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1

Productions, Star Trax. Add-a-rap. Guelph, Ont: Star Trax Productions, 1990.

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2

Malela, Buata B. La pop musique urbaine francophone: Image de soi, sujet pop et mélancolie. Paris: Les éditions du Cerf, 2020.

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3

B, Pinn Anthony, ed. Noise and spirit: The religious and spiritual sensibilities of rap music. New York: New York University Press, 2003.

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4

Chang, Jeff. Can't stop won't stop: A history of the hip-hop culture. New York, NY: St. Martin's Press, 2005.

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5

Labarthe, Jean-Pierre. Un siècle de musique à La Nouvelle-Orléans: Des tam-tams vaudous au rap, quintessence de la musique populaire orléanaise par les figures cardinales du groove. Paris: Scali, 2008.

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6

Anne, Laffanour, ed. Territoires de musiques et cultures urbaines: Rock, rap, techno ... l'émergence de la création musicale à l'heure de la mondialisation. Paris: L'Harmattan, 2003.

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7

Brunet, Killy-Ann. L' influence de la musique "RAP" sur la pensée hostile chez les femmes et les hommes: Le rôle de la préférence musicale. Sudbury, Ont: Université Laurentienne, 2007.

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8

Curry, Mark. Dancing with the devil: How Puff burned the Bad Boys of hip-hop. Los Angeles, Calif: NewMark Books, 2009.

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9

Curry, Mark. Dancing with the devil: How Puff burned the Bad Boys of hip-hop. Los Angeles, Calif: NewMark Books, 2009.

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10

Michelone, Guido. Dal rag al rap: Musiche americane, afroamericane, angloamericame, 1900-2000. Milano: ISU Università cattolica, 2003.

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11

Oliveira, Laíza Santana. SP 130 BPM: Materialidade e gênero na cultura funk paulista (1995-2014). Rio de Janeiro: Ape'Ku, 2021.

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12

Anne-Marie, Green, ed. Des jeunes et des musiques: Rock, rap, techno--. Paris, France: L'Harmattan, 1997.

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13

Mokkapati, Nageswara Rao, and Institut de musique carnatique, eds. Nadopasaka: La musique de l'Inde du Sud : l'une des musiques du monde : mélanges en hommage à Nageswara Rao. Paris: Institut de musique carnatique, 1995.

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14

Aterianus, Alice. Le rap, ça vient d'ici!: Musiques, pouvoir et identités dans le Gabon contemporain. Paris]: Éditions de la Maison des sciences de l'homme, 2017.

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15

Patoski, Joe Nick. Stevie Ray Vaughan: Caught in the crossfire. Boston: Little, Brown, 1993.

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16

Gangsta-rap. [Paris]: Flammarion, 2005.

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17

Quintrec, C. Le. Poètes de Bretagne. Table ronde, 1999.

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18

Rock She Wrote. Cooper Square Press, 1999.

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19

Pinn, Anthony B. Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music. NYU Press, 2003.

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20

Pinn, Anthony B. Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music. NYU Press, 2003.

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21

Pinn, Anthony B. Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music. New York University Press, 2003.

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22

Pinn, Anthony B. Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music. New York University Press, 2003.

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23

How Music Empowers: Listening to Modern Rap and Metal. Taylor & Francis Group, 2021.

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24

Gamble, Steven. How Music Empowers: Listening to Modern Rap and Metal. Taylor & Francis Group, 2021.

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25

Gamble, Steven. How Music Empowers: Listening to Modern Rap and Metal. Taylor & Francis Group, 2022.

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26

Bouchet, Paule du, Laurent Corvaisier, and Leigh Sauerwein. Mes premières découvertes de la musique, coffret 3 volumes : Le Rap, le rock, le jazz. Gallimard Jeunesse, 2002.

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27

Keyes, Cheryl L. Rap Music and Street Consciousness (Music in American Life). University of Illinois Press, 2004.

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28

Chang, Jeff. Can't Stop Won't Stop : A History of the Hip Hop Generation. St. Martin's Press, 2005.

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29

Chang, Jeff. Can't Stop Won't Stop: A History of the Hip-hop Generation. Picador USA, 2005.

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30

Chang, Jeff. Can't Stop Won't Stop: A History of the Hip-hop Generation. Picador USA, 2005.

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31

Chang, Jeff, and D. J. Kool Herc. Can't Stop Won't Stop: A History of the Hip-Hop Generation. Picador, 2005.

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32

Metal, Rap, and Electro in Post-Revolutionary Tunisia: A Fragile Underground. Taylor & Francis Group, 2019.

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33

Barone, Stefano. Metal, Rap, and Electro in Post-Revolutionary Tunisia: A Fragile Underground. Taylor & Francis Group, 2019.

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34

Barone, Stefano. Metal, Rap, and Electro in Post-Revolutionary Tunisia: A Fragile Underground. Taylor & Francis Group, 2019.

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35

Grivel, Arthur. Carnet de Lyrics: Carnet de Lyrics Pour écrire des Paroles de Musique et Surtout de Rap. Independently Published, 2020.

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36

Le rap français: Esthétique et poétique des textes (1990–1995) (Varia Musicologica) (French Edition). Peter Lang AG, Internationaler Verlag der Wissenschaften, 2008.

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37

Dyson, Michael Eric. Know What I Mean? Perseus Books Group, 2007.

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38

Can't stop, won't stop: A history of the hip-hop generation. New York: St. Martin's Press, 2005.

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39

Can't stop, won't stop: A history of the hip-hop generation. New York: Picador, 2006.

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40

(Foreword), Dante Ross, and Oliver Wang (Editor), eds. Classic Material: The Hip-Hop Album Guide. Ecw Press, 2003.

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41

Classic Material: The Hip-Hop Album Guide. ReadHowYouWant.com, Limited, 2012.

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42

Condry, Ian. Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Duke University Press, 2006.

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43

Condry, Ian. Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Duke University Press, 2006.

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44

France 21 France 21 Agendas. Agenda Scolaire 2020 2021 Journalier Adolescent Rap / Agenda Ado Garçon Fille Hip Hop Musique / 292 Pages / Collège / Lycée / étudiant /. Independently Published, 2020.

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45

Agenda Scolaire 2021-2022 Motif Musique Micro Slam Rap Hip Hop: Un Sublime Agenda Journalier Pour élémentaire, Collège, Lycée. Independently Published, 2021.

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46

pratiques, Mes carnets. LYRICS and FLOW - Carnet de Notes: Cahier d'Ecriture de Rime Pour Musique Rap, Slam, RnB - Format 6 X9 100. Independently Published, 2020.

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47

Livre de Coloriage Hip Hop: Un Livre de Coloriage Sur les STARS de la MUSIQUE RAP et HIP HOP - Dessins Exclusifs. Independently Published, 2021.

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48

Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Duke University Press, 2006.

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49

Hip-Hop Japan: Rap and the Paths of Cultural Globalization. Duke University Press, 2006.

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50

Gamble, Steven. How Music Empowers. Taylor & Francis Group, 2021.

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