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Books on the topic 'Rape scripts'

Author: Grafiati

Published: 10 December 2022

Last updated: 19 July 2025

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1

Zander, Paul Martin. Rapt-ur-grams, and other script-ur-grams. P.M. Zander, 1989.

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2

Robert, Shapiro. The human blueprint: The race to unlock the secrets of our genetic script. St. Martin's Press, 1991.

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3

Boriosi, Nino. Il "rongo-rongo": Rivelazione di un mito "Rapa-Nui" : traduzione degli ideogrammi-simbolici, figurativi-geroglifici dell'Isola di Pasqua : glottologia comparata polinesiana-indo-gangetica-melasiana-bengalica-egizia-dinastica-proto-sanscrita. ET, 1997.

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4

Tuchmann, Kai, ed. Postdramatic Dramaturgies. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459973.

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This book compiles lectures by the world's leading practitioners of postdramatic theatre from East Asia and the German-speaking world, which were given at Asia's only dramaturgy degree program at The Central Academy of Drama in Beijing 2018/19. It includes first-time English-language scripts of the discussed plays. The material is complemented by contextualizing essays by the program founder Li Yinan and its co-developer Kai Tuchmann. Hans-Thies Lehmann contributes the foreword to this volume. This rare compilation enables the reader to gain a unique insider's impression of postdramatic theatr

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5

Bondestam, Maja, ed. Exceptional Bodies in Early Modern Culture. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721745.

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Drawing on a rich array of textual and visual primary sources, including medicine, satires, play scripts, dictionaries, natural philosophy, and texts on collecting wonders, this book provides a fresh perspective on monstrosity in early modern European culture. The essays explore how exceptional bodies challenged social, religious, sexual and natural structures and hierarchies in the sixteenth, seventeenth and early eighteenth centuries and contributed to its knowledge, moral and emotional repertoire. Prodigious births, maternal imagination, hermaphrodites, collections of extraordinary things,

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6

Free Library of Philadelphia. Rare Book Dept. Saints, scribes, and scholars: An exhibition of illuminated manuscripts and early printed books from the collections of the Rare Book Department of the Free Library of Philadelphia. Free Library of Philadelphia, 1988.

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7

Conan, Doyle Arthur. The Memoirs of Sherlock Holmes. Oxford University Press, 1993.

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8

Conan, Doyle Arthur. The Memoirs of Sherlock Holmes. Oxford University Press, 2000.

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9

Conan, Doyle Arthur. Die Memoiren des Sherlock Holmes. Insel-Verl., 2007.

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10

Conan, Doyle Arthur. The memoirs of Sherlock Holmes. Oxford University Press, 1994.

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11

Conan, Doyle A. Memoirs of Sherlock Holmes: A facsimile of the stories as they were first published in the Strand magazine, London. Platinum Press, 1996.

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12

Conan, Doyle Arthur. The Memoirs of Sherlock Holmes. [publisher not identified], 2016.

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13

Conan, Doyle Arthur. The Memoirs of Sherlock Holmes. Reader's Digest Association, 1988.

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14

Conan, Doyle Arthur. The memoirs of Sherlock Holmes. Oxford University Press, 2009.

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15

Conan, Doyle Arthur. Adventure of Six Napoleons and Other Cases. Penguin English Library, 2014.

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16

Conan, Doyle Arthur. Fu'ermosi hui yi ji: Memoirs of Sherlock Holmes. Lian pu chu ban, 1999.

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17

Conan, Doyle Arthur. Shārokku Hōmuzu no kaisō: The memoirs of Sherlock Holmes. Kōbunsha, 2006.

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18

Harrick, Elizabeth A. Stranger, nonstranger, acquaintance, and general rape scripts. 1997.

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19

Rapp, Philip. THE TELEVISION SCRIPTS OF PHILIP RAPP. BearManor Media, 2007.

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20

Godreau, Isar P. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0001.

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This introductory chapter discusses the concept of “scripts of blackness” in Puerto Rico—that is, dominant narratives and stories that set standards, expectations, and even spatial templates for what is publicly recognized, celebrated, and sponsored as black and Puerto Rican. Racial scripts can be seen as a variant of processes described as racial essentialism, stereotyping, and stigmatization. However, racial scripts as defined in this book are closely tied to celebratory notions of nationalism developed under the rubric of mestizaje, or race mixture. Unlike most forms of stereotyping, which

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21

Holman, Bob. Panic DJ: Performance text, poems, raps, songs (Contemporary scripts). VRI Theater Library, 1987.

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22

Darby, Derrick, and Eduardo J. Martinez. Boxed In. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197620236.001.0001.

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Abstract One’s life takes shape around identities. Race, religion, sexual orientation, and other collective identities impose scripts that dictate how one should think, act, and associate. African Americans should support reparations and affirmative action. Evangelical Christians should associate with true believers and feel outraged by same sex-marriage. Gays and lesbians should come out and engage in LBGTQ+ activism. When identities are scripted too tightly, individuals get boxed in and democracy suffers. In Boxed In: Making Identities Safe for Democracy, philosophers Derrick Darby and Eduar

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23

Godreau, Isar P. Place, Race, and the Housing Debate. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0002.

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This chapter provides a detailed ethnographic account of the housing controversy in San Antón. It places particular emphasis on the racial and spatial coordinates that informed debate over its implementation, pointing to the problematic and contested deployment of scripts of nostalgia, homogeneity, matrifocality, harmony, and unchanging traditions that marked San Antón as an exceptional place of racialized difference. The controversy over housing showed the inadequacy of an approach that romanticized the community without considering the social relationships of power that shaped it and, more i

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24

Heng, Geraldine. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. University of Pennsylvania Press, 2022.

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25

Heng, Geraldine. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. University of Pennsylvania Press, 2024.

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26

Heng, Geraldine. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. University of Pennsylvania Press, 2022.

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27

Godreau, Isar P. Scripts of Blackness: Race, Cultural Nationalism, and U. S. Colonialism in Puerto Rico. University of Illinois Press, 2014.

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28

Godreau, Isar P. Scripts of Blackness: Race, Cultural Nationalism, and U. S. Colonialism in Puerto Rico. University of Illinois Press, 2015.

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29

Scripts of Blackness: Race, Cultural Nationalism, and U. S. Colonialism in Puerto Rico. University of Illinois Press, 2014.

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30

Molina, Natalia. How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts. University of California Press, 2014.

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31

Molina, Natalia. How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts. University of California Press, 2014.

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32

The human blueprint: The race to unlock the secrets ofour genetic script. Cassell, 1991.

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33

How Race Is Made In America Immigration Citizenship And The Historical Power Of Racial Scripts. University of California Press, 2013.

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34

How Race Is Made In America Immigration Citizenship And The Historical Power Of Racial Scripts. University of California Press, 2013.

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35

Godreau, Isar P. Flowing through My Veins. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0007.

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This chapter discusses how the scripts of blackness developed in tandem with discourses of race mixture that supported populist forms of governance and cultural policies in the 1940s and 1950s. The biological definition of Puerto Ricans as a mixture of three races—the Taíno, the Spanish, and the African—had been circulating since the nineteenth century in both criollo and U.S. writings about Puerto Rico, but before the 1950s, this was not institutionally constructed as an object of national pride. It was after the 1950s that the ideology of race mixture was taken up as a populist State discour

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36

Weisenfeld, Judith. Race, Religion, and Documentary Film. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.2.

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This chapter uses Ingagi and The Silent Enemy, both independent films released in 1930, to examine the intersections of race and religion in the context of American documentary film conventions. The filmmakers claimed documentary status for their films, despite the fact that both were largely scripted and contained staged representations. Many audience members and critics nevertheless took their representations of the religious practices of Africans and Native Americans to be truthful and invested in the films’ authenticity because their visual codes, narratives, and advertising confirmed acce

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37

The human blueprint: The race to unlock the secrets of our genetic script. Bantam Books, 1992.

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38

The human blueprint: The race to unlock the secrets of our genetic script. St. Martin's Press, 1991.

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39

Crowley, Lara M. Manuscript Matters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821861.001.0001.

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Manuscript Matters illuminates responses to some of John Donne’s most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers’ exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satiri

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40

de Bruyn, Theodore. Scribal Features of Customary Amulets. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199687886.003.0005.

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This chapter compares incantations that are similar in purpose and formulation: incantations against snakes and scorpions; incantations against fever and illness; amatory incantations; and curses or prayers for justice. The ways in which incantations in these different groups are ‘christianized’ varies. Commonplace incantations against snakes and scorpions are resistant to change, but may be framed with Christian elements. Incantations against fever and illness may juxtapose customary and Christian elements or may be formulated in a wholly Christian idiom. On the basis of the formulation and w

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41

Durham, Clarice. Richard Durham's Destination Freedom. Praeger, 1989. http://dx.doi.org/10.5040/9798216985167.

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The discrimination and stereotyping that black Americans have experienced in the popular arts in the twentieth century is a familiar story to students of popular culture. In literature, music, film, and television the barriers to black characterization and talent created pervasive distortions and stereotypes; yet in no artistic field was the racist pressure against blacks more prevalent than in radio, and into this cultural dimension the least amount of scholarship has been directed. In the light of such discriminatory traditions, the appearance in the late 1940s of the programDestination Free

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42

Santoro, Daniella. The Dancing Ground. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.17.

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The performative traditions of New Orleans second line parades offer profound insight into localized expressions of health and disability. As public, festive, and symbolic spaces of music, dance and movement, second lines privilege the body as a site of knowledge production and individual improvisation within a collective tradition. This essay focuses on the relationship between dance and disability as observed during second line parades in New Orleans from 2010 to 2013. The narratives of those participants who are marked as disabled by age or circumstance reveal how the public space of dance

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43

Godreau, Isar P. Slavery and the Politics of Erasure. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0003.

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This chapter looks at benevolent renderings of the institution of slavery, and silences that have contributed to its interpretation as inconsequential for the construction of national identity in Puerto Rico. Such interpretations support national “scripts” that construe blackness as an exceptional, geographically contained, and fading element of the Puerto Rican nation. Indeed, a politics of erasure in historiography was common in the 1940s, 1950s, and 1960s, when scholars interpreted slavery as a benevolent and unimportant institution in Puerto Rico that facilitated racial integration, race m

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44

Middleton, Richard T., and Sheridan Wigginton. Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity. University of Alabama Press, 2019.

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45

Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity. University of Alabama Press, 2019.

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46

Text manuscripts and documents from 2200 BC to 1600 AD : catalogue 16: Containing manuscripts, documents and inscribed artifacts in Sumerian cuneiform, hieroglyphic and hieratic Old Egyptian, Sahidic and Bohairic Coptic, Bactrian script and language, Hebrew, Aramaic and Judeo-Arabic language in Hebrew script, Greek, Latin, and Old French, Spanish, Italian, German, Dutch, and English. Sam Fogg, 1995.

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47

Iohannis Vogt ... Catalogus Historico-Criticus Librorum Rariorum: Sive Ad Scripta Huius Argumenti Spicilegium Index, et Accessiones. Curis 3Is Recognitus. Creative Media Partners, LLC, 2023.

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48

Round, Julia. Gothic for Girls. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824455.001.0001.

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This book is the first full-length critical study of any British girls’ comic and sheds light on an often-ignored era and genre of the comics industry. It explores the production and reception of the notorious girls’ mystery comic Misty (IPC, 1978-80), considering its influences, themes, visuals, plots, and use of Gothic symbols. Containing exclusive interview material with the comic’s creators and editorial team, rare scripts and photographs, and surveying the entire archive of Misty stories, it preserves and analyzesMisty for fans and scholars. By exploring and defining the particular type o

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49

Townsend, Sylvia. Bumpy Road. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496804143.001.0001.

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In meticulous detail, the book describes the filming, release, and influence of the 1971 film Two-Lane Blacktop. In 1970 the urbane producer Michael Laughlin asked the hippy filmmaker Monte Hellman to direct a script called Two-Lane Blacktop. The cult author Rudy Wurlitzer rewrote the script, the story of two scruffy hot rodders who pick up a girl hitchhiker and race their classic ’55 Chevy against a rich guy’s “factory –made hot rod,” a ’70 GTO Judge. In three of the four lead roles Hellman cast nonactors – the rock stars James Taylor and Dennis Wilson, and the director’s girlfriend, Laurie B

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50

Rollefson, J. Griffith. Flip the Script: European Hip Hop and the Politics of Postcoloniality. University of Chicago Press, 2017.

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