Relevant bibliographies by topics / Rap (Music) Music trade

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Academic literature on the topic 'Rap (Music) Music trade'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Rap (Music) Music trade"

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Stoia, Nicholas, Kyle Adams, and Kevin Drakulich. "Rap Lyrics as Evidence." Race and Justice 8, no. 4 (January 31, 2017): 330–65. http://dx.doi.org/10.1177/2153368716688739.

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Recent scholarship has shed light on the troubling use of rap lyrics in criminal trials. Prosecutors have interpreted defendants’ rap lyrics as accurate descriptions of past behavior or in some cases as real threats of violence. There are at least two problems with this practice: One concerns the interpretation of art in a legalistic context and the second involves the targeting of rap over other genres and the role of racism therein. The goal of the present work is translational, to demonstrate the relevance of music scholarship on this topic to criminologists and legal experts. We highlight the usage of lyric formulas, stock lyrical topics understood by musicians and their audiences, many of which make sense only in the context of a given genre. The popularity of particular lyric formulas at particular times appears connected to contemporaneous social conditions. In African American music, these formulas have a long history, from blues, through rock and roll, to contemporary rap music. The work illustrates this through textual analyses of lyrics identifying common formulas and connecting them to relevant social factors, in order to demonstrate that fictionalized accounts of violence form the stock-in-trade of rap and should not be interpreted literally.
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Kwame Harrison, Anthony, and Craig E. Arthur. "ReadingBillboard1979–89: Exploring Rap Music's Emergence through the Music Industry's Most Influential Trade Publication." Popular Music and Society 34, no. 3 (July 2011): 309–27. http://dx.doi.org/10.1080/03007766.2010.522806.

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Mangialardi, Nicholas. "Deciphering Egyptian Rap Ciphers." Middle East Journal of Culture and Communication 12, no. 1 (March 29, 2019): 68–87. http://dx.doi.org/10.1163/18739865-01201004.

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Abstract In this essay, I look at hip hop music in Egypt and examine a popular rap activity known as ‘ciphering’, a verbal jam session in which rappers take turns trading lyrics over a beat. The gatherings I investigate were usually held on public city sidewalks, but Egyptian youth also exchanged short rap videos online with friends in what became a virtual cipher. Through these rap ciphers, Egyptian youth established creative spaces outside the realm of family authority where they could rehearse different selves among friends. The technologies with which they recorded and traded their videos were key to the social experience of ciphering and offered new ways of narrating the self. In this essay, I suggest that ciphering entails more than just rapping; it is a practice entangled in a range of social activities that Egyptian youth do together. Through the ritual of ciphering, rappers affirm their individuality and establish membership in groups.
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Draper, Angela. "Review: British Fashion Design: Rag Trade or Image Industry? In the Culture Society: Art, Fashion and Popular Music." Media International Australia 95, no. 1 (May 2000): 273–75. http://dx.doi.org/10.1177/1329878x0009500133.

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Petchauer, Emery. "“Oh boy, I ain’t playin’ no games!”: making sense with youth in the aural imaginary." English Teaching: Practice & Critique 19, no. 3 (May 15, 2020): 365–79. http://dx.doi.org/10.1108/etpc-08-2019-0103.

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Purpose This paper aims to explore how sounds and attunements to particular organizations of sound collide across an English language community learning space. The activities in the paper come from a six-week summer initiative that connected middle school youth with community artists for writing songs and rap lyrics, making beats and hip-hop DJing. Design/methodology/approach This paper draws from the interdisciplinary field of sound studies and, specifically, the concept of aural imaginary to explore the collisions alive and in-motion across the learning space. The paper uses qualitative and ethnographic approaches to explore the research questions. Findings The findings focus on how youth hear certain sounds and organizations of sound in music as “old” and “new,” and how these shifting listening entangle talk, claims and interactions in the learning space. The findings also trace the ways that youth use sound as an active, aural resource to make competing distinctions between rapping, singing and talking. Originality/value This paper reasserts the role of sound in multiliteracies, hip-hop and English education work, keying into the ways it collides with other aspect of the learning space. The paper raises questions about what educators might attune themselves to by considering English education as already taking place in a youth aural imaginary.
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Minard, Michael, and Lenore Pogonowski. "Rap: Music in Words, Words in Music." Soundings (Reston, VA) 2, no. 3 (April 1989): 30–32. http://dx.doi.org/10.1177/104837138900200311.

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Thannoo, Babita. "Rap Music in Mauritius." Wasafiri 27, no. 4 (December 2012): 35–41. http://dx.doi.org/10.1080/02690055.2012.716595.

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Weitzer, Ronald, and Charis E. Kubrin. "Misogyny in Rap Music." Men and Masculinities 12, no. 1 (February 19, 2009): 3–29. http://dx.doi.org/10.1177/1097184x08327696.

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Travis, Raphael. "Rap Music and the Empowerment of Today’s Youth: Evidence in Everyday Music Listening, Music Therapy, and Commercial Rap Music." Child and Adolescent Social Work Journal 30, no. 2 (November 16, 2012): 139–67. http://dx.doi.org/10.1007/s10560-012-0285-x.

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Tyson, Edgar H. "The Rap Music Attitude and Perception (RAP) Scale." Journal of Human Behavior in the Social Environment 11, no. 3-4 (October 12, 2005): 59–82. http://dx.doi.org/10.1300/j137v11n03_04.

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Dissertations / Theses on the topic "Rap (Music) Music trade"

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Sweet, Eli. "Bullet on the charts beef, the media industry and rap music in America /." Diss., Connect to the thesis, 2005. http://hdl.handle.net/10066/1123.

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Morgan, Andrea Scott. "Deconstructing myths about rap music /." View online, 1996. http://repository.eiu.edu/theses/docs/32211998826162.pdf.

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Zavortink, Matthew. "Analysis of Rhythm in Rap Music." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20418.

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Although the analysis of popular music has become widely accepted by theorists, rap and related genres are still relatively unexplored. The small body of existing literature suggests several promising analytic methods, such as the discernment and comparison of rhythmic layers within a song. This thesis reviews the current state of rap research and synthesizes a comprehensive theoretical model out of previously published sources and the author’s original ideas. This model is then used to investigate several case studies of varying complexity, revealing a number of previously undocumented musical devices and promising avenues for further research.
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Lüdtke, Solveig. "Globalisierung und Lokalisierung von Rapmusik am Beispiel amerikanischer und deutscher Raptexte." Berlin ; Münster : Lit, 2007. http://books.google.com/books?id=4J-fAAAAMAAJ.

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Claassen, Andrew Robertson. "After the Towers Fell: Musical Responses to 9/11." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/204.

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The tragic and devastating September 11 attacks resulted in a variety of original musical responses. Exemplary works expressed their reactions through overt 9/11-concentric dialogues to express themes of mourning, military retribution, dissent and commemoration. An examination of such works concludes that effective musical responses express a direct message clarified by supporting musical and/or textual materials. Musical materials can accentuate the specific thematic message of the responsive work as they often evoke images and emotions reminiscent of the attacks and their aftermath. Compositional techniques used in these works are often reminiscent of historical works written in similar circumstances. The recurrence of these historical approaches illuminates the timeless compositional design of historical examples and exemplifies modern advancements in music composition and production. A comparison between classical and popular post-9/11 musical compositions concludes that certain classical and popular genres deal with responsive themes more effectively than others. A recommendation for further study is enclosed.
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Mohammed-Akinyela, Ife J. "Conscious Rap Music: Movement Music Revisited A Qualitative Study of Conscious Rappers and Activism." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/14.

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The purpose of this study is to explore how conscious rap is used as a form of activism. Interviews of conscious rappers based in Atlanta, GA were used to understand this relationship. In order to complete this investigation, ten unsigned conscious rappers were given a series of questions to explore their involvement as activist; some of these artist were also recruited based on affiliations with political organizations based in Atlanta, GA. By gathering interviews from conscious rappers who consider their music as a form of activism, scholars of African American Studies may further understand the role of music and political activism when mobilizing the African American and minority communities.
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Morrison, Karen Y. "Anne Bradstreet's rap : the music in her poetry /." View abstract, 2001. http://library.ccsu.edu/ccsu%5Ftheses/showit.php3?id=1658.

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Thesis (M.A.)--Central Connecticut State University, 2001.
Thesis advisor: Gilbert L. Gigliotti. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English Literature." Includes bibliographical references (leaves 62-64). Also available via the World Wide Web.
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Love, Bettina L. "Don't judge a book by Its cover an ethnography about achievement, rap music, sexuality & race /." Atlanta, Ga. : Georgia State University, 2008. http://digitalarchive.gsu.edu/eps_diss/28/.

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Thesis (Ph. D.)--Georgia State University, 2008.
Title from title page (Digital Archive@GSU, viewed June 10, 2010) Jennifer Esposito, committee chair; Jonathan Gayles, Richard Lakes, Carlos R. McCray, committee members. Includes bibliographical references (p. 201-228).
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White, Annika Yvette. "A content analysis of popular themes and sexuality in rap and reggae music." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Summer2010/A_White_051810.pdf.

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Thesis (M.A. in sociology)--Washington State University, August 2010.
Title from PDF title page (viewed on July 29, 2010). "Department of Sociology." Includes bibliographical references (p. 78-80).
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Sissum, Melina. "A longitudinal content analysis of violence, sex, and drugs in rap music." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=3208.

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Books on the topic "Rap (Music) Music trade"

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Lantz, Francess Lin. Rock, rap, and rad: How to be a rock or rap star. New York, N.Y: Avon Books, 1992.

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Gil, A. J. Destination fame. [Universal City, CA]: Distributed by Vivendi Entertainment, 2009.

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Das, Shanti. The hip hop professional 2.0: A woman's guide to climbing the ladder of success in the entertainment business. Atlanta, Georgia]: Press Reset Entertainment Publishing, 2013.

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Elliot, Mike. Gettin'a record deal. New York (200 Park Ave., S., Suite 16, New York 10003): CleverMinded Communications, 1992.

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Saied, James G. The musical trail of a rag merchant's son: The journey of patriot James G. Saied. [Oklahoma]: J.G. Saied, 1997.

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Westside: Young men and hip hop in L.A. New York: Simon & Schuster, 2000.

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Berlatsky, Noah. Rap music. Detroit: Greenhaven Press, 2012.

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Rap music. San Diego, Calif: Lucent Books, 2001.

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Curry, Mark. Dancing with the devil: How Puff burned the Bad Boys of hip-hop. Los Angeles, Calif: NewMark Books, 2009.

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Dancing with the devil: How Puff burned the Bad Boys of hip-hop. Los Angeles, Calif: NewMark Books, 2009.

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Book chapters on the topic "Rap (Music) Music trade"

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Chanh, Nguyen Quoc. "Rap Music." In Of Vietnam, 19. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1057/9780230107410_3.

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Gamble, Steven. "Individual empowerment in rap and metal music listening." In How Music Empowers, 41–65. [1.] | New York : Taylor & Francis, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429323034-3.

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Diallo, David. "Call-and-Response in Rap Music." In Collective Participation and Audience Engagement in Rap Music, 5–24. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25377-6_2.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "Rap and Hip-Hop." In Anthology to Accompany Gateways to Understanding Music, 428–29. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-56.

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Smith, Gareth Dylan. "Rap, Racism, and Punk Pedagogy." In Difference and Division in Music Education, 108–27. New York : Routledge, 2020. | Series: ISME global perspectives in music education: Routledge, 2020. http://dx.doi.org/10.4324/9780429278525-10.

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Jagodzinski, Jan. "The Perversions of Gangsta Rap: Death Drive and Violence." In Music in Youth Culture, 61–75. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9780230601390_5.

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Diallo, David. "Intertextuality in Rap Lyrics." In Collective Participation and Audience Engagement in Rap Music, 85–102. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25377-6_6.

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Palma-Martos, María Luisa, Manuel Cuadrado-García, and Juan D. Montoro-Pons. "Breaking the Gender Gap in Rap/Hip-Hop Consumption." In Music as Intangible Cultural Heritage, 51–65. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_5.

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AbstractSome music genres have traditionally and mainly been consumed by men. This is the case of rap/hip-hop. However, data on the consumption of this genre in recent years shows a relevant increase in the number of women interested in this type of music. It would therefore seem to be pertinent to analyse this new trend, not only as a question linked to gender studies but also to marketing decision-making for the music industry, which is struggling to attract new audiences, a factor compounded in the pandemic. To frame this analysis, literature on music consumption, specifically in relation to gender and rap as an alternative music genre, has been reviewed from different approaches. An exploratory survey was conducted to obtain an insight into rap/hip-hop consumption and appreciation by gender. Results show that rap concert attendees’ satisfaction and interest in this kind of music are high, irrespective of gender. Only knowledge, which has not been as extensively studied, seems to be different between men and women, with this factor being slightly higher for the former. In addition, the identification of three clusters (involved, apathetic and hedonists), including both women and men, leads us to suggest that the gender gap in rap/hip-hop consumption is closing.
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Li, Xinling. "Revelations from Black Gay Men Who Rap." In Black Masculinity and Hip-Hop Music, 77–99. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-3513-6_4.

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Diallo, David. "Rap Music and Singing Along to the N-word." In Collective Participation and Audience Engagement in Rap Music, 121–35. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25377-6_8.

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Conference papers on the topic "Rap (Music) Music trade"

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Baussard, A., and T. Boutin. "Time-Reversal RAP-MUSIC Approach." In 2007 International Conference on Electromagnetics in Advanced Applications. IEEE, 2007. http://dx.doi.org/10.1109/iceaa.2007.4387257.

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French, Kenneth. ""Topomusica" in rap music: Role of geography in hip-hop music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.18.

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Wu, Ming-Ju, Chun-Hung Lu, and Jyh-Shing Roger Jang. "Automatic conversion from speech to rap music." In 2014 International Conference on Electrical Engineering and Computer Science (ICEECS). IEEE, 2014. http://dx.doi.org/10.1109/iceecs.2014.7045255.

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Hayashi, Masaki, Steven Bachelder, Masayuki Nakajima, and Yoshiaki Shishikui. "Rap music video generator: Write a script to make your rap music video with synthesized voice and CG animation." In 2017 IEEE 6th Global Conference on Consumer Electronics (GCCE). IEEE, 2017. http://dx.doi.org/10.1109/gcce.2017.8229189.

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Araújo, Carlos V. S., Rayol M. Neto, Fabiola G. Nakamura, and Eduardo F. Nakamura. "Using Complex Networks to Assess Collaboration in Rap Music." In Webmedia '17: Brazilian Symposium on Multimedia and the Web. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3126858.3131605.

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Lestari, Sri. "Student’s Perception of English Learning by Using Rap Music Media." In 1st Borobudur International Symposium on Humanities, Economics and Social Sciences (BIS-HESS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200529.132.

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Migliore, Olivier, and Nicolas Obin. "At the Interface of Speech and Music: A Study of Prosody and Musical Prosody in Rap Music." In 9th International Conference on Speech Prosody 2018. ISCA: ISCA, 2018. http://dx.doi.org/10.21437/speechprosody.2018-113.

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W. L. Fong, Michelle. "Music in Cyberspace." In InSITE 2004: Informing Science + IT Education Conference. Informing Science Institute, 2004. http://dx.doi.org/10.28945/2831.

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The music scene in cyberspace is an example of how a legal framework has been developed to curb online copyright infringement. The emergence, in the mid-1990’s, of online music websites and software programs such as MP3 technology to compress and download music, have delivered considerable copyright threat to the music industry. This threat has been further exacerbated by the remarkable development of technological innovations, such as high-speed broadband Internet connection and affordable CD burners, which are capable of delivering fast download and reasonably good audio and visual quality. This emerging information technology has made reproducing and sharing the work of others extremely easy, and has caused great concern for the music industry. This paper traces the evolution of the digital music scene in cyberspace and describes the attempts of the US and Australian music trade groups in putting an end to music piracy in cyberspace.
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Arnus, S., Mansur Mansur, A. Utomo, and Fadlullah Fadlullah. "Halal Remix in Rap Deen Squad Music Genre: Expression of Islamic Identity of Millennial Muslims." In Proceedings of the 19th Annual International Conference on Islamic Studies, AICIS 2019, 1-4 October 2019, Jakarta, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.1-10-2019.2291722.

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Watkins, Lee. "Blackness transmuted and sinified by way of rap music and hip hop in the new China." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.38.

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Reports on the topic "Rap (Music) Music trade"

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Ferreira, Fernando, and Joel Waldfogel. Pop Internationalism: Has A Half Century of World Music Trade Displaced Local Culture? Cambridge, MA: National Bureau of Economic Research, May 2010. http://dx.doi.org/10.3386/w15964.

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