Academic literature on the topic 'Rape of the lock (Pope, Alexander)'

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Journal articles on the topic "Rape of the lock (Pope, Alexander)"

1

Watkins, Dawn. "Alexander Pope and The Rape of the Lock – Conciliation or Judgment?" Law, Culture and the Humanities 8, no. 2 (2011): 244–65. http://dx.doi.org/10.1177/1743872111400803.

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The focus of this article is The Rape of the Lock, written by Alexander Pope (1688–1744). The poem was first published in 1712 but was further revised and expanded by Pope, prior to its publication in the first edition of Pope’s collected works in 1717. The opening lines of the poem What dire offence from am’rous causes springs, What mighty contests rise from trivial things (Canto I.1–2) point to its ostensible purpose as an instrument of reconciliation; its epic treatment of a matter so trivial as the stealing of a lock of hair being designed to “laugh together” the once friendly but now host
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Bhati, Tripti. "BELINDA’S WORLD OF TRIVIALITY IN THE RAPE OF THE LOCK: A MICROCOSM OF EIGHTEENTH-CENTURY ENGLAND AND THE IRONIC JUXTAPOSITION OF HER STORY WITH THE CLASSICAL EPICS." SCHOLARLY RESEARCH JOURNAL FOR INTERDISCIPLINARY STUDIES 10, no. 73 (2022): 17681–87. http://dx.doi.org/10.21922/srjis.v10i73.11670.

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The Rape of the Lock is one of the best examples of mock-epic or mock-heroic poems written in English History. It is an imitation of Horatian satire, written in the Eighteenth-Century by Alexander Pope, in which he uses irony, sarcasm, and exaggeration to expose follies and vanities of the aristocratic or upper class in England in an undignified and grandiose manner. Written in heroic couplets about a trivial subject matter, the poet juxtaposes the trivial world of the upper class with the heroic deeds mentioned in the classical epics. This paper navigates the epic allusions used in The Rape o
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Ramalho, Christina. "About epic subject: heroes, heroines and anachronism." Revista Épicas 10, dez21 (2021): 162–79. http://dx.doi.org/10.47044/2527-080x.2021v10.162179.

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Considerations about a special subject, the epic, or, in other words, the hero and/or the heroine who are the protagonists of some long poems which talk about history and myth in a literary way, with or without traces of anachronism. We will consider the evolution of concepts of subject as a fundamental category for literary studies, the evolution of the epic genre itself, the epic representation of women and the anachronism as a possible presence in epic poems. Illustrating our reflection we will comment some epic poems which integrate the epic expression in English: The faerie queene, by Edm
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4

Lee, Charlotte. "Luise Gottsched, Der Lockenraub /Alexander Pope, The Rape of the Lock . Edited by HilaryBrown. London: MHRA European Translations. 2014. 94 p. £10.99 (pb). ISBN 978-0-947623-84-5." Journal for Eighteenth-Century Studies 40, no. 4 (2017): 642–43. http://dx.doi.org/10.1111/1754-0208.12430.

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New, Melvyn. "The Lover’s Watch, or The Art of Making Love by Aphra Behn, and: Incognita by William Congreve, and: Jonathan Wild the Great by Henry Fielding, and: The Rape of the Lock and A Key to the Lock by Alexander Pope." Scriblerian and the Kit-Cats 38, no. 2 (2006): 302–3. http://dx.doi.org/10.1353/scb.2006.0027.

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Baker, Oliver R. "Ombre in Alexander Pope's THE RAPE OF THE LOCK." Explicator 70, no. 1 (2012): 67–70. http://dx.doi.org/10.1080/00144940.2012.663815.

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7

Morton, Gerald W. "Spectator79 andThe Rape of the Lock: Addison and Pope on Vanity." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 1, no. 2 (1988): 53–55. http://dx.doi.org/10.1080/19403364.1988.11755135.

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8

Kroll, Richard W. F. "Pope and Drugs: The Pharmacology of The Rape of the Lock." ELH 67, no. 1 (2000): 99–141. http://dx.doi.org/10.1353/elh.2000.0004.

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9

Hye-Soo Lee. "Mouk-Epic and “Novelization”: Alexander Pope’s The Rape of the Lock." Journal of English Language and Literature 55, no. 5 (2009): 865–83. http://dx.doi.org/10.15794/jell.2009.55.5.005.

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10

Métayer, Guillaume. "The Rape of the Lock d’Alexander Pope par Pierre Vinclair : une retraduction à distance." Équivalences 48, no. 1 (2021): 47–69. http://dx.doi.org/10.3406/equiv.2021.1587.

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Cet article propose une mise en perspective de la dernière retraduction, contemporaine (2019) après un long silence, et publiée dans une revue d’avant-garde en ligne (Catastrophes) par le jeune poète Pierre Vinclair, d’un texte canonique, The Rape of the Lock d’Alexander Pope (1717). S’intéressant notamment à son titre et à l’aspect formel de cette retraduction, il inscrit ce dernier geste dans un panorama précis de l’histoire des traductions en langue française de ce poème clé des relations littéraires franco-anglaises au XVIIIe siècle et, par là, des évolutions socioéconomiques profondes don
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