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Journal articles on the topic 'Radio programs, Musical'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Samigullina, Rufina Ildarovna. "Features of musical enlightenment in Russia in the second half of the twentieth century." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 8 (2018): 205–11. http://dx.doi.org/10.18844/prosoc.v4i8.3051.

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Musical enlightenment is an actual problem of modern education. It involves dissemination of knowledges among the audience, the development of artistic needs, interest in music. By the second part of the 20th century, Russia has accumulated a wealth of experience of musical enlightenment activities. The Russian experience in the training of musicians has become an example for other countries, the concept of mass musical education developed by Kabalevsky, is the basis of many contemporary programs in music, various forms of musical education (people's universities, television & radio concer

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Vesic, Ivana. "Radio Belgrade in the process of creating symbolic boundaries: The example of the folk music program between the Two World Wars (1929-1940)." Muzikologija, no. 14 (2013): 31–55. http://dx.doi.org/10.2298/muz1314031v.

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This article deals with the process of creation of symbolic boundaries in the context of designing the folk music programs at Radio Belgrade since its foundation until the beginning of World War Two. A detailed insight into the musical contents aired on Radio Belgrade, the texts on folk music published in the radio weekly magazine (Radio Belgrade), and the preserved memoirs, with an emphasis on their broader socio-cultural and socio-political significance, has enabled me to single out the factors and mechanisms that played a key role in defining the boundaries of folk music. I will analyse the

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Simonton, Dean Keith. "Drawing Inferences from Symphonic Programs: Musical Attributes versus Listener Attributions." Music Perception 12, no. 3 (1995): 307–22. http://dx.doi.org/10.2307/40286186.

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In classical music listening, program announcements both on radio and in concerts will usually introduce the performance of a symphony with the same minimal articles of information, such as the composer, the order of composition, the key, and the name, if any. But how much can a listener infer about the musical attributes of the work from these basic facts? Examination of 99 symphonies by 13 symphonists between Beethoven and Shostakovich showed that such rudimentary programmatic data can predict several subjective and objective features, including aesthetic significance, listener accessibility

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Synieokyi, O. "The study of sessional recordings of 1962-1972 from the BBC radioarchive (The Beatles, Pink Floyd, Deep Purple)." Visnyk of Kharkiv State Academy of Culture, no. 59 (July 16, 2021): 19–32. http://dx.doi.org/10.31516/2410-5333.059.02.

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Due to the recent increase in research interest in phono documents, which were created specifically for radio, a documentary analysis of the creation of music programs of the British Broadcasting Corporation is provided. Particular attention is paid to an overview of the chronology of recording sessions for a number of selected bands from the BBC’s archival collection (1962–1972). The role of John Peel in the creation of creative music programs within the framework of “Radio 1” was noted. The study showed that the digitalization of archival space has brought new opportunities for finding lost

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Howe, Sondra Wieland. "The NBC Music Appreciation Hour: Radio Broadcasts of Walter Damrosch, 1928–1942." Journal of Research in Music Education 51, no. 1 (2003): 64–77. http://dx.doi.org/10.2307/3345649.

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Walter Damrosch, a pioneer in the early days of radio, introduced American and Canadian children to classical music through the radio broadcasts of the NBC Music Appreciation Hour, 1928–1942. This article contains a description of the format of the programs and instructional manuals. It includes a discussion of the programs sponsorship, Damroschs collaboration with MENC, and the national impact of the broadcasts. The Music Appreciation Hour broadcast four series of programs for four different age-groups, and various authors prepared instructors manuals and student notebooks. The successful pro

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6

Fomytsia, Oleksii. "Musical design of news TV and radio programs as a means of influence on the masses." Obraz 2, no. 31 (2019): 13–21. http://dx.doi.org/10.21272/obraz.2019.2(31)-13-21.

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Collins, Nick. "The Analysis of Generative Music Programs." Organised Sound 13, no. 3 (2008): 237–48. http://dx.doi.org/10.1017/s1355771808000332.

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AbstractComposers have spent more than fifty years devising computer programs for the semi-automated production of music. This article shall focus in particular on the case of minimal run-time human intervention, where a program allows the creation of a musical variation, typically unravelling in realtime, on demand. These systems have the capacity to vary their output with each run, often from no more input information than the seeding of a random number generator with the start time. Such artworks are accumulating, released online as downloads, or exhibited through streaming radio sites such

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8

Shansky, Carol L. "“We Are Aiming for Quality and Good Music”: The Hebrew Orphan Asylum Harmonica band (NYC) and Music Education, 1924–1930." Journal of Historical Research in Music Education 42, no. 1 (2019): 46–70. http://dx.doi.org/10.1177/1536600619853885.

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Once referred to as “the most maligned musical instrument on earth,” the harmonica holds an important historical place in music education as an instrument around which bands were formed, solo and ensemble competitions were held, and in some cases, careers were born. Much of this activity centered itself on city recreation programs as well as public schools. The instrument’s size, low price, and relative ease of sound production were appealing for these organizations. The boys and girls that lived and studied at the Hebrew Orphan Asylum of New York City were engaged participants in these contes

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Hirina, T., and N. Zykun. "Chronicles of Affirmation of the Image of Ukrainians in the North American Multicultural Media Space (1930 – beginning of 1931)." State and Regions. Series: Social Communications, no. 2(42) (March 18, 2020): 28. http://dx.doi.org/10.32840/cpu2219-8741/2020.2(42).4.

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<p class="44444"><em>The methodological basis of the conducted research is based on the use of methods of monitoring and analysis of documents; generalization by the method of qualitative and quantitative study of primary and secondary information. Selection for the analysis of archival periodicals was made on the chronological principle of 1930 – early 1931. At the first stage, a qualitative analysis was carried out, which further deepened the logical studies of the content of radio programs, tracking the transformation processes in radio broadcasting caused by the evolution of id

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Lepa, Steffen, Jochen Steffens, Martin Herzog, and Hauke Egermann. "Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music." Media and Communication 8, no. 3 (2020): 191–204. http://dx.doi.org/10.17645/mac.v8i3.3153.

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Our contribution addresses popular music as essential part of media entertainment offerings. Prior works explained liking for specific music titles in ‘push scenarios’ (radio programs, music recommendation, curated playlists) by either drawing on personal genre preferences, or on findings about ‘cognitive side effects’ leading to a preference drift towards familiar and society-wide popular tracks. However, both approaches do not satisfactorily explain why previously unknown music is liked. To address this, we hypothesise that unknown music is liked the more it is perceived as emotionally and s

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Vuletic, Dean. "Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s." Nationalities Papers 36, no. 5 (2008): 861–79. http://dx.doi.org/10.1080/00905990802373579.

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Popular music is one of the cultural phenomena that has been most shared among the peoples inhabiting the territory of the former Yugoslavia; indeed, considering the persistence of a common popular music culture there even after the break up of the Yugoslav federation in 1991, there is perhaps little in cultural life that unites them more. It was in the 1950s that a Yugoslav popular music culture emerged through the development of local festivals, radio programs and a recording industry, at a time when popular music was also referred to as “dance,” “entertainment” or “light” music, and when ja

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Сherkasov, Volodymyr. "FORMATION OF MUSIC AND PEDAGOGICAL EXPERIENCE OF MUSIC ART TEACHERS GENERAL EDUCATIONAL INSTITUTIONS." Academic Notes Series Pedagogical Science 1, no. 190 (2020): 56–62. http://dx.doi.org/10.36550/2415-7988-2020-1-190-56-62.

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The article proves the possibility of forming the ability to understand music by primary school students. The influence of program works of the school program on the perception and understanding of music of different genres is proved by concrete examples. The educational influence of works of musical art on the formation of the artistic and emotional sphere of personality is proved. The formation of the ability to understand works of music by primary school students occurs in a certain sequence based on teacher-student interaction, both in music lessons and during extracurricular work on artis

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Guerrero Pérez, Enrique, and Patricia Diego. "La producción de programas musicales en la televisión pública española (1990-2010)." Estudios sobre el Mensaje Periodístico 26, no. 2 (2020): 597–609. http://dx.doi.org/10.5209/esmp.67935.

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Este artículo tiene como objeto ofrecer un recorrido por la historia de la producción de los programas musicales en la televisión pública española durante el periodo 1990-2010. Con esta finalidad, se ha consultado el archivo histórico digital de Radio Televisión Española como fuente primaria. A continuación, se ha completado la información con el análisis de fuentes secundarias como las secciones televisivas de la prensa nacional, publicaciones especializadas en televisión y bases de datos online como IMDb. Siguiendo un método de investigación inductivo, las conclusiones derivadas del estudio

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Deng, Rong Gen, and Wei Ming Liao. "The Subjective Assessment of Soundscape in Campus — Taking YaoHu Campus of Jiangxi Normal University for Example." Advanced Materials Research 518-523 (May 2012): 3792–95. http://dx.doi.org/10.4028/www.scientific.net/amr.518-523.3792.

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In order to the search for more effective noise control measures and a more rational urban planning from the angle of economy, environment, so that we can create a healthier living environment, this paper does some preliminary investigation in the aspect of soundscape. This paper introduces soundscape science research status and research results domesticity and abroad, and on this basis, makes a subjective evaluation of voice of the landscape in Jiangxi Normal University, by combinating Psychoacoustic Evaluation Method. This paper record various of sounds existing in the campus, analyses prope

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Pivnitskaya, Olga V. "A True Teacher Is the One from Whom You Want to Learn All Your Life." Musical Art and Education 8, no. 3 (2020): 149–58. http://dx.doi.org/10.31862//2309-1428-2020-8-3-149-158.

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This article is an attempt to show the beginning of Eduard Borisovich Abdullin’s creative path in the pedagogy of music education, in particular, his experience in teaching as an artistic director and conductor of the choir studio “Melodia” of the Palace of Pioneers in the city of Podolsk, Moscow Region. As a graduate student of the Lenin Moscow State Pedagogical Institute, the young teacher achieved tremendous creative success: the choir studio under his direction performed in the Great Hall of the Moscow Conservatory, the Column Hall of the House of Unions, the P. I. Tchaikovsky Concert Hall

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Moreno Cazalla, Lourdes. "Apple Music, el modelo de radio integrado para el consumo de música." Miguel Hernández Communication Journal 10 (July 30, 2019): 279–95. http://dx.doi.org/10.21134/mhcj.v10i0.308.

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Apple Music se ha destacado como el servicio de música a la carta que, desde sus inicios como iTunes, ha integrado la radio entre su oferta de contenidos en Internet. Desde 2016 se detecta una estrategia que apuesta decidida por el producto de radio online, no solo mediante Beats 1, la radio con programación lineal 24 horas presentada por locutores, deejays reconocidos e incluso personalidades del mundo de la música, sino también incluyendo todos esos programas bajo demanda y emisoras temáticas según estilos musicales o estados de ánimo, estas sin locución. Apple Music se presenta como un mode

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17

Carone, Iray. "Adorno e a educação musical pelo rádio." Educação & Sociedade 24, no. 83 (2003): 477–93. http://dx.doi.org/10.1590/s0101-73302003000200009.

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Este artigo é uma exposição do estudo analítico de um programa semanal da National Broadcasting Company (NBC), The Music Appreciation Hour, destinado a crianças e jovens escolares, realizado por Theodor W. Adorno durante sua participação no Princeton Radio Research Project (1938-1941). Tem duas partes: na primeira, Adorno analisou a pedagogia musical do programa; na segunda, apontou para as implicações culturais desse programa, que, embora não comercial e sustentado pela própria nbc, tinha todas as marcas da indústria do entretenimento comercial.

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18

Hirsch, Silvia, and Agustín Diz. "Construir comunicación en una radio indígena del norte argentino." Tram[p]as de la comunicación y la cultura, no. 86 (February 1, 2021): e046. http://dx.doi.org/10.24215/2314274xe046.

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Sebastián Reyes fue un indígena chané que a partir de su formación en comunicación comunitaria y periodismo creó programas en Radio Nacional (Tartagal), conformó la Red de Comunicadores Indígenas y creó una radio en la comunidad rural Yacuy, para brindar información y transmitir el acervo cultural, histórico y musical de los pueblos indígenas.

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19

Bakhmet, Tetiana. "Archive fund of the composer Mark Karminsky." Aspects of Historical Musicology 19, no. 19 (2020): 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff

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20

Vandagriff, Rachel S. "An Old Story in a New World." Journal of Musicology 35, no. 4 (2018): 535–66. http://dx.doi.org/10.1525/jm.2018.35.4.535.

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During the Cold War, American private foundations subsidized American modernist composers, supporting their work through commissions, underwriting recordings and concerts, and promoting their ideas in radio programs and periodicals circulated at home and abroad. From its establishment in 1952, the Fromm Music Foundation (FMF) acted as an important player in this field. Using archival material and interviews with people who worked with the founder Paul Fromm, I show how Fromm’s involvement in his foundation, and his reliance on professional advice, constituted a unique patronage model that enab

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Segovia Lacoste, Pablo, and Maritza Nieto Gomez. "El contrato de comunicación en dos programas radiales chilenos." Revista Latinoamericana de Estudios del Discurso 13, no. 2 (2016): 99. http://dx.doi.org/10.35956/v.13.n2.2013.p.99-120.

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En este trabajo analizaremos los programas El gran tribunal, de radio Pudahuel, y El ranking musical, de radio Penco, con base en la teoría del contrato de comunicación desarrollada por Charaudeau (1991, 2003). Para ello, describiremos lo que el autor llama “aspectos externos e internos” del contrato de comunicación con el objetivo de comprender el rol y el funcionamiento del lenguaje al interior de estos espacios radiales. Nuestra hipótesis de trabajo es que las interacciones radiofónicas son un espacio discursivo donde se construyen y se refuerzan las identidades mediante la construcción de

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Iosif, Corina. "“Traditions” from Folklore Studies to Media Product and the Beginnings of Broadcasting in Romania." Acta Ethnographica Hungarica 65, no. 1 (2020): 27–38. http://dx.doi.org/10.1556/022.2020.00003.

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The rhetorical logic of the discourse which is currently building the image of the junction between tradition and nation (and of the concepts thus required) is also due to processing this discourse in the media. That is to say that the connection between media communication and the political instrumentalization of traditions as a domain of national constructs has offered proper soil for shaping the political and ideological narratives based on nation. The use of some concepts, such as nation, national culture, traditions and folklore in the first decades of the 20th century, and their instrume

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Villanueva Valadez, Carlos. "La Función mediadora de la programación radiofónica universitaria de la ciudad de Monterrey Nuevo León." Anagramas Rumbos y Sentidos de la Comunicación 18, no. 35 (2020): 159–75. http://dx.doi.org/10.22395/angr.v18n35a9.

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Este artículo hace referencia a la investigación sobre la función social de la radio universitaria en México, el cual se inscribe en el contexto de investigaciones en medios de comunicación universitarios. Retoma el planteamiento teórico de Manuel Martín Serrano y el modelo de comunicación masiva del profesor Carlos Lozano. El objetivo general de investigación radicó en analizar la mediación comunicativa asociada a la programación radiofónica de tres estaciones de radio universitarias (Radio UANL 89.7, Frecuencia TEC 94.9 y Radio UDEM 90.5) desde la perspectiva comunicativa del mensaje y el im

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Smolak Lozano, Emilia, and Paloma López Villafranca. "El consumo cultural digital de los programas de radio a través Youtube en España y Polonia." Historia y Comunicación Social 25, no. 1 (2020): 123–38. http://dx.doi.org/10.5209/hics.69231.

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La posibilidad de ver la radio en Youtube ha facilitado que esta plataforma potencie la captación de usuarios que no son oyentes tradicionales. El objetivo de esta investigación es realizar un análisis comparativo del consumo del medio en Youtube España y Polonia. Realizamos análisis de contenido de Youtube de 14 emisoras españolas y 14 en Polonia, desde su creación hasta diciembre de 2017. Las emisoras polacas en el canal suelen ser generalistas frente a un número mayor de emisoras musicales en España. Se aprecia la necesidad en ambos países de mejorar las posibilidades que ofrece el canal pa

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Cole, Ross. "Industrial Balladry, Mass Culture, and the Politics of Realism in Cold War Britain." Journal of Musicology 34, no. 3 (2017): 354–90. http://dx.doi.org/10.1525/jm.2017.34.3.354.

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Focusing on a series of pioneering radio ballads produced for the BBC between 1958 and 1961 by Ewan MacColl, Charles Parker, and Peggy Seeger, this article explores representations of industrial working-class culture in folksongs of the radical Left. Situating such work in relation to A. L. Lloyd, mass culture, the nascent New Left, gender, and the aesthetics of social realism (distinct from the project of Soviet socialist realism), I argue that early radio ballads were nostalgic panegyrics for the integrity of working-class identity in the face of unprecedented socio-economic change. At the v

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Espinosa-Mirabet, Sílvia, and Natalia Ferrer-Roca. "¿Por qué los jóvenes australianos triplican el consumo de radio de los jóvenes españoles?" ZER - Revista de Estudios de Comunicación 26, no. 50 (2021): 41–61. http://dx.doi.org/10.1387/zer.21918.

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Desde hace aproximadamente una década, la radio en el Estado Español está notando una pérdida progresiva de penetración en la audiencia y es especialmente en la más joven donde más se nota esa desafección. En Australia (Rain, 2018) el consumo radiofónico juvenil se circunscribe casi al 80% de penetración, mientras que en España la misma fuente otorga un 28%. El objetivo de este artículo es avanzar los primeros resultados de una amplia investigación internacional que tiene por objetivo conocer por qué la penetración de la radio es tan desigual entre los jóvenes de 18 y 24 años en distintos país

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Anton Chacón, Lidia, Carla Piqué Planell, Vanessa Prades Estévez, Mar Puigmartí Ventura, M. del Carme Rallo i Casanovas, and Albert Vidal i Raventós. "Recursos audiovisuales en terapia sexual y de pareja." Revista de Psicoterapia 22, no. 86/87 (2011): 69–98. http://dx.doi.org/10.33898/rdp.v22i86/87.625.

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En este artículo se analizan una serie de recursos audiovisuales en el marco de la terapia sexual y/o de pareja. Los recursos audiovisuales son una herramienta útil y eficaz para utilizar en diversos momentos dentro del proceso terapéutico, facilitando la conexión y gestión emocional y el aprendizaje de habilidades funcionales, relacionales y/o afectivo-sexuales deficitarias o en conflicto. Concretamente, hacemos referencia a canciones y videoclips musicales, filmografía de pareja, filmografía erótica y pornográfica, vídeo-documentales y programas de radio y televisión, mostrando una selección

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Mathews, Max V. "The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music." Computer Music Journal 15, no. 4 (1991): 37. http://dx.doi.org/10.2307/3681070.

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Barbeito Veloso, Mª Luz, and Juan José Perona Páez. "Emisoras infantiles en internet. Análisis de una oferta alternativa para el niño-oyente." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 16, no. 2 (2018): 100–120. http://dx.doi.org/10.7195/ri14.v16i2.1180.

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La progresiva desaparición de los programas infantiles en la radio generalista se está viendo compensada por una expansión de emisoras destinadas a los niños, la mayoría de las cuales operan básicamente a través de internet. Este trabajo, que supone una primera aproximación a un fenómeno en auge, analiza la oferta de unas webradios que, con independencia de posibilitar la escucha de una programación más o menos regular en streaming o podcasting, se caracterizan por compartir con su audiencia una amplia gama de contenidos complementarios multimedia. La investigación, de carácter exploratorio-de

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Dankner, Laura, and Reginald M. Jones. "The Mystery of the Masked Man's Music: A Search for the Music Used on "The Lone Ranger" Radio Program, 1933-1954." Notes 45, no. 2 (1988): 287. http://dx.doi.org/10.2307/941359.

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Ortiz Sobrino, Miguel Ángel, Juan Carlos González Pérez, and Silvia Ayala del Pino. "Los recursos documentales en las radios universitarias españolas: uso y relaciones con la propiedad intelectual." Documentación de las Ciencias de la Información 43 (July 9, 2020): 23–31. http://dx.doi.org/10.5209/dcin.69302.

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Este artículo presenta los resultados de una investigación para determinar si las emisoras universitarias que pertenecen a la Asociación de Radios Universitarias Españolas (ARU) utilizan recursos sonoros y documentales sometidos a propiedad intelectual, depositados en internet o bien en sus archivos sonoros. Además, se trataba de conocer la relación con las sociedades de gestión de derechos de autor y la utilización de las excepciones que establece la normativa vigente en España, en relación al derecho de cita y otras excepciones para el uso de documentos públicos, como contenidos de su progra

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Nwankwo, E. "MetaPink Program: Simplifying the Breast Cancer Journey for Patients With Advanced Stage Breast Cancer in Nigeria." Journal of Global Oncology 4, Supplement 2 (2018): 170s. http://dx.doi.org/10.1200/jgo.18.38600.

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Background and context: Breast cancer is the number one diagnosed cancer in Nigeria. 75% of these breast cancer diagnosis are at stage 3 and 4. This is due in part to lack of awareness of the signs and symptoms, inadequate screening and diagnostic facilities, insufficient policies and guidelines, and fear. Metastatic breast cancer patients do not have the time nor the strength to deal with the stress, delay, and confusion of trying to find adequate care. Run For a Cure Africa (RFCA) wishes to establish a program that helps navigate metastatic breast cancer patients in Lagos state, and surround

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Vulić, Tatjana. "MUSIC PROGRAMS ON SERBIAN PUBLIC TV CHANNELS." Facta Universitatis, Series: Visual Arts and Music, January 30, 2018, 101. http://dx.doi.org/10.22190/fuvam1702101v.

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During nearly half a century-long history, Radio and Television of Serbia, nowadays known as Serbia Public Broadcasting Service, met not only with diversity, but also with quality standards in terms of program requirements. Music programs of the Public Broadcasting Service is one of the possible indicators that show that high standards can be reached even in the time of “abundance” of the trash music that overwhelms the comercial television programs. The aim of this paper is to examine the quality and variety of the music programs of Belgrade Television (all three programs –1, 2 and RTS Digita

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Achmad, Zainal Abidin, Rachmah Ida, and Mustain Mustain. "A Virtual Ethnography Study: The Role of Cultural Radios in Campursari Music Proliferation in East Java." ETNOSIA : Jurnal Etnografi Indonesia, October 10, 2020. http://dx.doi.org/10.31947/etnosia.v5i2.9787.

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Campursari music is a trend on the radio and a favorite of the people of East Java, so it is shifting towards popular culture. This study aims to uncover the proliferation of campursari music and the role of cultural radios. This qualitative research uses a virtual ethnography method, which focuses on the physical presence and virtual text together. The subjects are technology (radio and communication technology on the internet), humans (radio listeners), physical interactions, and virtual interactions. Data collection used participant observation through observation and interviews offline and

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Dingle, Genevieve A., Leah S. Sharman, Zoe Bauer, et al. "How Do Music Activities Affect Health and Well-Being? A Scoping Review of Studies Examining Psychosocial Mechanisms." Frontiers in Psychology 12 (September 8, 2021). http://dx.doi.org/10.3389/fpsyg.2021.713818.

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Background: This scoping review analyzed research about how music activities may affect participants' health and well-being. Primary outcomes were measures of health (including symptoms and health behaviors) and well-being. Secondary measures included a range of psychosocial processes such as arousal, mood, social connection, physical activation or relaxation, cognitive functions, and identity. Diverse music activities were considered: receptive and intentional music listening; sharing music; instrument playing; group singing; lyrics and rapping; movement and dance; and songwriting, compositio

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Fonseca Muñoz, Beatriz Elena. "La radio cubana ante la COVID-19. Un estudio de caso." REVISTA ESPAÑOLA DE COMUNICACIÓN EN SALUD, July 16, 2020, 272. http://dx.doi.org/10.20318/recs.2020.5421.

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La presencia del nuevo coronavirus desde diciembre de 2019 ha transformado las dinámicas de vida a nivel mundial. En su enfrentamiento multisectorial, también intervienen los procesos de comunicación que se desarrollan en todos los medios, entre ellos la radio. Caracterizar cómo se hace la comunicación sobre la COVID-19 en la programación musical de la emisora Radio Progreso, es el objetivo del presente trabajo. Se aplica un análisis de contenido a dos programas musicales de radio para mostrar el modo de emplear los recursos expresivos del medio y el formato para hacerlo. Se constata que tanto

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Blasco, Lucía. "Voces migrantes en el aire porteño. Una reconstrucción histórica de la radiodifusión de los residentes bolivianos en Buenos Aires." Revista del Museo de Antropología, August 30, 2020, 189–202. http://dx.doi.org/10.31048/1852.4826.v13.n2.24465.

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La historia de la radiodifusión de los residentes bolivianos en Buenos Aires comenzó en la década de 1970 con programas dirigidos por y destinados a la población boliviana, en estaciones de radio nacionales relevantes como Radio Argentina AM 570, Radio del Pueblo AM 830 y Radio Buenos Aires AM 1350, entre otras. A partir de la década de 1990, estos programas se reunieron en dos estaciones de radio destinadas exclusivamente a migrantes bolivianos. Sus dueños y directores eran dos empresarios de nacionalidad argentina, vinculados a la industria musical. A partir de 2004, surgieron las primeras e

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Azorín-Delegido, José Manuel. "Presencia de la radio pública española en los libros de texto de Educación Primaria." Revista Música Hodie 20 (April 1, 2020). http://dx.doi.org/10.5216/mh.v20.58561.

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El propósito de esta investigación es conocer qué programas emitidos por radios públicas en España son sensibles de ser utilizados en las aulas. Igualmente, se desea comprobar si los libros de texto de la asignatura de Música los utilizan. Para el estudio se han determinado los espacios radiofónicos de emisoras públicas de ámbito nacional en España con posibilidades de ser incluidos en las aulas y se ha analizado una de las editoriales de libros de texto con más representación en el país. Los resultados muestran que la presencia de la radio en los libros de texto actuales es prácticamente nula

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Porta-Navarro, Amparo. "The listening of one viewer. Children in front of television." Comunicar 13, no. 25 (2005). http://dx.doi.org/10.3916/c25-2005-063.

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Our topic looks for the understanding of the music's function in the communication and, at the same time, to try to explain to it. In our position the basic contents are the elements and structure of the Music in their new spaces: the cinema, the publicity, the cinema of animation and the propaganda for example. Nuestro tema se interesa por comprender y dar respuesta a la predominancia de la función comunicativa de la música actual. La escucha masiva de la música en el S. XXI aparece unida a la industria, al rock and roll y a la televisión que se manifiesta como uno de sus elementos mas influy

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Hope, Cathy, and Bethaney Turner. "The Right Stuff? The Original Double Jay as Site for Youth Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.898.

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On 19 January 1975, Australia’s first youth station 2JJ (Double Jay) launched itself onto the nation’s airwaves with a NASA-style countdown and You Only Like Me ‘Cause I’m Good in Bed by Australian band Skyhooks. Refused airtime by the commercial stations because of its explicit sexual content, this song was a clear signifier of the new station’s intent—to occupy a more radical territory on Australian radio. Indeed, Double Jay’s musical entrée into the highly restrictive local broadcasting environment of the time has gone on to symbolise both the station’s role in its early days as an enfant t

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Ryan, Robin Ann. "Forest as Place in the Album "Canopy": Culturalising Nature or Naturalising Culture?" M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1096.

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Every act of art is able to reveal, balance and revive the relations between a territory and its inhabitants (François Davin, Southern Forest Sculpture Walk Catalogue)Introducing the Understory Art in Nature TrailIn February 2015, a colossal wildfire destroyed 98,300 hectares of farm and bushland surrounding the town of Northcliffe, located 365 km south of Perth, Western Australia (WA). As the largest fire in the recorded history of the southwest region (Southern Forest Arts, After the Burn 8), the disaster attracted national attention however the extraordinary contribution of local knowledge

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Kibby, Marjorie. "Shared Files." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2160.

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The carefully constructed record collection with detailed liner notes and displayable album cover art is little more than a quaint anachronism for the twenty-year-olds of 2003. For them, a music collection is more likely to be a fat, glovebox sized folder of anonymous CD ROMs. Affective investments in particular bands, releases, tracks, have been replaced by a desire for a sort of musical 'affluence' where the size and currency of the collection is valued, rather than the constituent components of the collection. The explanation for this transition from the collection of fetishised albums to t

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Graves, Tom. "Something Happened on the Way to the ©." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2155.

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Intellectual property. It's a strange term, indicating from its structure that the questionable notion of property has been appended to something that, in a tangible sense, doesn't even exist. Difficult to grasp, like water, or air, yet at the same time so desirable to own... In Anglo-American law, property is defined, as the eighteenth-century jurist Sir William Blackstone put it, as "that sole and despotic dominion which one man claims and exercises over the external things of the world, in total exclusion of the right of any other individual in the universe" (Terry & Guigni 207). For mo

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Woodward, Kath. "Tuning In: Diasporas at the BBC World Service." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.320.

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Diaspora This article looks at diaspora through the transformations of an established public service broadcaster, the BBC World Service, by considering some of the findings of the AHRC-funded Tuning In: Contact Zones at the BBC World Service, which is part of the Diasporas, Migration and Identities program. Tuning In has six themes, each of which focuses upon the role of the BBC WS: The Politics of Translation, Diasporic Nationhood, Religious Transnationalism, Sport across Diasporas, Migrating Music and Drama for Development. The World Service, which was until 2011 funded by the Foreign Office

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Middlemost, Renee. "The Simpsons Do the Nineties." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1468.

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Now in its thirtieth season, in 2018, The Simpsons is a popular culture phenomenon. The series is known as much for its social commentary as its humour and celebrity appearances. Nonetheless, The Simpsons’ ratings have declined steadily since the early 2000s, and fans have grown more vocal in their calls for the program’s end. This article provides a case study of episode “That 90s Show” (S19, E11) as a flashpoint that exemplifies fan desires for the series’ conclusion. This episode is one of the most contentious in the program’s history, with online outrage at the retconning of canon and both

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Kellner, Douglas. "Engaging Media Spectacle." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2202.

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In the contemporary era, media spectacle organizes and mobilizes economic life, political conflict, social interactions, culture, and everyday life. My recently published book Media Spectacle explores a profusion of developments in hi-tech culture, media-driven society, and spectacle politics. Spectacle culture involves everything from film and broadcasting to Internet cyberculture and encompasses phenomena ranging from elections to terrorism and to the media dramas of the moment. For ‘Logo’, I am accordingly sketching out briefly a terrain I probe in detail in the book from which these exampl

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Allatson, Paul. "The Virtualization of Elián González." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2449.

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For seven months in 1999/2000, six-year old Cuban Elián González was embroiled in a family feud plotted along rival national and ideological lines, and relayed televisually as soap opera across the planet. In Miami, apparitions of the Virgin Mary were reported after Elián’s arrival; adherents of Afro-Cuban santería similarly regarded Elián as divinely touched. In Cuba, Elián’s “kidnapping” briefly reinvigorated a torpid revolutionary project. He was hailed by Fidel Castro as the symbolic descendant of José Martí and Che Guevara, and of the patriotic rigour they embodied. Cubans massed to deman

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Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

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   Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi

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Edmundson, Anna. "Curating in the Postdigital Age." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1016.

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It seems nowadays that any aspect of collecting and displaying tangible or intangible material culture is labeled as curating: shopkeepers curate their wares; DJs curate their musical selections; magazine editors curate media stories; and hipsters curate their coffee tables. Given the increasing ubiquity and complexity of 21st-century notions of curatorship, the current issue of MC Journal, ‘curate’, provides an excellent opportunity to consider some of the changes that have occurred in professional practice since the emergence of the ‘digital turn’. There is no doubt that the internet and int

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