Relevant bibliographies by topics / Rapper

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Rapper'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Rapper.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Rapper"

1

Balocco, Anna Elizabeth, and Maria Labarta Postigo. "Sujeito, discurso e vida urbana: um estudo contrastivo de discursos sobre a exclusão social no Brasil e na Espanha." Linguagem em (Dis)curso 9, no. 1 (April 2009): 11–34. http://dx.doi.org/10.1590/s1518-76322009000100002.

Full text
Abstract:
Neste artigo, apresenta-se um estudo contrastivo de discursos sobre a exclusão social através da análise de videoclipes produzidos por mulheres rappers no Brasil e na Espanha, segundo princípios da Análise Crítica do Discurso e com foco na construção da identidade. A análise das práticas de identificação das rappers sugere que a alteridade se expressa de forma distinta nos dois discursos: enquanto o "outro" articula-se, no discurso da rapper brasileira, através de estratégias léxico-gramaticais de indeterminação ("essa gente") ou abstração ("a sociedade"), no da rapper espanhola há estratégias de funcionalização ("os políticos") e objetivização ("o dinheiro"). Ou seja, há mais indeterminação do "outro" no caso da rapper brasileira.
APA, Harvard, Vancouver, ISO, and other styles
2

Huntsman, Clarissa Daisy. "I, rapper robot." New Scientist 213, no. 2858 (March 2012): 31. http://dx.doi.org/10.1016/s0262-4079(12)60834-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lezama, Nigel. "Status, Votive Luxury, and Labour: The Female Rapper’s Delight." Fashion Studies 1, no. 2 (2019): 1–23. http://dx.doi.org/10.38055/fs010202.

Full text
Abstract:
Rap and luxury fashion form hip hop’s most unshakable couple. However, female rappers appear to have a more difficult time acquiring and manipulating luxury fashion. When the female rapper demands expensive clothing from her sex partners, is she complicit in her reification as a sexually alienated subject or is she highlighting the value of black women’s labour? In fact, if we look closely at the nexus of luxury fashion, sexuality, and female rappers, there occurs an important transformation of the luxury sign. For rappers like Roxanne Shanté, Nicki Minaj, and Cardi B, luxury objects and branded fashion are not symbols of taste or habitus, in the sense Bourdieu (1979) gives them. Instead, these female rappers question the social weight carried by the luxury commodity; they demand consecration, in the truest sense of the word, through the luxury gift; or, conversely, they highlight the luxury commodity’s real use value.
APA, Harvard, Vancouver, ISO, and other styles
4

Burnet, N. G., R. M. Elliott, A. Dunning, and C. M. L. West. "Radiosensitivity, Radiogenomics and RAPPER." Clinical Oncology 18, no. 7 (September 2006): 525–28. http://dx.doi.org/10.1016/j.clon.2006.05.007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Elliott, R. M., N. G. Burnet, A. M. Dunning, D. P. Dearnaley, C. E. Coles, and C. M. L. West. "Radiosensitivity, Radiogenomics & RAPPER." Clinical Oncology 19, no. 3 (April 2007): S15. http://dx.doi.org/10.1016/j.clon.2007.01.322.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nowak, Andrzej, and Mirosław Kurz. "Analysis of the load capacity of the bolt joints of collecting electrodes with the rapper rod." E3S Web of Conferences 46 (2018): 00004. http://dx.doi.org/10.1051/e3sconf/20184600004.

Full text
Abstract:
This article presents an analysis of the load capacity of the bolt joints of collecting electrodes with the rapper rod, made in HUCK technology. A discrete model of the system of electrodes was worked out for the analysis of stresses in bolt joints, the validation of which was made on the basis of measurement data obtained on the test bench. Two variants of joining the plates of electrodes with the rapper rod were taken into account in calculations - the first one with the correct geometry in the rapper rod, the other one with an eccentric displacement of holes in the flat bars of the rapper rod. In both variants the modelled system was loaded with the impulse force corresponding to the impact of the hammer against the anvil, with the run obtained from measurements on the test bench. These models and the related calculations were performed in the ABAQUS environment. As a result of the analyses performed, recommendations were worked out intended to eliminate cases of the destruction of bolt joints closest to the anvil of the rapper rod.
APA, Harvard, Vancouver, ISO, and other styles
7

Luis, Solange E. "A PM 44, o microfone, a nação angolana e a voz feminina." Revista Vértices 24, no. 1 (April 4, 2022): 44–68. http://dx.doi.org/10.19180/1809-2667.v24n12022p44-68.

Full text
Abstract:
Uma vez conquistado o lugar da nação, a mulher procura o seu lugar na nação. Estas posições serão retratadas através da voz de Deolinda Rodrigues, guerrilheira do maquis e de Eva Rap Diva, rapper angolana. Enquanto a guerrilheira, na luta pela conquista do lugar da nação, silencia a sua voz num diário em prol de uma libertação coletiva, a rapper projecta-a com o microfone, marcando o seu lugar na nação. Ao causar interrupções no discurso dominante, a rapper possibilita novas construções identitárias na nação angolana, que se quer continuamente independente de restritivas amarras engendradas.
APA, Harvard, Vancouver, ISO, and other styles
8

Campos, Felícia Marchi Beltrão. "O rap palestino do grupo DAM: identidade e espaços do não-lugar." Gavagai - Revista Interdisciplinar de Humanidades 1, no. 2 (December 8, 2014): 88–97. http://dx.doi.org/10.36661/2358-0666.2014n2.8910.

Full text
Abstract:
O presente estudo foi desenvolvido focando nas perspectivas de jovens rappers palestinos, via sua produção artística, acerca dos conflitos na Palestina Histórica. O rap palestino produzido pelo grupo DAM, baseado na cidade de Lyd, atualmente território israelense, versa sobre as violências perpetradas nos espaços por onde transitam e onde vivem esses jovens, marcados por identidades múltiplas. Foram utilizadas como base para a análise as letras das músicas do grupo, bem como uma entrevista com rapper Tamer Nafar, efetuada em junho de 2013 pela autora do trabalho. Tais materiais – letras das músicas e entrevista – foram analisados sob uma perspectiva textual. Foram levantadas as temáticas mais recorrentes nas canções dos rappers, cujas letras apontam, além das hostilidades cometidas pelo Estado de Israel, que ocupa militarmente a região desde 1948, situações e problemas internos à sociedade palestina. Ao final, a análise entende que os jovens do DAM inauguram novos espaços de diálogo, partindo de sua própria existência mista como palestino-israelenses.
APA, Harvard, Vancouver, ISO, and other styles
9

Martignetti, Frank, and Joshua M. Brewster. "Finding our way: The experiences of a rapper and his advisor in a bachelor of music programme." Journal of Popular Music Education 4, no. 1 (March 1, 2020): 61–79. http://dx.doi.org/10.1386/jpme_00014_1.

Full text
Abstract:
Aspiring popular musicians, particularly rappers, often feel unwelcome in tertiary music study. While hip hop has entered the academy through other fields, it is still mostly absent from music departments. In 2014, a rapper began studies in a small, open Bachelor of Music programme that had no coursework or specialists in this area. His course of study ultimately looked somewhat similar to other students’ but also included a blend of coursework in music technology, poetry, literature, communications and business. This action research study examines the student’s experience and perspectives as he prepared to graduate in May 2018, as well as the researcher’s experience and perspectives as his advisor and teacher. It is hoped that this study will enable institutions to better serve future such students.
APA, Harvard, Vancouver, ISO, and other styles
10

Pycha, Anne. "How to Rhyme Like a Rapper." Scientific American Mind 26, no. 6 (October 15, 2015): 9. http://dx.doi.org/10.1038/scientificamericanmind1115-9b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Rapper"

1

Mondadori, Vittorio. "Musica pop in Cina: il caso del rapper Xie Di." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15106/.

Full text
Abstract:
Il mio elaborato affronta vari argomenti legati alla musica pop in Cina: nel primo capitolo analizzo le principali caratteristiche della scena musicale cinese, tentando di descriverne le principali tendenze, la varietà di generi e le similitudini più comuni con la celebre scena pop coreana. Nel secondo capitolo parlo di industria musicale cinese, analizzandone i principali problemi che tuttora la limitano nel tentativo di raggiungere lo status di scena musicale rilevante nel mondo. Nel capitolo finale analizzo e traduco un brano musicale del rapper cinese Xie Di che ha destato parecchio scalpore in Cina a causa dei suoi contenuti di stampo razzista.
APA, Harvard, Vancouver, ISO, and other styles
2

ZOTELI, W. G. "A persona rapper de Criolo inscrita em canções de Nó na Orelha." Universidade Federal do Espírito Santo, 2016. http://repositorio.ufes.br/handle/10/9241.

Full text
Abstract:
Made available in DSpace on 2018-08-01T23:44:00Z (GMT). No. of bitstreams: 1 tese_9874_dissertação WALLAS GOMES ZOTELI.pdf: 1032896 bytes, checksum: 9b9687f24c85122c75d510b98967b964 (MD5) Previous issue date: 2016-05-30
Criolo autorrefere-se, com recorrência, como rapper/MC; trata-se da alcunha que, dentre outras atreladas a sua persona pública, melhor resgata e sublinha sua atuação no cenário do rap paulistano. Fundou a Rinha dos MCs, atuou na produção cinematográfica Profissão MC (2009), lançou o álbum independente de canções de rap Ainda Há Tempo (2006); e pontuam-se esses fatos a título de exemplo. No entanto, quando lança o álbum Nó na Orelha (2011), o que se ouve nas canções é um cuidadoso trabalho com melodias e dicções identificadas com outros gêneros musicais que não o rap, e isso se diz com maior ênfase em relação a cinco das dez faixas ali disponibilizadas; nelas, pretende-se investigar como o rap está inscrito e como o título de rapper mantém-se e atualiza-se. Articulam-se, como referencial teórico basilar, contribuições conceituais de Paul Zumthor (1993; 2010; 2014), Ruth Finnegan (2008), Simon Frith (1996), dentre outros. Assume-se a palavra cantada como objeto de estudos da performance, o que por seu turno torna-se passível de interesse em estudos literários; desse modo, conforme a abordagem zumthoriana, compreende-se canção no espectro abrangente da poesia oral, é tratada como obra e performance em meios auditivos, em sua complexa articulação na tríade textomúsica-performance, sem esquecer da voz e do reconhecimento de gênero nesses meandros. É do escopo desta dissertação defender que a persona conceito ancorado em Carl Jung (1981) e Marcel Mauss (2003) rapper de Criolo está inscrita não só nas cinco canções de rap, mas também nas outras cinco em aparência menos identificadas com tal gênero. Portanto, do corpus coligido da audição do álbum em questão, foca-se nas cinco obras reconhecidas aqui como canções não-rap: Bogotá; Não Existe Amor em SP; Freguês da Meia-noite; Samba Sambei; Linha de Frente. Nelas, busca-se sublinhar elementos performáticos, no âmbito da palavra cantada, que demarcam a inscrição da persona/atitude rapper em outras estéticas musicais. Coteja-se pontualmente o corpus em foco com obras de outros cancionistas representantes de variados estilos e gêneros musicais para elaborar explicitações mais contundentes para reforçar afirmações interpretativas registradas em cada uma das leituras apresentadas.
APA, Harvard, Vancouver, ISO, and other styles
3

Miranda, Eugênia Francisca de Souza. "A poética híbrida da pós-modernidade nos raps de GOG : poeta periferia." reponame:Repositório Institucional da UnB, 2013. http://repositorio.unb.br/handle/10482/15764.

Full text
Abstract:
Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2013.
Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2014-06-02T12:43:54Z No. of bitstreams: 1 2013_EugeniaFranciscadeSouzaMiranda.pdf: 1896967 bytes, checksum: 70590a04820bf5ad8dd42e47a74ca95c (MD5)
Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-06-04T14:10:21Z (GMT) No. of bitstreams: 1 2013_EugeniaFranciscadeSouzaMiranda.pdf: 1896967 bytes, checksum: 70590a04820bf5ad8dd42e47a74ca95c (MD5)
Made available in DSpace on 2014-06-04T14:10:21Z (GMT). No. of bitstreams: 1 2013_EugeniaFranciscadeSouzaMiranda.pdf: 1896967 bytes, checksum: 70590a04820bf5ad8dd42e47a74ca95c (MD5)
A periferia de Brasília tem voz. Ela ecoa na busca de soluções para seus problemas a partir da crítica da vida cotidiana através das rimas contundentes do rap. Um dos portadores dessa voz tem nome: GOG. Esta pesquisa tem como objetivo analisar literariamente as canções deste que é um dos rappers brasileiros mais respeitados e renomados nesse meio cultural, inclusive aclamado como o poeta do Rap Nacional. O trabalho tem como fonte principal as letras das canções selecionadas por ele em seu livro A rima denuncia, uma espécie de antologia com 48 letras de raps que abordam diversas fases do artista, além de vídeos e entrevistas disponibilizadas em seu site e outras fontes de pesquisa. A especificidade do rap como uma estética ímpar e inovadora (híbrido de canto com exploração da fala) nos permite identificar uma poesia oral contemporânea que narra com intensidade os infortúnios e os desejos dos que vivem em uma ambiência periférica. No entanto, um olhar cuidadoso às letras mostra que esse universo vai muito além da periferia, e as composições se opõem ao centro (a elite econômica) com um discurso ácido, quase sempre maniqueísta. As análises se pautam pelas teorias de Paul Zumthor sobre poesia oral, Luiz Tatit sobre canção popular, Umberto Eco sobre a interpretação da obra literária e Bakhtin, considerando a relação sócio-histórica e dialógica entre os sujeitos na constituição dos discursos. O intuito é demonstrar que a periferia também faz poesia. ______________________________________________________________________________________ ABSTRACT
The outskirt of Brasília has a voice. It echoes in the search for solutions to its problems from the criticism of everyday life through the rap's blunt rhymes. One of the bearers of this voice has a name: GOG. This research aims to analyze the songs literally from this which is one of the most respected and renowned Brazilian rappers in this cultural environment, including he is acclaimed as the poet of the National Rap. The work has as a main source the lyrics of the songs selected by him in his book The rhyme denounces, a sort of anthology with 48 letters of raps that address various phases of the artist, as well as videos and interviews available on his website and other sources. The specificity of the rap as a unique and innovative aesthetic (hybrid of singing with exploration of speech) allows us to identify a contemporary oral poetry that narrates with intensity the misfortunes and the desires of those who live in the outskirt ambience. However, a careful look at the lyrics shows that the universe goes far beyond the outskirt and the compositions are opposed to the center (the economic elite) with an acid speech, almost always manichean. The analyses are based on Paul Zumthor's theories on oral poetry, Luiz Tatit on popular song, Umberto Eco in the literary interpretation and Bakhtin considering the socio-historical and dialogic relationship between the subjects in the constitution of discourses. The intent is to demonstrate that the outskirt also writes poetry.
APA, Harvard, Vancouver, ISO, and other styles
4

Braga, Liliane Pereira. "De Oyó-Ilé a Ilé-Yo: Xangô e o patrimônio civilizatório nagô na identidade de um rapper afrodescendente." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/17227.

Full text
Abstract:
Made available in DSpace on 2016-04-29T13:31:37Z (GMT). No. of bitstreams: 1 Liliane Pereira Braga.pdf: 663723 bytes, checksum: 02710f5a67698c9243916edc6121de47 (MD5) Previous issue date: 2007-10-23
This research tried to understand how the civilizatory patrimony of the yorubas - known as "nagôs" in Brazil make it possible to constitute the afrodescendent identities with an emancipatory sense as they respect the freedom of the differences with the valorization of the social equality. The respect to diverseness is a fundamental value among the nagôs and the candomblé, one of the main receivers of its tradition, disseminates that value mainly through the yoruba mythology. This mythology is portrayed here as part of that civilizatory patrimony and encompasses, in persona of the orixás, the search for a society in which there is space for the diversity of human types, in an equalitarian way. To understand how the original inheritance of a piece of Africa makes it possible to constitute the afrodescendent identities with a emancipatory sense, a case study was done which involves the life history of Ilícito - a rapper who demonstrates in his music to share many of the present aspects of the African legacy being studied. Among them, it is the identification with the persona of the orixás, especially with Xangô. The plot around that orixá allows us to explore a little more the subject of the respect to alteration among the nagôs. We used the theoretical-methodological approach of Antonio da Costa Ciampa as the theoretical support for this research, in whose opinion identity is a metamorphosis process in search of human emancipation
A presente pesquisa procura compreender como o patrimônio civilizatório dos iorubás - conhecidos como nagôs no Brasil - possibilita que identidades afrodescendentes se constituam com um sentido emancipatório ao respeitarem a liberdade das diferenças com a valorização da igualdade social. O respeito à alteridade é valor fundamental entre os nagôs e o candomblé, um dos grandes depositários da sua tradição, dissemina esse valor principalmente por meio da mitologia iorubana. Retratada aqui como parte desse patrimônio civilizatório, tal mitologia traz na figura dos orixás a busca de uma sociedade em que haja espaço para a diversidade dos tipos humanos, de forma igualitária. Para compreender como a herança originária de um pedaço de África possibilita que identidades afrodescendentes se constituam com um sentido emancipatório, foi realizado um estudo de caso envolvendo a história de vida de Ilícito - um rapper que, em suas músicas, demonstra compartilhar muitos dos aspectos presentes no legado africano em questão. Entre eles, está a identificação com as figuras dos orixás, especialmente com Xangô. O enredo em torno desse orixá permite-nos explorar um pouco mais a questão do respeito à alteridade presente entre os nagôs. Como suporte teórico desta pesquisa, é utilizada a abordagem teórico-metodológica de Antonio da Costa Ciampa, para quem identidade é o processo de metamorfose em busca da emancipação humana
APA, Harvard, Vancouver, ISO, and other styles
5

England, Megan. ""I'm Not a Rapper, I'm an Activist Who Rhymes": Native American Hip Hop, Activism, and Twenty-First Century Identities." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20512.

Full text
Abstract:
In this thesis, I examine the ways in which a growing number of Indigenous artists in the United States and Canada are using hip hop not only as a form of artistic expression, but also to vent frustration about and to draw attention to contemporary issues affecting their communities. These artists participate in a tradition of politically conscious performance that has influenced and been influenced by Indigenous social movements across North America. Indigenous hip hop serves to affirm and redefine twenty-first century Indigenous identities, disrupting and reinterpreting stereotypical representations of Native Americans in a process which I describe as an “authenticity loop.” By utilizing artistic choices and strategic representations of indigeneity, the artists I examine have firmly established that they along with their communities are not remnants of the past, even as they maintain a continuity between previous generations and the present day.
APA, Harvard, Vancouver, ISO, and other styles
6

Schoch, Christina. "Dancing-Queen und Ghetto-Rapper : die massenmediale Konstruktion des "Anderen" ; eine systemtheoretische Analyse der hegemonialen Diskurse über Ethnizität und Geschlecht in populären Musikvideos /." Herbolzheim : Centaurus-Verl, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2799824&prov=M&dok_var=1&dok_ext=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Knuters, Petra. "Zur medialen Inszenierungvon Türkendeutsch : Eine Gegenüberstellung des Gebrauchs von Ethnolekt in Rapmusik und Comedy-Shows." Thesis, Stockholms universitet, Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157066.

Full text
Abstract:
In diesem Aufsatz werden die Stilisierungen  des Türkendeutsch aus zwei Perspektiven untersucht. Es wird der Frage nachgegangen, wie Türkendeutsch als Ethnolekt von den Medien inszeniert wird und wie sich die Sprecher des Türkendeutsch selbst in den Medien darstellen. Mittels einer Textanalyse sind Hip-Hop-Texte und Texte der Satire variationslinguistisch untersucht worden, wobei die Rap-Texte mit einer Bildanalyse komplettiert wurden. Schließlich wird ein Vergeich der beiden Genres bezüglich primären Ethnolekt und medial-Sekundären Ethnolekt angestellt.
APA, Harvard, Vancouver, ISO, and other styles
8

Chennault, Schyler B. "Je vis, donc je vois, donc je dis: Banlieue Violence in French Rap." BYU ScholarsArchive, 2007. https://scholarsarchive.byu.edu/etd/834.

Full text
Abstract:
Since its creation over two decades ago, French rap music has evolved to become both wildly popular and highly controversial. It has been the subject of legal debate because of its violent content, and accused of encouraging violent behavior. This thesis explores the French M.C.'s role as representative and reporter of the France's suburbs, la Banlieue, and contains analyses of French rap lyrics to determine the rappers' perception of Banlieue violence. Using the song lyrics, this work examines the conditions and causes of that violence as seen by the Banlieusard, and answers the critics' accusations that French rap is a call to violence.
APA, Harvard, Vancouver, ISO, and other styles
9

Rife, Franchesca R. "From Transgression to Transformation: How Gender Fluidity in Rap is Restructuring the Conversation." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1619023038964272.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Khan, Jawaid. "A study of rapes of girls under the age of 13 years in Hong Kong 1989-1992." Thesis, Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13781169.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Rapper"

1

Eminem: Grammy-winning rapper. Minneapolis: ABDO Pub. Co., 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jay Z: Rapper and businessman. New York, NY: Enslow Publishing, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Harris, Ashley Rae. Tupac Shakur: Multi-platinum rapper. Edina, Minn: ABDO Pub. Co., 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tupac Shakur: Multi-platinum rapper. Edina, Minn: ABDO Pub. Co., 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Nicki Minaj: Rapper & fashion star. Minneapolis, MN: ABDO Pub., 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Schoch, Christina. Dancing Queen und Ghetto Rapper. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jeff, D. J. Jazzy. He's the DJ, I'm the rapper. New York, NY: Zomba Recording/Real Gone Music, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Cee Lo Green: Rapper, singer, & record producer. Minneapolis, MN: ABDO Pub. Co., 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lamnek, Siegfried. Die Marienplatz-Rapper: Zur Soziologie einer Grossstadt-Gang. Pfaffenweiler: Centaurus, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Sufi rapper: The spiritual journey of Abd al Malik. Rochester, Vt: Inner Traditions, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Rapper"

1

Oware, Matthew. "The Hybrid Rapper." In I Got Something to Say, 39–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90454-2_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bradby, Barbara. "Growing up to be a Rapper?" In The Routledge Research Companion to Popular Music and Gender, 15–34. Abingdon, Oxon : New York, NY : Routledge, [2017]: Routledge, 2017. http://dx.doi.org/10.4324/9781315613437-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Goßen, Christiane M. "6 Identität: Grenzstadtbürger, Kartellmitglieder und Rapper." In Cultural Studies, 179–228. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839460375-008.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Schoch, Christina. "Einleitung." In Dancing Queen und Ghetto Rapper, 1–5. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Schoch, Christina. "Musikvideos als Gegenstand Kulturwissenschaftlicher Forschung." In Dancing Queen und Ghetto Rapper, 6–27. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Schoch, Christina. "Systemtheoretische Erfassung massenmedialer Strukturen." In Dancing Queen und Ghetto Rapper, 28–73. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Schoch, Christina. "Diskurstheoretische Erfassung massenmedialer Inhalte." In Dancing Queen und Ghetto Rapper, 74–116. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Schoch, Christina. "Empirische Studie zur Inszenierung von Ethnizität und Geschlecht in Musikvideos." In Dancing Queen und Ghetto Rapper, 117–54. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Schoch, Christina. "Qualitative Analyse: Explikation und Interpretation." In Dancing Queen und Ghetto Rapper, 155–224. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Schoch, Christina. "Zusammenfassende Analyse und Schlussfolgerungen." In Dancing Queen und Ghetto Rapper, 225–29. Herbolzheim: Centaurus Verlag & Media, 2006. http://dx.doi.org/10.1007/978-3-86226-317-2_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Rapper"

1

Mattox, David, Len Seligman, and Ken Smith. "Rapper." In the second international workshop. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/319759.319766.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Eder, W. Ernst. "Case Study in Systematic Design Engineering: Smoke Gas Dust Precipitation." In ASME 2009 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/detc2009-86069.

Full text
Abstract:
Students learning design engineering at times need a good example of procedure for novel design engineering. The systematic heuristic-strategic use of a theory to guide the design process — Engineering Design Science — and methodical design process followed in this case study is only necessary in limited situations. The full procedure should be learned, such that the student can select appropriate parts for other applications. Creativity is usually characterized by a wide search for solutions, especially those that are innovative. The search can be helped by this systematic and methodical approach. This case example is presented to show application of the recommended method, and the expected scope of the output, with emphasis on the stages of conceptualizing. The case follows a novel design problem of a smoke gas dust precipitation process and the necessary technical system, including a sub-problem of a rapper for dust removal.
APA, Harvard, Vancouver, ISO, and other styles
3

Erlingsson, Úlfar, Vasyl Pihur, and Aleksandra Korolova. "RAPPOR." In CCS'14: 2014 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2660267.2660348.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Smith, J. David, and T. C. Nicholas Graham. "Raptor." In the International Academic Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1920778.1920805.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Carlisle, Martin C., Terry A. Wilson, Jeffrey W. Humphries, and Steven M. Hadfield. "RAPTOR." In the 36th SIGCSE technical symposium. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1047344.1047411.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bimber, Oliver, and L. Miguel Encarnação. "RAPTOR." In ACM SIGGRAPH 2002 conference abstracts and applications. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242249.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Peng, Shaolin, Gregory Parsons, and Alexander G. Dean. "RaPTEX." In the 2010 Workshop. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1739025.1739039.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hahn, Jiwon, Qiang Xie, and Pai H. Chou. "Rappit." In the 3rd IEEE/ACM/IFIP international conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1084834.1084912.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Song, Hoyeong, Soobin Lee, Hyunsoo Kim, Gunmin Jang, Younggeun Choi, and Dongseok Yang. "RAPAEL." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2851581.2890229.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ifath, Md Monzurul Amin, Miguel Neves, and Israat Haque. "Raptor." In CoNEXT '21: The 17th International Conference on emerging Networking EXperiments and Technologies. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3485983.3493354.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Rapper"

1

Warren, F. J., and N. Lulham. Aperçu du rapport. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/328411.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bibeau, C., and J. C. Chanteloupe. Rapport Juin-Juillet 1999. Office of Scientific and Technical Information (OSTI), August 1999. http://dx.doi.org/10.2172/14564.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bjerre-Madsen, Caroline, and Frans Ørsted Andersen. Rapport om DrengeAkademiet: De længerevarende betydninger af deltagelsen i DrengeAkademiet – rapport 2017. Aarhus University Library, 2017. http://dx.doi.org/10.7146/aul.184.140.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ciccarelli, G., M. Subudhi, and R. Hall. Raptor Gas Gun Testing Experiment. Office of Scientific and Technical Information (OSTI), June 1998. http://dx.doi.org/10.2172/770456.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Petersen, Karen Bjerg, Frans Ørsted Andersen, Daniel Wilson, Maj Sofie Rasmussen, Toke Lund-Laursen, Susanne Jespersen, Esben Klange, and Cathrine Bonderup. Pædagogik på Kanten: En rapport. Aarhus University Library, 2020. http://dx.doi.org/10.7146/aul.360.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bush, E., and G. Flato. Au sujet de ce rapport. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2019. http://dx.doi.org/10.4095/327629.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Research Institute, International Food Policy. 2012 Politiques alimentaires mondiales rapport: Aperçu. Washington, DC: International Food Policy Research Institute, 2013. http://dx.doi.org/10.2499/9780896295551.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Research Institute (IFPRI), International Food Policy. 2011 Politiques alimentaires mondiales rapport: Aperçu. Washington, DC: International Food Policy Research Institute, 2012. http://dx.doi.org/10.2499/9780896295483.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bartsch, Michael S., Sara Bird, Steven Branda, Harrison Edwards, Harikrishnan Jayamohan, Raga Krishnakumar, Kamlesh Patel, Joseph S. Schoeniger, and Anupama Sinha. Real-Time Automated Pathogen Identification by Enhanced Ribotyping (RAPIER) LDRD Final Report. Office of Scientific and Technical Information (OSTI), October 2018. http://dx.doi.org/10.2172/1481615.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Giff, G. Rapport d'évaluation 2015-2016 de l'IDS-Arctique. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2017. http://dx.doi.org/10.4095/305896.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Rapper' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography