ideology with environmental taxes.
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Krushelnytska, Sofiia. UKRAINE’S IMAGE IN THE FRENCH MEDIA DURING THE EVENTS OF 2004. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11065.
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The article examines the formation of the image of Ukraine by the French media during the Orange Revolution. The main factors influencing the tone of publications and difficulties in creating a positive external image of Ukraine in the French media are identified. The article is aimed at the analysis of scientific research on the influence of the French media on the formation of the image of Ukraine and its role in international socio-political processes. The study analyzes the materials of French journalists in the media, written during the events in 2004. The main factors influencing the formation of positive features of the Ukrainian state are identified. The main changes in perceptions of Ukraine in the French media are systematized. The influence of the media on the formation of the image and security of the state is determined. The main peaks of interest in Ukraine from foreign mass media are analyzed. Stereotypes and myths in the image of Ukraine that should be destroyed have been identified. The article also analyzes the role of the Orange Revolution in forming a positive image of Ukraine for foreign recipients. It is also investigated what factors influence the information space of the state and its role in image formation. Examples of Russian influence on the French media in order to undermine Ukraine’s image at the international level are given. Articles, radio and TV materials are offered as an example of interest and attention to the events of 2004. At the same time, the need to control the information that enters the information space outside Ukraine has been demonstrated. However, the positive effects of the image on the support of Ukraine by foreign partners have been identified.
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van den Boogaard, Vanessa, Wilson Prichard, Rachel Beach, and Fariya Mohiuddin. Strengthening Tax-Accountability Links: Fiscal Transparency and Taxpayer Engagement in Ghana and Sierra Leone. Institute of Development Studies, November 2020. http://dx.doi.org/10.19088/ictd.2020.002.
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There is increasingly strong evidence that taxation can contribute to expanded government responsiveness and accountability. However, such positive connections are not guaranteed. Rather, they are shaped by the political and economic context and specific policies adopted by governments and civil society actors. Without an environment that enables tax bargaining, there is a risk that taxation will amount to little more than forceful extraction. We consider how such enabling environments may be fostered through two mixed methods case studies of tax transparency and taxpayer engagement in Sierra Leone and Ghana. We highlight two key sets of findings. First, tax transparency is only meaningful if it is accessible and easily understood by taxpayers and relates to their everyday experiences and priorities. In particular, we find that taxpayers do not just want basic information about tax obligations or aggregate revenue collected, but information about how much revenue should have been collected and how revenues were spent. At the same time, taxpayers do not want information to be shared with them through a one-way form of communication, but rather want to have spaces for dialogue and interaction with tax and government officials, including through public meetings and radio call-in programmes. Second, strategies to encourage taxpayer engagement are more likely to be effective where forums for engagement are perceived by taxpayers to be safe, secure, and sincere means through which to engage with government officials. This has been most successful where governments have visibly demonstrated responsiveness to citizen concerns, even on a small scale, while partnering with civil society to foster trust, dialogue and expanded knowledge. These findings have significant implications for how governments design taxpayer education and engagement programmes and how civil society actors and development partners can support more equitable and accountable tax systems. Our findings provide concrete lessons for how governments can ensure that information shared with taxpayers is meaningful and accessible. Moreover, we show that civil society actors can play important roles as translators of tax information, enablers of public forums and dialogues around tax issues, and trainers of taxpayers, supporting greater tax literacy and sustained citizen engagement.
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Greisman, Polina. Ruska propaganda u Srbiji i na Zapadnom Balkanu: kanali na mreži Telegram. Beogradski centar za bezbednosnu politiku, March 2024. http://dx.doi.org/10.55042/xnps2236.
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Tokom poslednjih nekoliko godina Rusija se više puta mešala u unutrašnje stvari drugih zemalja – na primer, tokom izbora u Sjedinjenim Državama 2016. i u Ujedinjenom Kraljevstvu 2019. godine. Postoje bezbrojni primeri njenog uplitanja u tuđe poslove, kao i propagande koja se odvija putem interneta. Ruski propagandni arsenal obuhvata alatke kao što su državni mediji koji emituju program namenjen publici u drugim zemljama (Russia Today, Sputnjik i drugi), zvanični državni nalozi na društvenim mrežama, kao i čitave armije lažnih naloga koji su u više navrata uočeni u kampanjama dezinformisanja i mešanja u politiku drugih država. One su se mnogo puta našle među razlozima za uvođenje sankcija pojedincima bliskim ruskoj vladi, ali i predsedniku Vladimiru Putinu lično. Upečatljiv primer nekoga ko je organizovao ovakvu vrstu mešanja i zbog toga se našao na meti sankcija je Jevgenij Prigožin, koga su nazivali „Putinovim ličnim kuvarom“ i koji je bio povezan sa Agencijom za istraživanje interneta poznatom kao „Fabrika trolova“ ili „Prigožinovi trolovi“. Iako je sam Prigožin poginuo u avionskoj nesreći, njegova „fabrika trolova“ i dalje radi. Srbija nije izuzetak kada je reč o državama čiji su se unutrašnji poslovi našli na udaru mešanja ruske vlade. To se, međutim, zbog prijateljskih odnosa Rusije i Srbije, retko iznosi u javnost. Takođe, takve radnje nisu očigledne, i nije ih lako na prvi pogled okarakterisati kao propagandu i uplitanje. Zbog toga ćemo u ovoj studiji razmotriti ovo pitanje i na primeru Srbije pokazati kojim se metodama propagande i intervenisanja Rusija koristi u zemljama koja se mogu nazvati „prijateljskim“. Posmatrano sa istorijskog stanovišta i u poređenju sa drugim zemljama na Balkanu, odnos Rusije i Srbije je verovatno jedan od najdubljih i najzanimljivijih. Ova vrsta odnosa ne može se nazvati isključivo političkim ili ekonomskim, jer prijateljstvo ovih država počiva na temeljima istorije, religije i etno-jezičke zajednice. Međutim, uprkos tim naizgled čvrstim odnosima, Rusija tokom poslednjih dvadeset godina Srbiju koristi kao platformu za svoju propagandu, držeći se pritom prilično uhodanih metoda . Uz to, Rusija u Srbiji i regionu koristi i svoju meku moć.
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Ali, Rassul. Konzeptentwicklung für CDM-Projekte - Risikoanalyse der projektbezogenen Generierung von CO2-Zertifikaten (CER). Sonderforschungsgruppe Institutionenanalyse, 2007. http://dx.doi.org/10.46850/sofia.9783933795842.
Full textAbstract:
The Clean Development Mechanism (CDM) is a complex legal-institutional system that, on the one hand, offers industrialized countries options for cost-effective emission reductions and, on the other, provides developing countries with opportunities for sustainable development. Investors face the difficulty of identifying suitable CDM projects from approximately 130 possible host countries and nearly 60 possible project activities. In order to develop points of reference for strategic investments, this paper identifies and categorizes the risks arising in the value creation process of bilateral energy projects into four action-related levels. At the host level, the focus is on political-institutional and sector-specific risks, while at the investor state level, the legal design of the CDM's complementary function is relevant. The project level covers technology- and process-related risks, with the identification of the reference case and the proof of additionality posing particular problems. The future design of the CDM and the reform of the procedure at the UNFCCC level pose a fundamental risk. A two-stage assessment procedure is proposed for risk assessment: a rough analysis captures sociographic, climate policy, institutional and sector-specific criteria of the host. The differentiation of the project stage allows the localization of the project in the value chain and a differentiation regarding the use of methods. The assessment of project registration is based on the methods used and gives recognition rates per method and project category; project performance is measured in terms of the ratio of emission reductions actually realized to those planned in the project documentation. A detailed analysis following the coarse analysis provides qualitative guidance for project evaluation. These include the Executive Board's methodological principles, correct application of methodologies, identification of the reference case, proof of additionality, as well as the financial conditions of the relevant sector and publicity-related aspects. Despite individual hosts and project technologies, the developed two-step risk analysis allows, with relatively little effort and in line with business practice, an initial assessment of CDM project risks, so that overall it lays a fundamental building block for the elaboration of a strategic implementation and sustainable investment under the CDM.
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Babenko, Oksana. Ідеї екуменізму в публіцистиці митрополита Андрея Шептицького: сучасне прочитання. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11717.
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Subject of the article’s study – ecumenism of Metropolitan Andrei Sheptytskyi and reflection of this phenomenon in the works of scientists and modern Ukrainian media. Main objective of the study: analyze what Ukrainian scientists, journalists and different media are writing about Sheptytkyi’s ecumenism. Methodology: We used a bibliographic method to accumulate factual material, a qualitative content analysis to isolate the ideas of ecumenism from the journalism of Metropolitan Andrey Sheptytskyi, a cultural-historical method that made it possible to consider the ideas of ecumenism in the context of the era, the connection with the historical context, as well as methods of synthesis and generalization, induction and deduction. The study process description: In our scientific article, we analyzed the doctoral dissertation of His Beatitude Lubomyr Huzar entitled «Andrei Sheptytskyi, Metropolitan of Halytskyi (1901-1944). Herald of ecumenism». His Beatitude Lubomyr defended this fundamental work at the Pontifical Urbaniana University in Rome back in 1972. Therefore, we observed how this work reflects the historical prerequisites, features and development of Sheptytskyi’s ecumenism, who, according to His Beatitude Lubomir, was a kind of innovator in this field, a person who was ahead of his time. We also analyzed the reflections on the ecumenism of Sheptytskyi´s father, doctor Ivan Datsk, which are reflected in his book «In Search of Faithfulness and Truth». In addition, we turned to the scientific text «Ecumenism of Sheptytskyi» by professors Mykola Vegesh and Mykola Palinchak. Subsequently, it was analyzed how the scientific work became a useful basis for the coverage of Sheptytskyi’s ecumenism in the press. In particular, in the columns of the cultural and social site «Zbruch» in Diana Motruk’s article «In Search of Church Unity». We also turned to the «Spiritual Greatness of Lviv» website, where in 2020 an interview with Mykhailo Perun, who shot the film «Sheptytskyi: Relevant information», was published, illustrating the ecumenical initiatives of this figure. In addition, we analyzed the publication on Radio Svoboda for 2022, dedicated to the anniversary of Sheptytsky’s stepping into eternity. It is also mentioned there about of Sheptytskyi’s ecumenism as his landmark activity. Subsequently, we found an article on the website «Christian and the World», where in a conversation with the scientist Dr. Andrii Sorokovskyi entitled «Andrei Sheptytskyi believed that the union is a synthesis, communion and dialogue between the East and the West, – Andrii Sorokovskyi» also analyzed the phenomenon of Sheptytskyi’s ecumenism. Results: we discovered that Sheptytskyi’s ecumenism was studied not only by numerous scientists, but this meaningful legacy of his is a valuable phenomenon for media coverage. Therefore, Sheptytskyi’s ecumenism becomes the subject of interest of journalists not only of publications that write mainly on church topics, but also socio-political and artistic ones. We are sure that Sheptytskyi’s ecumenism will continue to be studied by professional scientists and representatives of the wider media community. Significance: journalism of a religious orientation, high-quality and substantiated coverage of religious processes and phenomena in the press is still something quite new for modern Ukraine. In Soviet times, journalists were afraid to write about religion in order not to incur the wrath of the authorities, so such materials could not be included in the press. That is why it is very important to study how today’s journalists cover important issues of religion, which, in addition, have a strong scientific basis. In addition, the development of ecumenism and religious unity are extremely important for building national unity, which is necessary for our state to effectively confront the enemy in full-scale war. Key words: ecumenism; Metropolitan Andrey Sheptytskyi; media; interreleigion cooperation; dialogue.