Relevant bibliographies by topics / Rainbow (Lawrence, D. H.)

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  2. Dissertations / Theses
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Academic literature on the topic 'Rainbow (Lawrence, D. H.)'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Rainbow (Lawrence, D. H.)"

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Yamboliev, Irena. "D. H. Lawrence’s Stained Glass." Twentieth-Century Literature 67, no. 1 (March 1, 2021): 1–30. http://dx.doi.org/10.1215/0041462x-8912247.

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This essay reveals the unexpected yet profound ways stained glass contributes to the representational logic of Lawrence’s fiction, especially his early story “A Fragment of Stained Glass” (1908) and The Rainbow (1915). Lawrence develops a prose style that mimics stained glass’s visual aesthetic—its juxtaposition of translucent, glowing color with opaque line that holds and tempers it—and its power to shape psychological interiors by shaping exterior surroundings. Especially in narrating moments when a character struggles to comprehend her relationship to another person or to the external world, Lawrence’s prose converts stained glass’s organizing principles into syntax, foregrounding the contrasts and overlaps between nouns and adjectives, independent and dependent clauses, and words’ multiple repetitions. In doing so, he formalizes a conceptual parallel: the non-verbal medium’s filtering of white light into netted color is repeated when a writer filters the raw materials of sensory perception into hierarchies we think of as central to the novel—character’s primacy over setting, or representation’s primacy over elaboration. In undoing such hierarchies, Lawrence takes to their logical endpoints late nineteenth-century debates about decorative aesthetics, foregrounding the plastic arts’ emphasis on the expressive power of patterning over depiction.
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Markova, E. A. "“Underground Love”: D. H. Lawrence and “Notes from the Underground” by F. M. Dostoevsky." Nauchnyy Dialog, no. 2 (February 28, 2020): 238–50. http://dx.doi.org/10.24224/2227-1295-2020-2-238-250.

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The reception of the novel by F. M. Dostoevsky “Notes from the Underground” in the works and correspondence of D. H. Lawrence is analyzed in the article. The novelty of the study is in the fact that the influence of this story on Lawrence’s prose is being studied for the first time. Particular attention is paid to Lawrence’s letters to the translator S. S. Kotelyansky, with whom the English writer shared his impressions of reading the works of Russian classics, especially Dostoevsky, as well as to one of the letters addressed to the writer G. Campbell, which contains the only direct reference to “Notes from the Underground” in Lawrence. This letter reveals an individual interpretation of the story by Lawrence. It is proved that this interpretation turns out to be close to the reading of the Notes by L. Shestov. The question is raised about the existing parallels between the text of Dostoevsky and the novels of D. G. Lawrence (“Women in Love”, “The Lost Girl”, “Rainbow” and “Aaron’s Rod”). The similarity is seen in the peculiar interpretation of the Underground concept by Lawrence. It is shown that the image of the Underground in the works of the English writer (usually expressed by the words “underworld”, “subterranean”) is always somehow connected with the irrational principle and is involved in the formation of Lawrence sensualism.
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Acheson, James. "Schopenhauer, Nietzsche and D. H. Lawrence’s Women in Love." Journal of European Studies 50, no. 1 (February 26, 2020): 7–16. http://dx.doi.org/10.1177/0047244119892871.

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D. H. Lawrence began to read Schopenhauer and Nietzsche while a student at Nottingham University College. The influence of the two philosophers on his early short stories and his novels from The White Peacock (1911) through to The Rainbow (1915) has been considered at length in books and essays on Lawrence. There has been little discussion to date, though, of the presence of Schopenhauer and Nietzsche in Women in Love (1920). The unmistakably Nietzschean term Wille zur Macht (will to power) appears in the novel and has attracted some critical comment, but there is no equally obvious reference to Schopenhauer, and discussion of Schopenhauer’s influence has been accordingly slight. Lawrence believed, however, that every novel should have a ‘background metaphysic’, and careful examination of Women in Love reveals that its metaphysic, or ‘theory of being’, derives from a combination of Schopenhauer’s and Nietzsche’s philosophical theories.
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Selby, Keith. "D. H. Lawrence's the Rainbow." Explicator 46, no. 1 (October 1987): 41–43. http://dx.doi.org/10.1080/00144940.1987.9935277.

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Gurung, Gol Man. "Performing Gender: Female Masculinity in D. H. Lawrence’s The Rainbow." Molung Educational Frontier 10 (December 31, 2020): 27–39. http://dx.doi.org/10.3126/mef.v10i0.34055.

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This paper analyses Ursula, the female protagonist of D. H. Lawrence’s the novel The Rainbow, who reflects her masculinity. Many feminist critics have perceived this novel as man-centered. In response to this analysis of the novel, the paper tries to look at the novel from the perspective of Judith Halberstam’s theoretical concept of female masculinity, especially Ursula as a masculine woman who acts like a man. Female masculinity is not an identity but a site for identification where different identities can flourish, but masculine women possess confidence, assertiveness, and independence. Lawrence gives justice to women’s role by presenting Ursula as a new woman who seeks her individual identity in the traditional world. Through the reading of the novel as its theoretical tool, the research concludes that females can be as males and males can be like females. She acts like a man and that means she has masculine qualities. The novelist portrays Ursula as a woman with masculinity because she can flourish different identities of her life. She plays the role of an independent woman, a liberated woman, a Lesbian woman, and a new woman, etc. She behaves like a tomboy who refuses to accept the Victorian conventions of society. So, she is a masculine woman rather than a feminine woman. This paper emphasizes how a woman can perform like a man; this suggests masculinity is not the private property of a male; it is a social position that can be practiced in an individual way.
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Fernandes, Bruna Renata Rocha, and Carlos Augusto Viana da Silva. "The Rainbow e a tradução de D. H. Lawrence Para as Telas." Revista FSA 15, no. 2 (March 1, 2018): 141–55. http://dx.doi.org/10.12819/2018.15.2.8.

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Kim, Sung Ryol. "D. H. Lawrence’s The Rainbow : The Struggle for Intimacy." British and American Language and Literature Association of Korea 122 (September 23, 2016): 67–84. http://dx.doi.org/10.21297/ballak.2016.122.67.

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Verleun, Jan. "The inadequate male in D. H. Lawrence's The Rainbow." Neophilologus 72, no. 1 (January 1988): 116–35. http://dx.doi.org/10.1007/bf00396072.

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Oh, Eunyoung. "The Universe-Nature-Man Continuum Presented in D. H. Lawrence’s Essays and The Rainbow." Comparative Study of World Literature 62 (March 30, 2018): 215–36. http://dx.doi.org/10.33078/cowol62.10.

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KANGYONGKI. "The Problematics of Intrinsic Self in D. H. Lawrence’s The Rainbow." English21 32, no. 2 (June 2019): 5–23. http://dx.doi.org/10.35771/engdoi.2019.32.2.001.

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Dissertations / Theses on the topic "Rainbow (Lawrence, D. H.)"

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Louzir, Aïcha. "Une question de style : la métaphore corporelle dans The Rainbow de D. H. Lawrence et ses deux traductions françaises." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30056/document.

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Ce travail de recherche examine le style en traduction à travers le prisme de la métaphore corporelle dans le roman censuré The Rainbow (1915) de D.H. Lawrence et ses deux traductions françaises par Albine Loisy (1939) et Jacqueline Gouirand-Rousselon (2002). Notre réflexion s’inscrit dans la traductologie de corpus et adopte une approche descriptive grâce à une analyse qualitative et quantitative. Nous avons articulé notre travail autour de trois parties : en parcourant différents cadres théoriques allant d’Aristote jusqu’aux études plus récentes, nous avons tenté d’explorer la question relative à la nature de la métaphore et à ses fonctions. Cette première étape a confirmé notre point de vue selon lequel la métaphore est un support qui agence la pensée pour traduire une représentation particulière du monde. La métaphore est en effet un outil de communication redoutable. Nous avons, par la suite, exploré la notion de style en traductologie afin de tisser un lien entre la métaphore et le style dans l’écriture lawrencienne. Métaphoriser et traduire sont deux processus sensiblement proches qui tournent autour d’un point commun, celui du mouvement. L’analyse détaillée des 35 exemples extraits de The Rainbow et de leurs traductions en français nous a permis de détecter les convergences et les divergences au niveau du style et des représentations métaphoriques du corps. L’emploi récurrent de la métaphore chez Lawrence n’est pas anodin. Il s’agit d’un moyen pour conceptualiser la philosophie de l’auteur. Les traductrices ont dû surmonter au moins deux défis : préserver la charge métaphorique et opter pour un style qui reflète la complexité de l’écriture lawrencienne, tout en respectant les normes stylistiques de la langue française. Les écarts constatés au niveau des traductions ouvrent la voie à des interprétations qui pourraient prendre forme grâce à de futures retraductions
The aim of this research, which draws on a descriptive approach to translation and uses a corpus-based methodology, is to explore D.H. Lawrence’s style through his use of body-related metaphors. I will focus on their stylistic particularities in order to examine the manner in which body metaphors were translated into French. The main argument of my study is that Lawrence’s metaphors are a relevant tool to highlight his vision of human relationship. This thesis falls into three parts: first of all, I explore different theoretical frameworks from Aristotle to more recent studies, notably those carried out by Lakoff and Johnson. This step confirms that metaphors are a relevant tool of communication that organises one’s thought in order to create a specific representation in a given situation. Secondly, in order to weave a link between metaphors and Lawrence’s writing in The Rainbow, I examine style in Translation Studies and beyond. Metaphorising and translating are two closely related processes that revolve around a common aspect, movement. Thirdly, I conduct a qualitative and quantitative analysis of 35 excerpts from the censored and the unabridged edition of The Rainbow (1915) with their French translations by Albine Loisy (1939) and Jacqueline Gouirand-Rousselon (2002) in order to highlight convergences and divergences in the style and metaphorical representations of the body. The recurring use of metaphor in The Rainbow is a means of conceptualising Lawrence’s vision of the world. Both translators had to overcome at least two challenges: to preserve the metaphorical images and to opt for a style that reflects the complexity of the Lawrencian writing, while respecting the stylistic norms of the French language. Differences in translations pave the way for new interpretations that could take shape through future retranslations
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Cherqaoui, Jaouad. "Le couple dans l'oeuvre de D. H. Lawrence : Union humaine, union mystique dans The Rainbow et Women in love." Université Marc Bloch (Strasbourg) (1971-2008), 1986. http://www.theses.fr/1986STR20018.

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GOUIRAND, ROUSSELON GOUIRAND JACQUELINE. "Aspects de la creation litteraire chez d. H. Lawrence. Analyse des avant-textes, de "the rainbow a women in love"." Montpellier 3, 1990. http://www.theses.fr/1990MON30045.

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L'attitude critique adoptee dans cette these - comparer le manuscrit de the rainbow et les deux manuscrits de women in love aux versions publiees de ces romans, permet d'apprehender le processus et l'orientation de la creation litteraire chez d. H lawrence. Ce travail se presente non comme une etude exhaustive des variantes, mais comme une analyse selective avec regroupement thematique. Centree sur women in love, cette etude integre ce qui, du premier roman, marque une difference de caractere general dans l'inspiration et affecte les personnages qui se retrouvent dans les deux oeuvres. La production de cette fiction - 1913-20 - marque un tournant dans la creation romanesque de d. H lawrence, qui subit des transformations considerables. S'il fait de la quete de la completude, le theme central de the rainbow qui consacre la suprematie du principe feminin, il exalte le principe masculin dans le second roman, en redonnant a l'homme l'initiative dans la rencontre sexuelle. Il met en oeuvre une nouvelle ethique des relations humaines qui se dessine nettement d'une version a l'autre de women in love. L'amour ainsi recycle, l'homme et la femme en retournant aux sources de la vie, accedent au salut et transcendent les distinctions sexuelles
The comparison of the mss of the rainbow and the typescripts of women in love with the published versions enables to apprehend the process of literary creation in d. H lawrence together with its orientation. This work does not consist in an exhaustive study of the variants but in a selective one, the main themes of the second novel being grouped together. Centered on women in love, this thesis integrates some elements of the first novel. The production of this fiction (1913-1920) is a turning point in lawrence's art and vision. In the rainbow, whose main theme is the quest for selthood, the feminine principle is exalted; in women in love, the masculine principle triumphs, man becomes woman's initiator : from the first version of this novel to the ultimate one, a new code of human relationships emerges. Love being thus recycled, man and woman, returning to the sources of life, experience salvation and transcend sexual distinctions
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Woolhead, Ben. "Between, beneath and beyond words : silences in D. H. Lawrence's The rainbow and Women in love." Thesis, University of Nottingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430268.

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Pinto, Bonifácio Moreira. "D. H. Lawrence." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106002.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1975.
Made available in DSpace on 2013-12-05T18:49:04Z (GMT). No. of bitstreams: 1 321689.pdf: 4255727 bytes, checksum: 603375e61495187483acb9525d427d7a (MD5)
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Elliott, John. "D. H. Lawrence and narrative design /." St Andrews, 1991. http://hdl.handle.net/10023/141.

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Tartera, Nicole. "L'oeuvre américaine de D. H. Lawrence." Paris 3, 1988. http://www.theses.fr/1987PA030252.

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Les romans, nouvelles et essais constituant l'oeuvre americaine de d. H. Lawrence s'articulent selon une symbolique dualiste d'une grande richesse. Ces symboles inherents au paysage mental de l'ecrivain coincident egalement avec la mythologie mezzoamericaine. Le chaos, l'organisation du cosmos, la symbolique de l'etre humain, le mythe de la quete et de la regenerescence ainsi qu'un bestiaire important sont autant de symboles recurrents dans l'oeuvre americaine. L'ecriture prenant ses sources dans le contexte geographique et humain propre a l'amerique centrale, une lecture anthropologique permet d'en eclairer certains aspects qui ont pu paraitre obscurs dans un schema culturel europeen. L'anthropologie naissante a exerce une indeniable seduction sur lawrence. Son oeuvre decrit avant tout des lieux empreints de leurs particularites, ainsi que la vie et les coutumes d'etres humains aussi differents que les indiens, les metis, les espagnols etablis de longue date et les diverses communautes europeennes, nord-americaines qui ont trouve asile sur cette terre. Les indiens, qui vivent en etroite symbiose avec leur environnement, retiennent l'attention du poete. Leurs chants, leurs danses, certaines de leurs pratiques le captivent. Au terme d'un destin particulier, suivant le rythme de ses contradictions, lawrence a vecu en amerique centrale au contact des religions animistes des amerindiens une intense experience religieuse et humaine qui devait marquer son oeuvre du sceau de l'authenticite
The american writings of d. H. Lawrence - novels, short-stories and essays - are conceived according to a dualistic symbolical system of great variety and great rich- ness. These symbols belong to the poet's own mental landscape but they are also part of the expression of central american indian mythology. Chaos, the way cosmos was created, man and his symbolism, the myth of quest and regeneration and also an im- portant bestiary are the most recurrent themes found in the lawrencian american writings. These writings have their roots in a geographical and human context spe- cific to central america, so that an anthropological reading can throw a certain light on some aspects of the works which had remained ignored through a western cultural way of apprehending them. Lawrence obviously showed a special interest in anthropology, a new-born science. His writings reflect the specificities of the american continent and the lives and customs of its inhabitants. Indians, mixed- blood people, spaniards, europeans, north-americans are depicted with an acute truth. Indians and their animistic religion impressed the poet. Their songs, dances, customs fascinated him. At the end of a very uncommon destiny, within the rhythm of his own contradictions, having lived in the vicinity of the indians, lawrence gained a religious and human experience which was to leave a definite stamp on his ameri- can writings
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Lakhdari-Benalioua, Fadila. "D. H. Lawrence, lecteur du "Golden bough"." Aix-Marseille 1, 1987. http://www.theses.fr/1987AIX10086.

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Apres une presentation generale de ces sciences nouvelles que sont l'ethnologie, l'anthropologie, l'ethnographie, une introduction a james george frazer et une mise en lumiere des aspects majeurs du golden bough, il s'agit d'etudier, par une analyse detaillee des oeuvres maitresses de lawrence, l'impact que la lecture du golden bough a pu avoir sur ce dernier. L'oeuvre de lawrence semble etre en effet l'une des plus representatives de l'influence frazerienne. Les mythes de base, les rites, les croyances, les legendes qui constituent l'armature du golden bough ont ete une source d'inspiration indeniable a l'elaboration de la vision imaginaire de d. H. Lawrence. Le mythe essentiel reste celui du "dieu qui meurt" dont les rituels de mort et de resurrection, celebres chaque annee et correspondant au rythme recurrent des saisons, mettent l'accent sur la conception cyclique de l'univers, sur l'interrelation de l'humain et du vegetal, deux aspects fondamentaux de la vision laurencienne
A general introduction to such new fields as anthropology, ethnology and ethnography, to james george frazer and to the controlling ideas of the golden bough includes the preliminary aspects one needs to be familiar with before getting into a detailed discussion on the impact of the golden bough on d. H. Lawrence's selected works. Lawrence has certainly been very deeply affected by his reading of the golden bough. The basic myths, the rites, the legends, the customs and beliefs which constitute the framework of the golden bough have undoubtedly contributed to the shaping of lawrence's imaginative vision of the world. The most important myth is that of the dying and reviving god with its rituals of death and rebirth celebrated every year and closely related to the recurrent rhythm of the seasons. Such a myth, which emphasizes the cyclic conception of the universe and the interrelation of man and the world of nature will help lawrence illustrate his own vision of the world
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Macadre-Nguyen, Brigitte. "D. H. Lawrence, artiste et critique d'art." Reims, 1999. http://www.theses.fr/1999REIML013.

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Pour D. H. Lawrence, artiste caméléon aux multiples visages qui consacra sa vie a l'art et a la réflexion sur l'art, l'oeuvre d'art demeure la célébration sublime de la vie sous toutes ses facettes. Sa volonté de comprendre son art et celui des autres l'amène naturellement a la critique d'art - littéraire ou pictural - dont il renouvelle la dimension créatrice, notamment dans «Study of Thomas Hardy » et « Studies in classic american literature ». Essais critiques et oeuvres de fiction participent de la même quête - a savoir la recherche d'un équilibre de la tension entre les forces de vie et les forces de mort qui régissent l'univers dont l'artiste fait partie et dont le conflit s'incarne dans l'oeuvre d'art. Ses analyses critiques concrètes font apparaitre les impasses et les perspectives de l'art passé et contemporain - Cézanne, Van Gogh et les artistes étrusques, par exemple. Si Lawrence s'intéresse surtout à l'écriture et a la peinture dans ses réflexions sur l'art, il n'en demeure pas moins que le roman reste pour lui le lieu privilégié des interactions entre réflexion et production artistique: « Women in love » est l'exemple le plus convaincant d'un roman a la fois critique et objet d'art. C'est aussi une oeuvre limite qui amène Lawrence à revenir ensuite vers une forme romanesque plus traditionnelle comme celle de « Lady Chatterley's lover », et à se livrer a une « orgie » de peinture accomplie au seuil de la mort afin de « dire » ce que ses oeuvres écrites n'ont peut-être pas su faire entendre au lecteur.
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Khelifa, Mansour. "D. H. Lawrence et "l'expérience des limites"." Bordeaux 3, 2000. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2000BOR30024.

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D. H. Lawrence fonde son art romanesque sur un constat dualiste flagrant. L'homme/la femme, le conscient / l'inconscient, le jour/la nuit, la vie / la mort, l'esprit / le corps, animus / anima, sont autant de poles opposes dans sa representation esthetique. Toutefois, sa conception dualiste n'eclaire pas tous les aspects de l'oeuvre. En effet une place importante y est consacree a la dynamique de l'inconscient qui est concu comme un creuset vers lequel tendent, et dans lequel, se resorbent ces realites conflictuelles. Car l'inconscient lawrencien signifie la source vitale de l'homme. Cette vision a pour objet de rehabiliter les richesses de l'inconscient humain par opposition au champ d'analyse freudienne plus axee sur les inhibitions et la censure. En cela, lawrence et jung se rejoignent tout a fait dans une sorte d'inconscient << collectif >> ou se realise l'integration des contraires. Par l'entremise d'une quete mystique et sensuelle, le personnage lawrencien, dechire entre le diktat de son mental et la paisible reconquete. De son corps, s'efforce de prendre conscience des limites de sa condition d'etre et tente de transcender ces memes limites en cherchant a << cosmiser >> sa place dans l'univers ; un univers etrange et merveilleux, a la limite de l'humain.
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Books on the topic "Rainbow (Lawrence, D. H.)"

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D.H. Lawrence's The rainbow and Women in love: A critical study. New York: Peter Lang, 2005.

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D. H. Lawrence: Myth and metaphysic in The rainbow and Women in love. Ann Arbor, MI: UMI Research Press, 1988.

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D'Agnillo, Renzo. D. H. Lawrence's The rainbow: Re-readings of a radical text. Roma: Aracne, 2010.

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D. H. Lawrence's The rainbow: Re-readings of a radical text. Roma: Aracne, 2010.

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Worthen, John. D. H. Lawrence. London: Penguin Group UK, 2008.

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H, Lawrence D. D. H. Lawrence. London: J.M. Dent, 1998.

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Hyde, G. M. D. H. Lawrence. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20775-6.

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Worthen, John. D. H. Lawrence. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-20219-5.

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Beer, John. D. H. Lawrence. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137441652.

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Meyers, Jeffrey. D. H. Lawrence : a biography. London: Macmillan, 1990.

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Book chapters on the topic "Rainbow (Lawrence, D. H.)"

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Kelsey, Nigel. "The Rainbow." In D. H. Lawrence: Sexual Crisis, 121–40. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21749-6_4.

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Balbert, Peter. "3. “Logic of the Soul”: Prothalamic Pattern in The Rainbow." In D. H. Lawrence, edited by Phillip L. Marcus, 45–66. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501741135-004.

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Humphrey, Richard. "Lawrence, D. H.: The Rainbow." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8944-1.

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Becket, Fiona. "Undulating Styles: The Rainbow." In D. H. Lawrence The Thinker as Poet, 117–44. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230378995_6.

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Messenger, Nigel. "The Rainbow (1915)." In How to Study a D. H. Lawrence Novel, 53–77. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-09125-6_4.

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Balbert, Peter. "‘Logic of the Soul’: Marriage and Maximum Self in The Rainbow." In D. H. Lawrence and the Phallic Imagination, 56–84. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19889-4_3.

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Humphries, Andrew F. "‘She was a Traveller on the Face of the Earth’: Transport as Female Dissent in The Rainbow." In D. H. Lawrence, Transport and Cultural Transition, 79–122. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50811-5_3.

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Mauzerall, Jorgette. "Strange Bedfellows: D. H. Lawrence and Feminist Psychoanalytic Theory in The Rainbow." In The Rainbow and Women in Love, 61–74. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-137-06453-0_4.

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Burack, Charles Michael. "Transformative Uses of Kabbalistic Concepts and Terms in The Rainbow." In D. H. Lawrence’s Language of Sacred Experience, 51–82. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978240_4.

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Ingersoll, Earl. "Staging the Gaze in D. H. Lawrence’s Women in Love." In The Rainbow and Women in Love, 137–52. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-137-06453-0_8.

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Conference papers on the topic "Rainbow (Lawrence, D. H.)"

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Li, Yongxue, and Chengxu Ye. "An Ass Struggling between Idealism and Naturalism. A New Interpretation of qThe Assq by D. H. Lawrence." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.76.

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Li, Yongxue, and Zengyin Li. "He-Goat, a Satyr Chasing She-Goat or a Tyrant Challenging a Male? A Comparative Reading of qHe-Goatq by D. H. Lawrence." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.71.

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