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Books on the topic 'Range of danger'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Turton, David. Pastoral livelihoods in danger: Cattle disease, drought, and wildlife conservation in Mursiland, south-western Ethiopia. Oxfam, 1995.

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2

Uri ch'um ŭi sŏn'gakcha ch'umkkun Kim Hae-rang: Kim Hae-rang muyong charyojip. Kyŏngnam Palledan, 2011.

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3

Harlowe, Diane. ROM dance: A range of motion exercise and relaxation program. 2nd ed. St. Mary's Hospital Medical Center, 1992.

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4

Road rage: Causes and dangers of aggressive driving : hearing before the Subcommittee on Surface Transportation of the Committee on Transportation and Infrastructure, House of Representatives, One Hundred Fifth Congress, first session, July 17, 1997. U.S. G.P.O., 1997.

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5

K, Wallace Donna, and Chen Zhimin, eds. Bie rang fang zi du hai ni: Jian dan fang fa yuan li ju jia jian kang yin xing sha shou = The Healthy home: simple truths to protect your family from hidden household dangers. Shang zhou chu ban, 2012.

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6

Rogers, Rosemary. A Dangerous Man: ''The Queen of Historical Romance''. 9th ed. Avon Books, by arrngmt with author, 1996.

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7

Rogers, Rosemary. A dangerous man. Avon Books, 1996.

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8

Rogers, Rosemary. A dangerous man. Avon Books, 1996.

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9

Garofalo, Giuseppe, ed. Capitalismo distrettuale, localismi d'impresa, globalizzazione. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-605-1.

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From the late Sixties on, industrial development in Italy evolved through the spread of small and medium sized firms, aggregated in district networks, with an elevated propensity to enterprise and the marked presence of owner-families. Installed within the local systems, the industrial districts tended to simulate large-scale industry exploiting lower costs generated by factors that were not only economic. The districts are characterised in terms of territorial location (above all the thriving areas of the North-east and Centre) and sector, since they are concentrated in the "4 As" (clothing-f

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10

Arnold, J. Douglas, and Zach Metson. Awesome Sega Genesis Secrets 4. Sandwich Islands Publishing, 1994.

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11

DeMaria, Rusel, and Zach Meston. Sega Genesis Secrets, Volume 2. Prima Publishing, 1991.

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12

Prima. Official Sega Genesis: Power Tips Book. Prima Publishing, 1992.

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13

Mcdermott, Leeanne. GamePro Presents: Sega Genesis Games Secrets: Greatest Tips. Prima Publishing, 1992.

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14

Tom, Badgett, ed. Official Sega Genesis and Game Gear strategies, 2ND Edition. Bantam Books, 1991.

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15

Sandler, Corey. Official Sega Genesis and Game Gear strategies, 3RD Edition. Bantam Books, 1992.

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16

Inc, Game Counselor. Game Counselor's Answer Book for Nintendo Players. Microsoft Pr, 1991.

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17

Turton, David. Pastoral Livelihoods in Danger: Cattle Disease, Drought, and Wildlife Conservation in Mursiland, South-Western Ethiopia (Oxfam Research Papers). Oxfam academic, 1996.

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18

Christiansen, Patrick Owsley and Christopher Nowell Mark. Yogi Bear; Danger, It's the Ranger (Boomerang). Golden Books, 2001.

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19

Berger, Melvin. Animals in Danger (Ranger Rick Science Spectacular). Newbridge Educational Publishing, 1993.

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20

Kim, Seongcheol, and Aristotelis Agridopoulos, eds. Populismus, Diskurs, Staat. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748920885.

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Is populism “the ideology of democracy” (Margaret Canovan), a danger to democracy that entails “a claim to exclusive moral representation” (Jan-Werner Müller), or rather a “series of discursive resources which can be put to very different uses” (Ernesto Laclau)? This is the first German-language edited volume bringing together discursive approaches to populism in a broad sense. The book features conceptually sound as well as empirically nuanced analyses of populist discourses in the context of different states, public spheres as well as political parties and movements. It presents a wide range

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21

Mull, Vylo Emery Fichter. Ride, Ride, Ranke. Xlibris Corporation, 2007.

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22

Mull, Vylo Emery Fichter. Ride, Ride, Ranke. Xlibris Corporation, 2007.

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23

Static range of motion, leg power, and leg strength as predictors of dynamic range of motion in female ballet dancers. 1992.

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24

Pakes, Anna. Choreography Invisible. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199988211.001.0001.

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Focusing on Western theatre dance, Choreography Invisible explores the metaphysics of dances and choreographic works. It draws on a range of resources from analytic philosophy of art to develop the argument that dances are repeatable structures of action. The book also analyses the idea of the dance work in long-term historical perspective. Tracing different ways in which dances have been conceptualised across time, the book considers changing notions of authorship, fixity, persistence, and autonomy from the fifteenth century to the present day. The modern work-concept is interrogated, its rel

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25

Montgomery, Erwin B. Introduction. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780190259600.003.0001.

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Even by the standards at the time of the first edition, programming for some patients can still be a challenge. Even with the old systems, there were literally thousands of possible combinations of stimulator parameters which often intimidates programmers. The increase in functionality, such as multiple stimulation patterns and interleaved electrode configurations, has exponentially increased the number of combinations of DBS settings. Fortunately, most patients respond to a similar and narrow range of combinations, provided that the DBS stimulating leads are optimally placed. For other patien

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26

Fraser, Benjamin. Visible Cities, Global Comics. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825032.001.0001.

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The story of comics is also the story of the modern city. Visible Cities, Global Comics thus makes urban contribution to an interdisciplinary phase in comics studies. Striking a balance between descriptive, historical, analytical and theoretical modes, Fraser’s research monograph explores representations of the city in a selection of comics from across the globe. First, this book brings insights from urban theory to bear on specific comics texts; and second, it uses comics texts to elucidate themes of urbanism, architecture, planning and the cultures of cities in works from the 18<sup>th</sup>

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27

Harding, Dennis. Iron Age Hillforts in Britain and Beyond. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199695249.001.0001.

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Widely regarded as major visible field monuments of the Iron Age, hillforts are central to an understanding of later prehistoric communities in Britain and Europe from the later Bronze Age. With such a range of variants represented, no single explanation of their function or social significance could satisfy all possible interpretations of their role. While they are conventionally viewed as defence settlements or regional centres controlled by a social elite, this role has been challenged in recent years, and instead hillforts are being considered primarily as expressions of social identity wi

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28

Ruprecht, Lucia. Gestural Imaginaries. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190659370.001.0001.

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Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century offers a new interpretation of European modernist dance by addressing it as guiding medium in a vibrant field of gestural culture that ranges across art and philosophy. Taking further Cornelius Castoriadis’s concept of the social imaginary, it explores this imaginary’s embodied forms. Close readings of dances, photographs, and literary texts are juxtaposed with discussions of gestural theory by thinkers including Walter Benjamin, Sigmund Freud, and Aby Warburg. Choreographic gesture is defined as a force of intermit

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29

Kaplan, Gisela. Tawny Frogmouth. CSIRO Publishing, 2007. http://dx.doi.org/10.1071/9780643095090.

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The tawny frogmouth is both intriguing and endearing. In this new book, well-known author Gisela Kaplan presents us with an easy-to-read account of these unique nocturnal birds of the Australian bush.  This detailed account of life, behaviour and biology of tawny frogmouths is based on the most comprehensive single study ever conducted on tawny frogmouths, including wild and hand-raised birds. It combines ten years of systematic observation with published research to take us across a surprising range of characteristics and special features of this unusual bird. This book also notes insig

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30

Croft, Clare. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0001.

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The Introduction offers key modes of entry into the larger project, both the anthology and the performance documentation and interview material on the website. First, the essay situates the larger stakes of the project, identifying key impulses, including the centering of feminism, the representation of a range of queer geographies, a gathering of both concert and social dance forms, and a commitment to anti-racist and postcolonial work. Second, the essay positions Queer Dance relative to a range of definitions of queer. Third, the essay considers the larger ramifications of the project for bo

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31

United States Government Printing Office. Road Rage: Causes and Dangers of Aggressive Driving: Hearing Before the Subcommittee on Surface Transportation of the Committee on Transportation and infrastruct. United States Government Printing, 1997.

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32

Bowker, Lesley K., James D. Price, Ku S. Shah, and Sarah C. Smith. Oxford Handbook of Geriatric Medicine 3e. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198738381.001.0001.

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The Oxford Handbook of Geriatric Medicine includes all the information required to deliver effective geriatric care. It covers a range of key treatment areas, indicating where practice differs from that of younger adults or is ill informed by evidence and where dangers lurk for the inexperienced clinician, and the many ethical and clinical dilemmas common in geriatric practice. A practical, accessible, and essential guidance for all junior doctors and specialist trainees in geriatric and general internal medicine, and for all medical and nursing staff who manage older people.

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33

Spalding, Susan Eike. Lively Dance Currents. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038549.003.0002.

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This chapter examines the Appalachian region's rich dance heritage. It begins with a historical background on the Appalachian region, showing that it was never as homogeneous, as poor, or as isolated as was once believed, and that many kinds of social and theatrical dance were available to local residents as early as the 1790s. The chapter then cites evidence to prove that the people of Appalachia had rich resources to draw upon in terms of movement vocabulary and have made reciprocal contributions to dancing elsewhere. It also considers the Appalachian residents' continual access to a wide ra

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34

Clarke, Katherine. Lines and Dots. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820437.003.0003.

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This chapter focuses on the articulation of geographical space, both in reality and in concept, by major geographical features such as rivers and mountain ranges. The importance of rivers such as the Nile and Ister (Danube) in dominating their respective landscapes and offering structure to the world through symmetry is discussed; also the role of rivers in marking the progress of military expeditions and defining the limits of kingdoms and empires. After next considering the place of mountains in Herodotus’ geography, the chapter moves finally to examine the special status of islands as disti

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35

Dodds, Sherril. Values in Motion. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.028.

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This chapter offers an overview of how popular-screen dance mobilizes the concept of value through matters of intellectual worth, cultural capital, social value, and economic exchange. Drawing upon a range of screen dance examples, this review-style chapter considers what might be central to the way in which we study popular screen dance, what ought we to value and what still requires some investment in our intellectual efforts. It examines the issues and trends that shape screen choreography across its vernacular and theatricalized styles of presentation, and its production of idealized and s

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36

Harris, Andrea. Modernism and American Ballet. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199342235.003.0002.

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This chapter explores the international and interdisciplinary backdrop of Lincoln Kirstein’s efforts to form an American ballet in the early 1930s. The political, economic, and cultural conditions of the Depression reinvigorated the search for an “American” culture. In this context, new openings for a modernist theory of ballet were created as intellectuals and artists from a wide range of disciplines endeavored to define the role of the arts in protecting against the dangerous effects of mass culture. Chapter 1 sheds new light on well-known critical debates in dance history between Kirstein a

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37

Lewis, George E., and Benjamin Piekut, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 1. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195370935.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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38

Piekut, Benjamin, and George E. Lewis, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 2. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199892921.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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39

Kowal, Rebekah J., Gerald Siegmund, and Randy Martin, eds. The Oxford Handbook of Dance and Politics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.001.0001.

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Assembling research from an international cohort of scholars dedicated to inquiry in the field, this volume investigates relationships between dance and politics, adding detail and dimension to existing research, illuminating epistemological and theoretical topographies, and forging new pathways for related inquiry. Opening up its critical terms in two directions, the project illuminates how dance achieves its politics and how notions of the political are themselves expanded when viewed from the perspective of dance. Conceiving the subject matter in mutually informing ways, through problematic

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40

Dunagan, Colleen T. Consumer Culture and Appropriation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190491369.003.0005.

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Chapter Four examines how advertising engages dance in the promotion of hegemonic ideological notions of social identity (i.e., categories of race, ethnicity, class, gender, and sexuality), while simultaneously promoting difference and responding to contemporary developments. It looks closely at how advertising reveals cultural ambivalence and relies on nostalgia without memory to allow consumers to (re)construct a shared cultural history. In a similar way, dance in television advertising serves as a tool for reinforcing neoliberal economic and social theory. This chapter examines a range of a

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41

Midgelow, Vida L., ed. The Oxford Handbook of Improvisation in Dance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199396986.001.0001.

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Discussing improvisatory activities in dance, this handbook attests to the presence of improvisation in many forms of dance and to the ways improvisation has been developed and employed for far-reaching purposes. The handbook recognizes that improvisation has been a long-standing and central approach within the choreographic process for many dance makers, while for others it is a performance form in its own right. It is also a key feature, though often implicit and overlooked, of most social dance forms and is widely used within therapeutic, educational, and other applied contexts. Accordingly

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42

Croft, Clare, ed. Queer Dance. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.001.0001.

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Queer Dance argues that dance has a particular charge in the larger field of queer activism and study because it emphasizes and offers language for how public, physical action can be a force of social change. It considers how queer dance has political potential and how it could productively challenge more conservative dance forms, both in terms of making meaning and in terms of institutional practices. Queer Dance brings together artists and scholars in a multi-platformed project—book, website, and live performance series—to ask: “What does dancing queerly challenge us toward?” The artists and

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43

Wade, Stephen. Jess Morris. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036880.003.0012.

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This chapter describes the recordings of Jess Morris, a classically trained violinist and former cowboy living in Dalhart, Texas, who played at ranch dances throughout the Panhandle. Jess lived many of the realities that Gene Autry portrayed on the movie screen. Like the wide open spaces Autry traversed by projectionist's lamp, Jess knew firsthand the unbroken range of the Texas Panhandle, the last of the long-distance cattle drives, and the all-night ranch dances reachable only by horse-drawn wagon. He also embodied a cultural breadth that exceeds cinematic stereotype. His community remembere

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44

Xiaosan, Li, Kuang Sheng, and Yu Boliu, eds. Rang li shi gao su xian zai: Mao Zedong deng zai Jiangxi ge ming dou zheng shi qi de ling dao fang lüe. Jiangxi ren min chu ban she, 2006.

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45

Alam, Saima, and Christopher Corrigan. Allergy. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780199657742.003.0001.

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Allergic disorders are on the increase. This chapter covers a range of common allergic problems encountered in patients with severe asthma which may contribute to symptomatology and exacerbations, including genetic and environmental factors, affecting the airways, and the diagnosis and management of atopic asthma in association with seasonal and perennial allergic rhinitis. The account elucidates the basic principles behind simple investigations, such as skin prick testing and in vitro allergen-specific IgE assays, as well as relatively novel tests, including component resolved diagnosis. Also

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46

Vallor, Shannon, and George A. Bekey. Artificial Intelligence and the Ethics of Self-Learning Robots. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190652951.003.0022.

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The convergence of robotics technology with the science of artificial intelligence is rapidly enabling the development of robots that emulate a wide range of intelligent human behaviors. Recent advances in machine learning techniques have produced artificial agents that can acquire highly complex skills formerly thought to be the exclusive province of human intelligence. These developments raise a host of new ethical concerns about the responsible design, manufacture, and use of robots enabled with artificial intelligence—particularly those equipped with self-learning capacities. While the pot

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47

Hone, Joseph. Succession. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198814078.003.0002.

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This chapter introduces and explores the full spectrum of positions on the succession across a range of texts responding to the deaths of William III and James II. It demonstrates the collapse of earlier norms of royal mourning by unearthing how royal elegy—a sacrosanct genre in the seventeenth century—became a vehicle for opposition satire. Anne Finch, Alexander Pope, Samuel Pepys, and William Pittis were all involved in writing or circulating Jacobite libels in manuscript. Examining the scribal circulation of satires sheds new light on their political allegiances and networks. The chapter en

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48

Hone, Joseph. War. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198814078.003.0005.

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Chapter 4 investigates how the War of the Spanish Succession was reconfigured as a War of the British Succession. During the early modern period, warfare provided a stimulus to imaginative writing. At the start of the eighteenth century, Britain’s new status as a military superpower profoundly affected literary culture. By examining a range of official, popular, and diplomatic responses of military victories, including poems by Joseph Addison, Nahum Tate, and Daniel Defoe, this chapter illuminates local partisan meanings in texts reacting to the war and succession crisis. Moving through popula

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49

Hoover, Lou Henry. To be a Showboy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0002.

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Lou Henry Hoover writes about his experience of creating persona-driven performance, performing gender, and using camp to toe the line between comedy and tragedy. As an artist, Lou works at the intersection of drag king-ing, burlesque, and modern dance to create a persona—“Lou Henry Hoover—as a way to draw attention to the artifice of gende sexuality. In the essay, Hoover discusses how the stage offers a platform to borrow from the drag queen performance, the genre of queer performance most often association with play with artifice, and then remix that better known form of camp with other danc

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50

Harris, Ellen T. The Tenbury Manuscript. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190271664.003.0003.

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A comparison of the earliest surviving score and libretto with the playtext from the production of 1700 that incorporated Dido and Aeneas into Shakespeare’s Measure for Measure reveals significant discrepancies among the three sources. An evaluation of these provides information on line designations (who sings what) and vocal ranges (what type of singer plays each role). This process reveals that instances of the role of the Second Woman being eliminated occurred early on. Although the Tenbury manuscript lacks a setting of the Prologue, a comparison of the characters in the Prologue text and m

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