To see the other types of publications on this topic, follow the link: Radio scripts.
Journal articles on the topic 'Radio scripts'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Radio scripts.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Winda Kustiawan and Tasya Salsabila. "STRUKTUR PENULISAN NASKAH PADA SIARAN RADIO." Jurnal Riset Rumpun Seni, Desain dan Media 1, no. 2 (October 15, 2022): 71–80. http://dx.doi.org/10.55606/jurrsendem.v1i2.737.
Full textAbstract:
Radio news scripts are news scripts that are ready to be delivered or read by the broadcaster. The definition or understanding of the script itself is a story that is described in sequence from scene to scene which is equipped with a place or setting, circumstances, dialogue, and often there are characterizations in it. 94% in writing this article using the method of reading and searching for internet sources. In this study, the method used is descriptive qualitative method. News script writing plays a very important position in radio news broadcasts. In writing broadcast scripts, scriptwriters must be able to write in a conversational or spoken language style in a concise, concise, and clear manner. Broadcast Script is broadcast material that will be delivered by broadcasters in broadcasting, especially broadcasts with script reading techniques.
2
Safitri, Nor Azizah, Amirotul Azmi, and Desfri Maulana Amkas. "Proses Penulisan Script Berita di LPPL Radio Suara Lamongan." AN-NASHIHA: Journal of Broadcasting and Islamic Communication Studies 1, no. 2 (May 29, 2022): 87–97. http://dx.doi.org/10.55352/an-nashiha.v1i2.554.
Full textAbstract:
Abstrak: Lembaga Penyiaran Publik Lokal (LPPL) Radio Suara Lamongan memiliki ketentuan tersendiri dalam penulisan script berita sebelum disiarkan. Terdapat tiga tahapan yang harus dilalui script writer sebelum script berita siap dibacakan penyiar. Proses pembuatan script berita dimulai dari pra produksi, produksi, dan pasca produksi. Artikel ini mengulas tentang proses penulisan script berita di LPPL Radio Suara Lamongan. Penelitian menggunakan pendekatan kualitatif deskriptif. Peneliti yang sekaligus sebagai mahasiswa Praktik Kerja Lapangan di lembaga penyiaran tersebut berperan sebagai observan serta berpartisipasi aktif dalam proses pencarian berita maupun penulisan script berita. Berita yang disiarkan di antaranya berita lokal, berita Jawa Timur, berita nasional, dan berita olahraga.
Kata Kunci: penulisan script berita radio, LPPL Radio Suara Lamongan
Abstract: The Local Public Broadcasting Institution (LPPL) Radio Suara Lamongan has its own provisions in writing news scripts before broadcasting. There are three steps that the script writer must go through before the news script is ready to be read by the announcer. The process of making news scripts starts from pre-production, production, and post-production. This article describes the process of writing news scripts on LPPL Radio Suara Lamongan. The study used a descriptive qualitative approach. The researcher who is also a Field Work Practice student at the broadcasting institution acts as an observer and actively participates in the news search process and news script writing. The news broadcast includes local news, East Java news, national news, and sports news.
3
Winda Kustiawan, Anissa Rahmadhani, Nadya Syakilah, Novi Lestari, Rizqi Ramadhani Siregar, and Tasya Salsabila. "COPYWRITING STYLE DAN STRUKTUR NASKAH RADIO." Jurnal Ilmiah Teknik Informatika dan Komunikasi 2, no. 3 (December 31, 2022): 36–43. http://dx.doi.org/10.55606/juitik.v2i3.343.
Full textAbstract:
The technology of sending signals by way of modulation as well as electromagnetic radiation with waves that travel through the air and produce sound is the meaning of radio. In broadcasting, scripts and writing are needed so that they are pleasing to the ear and also structured. In the process of writing copywriting, Style is needed so that the advertisements shown on the radio can be absorbed by listeners and are moved to buy the product being advertised and cause an action. Because radio only relies on audio, the sentence structure must be precise and there is a script structure that is being discussed so that it is good. Using research methods sourced from books and the internet. The essence of Copywriting style and the structure of discussion scripts on radio is to hone writing and editing skills in radio scripts.
4
Umuerri, Alex Eloho, and Ngozi Bibian Okeibunor. "Family Planning Radio Messages Directed at Men and Women in a Developing Society: A Case Study." Current Issues of Mass Communication, no. 27 (2020): 31–40. http://dx.doi.org/10.17721/2312-5160.2020.27.31-40.
Full textAbstract:
The study examined radio family planning messages with particular reference to the nature of the audience influence on communication content by using a chat program on radio in a developing society. The study adopted content analysis research method with a purposive sampling technique and used a radio script having six items for analyses. Results showed that there were more family planning segments for women than for men and, there were more family planning for drugs/pills and materials/implantation than for injection. In addition, there were side effects in the use of family planning just as there were quite a number of frequently asked questions except for condoms-fiesta/kiss. This paper concludes that radio scripts/messages for family planning programs should accommodate more topics/segments of family planning for men and women, specifically, natural methods should be included. Furthermore, radio family planning messages should focus more on the benefits of family planning and specifically the benefits of contraceptive pill and post pill emergency should be examined. Other formats of programs should be employed in the campaign for family planning messages on radio, and development communicators and content developers of radio family planning scripts should explore more areas to make radio messages more robust.
5
Lynn, Heery. "Readings in Review." Canadian Theatre Review 48 (September 1986): 137–41. http://dx.doi.org/10.3138/ctr.48.019.
Full textAbstract:
For lovers of radio drama who never enjoy the chance to read new Canadian radio scripts, this book will be a pleasure. It is well-designed and includes a preface, a critical Introduction, notes on production and textual provenance, a bibliography, and the scripts retain their extensive stage directions, including music and sound. The following sample from Gawain and the Green Knight reminds us of the demands playwrights felt free to make on producers, composers, and technicians in the golden age of radio drama:
6
Galster, Ingrid. "Simone de Beauvoir and Radio-Vichy: about some Rediscovered Radio Scripts." Simone de Beauvoir Studies 13, no. 1 (November 25, 1996): 103–13. http://dx.doi.org/10.1163/25897616-01301011.
Full text
7
Hanidar, Sharifah, and Rio Rini Diah Moehkardi. "Pembelajaran Bahasa Inggris melalui Siaran Radio Komunitas Balai Budaya Minomartani FM 107.7 MHz." Bakti Budaya 2, no. 2 (October 29, 2019): 32. http://dx.doi.org/10.22146/bb.50891.
Full textAbstract:
The community service program conducted by the English Study Program held from April to July, 2019 was the fourth in a series of activities in cooperation with Balai Budaya Minomartani and the community radio station, Balai Budaya Minomartani FM 107.7 MHz. It aims to increase the community capacity by training high school students living in Minomartani and its vicinity to become broadcasters of an educational entertainment radio program. In this program, Indonesian folktales in English translation are used as a medium for teaching English through storytelling. In achieving the aim, a two day workshop on radio broadcasting was held at the Faculty of Cultural Sciences, Universitas Gadjah Mada. The resource persons presenting in the workshop are community radio practitioners from the community radio station and lecturers from the English Study Program, Universitas Gadjah Mada. In the workshop, participants learned how to operate audio mixer, tell stories and present material on the radio. The participants were also provided with a module to help them identify language items to teach and select, modify, and convert the folk tales into audio scripts. Under the guidance and supervision of tutors from the English Study Program, the participants selected the language items in the folktales and developed them into teaching materials, made audio scripts and presented them. The participants were recorded reading their scripts. The audio recording was then broadcasted by the community radio station, Balai Budaya Minomartani FM 107.7 MHz. As the community radio is internet-based, the broadcast could be heard world wide. In this way, Indonesian folktales are also promoted to the world.--------------------------------------------------------------Pengabdian kepada Masyarakat yang dilaksanakan Prodi Sastra Inggris sejak April–Juli 2019 bekerja sama dengan Balai Budaya Minomartani dan Radio Komunitas Balai Budaya Minomartani FM 107.7 MHz, merupakan yang keempat kalinya dalam serangkaian kegiatan kerjasama. Pengabdian kepada Masyarakat ini bertujuan mengembangkan kapasitas masyarakat dengan melatih siswa SMA/SMK yang tinggal di Minomartani dan sekitarnya untuk menjadi penyiar program pendidikan dan hiburan. Dalam program ini, cerita rakyat Indonesia yang telah diterjemahkan ke dalam bahasa Inggris digunakan sebagai media pembelajaran bahasa Inggris dengan memakai metode storytelling. Untuk mencapai tujuannya, Prodi Sastra Inggris menyelenggarakan workshop yang berlangsung selama dua hari di Fakultas Ilmu Budaya, Universitas Gadjah Mada. Para narasumber merupakan praktisi radio komunitas dan dosen dosen Prodi Sastra Inggris, Universitas Gadjah Mada. Para peserta workshop diajarkan bagaimana mengoperasikan audiomixer, bercerita dan menyiarkan materi. Di samping itu, para peserta diberikan modul untuk membantu mereka dalam mengidentifikasi butir bahasa yang akan diajarkan, memilih, memodifikasi dan mengubah cerita rakyat menjadi audio script. Di bawah bimbingan tutor dari Prodi Sastra Inggris, peserta memilih unsur bahasa yang terdapat dalam cerita rakyat dan mengembangkannya menjadi bahan ajar, membuat audio script, membacakannya sambil direkam untuk kemudian disiarkan di radio komunitas Balai Budaya Minomartani FM 107.7 MHz. Karena radio komunitas BBM sudah berbasis internet, siaran ini dapat didengarkan di seluruh dunia sehingga menjadi sarana promosi cerita rakyat Indonesia.
8
Wati, Bintang Vivi Yulia, and Oki Cahyo Nugroho. "Analisis Bahasa Jurnalistik pada Penulisan Naskah Siaran Radio Warta Pagi RRI Madiun." Jurnal Ilmiah Komunikasi Makna 11, no. 1 (February 24, 2023): 47. http://dx.doi.org/10.30659/jikm.v11i1.23439.
Full textAbstract:
Radio RRI Madiun is a government-owned public broadcasting agency whose function is to present actual, precise, and reliable information. Radio is one of the mass media that is experiencing rapid technological advances. The purpose of this study is to analyze the journalistic language used to write news broadcast scripts. In this study, the authors used data collection techniques such as the stages of observation, interviews, and documentation. The research location is at LPP RRI Madiun City. In radio news media, writers and broadcasters have a strong collaboration to produce news that is accurate and can be well-received by the public. The use of language in accordance with journalistic rules is the most important aspect of writing news scripts that will be broadcast by radio institutions. The results showed that the news script already contained the rules of journalistic language, but there were some sentence points that used a foreign language or did not use language in everyday life so the cloud community still understood a little of what was conveyed by the broadcaster.
Radio RRI Madiun adalah badan penyiaran publik milik pemerintah yang fungsinya menyajikan informasi secara aktual, tepat dan terpercaya. Radio menjadi salah satu media massa yang mengalami kemajuan teknologi yang sangat pesat. Tujuan dalam penelitian ini untuk menganalisis bahasa jurnalistik yang digunakan untuk menulis naskah siaran berita. Dalam penelitian ini penulis menggunakan teknik pengumpulan data seperti tahapan observasi, wawancara, dan dokumentasi. Lokasi penelitian berada di LPP RRI Kota Madiun. Dalam media pemberitaan radio penulis dan penyiar memiliki kerjasama yang kuat untuk menghasilkan suatu berita yang akurat dan bisa diterima baik oleh masyarakat umum. Penggunaan bahasa yang sesuai dengan kaidah jurnalistik menjadi aspek paling utama dalam menulis naskah berita yang akan disiarkan oleh pihak lembaga radio. Hasil penelitian menunjukkan bahwa dalam naskah berita sudah mengandung kaidah bahasa jurnalistik, namun ada beberapa poin kalimat yang menggunakan bahasa asing atau tidak menggunakan bahasa dalam kehidupan sehari-hari sehingga masyarakat awan masih sedikit mengerti yang disampaikan oleh penyiar.
9
Arias-García, Elisa. "La figura del narrador en la ficción radiofónica seriada: el caso de ´Taxi Key´." INDEX COMUNICACION 9, no. 2 (June 30, 2019): 101–34. http://dx.doi.org/10.33732/ixc/09/02lafigu.
Full textAbstract:
In spite of the prominence acquired by dialogues among characters in creating a series, we cannot ignore that radio speech can be represented in turn by the narrators’s presence. For this reason, in the present article the emblematic Taxi Key detective series has been selected as an object of study, in order to determine the narrators’s appearance percentage in the series episodes, the narrator’s typology that prevails and the main functions that plays in this fictional product. It is an exploratory study in which descriptive and inferential analyzes have been made from Taxi Key original radio scripts. The results of the study reveal that narrator’s presence reaches the most significant prevalence in the episodes of the sample, being the autodiegetic narrator who stands as the most frequent type of narrator. Providing contextual information, acting as a nexus and transition device between scenes and assessing the characters or incorporating them on stage are the narrator’s functions that prevail in this series that remained almost twenty years on Radio Barcelona network. Keywords: Series; Taxi Key; Radio Script; Detective Fiction Genre; Storyteller; Autodiegetic.
10
Nurcahyani, Intan Atika, Raheni Suhita, and Kenfitria Diah Wijayanti. "Tuturan Direktif Naskah Sandiwara Radio serta Penerapannya dalam Pembelajaran Bahasa Jawa SMP." Piwulang : Jurnal Pendidikan Bahasa Jawa 11, no. 1 (June 30, 2023): 80–91. http://dx.doi.org/10.15294/piwulang.v11i1.66307.
Full textAbstract:
Radio play scripts can be used in Javanese language learning in junior high schools as a language teaching medium for students considering that play scripts are built by physical structures, namely language and inner structure which means semantics, thus causing the possibility of polysemy in speech making language learning for junior high school students considered sufficient. it is important to enlarge, especially research studies in Javanese directive utterances. This research is expected to contribute to increasing the study of the Javanese language and students can understand the implied meaning of utterances that are usually expressed by older people. The purpose of this study is to describe the form of directive utterances in radio play scripts in order to add to the study of the Javanese language. This research is a qualitative descriptive study using content analysis methods through a pragmatic approach to data sources for Mapan and Munthu Wijaya radio plays. The result of this research is an analysis of the forms of directive speech acts including Requestives, Questions, Requirements, Prohibitives, Permissives, Advisories of Mapan and Munthu Wijaya radio plays. Based on the research results of Mapan and Munthu Wijaya's radio plays, there are 43 data of directive speech acts that are relevant to the Javanese language learning materials, particularly for KD 4.3, Writing and Presenting Drama Text, which is present in Javanese language subject syllabus for 9th-grade students in Merdeka Curriculum It is hoped that teachers can be more varied in choosing teaching materials and this research can be developed by other researchers with broader studies.
11
Seigel, Amanda (Miryem-Khaye). "Nahum Stutchkoff's Yiddish Play and Radio Scripts in the Dorot Jewish Division, New York Public Library." Judaica Librarianship 16, no. 1 (December 31, 2011): 55–82. http://dx.doi.org/10.14263/2330-2976.1004.
Full textAbstract:
The Nahum Stutchkoff collection in the Dorot Jewish Division of The New York Public Library contains Yiddish translations, plays, song lyrics, and radio programs created by Yiddish linguist and playwright Nahum Stutchkoff (1893–1965). This article describes the collection in the context of the Jewish Division’s holdings, using bibliographic details about his known works to trace Stutchkoff’s career as a Yiddish actor, translator, director, playwright, and linguist. Stutchkoff’s radio scripts in particular provide rare documentation of the golden era of Yiddish radio explored by Henry Sapoznik and Ari Y. Kelman. A detailed bibliography of Stutchkoff’s published and unpublished works is included.
12
Knowles, Richard Paul. "Computers Keep Your Office Tidier." Canadian Theatre Review 81 (December 1994): 29–31. http://dx.doi.org/10.3138/ctr.81.006.
Full textAbstract:
Judith Thompson is author of numerous scripts for radio, television, and film, as well as four major stage plays. She has won several major awards for her writing, including two Governor General’s Awards, for White Biting Dog and for the collection, The Other Side of the Dark. Her plays have been produced across Canada (including Quebec, in French translation), the United States, Britain, Sweden (in translation,) and Australia. She is Associate Professor of Drama at the University of Guelph, where she teaches acting, directing, and playwriting. The following conversation with Richard Paul Knowles, who keyed in the script of Lion in the Streets and the script changes made during the extended script development workshop in the Spring of 1990 that led to its première production at the du Maurier World Stage, was recorded at Judith Thompson’s home in Toronto on 3 August 1994. The process of transcription and editing was made smooth, seamless, and historically invisible through the use of an IBM PC (WordPerfect 4.2).
13
Sintya, Nur Rahmah, Achmad Herman, and Kudratullah Kudratullah. "Disaster Mitigation Program By Radio Nebula FM Palu Central Sulawesi." Kanal: Jurnal Ilmu Komunikasi 11, no. 1 (September 30, 2022): 35–41. http://dx.doi.org/10.21070/kanal.v11i1.1717.
Full textAbstract:
This study aims to determine the production process of disaster mitigation education programs by Radio Nebula FM and the continuity of disaster mitigation education programs by Radio Nebula FM. This research is descriptive qualitative with an action research approach. The data collection techniques are observation techniques, interviews, and documentation studies of four informants who have been selected through purposive sampling techniques. The informants who have been selected are employees of PT Radio Nebula Nada, actively involved in the preparation of the 101 mitigation program, and have hosted the 101 mitigation broadcast program.The results showed that the production process of the 101 Radio Nebula mitigation education program had three stages, namely the pre-production, production, and post-production stages. The stages in pre-production consist of discussing ideas and concepts, determining the format of the program, finding topics you want to review while on air and off-air, preparing scripts or scripts, choosing music, and preparing an operational budget. Then the production stage is to maximize the Term of Reference (TOR), take vocals for advertisements, on air for talk shows and news programs as well as outpouring programs (vent) for disaster survivors. Lastly in the post-production stage is the evaluation of the 101 mitigation program by the entire Nebula FM Radio production team. Regarding the continuity of the program, the 101 mitigation program was continued with reduced intensity and the name of the program was changed to Sulteng Round-Up.
14
Lewis, Tyson E. "Walter Benjamin’s radio pedagogy." Thesis Eleven 142, no. 1 (September 3, 2017): 18–33. http://dx.doi.org/10.1177/0725513617727891.
Full textAbstract:
This paper investigates the unique educational relevancy of Walter Benjamin’s radio broadcasts. While much has been written about Benjamin’s approach to both children’s literature and children’s theatre, his own pedagogical practice as a radio pedagogue remains largely marginalized in these discussions. In order to address this gap in the literature, I focus on the implications of shifting from the largely visual world of children (celebrated in color illustrations) to the auditory world of radio. Through a careful reading of the radio scripts, I argue that a perceptual alteration unique to the sonic medium of radio jumpstarts historical thinking in children. The following pedagogical principles which I extract from the radio broadcasts support and enhance this mode of historical materialist education. In conclusion, the article argues for the ongoing relevancy of Benjamin for thinking through the pedagogical implications of new information technologies within a postmodern era such as podcasts.
15
Manns, Howard. "Scripting radio language amidst language shift in Indonesia." Journal of Asian Pacific Communication 24, no. 1 (April 18, 2014): 21–38. http://dx.doi.org/10.1075/japc.24.1.02man.
Full textAbstract:
There is a shift underway in many areas of Indonesia from local, ethnic languages like Javanese, to the national language, Indonesian. Few studies have explored the complexities faced by radio stations targeting the audiences undergoing this shift. This article explores the attitudes influencing the design of radio language at three local radio stations in East Java. Semi-structured interviews, based on extracts of radio language, are conducted with program directors and announcers at these stations. These data are used to outline how radio stations approach the design of radio talk amidst language shift. This paper explains this shift using two overlapping frames of media and language: audience design and mental scripts. Analysis shows both frames to be useful for understanding the design of radio language in East Java. A concluding discussion shows how a multi-dimensional understanding of radio language can provide important information on speech communities in-flux.
16
Narayana, M., Raghu Ram Reddy, and Hyndavi Reddy N. "High speed script execution for GUI automation using computer vision." International Journal of Electrical and Computer Engineering (IJECE) 9, no. 1 (February 1, 2019): 231. http://dx.doi.org/10.11591/ijece.v9i1.pp231-236.
Full textAbstract:
<span lang="EN-US">Software testing by using open source tool like Selenium windows applications cannot be automated, citrix based applications, flash websites and games. Computer vision based automation tools can be used to automate these kinds of applications. These automation tools works based on screenshots of GUI objects like button, radio button, text box, images, dropdowns etc. In this paper a prototype of automation tool has been developed which can execute the automation scripts much faster than existing tools like Sikuli, which takes much time to run the Automation scripts. The execution time can be reduced by using this proposed tool.</span>
17
Olsen, G. Douglas. "Enhancing Learning in Consumer Behavior by Incorporating Course Material into Radio Scripts." Journal of Marketing Education 16, no. 1 (April 1994): 59–65. http://dx.doi.org/10.1177/027347539401600107.
Full text
18
Matthews, Kelly. "Brian Friel, the BBC, and Ronald Mason." Irish University Review 47, supplement (November 2017): 470–85. http://dx.doi.org/10.3366/iur.2017.0304.
Full textAbstract:
Accepted theatre history awards Sir Tyrone Guthrie a singular position of influence on Brian Friel's early career. But hundreds of documents newly discovered in BBC archives reveal that Belfast radio drama producer Ronald Mason was perhaps more important to the young playwright's initial development. Not only did Mason coach Friel on revising his scripts for radio audiences, he also introduced Friel's work to James Ellis of the Ulster Group Theatre, while singing his praises to Guthrie. In the pivotal first decade of Friel's writing life, Ronald Mason was a sincere friend and a worldly-wise supporter: exactly the advocate Friel needed.
19
Fokin, G. "MODELING OF THE PULSE SHAPING AND MATCHED FILTERS." Telecom IT 9, no. 2 (July 28, 2021): 77–94. http://dx.doi.org/10.31854/2307-1303-2021-9-2-77-94.
Full textAbstract:
Pulse shaping filtering on transmission and matched filtering on reception are one of the main stages of digital signal processing that directly affect the noise immunity of their reception, therefore, the models, developed in this work, are of certain methodological interest, the relevance of which is confirmed by continuing in the last years trend of implementing procedures for transmitting, receiving and processing signals by means of model-based design and software-defined radio. The presented work contains scripts for the synthesis of the pulse shaping and matched filters with given characteristics for the subsequent software implementation of simulation models for assessing the noise immunity of modern and future mobile communication and radio access systems. The formalization of the known mathematical models of intersymbol interference and the Nyquist filter for its elimination are accompanied by scripts in the Matlab environment for constructing and visualizing its impulse and frequency characteristics. The implemented software toolkit makes it possible to evaluate the influence of the smoothing coefficient and limiting the length of the impulse response, as well as to visualize the width of the signal spectrum in the frequency domain and its distortion by the eye diagram in the time domain.
20
Puspa Priani, Dewa Ayu Made Nadya, A. A. Sagung Shanti Sari Dewi, and I. Gede Budiasa. "Language Style in the Advertisements Broadcast in Cassanova Bali Radio." Humanis 23, no. 2 (June 11, 2019): 90. http://dx.doi.org/10.24843/jh.2019.v23.i02.p02.
Full textAbstract:
The study entitled Language Style in the Advertisements Broadcast in Cassanova Bali Radio are aimed to identify the types of language styles used and to analyze the linguistic features that are applied in Cassanova Bali radio advertisements. The data of this study was taken from six advertisement scripts on Cassanova Bali radio that broadcast from August 1st until August 30th 2017. These data were collected by using documentation method and analyzed by using qualitative method based on the theory proposed by Holmes (1992) and Grey (2008). After analyzing the data, vernacular language is the most common language style used by Cassanova Bali radio and found in five advertisements (17 sentences), meanwhile the standard language is rarely used by Cassanova Bali radio and only found in one advertisement (3 sentences). It was also found that Cassanova Bali radio used five linguistic features to attract more consumers and the most common feature is familiar language (24 words), followed by use of imperative (15 words), hyperbole (6 words), repetition (3 words) and simple vocabulary (3 words).
21
Tsuji, Sahoko. "‘Salute to Radio’: The self-reflexive artistry of Betty Comden and Adolph Green in Fun with the Revuers." Studies in Musical Theatre 14, no. 2 (July 1, 2020): 149–61. http://dx.doi.org/10.1386/smt_00029_1.
Full textAbstract:
Betty Comden and Adolph Green are well-known librettists and lyricists of stage musicals and musical films; their artistic style and verbal expression are considered to bear urban witness to a period understanding of the 1940s and 1950s. Nonetheless, previous studies have scarcely investigated the aesthetic features of their dramaturgy, especially with regard to linguistic expression. This article focuses on the radio comedy Fun with the Revuers, for which they wrote scripts and lyrics. Through a close look at the scripts and sound recordings, it analyses the ‘interruptive sound and voice’ functions that construct the show, and examines how these satirize the conventions of the format, as well as the essential features of the medium. This article will offer a new perspective on the generational dynamics of Comden and Green’s artistry.
22
Rodríguez Ortiz, Raúl. "Las tres etapas del radioteatro en Chile: de la época dorada al nuevo auge de las series de ficción." INDEX COMUNICACION 9, no. 2 (June 30, 2019): 55–73. http://dx.doi.org/10.33732/ixc/09/02lastre.
Full textAbstract:
Following the growth, since 2016, of new fiction and non-fiction sound series in a large part of Ibero America, thanks to podcast and radio on demand, the task of analyzing the history of radio theater as a genre in Chile, from its roots and sociocultural importance to the new ways of producing and thinking about the genre in the 21st century is conducted. On the basis of documentary information, consisting of press archives, audios of radio theater scripts and the few studies on radio and radio theater, three stages can be elucidated: the golden age (1940-1970); the rebirth of radio theater (2003-2015) and the genre current boom period (2016 to present). While there are certain continuities between the first and second period, despite the temporary and technological breakthrough, in the third stage there is a new way of creating and designing these productions, with plots that respond to social and political struggles of groups that are invisible or discriminated in the public space, as well as in the way of circulating and disseminating them, without the radio being the key place par excellence for transmission as happened with the old radio soap operas. Keywords: Radio Drama; Fiction; History; Chile; Podcast.
23
Lavigne, Julie, Anne-Marie Auger, Joseph Josy Lévy, Kim Engler, and Mylène Fernet. "Les scripts sexuels des femmes de carrière célibataires dans les téléséries québécoises. Études de cas : Tout sur moi, Les hauts et les bas de Sophie Paquin et C.A.1." Articles hors thème 26, no. 1 (July 9, 2013): 185–202. http://dx.doi.org/10.7202/1016903ar.
Full textAbstract:
Dans le contexte d'une recherche portant sur les femmes célibataires à Montréal, l'analyse de trois téléséries québécoises mises en ondes par Radio- Canada ayant comme personnage central une femme de carrière célibataire dans la trentaine (Tout sur moi,Les hauts et les bas de Sophie PaquinetC.A.)a été effectuée afin de dégager les représentations de leur vie sociosexuelle, et ce, à partir du concept d'agentivité sexuelle, de la théorie des scripts de la sexualité et celle des orientations intimes de soi. Les divers scénarios sexuels vécus par les trois personnages, des scripts de rencontre à ceux de rupture, en passant par les types de relations qui y sont rattachés, sont présentés.L'analyse suggère une grande variabilité dans les scripts sexuels féminins et l'adoption de scripts considérés traditionnellement comme masculins : notamment, les femmes prennent souvent l'initiative de la rencontre et des rapports sexuels. Deux des trois personnages féminins étudiés possèdent des caractéristiques d'une orientation intime de soi du type « désir individuel », le troisième personnage présentant une construction de soi du type « réseau sexuel »; cependant, les trois personnages conservent certains aspects d'une orientation intime de soi de la sexualité conjugale. Ces téléséries présentent donc des personnages féminins multipartenaires, sans les confiner dans des rôles de femmes faciles et sans que cet aspect leur porte préjudice, ce qui laisse ainsi suggérer une transformation des représentations de la sexualité des femmes célibataires québécoises.
24
Clinefelter, Joan L. "Can You Spare 5 Minutes? Cold War Women’s Radio on RIAS Berlin." Resonance 1, no. 3 (2020): 279–97. http://dx.doi.org/10.1525/res.2020.1.3.279.
Full textAbstract:
Throughout the 1950s, the American propaganda radio station RIAS Berlin transformed women’s radio into an anti-communist medium designed to enlist German housewives into the Cold War. Based in West Berlin, RIAS—Radio in the American Sector—broadcast a full array of shows deep inside East Germany as part of the U.S. psychological war against communism. One of its key target audiences was German homemakers. Drawing upon scripts held in the German Radio Archives in Potsdam, Germany, this article analyzes the program Can You Spare 5 Minutes? (Haben Sie 5 Minuten Zeit?). It explores how RIAS inscribed the international contest between democracy and communism onto the domestic lives of women. The show built a sense of solidarity by treating typical “female” topics such as cosmetics, childcare, and recipes. In this way it forged a bond between its listeners that provided an opening for political messaging. Programs contrasted access to food, marriage rights, and educational policy in the rival Germanies to demonstrate the benefits of democracy and the need to resist the East German state. Women’s radio on RIAS, far from offering mere fluff, provided its female audience a political education.
25
Cornwell, Steve. "Ken Wilson: Author, Teacher, and Teacher Trainer." Language Teacher 35, no. 4 (July 1, 2011): 19. http://dx.doi.org/10.37546/jalttlt35.4-5.
Full textAbstract:
Ken Wilson is an author and trainer. He has written more than thirty ELT titles, including a dozen series of course books, including Smart Choice for Oxford University Press (OUP). He also writes lots of supplementary material, and in 2008, OUP published Drama and Improvisation, a collection of more than 60 of his ELT drama and motivational activities. His first publication was a collection of songs called Mister Monday, which was released when he was 23, making him at the time the youngest-ever published ELT author. Since then, he has written and recorded more than 150 ELT songs, published as albums or as integral parts of course material. He has also written more than a hundred ELT radio and television programs for the BBC and other broadcasters, including fifty radio scripts for the Follow Me series, thirty Look Ahead TV scripts and a series of plays called Drama First.Until 2002, Ken was artistic director of the English Teaching Theatre, a touring company which performed stage-shows for learners of English. The ETT made more than 250 tours to 55 countries, including three visits to Japan. Ken is an enthusiastic blogger, tweeter and social networker. He lives in London England with his wife Dede and two cats, and works in a shed at the end of his garden.
26
Ocker, Stella Koch, and James M. Cordes. "NE2001p: A Native Python Implementation of the NE2001 Galactic Electron Density Model." Research Notes of the AAS 8, no. 1 (January 9, 2024): 17. http://dx.doi.org/10.3847/2515-5172/ad1bf1.
Full textAbstract:
Abstract The Galactic electron density model NE2001 describes the multicomponent ionized structure of the Milky Way interstellar medium. NE2001 forward models the dispersion and scattering of compact radio sources, including pulsars, fast radio bursts, active galactic nuclei, and masers, and the model is routinely used to predict the distances of radio sources lacking independent distance measures. Here we present the open-source package NE2001p, a fully Python implementation of NE2001. The model parameters are identical to NE2001 but the computational architecture is optimized for Python, yielding small (<1%) numerical differences between NE2001p and the Fortran code. NE2001p can be used on the command-line and through Python scripts available on PyPI. Future package releases will include modular extensions aimed at providing short-term improvements to model accuracy, including a modified thick disk scale height and additional clumps and voids. This implementation of NE2001 is a springboard to a next-generation Galactic electron density model now in development.
27
Lee, Sungkyoung, and Robert F. Potter. "The Impact of Emotional Words on Listeners’ Emotional and Cognitive Responses in the Context of Advertisements." Communication Research 47, no. 8 (April 12, 2018): 1155–80. http://dx.doi.org/10.1177/0093650218765523.
Full textAbstract:
The study examined how individual words occurring in mediated messages affect listeners’ emotional and cognitive responses. Scripts from actual radio advertisements were altered by replacing original words with target words that varied in valence—either positive, negative, or neutral. The scripts were then reproduced by nonprofessional speakers. Real-time processing of the target words was examined through the use of psychophysiological measures of dynamic emotional and cognitive responses collected from subjects ( n = 55) and time-locked to the stimuli. Recognition memory provided a measure of encoding efficiency. As predicted, listeners had greater frown muscle responses following the onset of negatively valenced words compared with positively valenced words. Results also showed that positively valenced words elicited orienting responses in listeners but negatively valenced words did not. Recognition data show that positively valenced words were encoded better than neutrally valenced words, followed by negatively valenced words, which was consistent with the finding for the impact of emotional words on orienting responses.
28
Ostafiński, Witold. "Funkcja ekspresywna we współczesnych tekstach homiletycznych." Analecta Cracoviensia 40 (January 4, 2023): 263–84. http://dx.doi.org/10.15633/acr.4017.
Full textAbstract:
Preaching scripts, as a peculiar act of interpersonal communication, fulfils cognitive, impressive and prophetical functions. Additionally, they also fulfil an expressive function which reveals the sender’s attitude towards the contents and essence of the message. This allows the sender to manifest their feelings and experiences and express their psychological condition. Emotions play an extraordinarily important role in the process of verbal influence upon the audience. Therefore, the effectiveness of preaching speech depends greatly on emotions. This article is a trial to look at the linguistic means employed in contemporary sermons, thanks to which preachers achieve a high level of expression creating a specific emotional climate. The analysed scripts were drawn from sermons delivered in the Holy Cross Church in Warsaw and broadcast in the Polish Radio. The expressive function in the studied texts reveals itself mainly on lexical and syntactic grounds. Rhetorical figures also play an important part in achieving expressiveness of speech. The process of sermon communication achieves its human dimension thanks to emotional measures.
29
Huber, Katherine M. "Aural Interruptions: The Politics of Sound in Teresa Deevy's Radio Plays." Review of Irish Studies in Europe 7, no. 1 (April 29, 2024): 7–23. http://dx.doi.org/10.32803/rise.v7i1.3240.
Full textAbstract:
Despite becoming deaf at a young age from Ménière’s disease, Teresa Deevy uses sound in radio dramas to critique how conceptions of the past were materially constraining the possible futures for women in mid-century Ireland. While Deevy remains an understudied playwright, scholars like Caoilfhionn Ní Bheacháin have shown how Deevy’s stage plays challenge gender hierarchies during the Cumann na nGaedhael government and rework forms of naturalism. Few scholars offer sustained analyses of Deevy’s later plays or work on radio, though Emily Bloom’s foundational work on Irish radio modernisms and theorisation of Deevy’s unique forms of engagement with radio and radio dramas inform my examinations of four plays Deevy wrote specifically for radio. Building on current scholarship, this article examines how Deevy drew on the aurality of radio and the in medias res feel of the one-act radio play to reimagine gendered relationships to narrative, place, history and material and built environments amid shifting media and cultural landscapes in mid-century Ireland. In heeding Deevy’s contributions to radio modernism through feminist, ecofeminist and media studies lenses, my analyses demonstrate methods for reading sounds in scripts that reframe how scholars approach Deevy’s later work as they expand studies of Irish radio modernism. Reading sound elements in Dignity (1939) and Within a Marble City (1949) shows how Deevy reworks realist and naturalist forms limiting women’s agency. The auralities in Going Beyond Alma’s Glory (1951) and One Look and What It Led To (1964) meta-critically reflect on the medium of radio to point to a more modernist multiplicity for women’s self-determination. Sounds and silences in and across Deevy’s four radio dramas revise and expand understandings of mid-century Irish naturalisms, realisms and modernisms as they establish an overlooked feminist Irish radio modernism that points to multiple narrative possibilities for women’s self-determination literally hanging in the air.
30
Durán Prada, Mayra Alejandra. "Children and adolescents facing adultcentrism. Radio narratives as an exercise of power in Bucaramanga, Colombia." Journal of Latin American Communication Research 11, no. 2 (December 21, 2023): 120–36. http://dx.doi.org/10.55738/journal.v11i2p.120-136.
Full textAbstract:
This research is a longitudinal comparative study where through the exercise of radio production in two periods (2018-2019 and 2022) with children and adolescents in Bucaramanga, Colombia, an exercise of power in the face of adultcentrism mediated by narratives in which the participants find their own voice and a collective voice is evidenced. Through the content analysis of the scripts produced, participant observation and transcripts of the workshops, it is evident how they represent the adult and how, from their stories, they internalize adultcentrism or resist it.
31
Álvarez Veinguer, Aurora, Rocío García Soto, and Dario Ranocchiari. "“Ya no estás sola”: tramas, personajes y guiones. Experimentaciones con la ficción radiofónica desde la etnografía colaborativa." Empiria. Revista de metodología de ciencias sociales, no. 57 (January 9, 2023): 123–44. http://dx.doi.org/10.5944/empiria.57.2023.36432.
Full textAbstract:
El propósito del presente artículo es reflexionar sobre una experiencia de escritura etnográfica de ficción que hicimos mientras hacíamos investigación colaborativa. Mediante un ejercicio de memoria, imaginación e investigación hemos creado un producto de ficción sonora junto a un colectivo social que lucha por el acceso a una vivienda digna: Stop Desahucios Granada 15M. Partiendo de la materialidad de uno de los guiones que forman parte de nuestro producto de ficción sonora, la radionovela, pretendemos en primer lugar mostrar de qué forma hemos elaborado los seis episodios de la serie, construyendo antes tramas y personajes, y después los diálogos. En segundo lugar hablaremos de los aspectos más performativos, de transgresión del guion, que hemos experimentado durante las grabaciones. En tercer lugar abordaremos dos “mutaciones” en las formas de hacer y presentar la etnografía que ha generado el despliegue colaborativo de estrategias de investigación basadas en la construcción de guiones de ficción sonora. Y por último plantearemos por qué consideramos que la elaboración de guiones de ficción han sido un elemento central de nuestra etnografía colaborativa. The purpose of this paper is to reflect on an experience of fictional ethnographic writing that we made while doing collaborative research. Through an exercise of memory, imagination and investigation, we created a radio fiction series together with a social movement that fights for the right to decent housing: Stop Desahucios Granada 15M. Starting from the materiality of one of the scripts that form part of our series, a radio soap opera, we want to show how we jointly wrote the six episodes of the series by constructing first the plots and characters, and after the dialogues. Secondly, we’ll reflect on the performative aspects of the production process, in which we transgressed the scripts. Thirdly, we will address two ‘mutations’ that the collaborative framework of our fiction-based research had generated in our way of doing and communicate ethnography. And finally, we’ll explain the reasons why we consider the writing of the scripts as a central element of our collaborative ethnography.
32
Sievers, Ulrike. "Inviting performance into the English foreign language classroom." Scenario: A Journal for Performative Teaching, Learning, Research XVI, no. 1 (August 15, 2022): 124–32. http://dx.doi.org/10.33178/scenario.16.1.9.
Full textAbstract:
In this article the foreign language classroom in a Waldorf school is described as a space inviting active performative participation. It gives examples spanning the lower, middle and particularly the upper school, in which performative methods and creativity are specifically encouraged. The aim is to involve the whole child and young person not only in reproducing but in producing actions in and through the foreign language, using methods such as enacting stories and pictures, producing and playing scenes, translating prose texts into scripts for plays, radio plays and story boards for film.
33
Whittington, Ian. "Archaeologies of Sound: Reconstructing Louis MacNeice's Wartime Radio Publics." Modernist Cultures 10, no. 1 (March 2015): 44–61. http://dx.doi.org/10.3366/mod.2015.0097.
Full textAbstract:
Attempts to recover the audible experience of the Second World War are often frustrated by the paradox that the acoustic past is available in theory but elusive in practice. Focusing on the archival traces left by poet and broadcaster Louis MacNeice, this paper considers how scholars might reconstruct past radio publics – affiliative and critical communities of listening – from a partial record. As one of the most prominent and celebrated scriptwriters at the wartime BBC, MacNeice played a major role in shaping the British public's sense of itself and of the war. For MacNeice, good listening was good citizenship: in two major works, Alexander Nevsky (1941) and Christopher Columbus (1942), he uses aurally astute characters and layered acoustic spaces to model the process of navigating the crowded soundscapes of war. The plays build auditory worlds that mediate between the poles of hearing as a subjective, interior practice and listening as a public activity with political resonances. Through a close examination of scripts, recordings, production notes, and audience responses relating to these two plays, this paper traces the outline of the absent experience of listening in order to better understand the wartime British radio public.
34
Plunkett, Adele, Alvaro Hacar, Lydia Moser-Fischer, Dirk Petry, Peter Teuben, Nickolas Pingel, Devaky Kunneriath, et al. "Data Combination: Interferometry and Single-dish Imaging in Radio Astronomy." Publications of the Astronomical Society of the Pacific 135, no. 1045 (March 1, 2023): 034501. http://dx.doi.org/10.1088/1538-3873/acb9bd.
Full textAbstract:
Abstract Modern interferometers routinely provide radio-astronomical images down to subarcsecond resolution. However, interferometers filter out spatial scales larger than those sampled by the shortest baselines, which affects the measurement of both spatial and spectral features. Complementary single-dish data are vital for recovering the true flux distribution of spatially resolved astronomical sources with such extended emission. In this work, we provide an overview of the prominent available methods to combine single-dish and interferometric observations. We test each of these methods in the framework of the CASA data analysis software package on both synthetic continuum and observed spectral data sets. We develop a set of new assessment tools that are generally applicable to all radio-astronomical cases of data combination. Applying these new assessment diagnostics, we evaluate the methods’ performance and demonstrate the significant improvement of the combined results in comparison to purely interferometric reductions. We provide combination and assessment scripts as add-on material. Our results highlight the advantage of using data combination to ensure high-quality science images of spatially resolved objects.
35
Barysheva, Elena V. "‘Obligatory and Preliminary Review of All Broadcasts Plans and Scripts.’ Running Commentary and Broadcasts on Celebratory Demonstration as a Means of Shaping Soviet Values in 1920s-1930s." Herald of an archivist, no. 2 (2018): 406–22. http://dx.doi.org/10.28995/2073-0101-2018-2-406-422.
Full textAbstract:
This article studies radio broadcasts of celebratory demonstrations of workers in 1920-30s as a form of ideological influence on the public consciousness. Audio-culture, as a most wide-reaching and accessible form of mass media, had a significant impact on the audience from 1918 to 1920-30s. Radio played an important role in the solution of ideological tasks, rendering figurative and verbal influence on the masses in the Soviet Union. Explaining and spreading the changes that took place in the life and the politics of the nation, the radio created a unified space of communication. Running commentary as a communication had its rules and limitations, which had developed in the first decades of the Soviet power. Discourse stereotypes had in due course resulted in emergence of a ritualistic form of reporting similar to demonstrations and parades themselves. The genre developing, many clich?s and hackneyed phrase appeared that were to impress propaganda slogans and appeals on the listeners and to inspire emotions. Now these slogans were accessible to everyone, as reproducers were installed in the streets of cities and villages and pervaded communal flats. Event reporting intensified the emotional state of the audience, giving an impression of true popular enthusiasm. In radio reports from official festive events, message of the power inducing socio-political consolidation of the society was obvious. The research analyzes drafts of a radio program script on festive demonstration of November 7, 1939 stored in the Russian State Archive of Literature and Art (Yu. K. Olesha fond). The writer’s notes indicate that the preliminary censorship and self-censorship did not allow for improvisation.
36
Chierichetti, Luisa. "“El criado pesado”: La caracterización en la serie Águila Roja." Quaderns de Filologia - Estudis Lingüístics 22, no. 22 (January 7, 2018): 57. http://dx.doi.org/10.7203/qf.22.11301.
Full textAbstract:
This article, based on the most recent studies on telecinematic dialogue, proposes a contribution to linguistic research on television series, one of the most influential popular cultural products in contemporary society. The work is based on the complete scripts of the successful Spanish series Águila Roja, aired on Radio Televisión Española between 2009 and 2016. Combining techniques of corpus linguistics and discourse analysis, this study examines the characterization of Satur, one of the main characters of this fiction, through the co-construction of the meaning, as processed by the television audience. The results suggest that Satur’s discourse is characterized by the use of contemporary colloquial language and by incongruity; such features create humor and familiarity with the audience.
37
Apolonio, Edmelyn V. "Structural Teaching of Basic Practice of Writing a Publication to Young Writers of a Public Elementary School." International Journal of Multidisciplinary: Applied Business and Education Research 4, no. 3 (March 18, 2023): 792–801. http://dx.doi.org/10.11594/ijmaber.04.03.12.
Full textAbstract:
This study intends to enhance writing skills among young writers in a public elementary school through the structural teaching basic practice of writing a publication. Effective expression of one's own views, opinions, ideas, and values on a certain subject through writing using one's own language is a skill that should be nurtured in school for every student. This study used a descriptive research design, and the participants were 35 students from a public elementary school. Qualitative data were gathered through the use of questionnaires with pretest and post-test to analyze whether the implementation of structural teaching basic practice of writing a publication to young writers of public elementary school was effective in improving the students' writing skills. The study revealed the skills that most of the grade 4, grade 5 and grade 6 students have not yet mastered are the following: writing an explanation, talks, commenting on an issue and an opinion on an issue (97.14%); writing scripts for radio broadcasting and writing short news, editorials, and other parts of the newspaper (100%); writing a report, sports news, letter to the editor, script for radio broadcasting (100%) respectively. Descriptive statistics were used to interpret data gathered. The students got a pretest mean score of 11.63 with a standard deviation of 0.55 and a post-test mean score of 25.66 with a standard deviation of 0.51. It is evident that there is an increase in mean score of +14.03 between pre and post-tests, from 11.63 to 25.66. The participants' pre-test and post-test differences are very significant based on the computed t-value of 29.08 0.05 level of significance. It is important to note that the use of structural teaching basic practice of writing a publication to young writers has improved their skills in writing.
38
Matveeva, Yulia V., and Alexandra Yu Kirienko. "“Emigrant” and “soviet” literature as covered by Georgy Cherkasov (G. Gazdanov) on Radio Liberty." Sibirskiy filologicheskiy zhurnal, no. 1 (2023): 179–93. http://dx.doi.org/10.17223/18137083/82/13.
Full textAbstract:
The paper considers G. Gazdanov’s journalistic and editorial work for Radio Liberty from 1953 to 1971 In this period, the distinctive literary-centrism of the writer’s creative personality was manifested in several cultural and educational programs (“In the World of Books”, “On Books and Authors”, “Round Table Talks”, “Before the Curtain”, “Diary of a Writer”), reviews (“Review of cultural life”, “Review of thick magazines”), and “special programs” related to literature. Using the pseudonym Georgy Cherkasov, Gazdanov talks about culture with his friends and professional colleagues: poets, prose writers, critics of the first Russian emigration, orders “scripts” and organizes the writer’s radio performances, and creates his own series of radio monologues. Apparently, he becomes a certain personified authority for Soviet listeners, shaping for them the images of Russian émigré literature, the European literature of the twentieth century and, finally, Soviet literature as seen from within a Western world. Currently available recordings of G. Cherkasov’s radio speeches were studied and his business correspondence with G. Adamovich, R. Gulym, Y. Ivask, L. Rzhevsky, Gen. myakov (Andreev), and other writers of the Russian emigration were analyzed. Gazdanov’s assessments and views on the literature of the Russian emigration and the literature created in the metropolis were collected, systematized, and examined. Despite Gazdanov’s desire to maintain parity between culture and politics, his journalistic, propagandistic, and culturist activities were found to be biased by objective and subjective factors, manifested primarily in a superficial, often tendentious, and intolerant attitude toward all the literary works bearing the stamp of Soviet life and influence.
39
Verhulst, Pim. "‘There are differences’: Variants and Errors in the Texts of Beckett's Radio Plays." Journal of Beckett Studies 24, no. 1 (April 2015): 57–74. http://dx.doi.org/10.3366/jobs.2015.0120.
Full textAbstract:
As opposed to Beckett's drama and, to a lesser degree, his television plays, the six scripts he wrote for radio are generally considered to be a textually stable category in his body of work. The only well-known exception is Cascando, whose American and British first editions were distinguished by more than fifty variants. When Everett Frost confronted the author with the Grove and Faber versions of the text in 1987, to re-record them for an American Festival of his radio plays, Beckett admitted ‘there are differences’ and advised the producer to follow the Faber example. Three years earlier, Beckett's English-language publishers had made the same choice for their joint publication of the Collected Shorter Plays (1984), when Grove discarded their texts of the radio plays for the Faber alternatives. But, not only were the American texts generally more reliable, they sometimes contained unique variants as well. Unproofed by the author, CSP added several new mistakes to the ones still surviving from the British first editions and their later reprints. This is problematic as CSP continued to serve as the model for Grove's Centenary Edition (2006) and Faber's All That Fall and Other Plays for Radio and Screen (2009). While its editor, Everett Frost, has ‘made every effort silently to correct minor flaws appearing in earlier editions, no attempt has been made to impose a rigorous consistency upon such diverse materials’. Building on Frost's work, this article compares all English editions with each other, as well as the typescripts on which they were based, to provide an overview of variants and errors for each text. The purpose is to show that Cascando is not the only one marked by differences, and that a study of the existing drafts is necessary to fully understand the publishing history of the radio plays.
40
Palmese, Michael. "The World Ear Project (1970–87)." Resonance 3, no. 1 (2022): 58–75. http://dx.doi.org/10.1525/res.2022.3.1.58.
Full textAbstract:
This article presents an examination of the World Ear Project, a radio program developed by Charles Amirkhanian and Richard Friedman in August 1970 in Berkeley, California, that reframes the birth of acoustic ecology, conventionally viewed as a discipline created by R. Murray Schafer in Canada during the 1960s and ’70s. The article begins by presenting the sociocultural and musical circumstances that led to the creation of this radio program, emphasizing the compositional work of Luc Ferrari, whose interest in recording ambient environments was a major influence on Amirkhanian and Friedman. Analysis of archival broadcasts suggests that the World Ear Project was a space in which composers could contribute and use the medium of field recording to interrogate their creative practices, while average KPFA listeners also steadily provided diverse soundscape recordings of environments from across the globe. Further analysis of broadcasts, scripts, and other archival materials related to the World Ear Project reveal that this egalitarian, listener-driven radio series exemplified the democratic, activist principles at the core of its parent organization, the Pacifica Foundation. Crucially, we find many soundscape recordings related to contemporaneous Cold War inflection points and decolonization efforts on the World Ear Project, highlighting the broader progressive contours in which the program was conceived. The article concludes by suggesting that the World Ear Project reframes our understanding of the early history of acoustic ecology, having developed independently of Schafer’s work in Canada and taking an optimistic view of recording technology and the soundscapes of the modern, industrial world.
41
Tarantino, Mary. "UNCOVERING GEMS: THEATRICAL DESIGN COLLECTIONS AT THE WISCONSIN HISTORICAL SOCIETY." Theatre Survey 50, no. 2 (November 2009): 327–35. http://dx.doi.org/10.1017/s004055740999010x.
Full textAbstract:
The Wisconsin Center for Film and Theater Research (WCFTR), which is housed at the Wisconsin Historical Society in Madison, Wisconsin, and partners the historical society with the University of Wisconsin's Department of Communication Arts, was formed in 1960. It maintains a diverse collection of entertainment media, including collections of papers, audio and/or visual materials, and other creative documents such as scripts and designs. The majority of the WCFTR's collections feature film, radio, and television productions and various photographs and promotional material. The smaller theatre collections include papers related to notable actors and playwrights such as Alfred Lunt, Lynn Fontanne, Moss Hart, Langston Hughes, and George S. Kaufman; lyricists and composers such as Marc Blitzstein and Stephen Sondheim; and designers for film and theatre. This article examines the WCFTR collections of three twentieth-century theatrical designers: Wolfgang Roth, Jean Rosenthal, and Gilbert Hemsley.
42
Low, Brian J. "“The New Generation”: Mental Hygiene and the Portrayals of Children by the National Film Board of Canada, 1946–1967." History of Education Quarterly 43, no. 4 (2003): 540–70. http://dx.doi.org/10.1111/j.1748-5959.2003.tb00134.x.
Full textAbstract:
That is the achievement of the psychologists. In our own society they are very kind, and do everything for our own good. The tales of what they do elsewhere are rather terrifying.—Hilda NeatbySo Little for the Mind (1953)Documenting the impact of the mental hygiene movement has been problematical for historians. The hygienists operated in the realm of mass psychology and social relations, within the “mentalities” of children—particularly of the postwar generation—who have left little observable evidence of changing social attitudes and relationships resulting from changes to mass child-rearing and schooling practices. The influence of the movement upon parenting literature and curricular documents may be readily observed in postwar baby books, magazines, newspapers, radio scripts, and films, as well as in the changing language of educational theorists and practitioners. But as to seeing the actual effects of this material upon any society, documentary evidence has remained elusive.
43
Namseok Kim. "A Study on the Auditory Image and The Form Aesthetics on Radio Drama Scripts of North Korea in 1950's." Journal of Drama ll, no. 36 (March 2012): 33–61. http://dx.doi.org/10.15716/dr.2012..36.33.
Full text
44
Tipikin, A. A., V. A. Pakhotin, and D. S. Potapov. "Technique for Automatic Profiling of Underlying Surface Electric Parameters on the Very Low Frequencies Radio Path." Proceedings of Telecommunication Universities 10, no. 3 (July 3, 2024): 66–73. http://dx.doi.org/10.31854/1813-324x-2024-10-3-66-73.
Full textAbstract:
Relevance. Information about the electrical characteristics of the underlying surface has a significant impact on the calculations results of the radio tracks energy parameters in the very low frequency band. Currently, various versions of developed digital maps can potentially improve the accuracy of calculations and simplify the operator's activities in the initial data input. However, the capabilities of digital cartography are not integrated into existing forecasting techniques. The purpose of the study is to reduce the number of manual operations during the forecasting of the radio tracks energy parameters in the very low frequency band by developing a technique that allows to automate the input of the underlying surface electrical parameters. Methods. In this study we used methods of mathematical statistics to choose the quantization levels of radio tracks electrical parameters rationally. We used an interpolation method with a given decimation coefficient to obtain an electrical characteristics profile that meets the requirements of the forecasting methodology. Result. We selected the levels and quantization intervals of the underlying surface electrical characteristics which are needed to obtain the horizontal profiles, using statistical estimates. Further, we performed interpolation with the «nearest neighbor» method with a given decimation coefficient to exclude areas with frequent changes in the profiling parameters values. The decimation coefficient relies on the condition that the smallest length of a homogeneous section should not be less than the wavelength. The developed technique is implemented in the Matlab modeling environment as a combination of scripts and auxiliary functions. We provided an example of the technique application as the forecasting the ground wave field strength on a heterogeneous track. The novelty lies in the development of an original technique that provides rational profiling of the underlying surface electrical conductivity and dielectric permittivity for the subsequent usage of the obtained data in the forecasting the radio tracks energy parameters in the very low frequency band. Practical significance. The developed technique makes it possible to reduce the operator load during the initial data input and increases the accuracy of presenting this data. The technique can be used in a wavehop method for the predicting the radio tracks energy parameters to determine the vector sum of spatial and ground waves at the receiver.
45
Morse, Daniel Ryan. "An ‘Impatient Modernist’: Mulk Raj Anand at the BBC." Modernist Cultures 10, no. 1 (March 2015): 83–98. http://dx.doi.org/10.3366/mod.2015.0099.
Full textAbstract:
Mulk Raj Anand's self-description – in a 1945 broadcast about war-time London – as an ‘impatient modernist’ highlights Anand's ability to harness the velocity of broadcast production, transmission, and reception into an aesthetic of speed. Pairing Anand's unpublished BBC scripts with his war-time novel The Big Heart (1945), I show how Anand's work remediating contemporary texts for broadcast accompanied a shift in his approach to writing fiction, using the technique of intertextual scaffolding to accelerate composition. This article proposes that the name of Anand's impatience was realism – that Anand's fascination with literary modernists such as Joyce and Woolf was tempered with a desire for the immediacy and social embeddedness of realism and that broadcasting encouraged Anand in his attempt to pair modernism's cosmopolitanism and polyvocality with realism's speed, engagement, even ephemerality. Challenging the often feeble distinction between realism and modernist anti-representational technics, Anand's radio writing captures the contradictions of combined but uneven development.
46
ABBAS, Yasir M. O., and Kenichi Asami. "Design of Software-Defined Radio-Based Adaptable Packet Communication System for Small Satellites." Aerospace 8, no. 6 (June 4, 2021): 159. http://dx.doi.org/10.3390/aerospace8060159.
Full textAbstract:
Software-defined radio (SDR) devices have made a massive contribution to communication systems by reducing the cost and development time for radio frequency (RF) designs. SDRs opened the gate to programmers and enabled them to increase the capabilities of these easily manipulated systems. The next step is to upgrade the reconfigurability into adaptability, which is the focus of this paper. This research contributes to improving SDR-based systems by designing an adaptable packet communication transmitter and receiver that can utilize the communication window of CubeSats and small satellites. According to the feedback from the receiver, the transmitter modifies the characteristics of the signal. Theoretically, the system can adopt many modes, but for simplicity and to prove the concept, here, the changes are limited to three data rates of the Gaussian minimum shift keying (GMSK) modulation scheme, i.e., 2400 bps GMSK, 4800 bps GMSK and 9600 bps GMSK, which are the most popular in amateur small satellites. The system program was developed using GNU Radio Companion (GRC) software and Python scripts. With the help of GRC software, the design was simulated and its behavior in simulated conditions observed. The transmitter packetizes the data into AX.25 packets and transmits them in patches. Between these patches, it sends signaling packets. The patch size is preselected. Alternatively, the receiver extracts the data and saves it in a dedicated file. It directly replies with a feedback message whenever it gets the signaling packets. Based on the content of the feedback message, the characteristics of the transmitted signal are altered. The packet rate and the actual useful data rate are measured and compared with the selected data rate, and the packet success rate of the system operating at a fixed data rate is also measured while simulating channel noise to achieve the desired Signal-to-Noise Ratio (SNR).
47
Hatley, Barbara. "Contemporary Indonesian Theatre in the Regions: Stage Idiom and Social Referentiality." Theatre Research International 19, no. 1 (1994): 17–28. http://dx.doi.org/10.1017/s0307883300018782.
Full textAbstract:
In 1973, the poet and essayist Goenawan Mohamad wrote a lengthy and incisive defence of contemporary Indonesian theatre (that is to say, modern, Indonesian language plays of roughly the mid-60s onwards) against the complaints of its critics.1 The lack of dramatic and psychological development noted in many plays, the sketchy scripts, bizarre dramatic happenings, showy settings and inappropriate mixture of comic and serious elements—all of these purported ‘faults’, in Goenawan's view, were associated with the great strength of contemporary Indonesian theatre, its concern with the process of performance, and with intimate communication with its audiences. Previous playwrights had written worthy, wordy ‘schoolroom’ dramas, and members of a small European-educated élite performed them, for an amorphous, universal ‘general public’. Their view that the current minority position of modern theatre would strengthen as Indonesian society became better educated, at the same time revealed a sense of distance between plays and their public. But for the new breed of playwrights, people like Rendra, Arifin Noer and Putu Wijaya, who directed and performed in their own plays and were fully involved in the totality of production,2 there was no such gap. Spectacle and humour, colloquial, everyday language, and the improvisatory possibilities of sketchy scripts, served to entertain, engage and involve audiences drawn from a particular sector of society. Theatre audiences were identified by Goenawan as overwhelmingly young, educated but not used to reading. They had been brought up in a ‘post-literate’ culture of radio, television and film, influenced in some ways, certainly in its group-oriented entertainment habits, by the ‘pre-literate’ aural-oral regional cultures of their parents.
48
M, Ganesan, and Chitra P. "Education TV's website that guides today's student community." International Research Journal of Tamil 4, no. 4 (October 19, 2022): 333–42. http://dx.doi.org/10.34256/irjt22443.
Full textAbstract:
Language was needed to communicate with one another when human society emerged on earth. In ancient times, language was understood through gestures and sounds. Human society brought language into written form to continue civilizing. That script was also transformed into hieroglyphics, syllables, scripts, etc., and changed to the scriptwriting system we use today. We needed a medium to communicate with distant people. In the early days, it was also communicated by writing. It wrote on barks, clay tablets, pottery tiles, animal skins, and clothes. As the knowledge of human society expanded, so did his discoveries. After the discovery of paper, mankind wrote everything on paper as the medium of letters. Human society communicated through it. As the time of writing on paper gradually became obsolete, writing on a computer became new with the development of technology. There was only a letter to contact those far away that day. The telegraph came because of the technological revolution. The phone arrived. The radio came on. Television also came. As a result of the information technology revolution, the internet, a medium that surpassed all this, came into being. The website swallowed up everything that had previously been used for communication separately. Do you want to send a letter to someone? Want to talk to someone in some corner of the world? Want to listen to the radio? Even if there is no television at all, do you want to know what's happening in other countries? The website has been transformed into a time mirror that shows everything. Various literature is being created in Tamil on such a website. Originally created for the communication of various types of information, the website today has a deep footprint on all platforms. It is also doing the work of educating the students. No one learns anything at birth and comes back. Everyone learns language, mathematics, science, society, etc. during their student days. Today, websites have created a situation where even going to school can be done from home. In this context, the Tamil Nadu Government's Education TV, which broadcasts educational programmes for students, also has a website. This article aims to examine whether the website has similar functionalities for today's student community.
49
Kyriakoudes, Louis M. "The Grand Ole Opry and Big Tobacco: Radio Scripts from the Files of the R. J. Reynolds Tobacco Company, 1948 to 1959." Southern Cultures 12, no. 2 (2006): 76–89. http://dx.doi.org/10.1353/scu.2006.0023.
Full text
50
Aggarwal, Kshitij, Devansh Agarwal, Evan F. Lewis, Reshma Anna-Thomas, Jacob Cardinal Tremblay, Sarah Burke-Spolaor, Maura A. McLaughlin, and Duncan R. Lorimer. "Comprehensive Analysis of a Dense Sample of FRB 121102 Bursts." Astrophysical Journal 922, no. 2 (November 25, 2021): 115. http://dx.doi.org/10.3847/1538-4357/ac2577.
Full textAbstract:
Abstract We present an analysis of a densely repeating sample of bursts from the first repeating fast radio burst, FRB 121102. We reanalyzed the data used by Gourdji et al. and detected 93 additional bursts using our single-pulse search pipeline. In total, we detected 133 bursts in three hours of data at a center frequency of 1.4 GHz using the Arecibo telescope, and develop robust modeling strategies to constrain the spectro-temporal properties of all of the bursts in the sample. Most of the burst profiles show a scattering tail, and burst spectra are well modeled by a Gaussian with a median width of 230 MHz. We find a lack of emission below 1300 MHz, consistent with previous studies of FRB 121102. We also find that the peak of the log-normal distribution of wait times decreases from 207 to 75 s using our larger sample of bursts, as compared to that of Gourdji et al. Our observations do not favor either Poissonian or Weibull distributions for the burst rate distribution. We searched for periodicity in the bursts using multiple techniques, but did not detect any significant period. The cumulative burst energy distribution exhibits a broken power-law shape, with the lower- and higher-energy slopes of −0.4 ± 0.1 and −1.8 ± 0.2, with the break at (2.3 ± 0.2) × 1037 erg. We provide our burst fitting routines as a Python package burstfit 4 4 https://github.com/thepetabyteproject/burstfit that can be used to model the spectrogram of any complex fast radio burst or pulsar pulse using robust fitting techniques. All of the other analysis scripts and results are publicly available. 5 5 https://github.com/thepetabyteproject/FRB121102