Relevant bibliographies by topics / Rāmāyaṇa (Vālmīki)

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Academic literature on the topic 'Rāmāyaṇa (Vālmīki)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Rāmāyaṇa (Vālmīki)"

1

Brockington, John. "Verbal and Visual Texts of the Rāma Narrative." Cracow Indological Studies 24, no. 2 (December 19, 2022): 1–24. http://dx.doi.org/10.12797/cis.24.2022.02.01.

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This article examines what we mean by a text: is it verbal (whether written or oral), mental, visual, or a combination? All of these forms are found within the various types of artistic expression centred on the Rāmāyaṇa tradition. I start with the relief sculptures, some of which are centuries early than any extant manuscripts. After a brief comment on the evolution of the Vālmīki Rāmāyaṇa text, I then survey in turn some prestige illustrated Vālmīki Rāmāyaṇa manuscripts, less notable Vālmīki Rāmāyaṇa manuscripts, illustrated manuscripts of the Rāmcaritmānas and other vernacular versions, and sets or series of paintings illustrating the Rāma story (including some single paintings), showing the diverse range of forms it has taken over time and something of the adaptations it has undergone.
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2

Feller, Danielle. "Puṣpaka in the Vālmīki-Rāmāyaṇa." Asiatische Studien - Études Asiatiques 74, no. 2 (May 1, 2020): 325–48. http://dx.doi.org/10.1515/asia-2019-0043.

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Abstract The story of the divine flying chariot or palace (vimāna) called Puṣpaka, “little flower”, is well-known from the Vālmīki-Rāmāyaṇa. Created by Brahmā for the god of riches Kubera, the wonderful vimāna is then taken by force by the demon Rāvaṇa. Subsequently, it becomes the property of Rāma, who has defeated Rāvaṇa in the war and who uses the chariot to fly back within a day from Laṅkā to Ayodhyā. Puṣpaka has three main functions in the text: narrative – it allows the poet to wind up his story and achieve a quick change of scene, once the war description is over; psychological – Puṣpaka is an object of envy, especially for Rāvaṇa and his rākṣasa family; theological – the possession of the divine flying palace is the visible token that its owner has obtained divine status, or that he has become the master of the world. Puṣpaka itself undergoes a striking metamorphosis in book 7 of the Rāmāyaṇa: whereas it was previously described as an inanimate object, the flying palace appears suddenly as an intelligent being endowed with speech, and even as a deity, thereby contributing to Rāma’s own prestige. Puṣpaka’s three successive owners clearly stand for the three puruṣārthas, or aims of human life: Kubera represents prosperity, Rāvaṇa pleasure and Rāma duty. This leads us to the final question: after going from artha, to kāma and then on to dharma, will Puṣpaka ultimately attain mokṣa?
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3

De Carvalho, Matheus Landau. "Sentidos do dharma hindu no Rāmāyaṇa de Vālmīki." REVER: Revista de Estudos da Religião 23, no. 1 (July 27, 2023): 265–82. http://dx.doi.org/10.23925/1677-1222.2023vol23i1a16.

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O objetivo do presente artigo é apresentar um breve inventário dos principais sentidos que o dharma hindu assume no épico Rāmāyaṇa de Vālmīki. Um levantamento dos sentidos da palavra dharma no texto (saṃhitā) do épico é seguido pela explicação e elucidação não apenas do vocábulo em si, mas dos termos compostos pelo mesmo segundo os contextos em que aparecem, com trechos que ilustrem cada um destes mesmos sentidos. Percebe-se nitidamente uma elasticidade semântica significativa nos usos que o Rāmāyaṇa de Vālmīki faz do dharma hindu, contemplando desde aspirações existenciais védicas até diferentes modalidades de práxis cotidiana da ortodoxia hindu, além de processos de personificação e referências abstratas a princípios cosmológicos.
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HAMMER, NIELS. "Why Sārus Cranes epitomize Karuṇarasa in the Rāmāyaṇa." Journal of the Royal Asiatic Society of Great Britain & Ireland 19, no. 2 (April 2009): 187–211. http://dx.doi.org/10.1017/s1356186308009334.

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AbstractBy correlating literary evidence, avian ethology and neurophysiology I will try to demonstrate why Vālmīki chose a pair of Sārus Cranes, and not any other avian species, to epitomise grief and sorrow in the Rāmāyaṇa. This choice illustrates the importance of personal experience of the living reality (behaviour of Sārus Cranes); but the grief, śoka, as experienced by Vālmīki, became in later critical literature, the rasa of karuṇa, the aesthetic appreciation of grief, as suggested by Ānandavardhana and explained by Abhinavagupta. By emphasising the central importance of affective states (sthāyibhāvas) in life as well as in the arts (rasas) Vālmīki, Abhinavagupta and Ānandavardhana appear to have had a perception of the human condition that is consistent with recent developments in affective neuroscience; and thus it is the pitch and the tonal quality of the cries of grief that convey the depth and universality (sādhāraṇatva) of the emotion.
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Sai, E. N. Mounika, Dr E. Nagaraju, and P. Yasmeen. "Rama's Exile : The Enchanted Forest Expedition in Vālmīki 's Rāmāyaṇa." International Journal of Research Publication and Reviews 5, no. 5 (May 17, 2024): 7601. http://dx.doi.org/10.55248/gengpi.5.0524.1315.

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6

Figueroa, Óscar. "La visión de Laṅkā en el Rāmāyaṇa de Vālmīki: una poética de la vida secular." Acta Poética 38, no. 1 (November 30, 2016): 51. http://dx.doi.org/10.19130/iifl.ap.2017.1.769.

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Este artículo estudia la descripción de Laṅkā, la capital del reino demoníaco, en el libro quinto del Rāmāyaṇa. Aun subrayando la importancia del ethos y los valores brahmánicos, esta descripción introduce una especie de consagración poética de la vida secular que sugiere una dinámica social más heterogénea. Se ofrecen, además, ejemplos de versiones posteriores del Rāmāyaṇa donde esa heterogeneidad se contrae a favor de una visión puramente religiosa.
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Figueroa, Óscar. "La visión de Laṅkā en el Rāmāyaṇa de Vālmīki: una poética de la vida secular." Acta Poética 38, no. 1 (January 9, 2017): 51. http://dx.doi.org/10.19130/iifl.ap.2017.1.780.

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Este artículo estudia la descripción de Laṅkā, la capital del reino demoníaco, en el libro quinto del Rāmāyaṇa. Aun subrayando la importancia del ethos y los valores brahmánicos, esta descripción introduce una especie de consagración poética de la vida secular que sugiere una dinámica social más heterogénea. Se ofrecen, además, ejemplos de versiones posteriores del Rāmāyaṇa donde esa heterogeneidad se con- trae a favor de una visión puramente religiosa.
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8

Figueroa, Óscar. "La visión de Laṅkā en el Rāmāyaṇa de Vālmīki: una poética de la vida secular." Acta Poética 38, no. 1 (January 9, 2017): 51. http://dx.doi.org/10.19130/iifl.ap.2017.1.792.

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Este artículo estudia la descripción de Laṅkā, la capital del reino demoníaco, en el libro quinto del Rāmāyaṇa. Aun subrayando la importancia del ethos y los valores brahmánicos, esta descripción introduce una especie de consagración poética de la vida secular que sugiere una dinámica social más heterogénea. Se ofrecen, además, ejemplos de versiones posteriores del Rāmāyaṇa donde esa heterogeneidad se contrae a favor de una visión puramente religiosa.
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9

Willis G. Regier. "The Rāmāyaṇa of Vālmīki, volume 6: Yuddhakāṇḍa (review)." MLN 124, no. 5 (2009): 1241–44. http://dx.doi.org/10.1353/mln.0.0203.

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10

Bhattacharya, Ramkrishna. "Reflections on the Jābāli Episode in the Vālmīki Rāmāyaṇa (Ayodhyākāṇḍa)." Journal of Indian Philosophy 44, no. 3 (May 1, 2015): 597–615. http://dx.doi.org/10.1007/s10781-015-9278-3.

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Dissertations / Theses on the topic "Rāmāyaṇa (Vālmīki)"

1

Benoît, Philippe. "Le Rāmāyaṇa de Vālmīki et le Rāmāyaṇa de Kṛttibās : recherches comparatives en littératures sanskrite et bengalie." Paris 3, 1994. http://www.theses.fr/1995PA030017.

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Krittibas est une adaptation de valmiki, destinee a un public populaire bengali. Le changement de style, par-dela une fidelite au cadre narratif du modele sanskrit, cree les conditions d'une liberte pour une transformation massive de la legende de rama. Cette transformation affecte avant tout le ton general du poeme, qui passe du hieratisme brahmanique au familier populaire de la narration divertissante. Le changement de ton releve aussi d'un passage de la culture elitiste sanskrite a la culture vernaculaire. La reception bengali du ramayana se caracterise aussi par l'illustration de la devotion a rama, developpee comme theme narratif plus que d'un point de vue lyrique ou mystique. Cette devotion ramaite, englobant toutes les autres, est le contraire de tout secatrisme
The ramayana of valmiki and the ramayana of krittibas : comparative studies in sanskrit and bengali literatures. Krittibas is an adaptation of valmiki, intended to the popular bengali public. The change of style, beyond a fidelity towards the narrative frame of the sanskrit model, creates the conditions of a freedom for the massive transformation of ramaslegend. Before all, this transformation does affect the general tone of the poem, which changes from the brahmanistic hieraticism to the popular and familiar style of an entertaining narration. The change in tome is also a matter of going from an elitist sanskrit culture to a vernacular culture. The bengali reception of ramayana is also characterized by the illustration of the devotion to rama, emphasized more as a narrative theme than from a lyrical or mystical viewpoint. This devotion to rama, which includes all the others, is the contrary of any sectarianism
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Books on the topic "Rāmāyaṇa (Vālmīki)"

1

Rāya, Śivabālaka. Vālmīki-Rāmāyaṇa: Kāvyānuśīlana. Dillī: Motīlāla Banārasīdāsa, 1988.

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2

Māthura, Preraṇā. Vālmīki Rāmāyaṇa tathā āyurveda. Dillī: Pīyūsha Prakāśana, 2012.

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3

Guptā, Rādhā. Rāmāyaṇa rahasya: Secrets of Rāmāyaṇa. Dillī: Parimala Pablikeśansa, 2016.

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4

Saprā, Rāmeśvara Dāsa. Śrīmad-Vālmīki Rāmāyaṇa meṃ bhaktitattva. Dillī: Satsāhitya Bhaṇḍāra, 1991.

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5

Bhiḍe, Śrīpāda Raghunātha. Vālmīki Rāmāyaṇa: Śāpa aura varadāna. Puṇe: Dāstāne Rāmacandra, 1993.

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6

Cauhāna, Añjanā Siṃha. Vālmīki Rāmāyaṇa meṃ paryāvaraṇa cetanā. Dillī: Īsṭarna Buka Liṅkarsa, 2009.

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Cauhāna, Añjanā Siṃha. Vālmīki Rāmāyaṇa meṃ paryāvaraṇa cetanā. Dillī: Īsṭarna Buka Liṅkarsa, 2009.

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8

Guptā, Śabanama. Vālmīki-Rāmāyaṇa kā samājaśāstrīya adhyayana. Naī Dillī: Klāsikala Pabliśiṅga Kampanī, 1998.

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Cauhāna, Añjanā Siṃha. Vālmīki Rāmāyaṇa meṃ paryāvaraṇa cetanā. Dillī: Īsṭarna Buka Liṅkarsa, 2009.

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Cauhāna, Añjanā Siṃha. Vālmīki Rāmāyaṇa meṃ paryāvaraṇa cetanā. Dillī: Īsṭarna Buka Liṅkarsa, 2009.

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Book chapters on the topic "Rāmāyaṇa (Vālmīki)"

1

Ramasubramanian, K. "The Lakṣa Scale of the Vālmīki Rāmāyaṇa and Rāmā’s Army." In Gaṇitānanda, 73–79. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1229-8_12.

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Muniapan, Balakṛṣṇan. "Relevance of the Vālmīki Rāmāyaṇa for Transforming Leaders and Leadership1." In Great Indian Epics, 107–20. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003246008-7.

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Subramaniam, Ravi. "A Qualitative Examination of the Leadership Traits of Rām from Srimad Vālmīki Rāmāyaṇ." In Consciousness-Based Leadership and Management, Volume 1, 175–205. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-06234-6_8.

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Roy, Oly. "Conformity in the Great Epics (the Mahābhārata and the Vālmīki's Rāmāyaṇa)." In Chastity in Ancient Indian Texts, 26–46. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003312949-3.

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Figueroa, Óscar. "Visions of Good Life and Leisure in Ancient India: Evidence from Vālmīki’s Rāmāyaṇa." In Handbook of Leisure, Physical Activity, Sports, Recreation and Quality of Life, 259–71. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75529-8_15.

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6

"Preface." In The Rāmāyaṇa of Vālmīki, xi—xii. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv1n1bs4v.3.

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"Table of Contents." In The Rāmāyaṇa of Vālmīki, ix—x. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv1n1bs4v.2.

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"Introduction." In The Rāmāyaṇa of Vālmīki, 3–43. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv1n1bs4v.5.

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"The Sundarakāṇḍa." In The Rāmāyaṇa of Vālmīki, 429–536. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv1n1bs4v.11.

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"Bibliography." In The Rāmāyaṇa of Vālmīki, 869–72. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv1n1bs4v.16.

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