Relevant bibliographies by topics / Rapunzel (Tale)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Rapunzel (Tale)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Rapunzel (Tale)"

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Duttagupta, Suchismita. "Reading Hair as a Symbol to Understand Changing Gender Roles in “Rapunzel” and Rapunzel’s Revenge." Artha - Journal of Social Sciences 17, no. 3 (July 1, 2018): 53–72. http://dx.doi.org/10.12724/ajss.46.4.

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Fairy tales have always been captivating for young readers. Since most of the fairy tales have their source in oral folktales, they highlight traditional gender roles and create stereotypes. As Maria Nikolajeva (2003) states, fairy tales reflect its own time and society. Evolution in readership has led to a change in these reflections. “Rapunzel” is one of the most iconic fairy tale characters and she is known for her long golden hair. Hair carries symbolic implications and is often associated with femininity, and exhibits how societal control influences how she/he wears their hair. By the transformation of her hair in the adaptations, the authors depict a change in the traditional gender roles. Rapunzel’s Revenge by Shannon and Dean Hale will be read as a counter-narrative to Grimm‟s “Rapunzel” to investigate the changes in the fairy tale genre and enable a reading of the changing hair symbolism in order to understand the change in gender roles and identity.
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Neychev, Vladimir, John Famiglietti, and Pierre F. Saldinger. "Telling the tale of Rapunzel syndrome." Surgery 153, no. 2 (February 2013): 297–98. http://dx.doi.org/10.1016/j.surg.2011.07.074.

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Sharma, Vishal, Hema Gupta, Sandeep Lamoria, and Arka De. "Tale of a hairy tail: Rapunzel Syndrome." Internal and Emergency Medicine 11, no. 5 (October 23, 2015): 759–60. http://dx.doi.org/10.1007/s11739-015-1332-3.

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Chauhan, Narvir S., Satish Kumar, and Rohit Bhoil. "Rapunzel Syndrome: Rare ‘Tale’ of a Broken ‘Tail’." Polish Journal of Radiology 81 (April 14, 2016): 166–69. http://dx.doi.org/10.12659/pjr.896154.

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Bège, Thierry, Ariadne Desjeux, Benjamin Coquet-Reinier, Stéphane V. Berdah, Jean-Charles Grimaud, and Christian Brunet. "The Rapunzel Syndrome: A Hard-To-Swallow Tale." Journal of Gastrointestinal Surgery 15, no. 8 (April 12, 2011): 1486–87. http://dx.doi.org/10.1007/s11605-011-1494-x.

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Jamal, Iqra, Fakiha Zahid, and Muhammad Arfan Lodhi. "Critical Application of Psychoanalytical Theory on the Children Literature ‘Rapunzel’." Education, Language and Sociology Research 4, no. 5 (November 1, 2023): p1. http://dx.doi.org/10.22158/elsr.v4n5p1.

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The study has discussed the key ideas of Freud’s theory of dream work and psychoanalysis on the fairy tale Rapunzel written by Grimm brothers. The character of husband, wife and witch shows the Freud’s theory of id, ego and super-ego. Rapunzel reflects the psychosexual development theory of Freud, as Rapunzel is a girl who spend her life in a tower, which has no door, and windows in it. She does not touch ground or green grass in her lifetime. She lacks relationships all her life. When she met a prince, she was terrified at first because she never met any human in her life except her mother, but she drawn towards him because of her basic needs. The careful examination of the linguistic and visual text of the data indicates that Rapunzel is perfect example of the Freud’s psychosexual development in all his theoretical concepts. The investigative framework adopted for this study was case based exploratory research in which data was collected analysed and interpreted qualitatively. The sampling strategy drawn for this study was typical and critical case sampling technique.
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George, Sam Varghese, Inian Samarasam, George Mathew, and Sudhakar Chandran. "A Hairy Tail not a Fairy Tale – Rapunzel Syndrome." Indian Journal of Surgery 75, S1 (November 11, 2011): 80–81. http://dx.doi.org/10.1007/s12262-011-0369-4.

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Nandan, Ruchira, Deepak Kumar, and Vaibhav Pandey. "Rapunzel syndrome: A concealed tale of the misleading tail." Journal of Indian Association of Pediatric Surgeons 28, no. 1 (2023): 69. http://dx.doi.org/10.4103/jiaps.jiaps_86_22.

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Tian, Yuhong, and Yan Yang. "A Study of Female Images in Tangled." Communications in Humanities Research 34, no. 1 (May 21, 2024): 30–35. http://dx.doi.org/10.54254/2753-7064/34/20240105.

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Disneys classic animated film Tangled is based on an American fairy tale, telling the story of Rapunzel, a fragile girl imprisoned by a witch, who transforms into a brave new-era woman pursuing her own happiness. The protagonist, Rapunzel, relies on her own effort and wisdom, daring to break with conventions and free herself from bondage. The witch, Mother Gothel, is the villainous character in the film, who imprisons Rapunzel in a tower and exploits her magical powers for her own benefit. From the perspective of feminism, this thesis makes a detailed analysis of the female images in Tangled, interprets feminism while analyzing the images, and explores the significance of Disney Princess animated films in spreading feminism. Tangled reflects the oppression of women and the awakening of womens self-consciousness. Analyzing film and television works in the new era with the help of feminist theories can also help us further analyze womens thoughts in the new era through the shaping of female roles.
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Khan, Mehwish Ali, and Fouzia Rehman Khan. "Intertextual Elements Highlighting the Postmodernist Features of Tangled (2010)." Global Language Review IV, no. II (December 30, 2019): 50–58. http://dx.doi.org/10.31703/glr.2019(iv-ii).08.

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The present study focuses on one of the contemporary American fairy tale movies to analyze the postmodernist aspects present in these movies. The researcher has selected the movie Tangled released in 2010 for this purpose, it is a remake of the famous fairy tale Rapunzel recorded by famous fairy tale writers, Jacob and Wilhelm Grimm. One of the most prominent patterns of analyzing the movies through the lens of postmodernism is the framework by Kevin Paul Smith, in his book The Postmodern Fairytale, Folkloric Intertexts in Contemporary Fiction. He has presented eight elements of intertextuality to examine the intertextual elements of the older fairy tales present in contemporary literature (2007). Analysis reveals these eight elements in Tangled (2010) that are evident in traces of postmodernity in the movie.
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Dissertations / Theses on the topic "Rapunzel (Tale)"

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Roller, Elizabeth. "Imprisoned maidens: Italian variants of the "Rapunzel" tale." Thesis, Boston University, 2005. https://hdl.handle.net/2144/27752.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
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Purol, Faye H. "Rapunzel: the history, distribution and uses of a fairy tale." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342108106.

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Books on the topic "Rapunzel (Tale)"

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Southgate, Vera. Rapunzel. 2nd ed. London: Ladybird, 2013.

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Cowley, Joy. Rapunzel. Campsie: Big & Small, 2014.

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ill, Roberts David 1970, ed. Rapunzel: A groovy fairy tale. New York: Harry N. Abrams, 2003.

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Zelinsky, Paul O. Rapunzel. New York, NY: Puffin Books, 2002.

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Wray, Kit. Rapunzel: A hidden picture fairy tale. Honesdale, Pa: Bell Books, 1991.

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1785-1863, Grimm Jacob, and Grimm Jacob 1785-1863, eds. Die kluge Else: Rapunzel. Olten: Walter-Verlag, 1986.

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Bazaldua, Barbara. Rapunzel's tale. New York: Random House, 2010.

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Bazaldua, Barbara. Rapunzel's tale. New York: Random House, 2010.

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Bennett, Cindy C. Rapunzel untangled. Springville, Utah: Sweetwater Books, an imprint of Cedar Fort, Inc., 2013.

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Everman, Mariah. Rapunzel uncut: A comedy in one act. New York: Playscripts, Inc., 2001.

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Book chapters on the topic "Rapunzel (Tale)"

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Çetin, Derya, and Mevlüde Deveci. "A Feminist Reading of an Oriental Tale." In Research Anthology on Feminist Studies and Gender Perceptions, 644–53. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-4511-2.ch039.

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Tales, which have an important place in the process of socialization, contain various ideological constructions like other narratives. This study aims to analyses an important tale of Turkey's tale corpus named “Crystal Manor and Diamond Ship” by the terms of feminist critics. This tale is considered among the tales of Anatolian field and is similar to some western tales such as Rapunzel. However, in terms of subject positions, which are one of the focal points of feminist criticism, the main female character, unlike most fairy tales, seems to be planning and implementing the actions that advance the plot, rather than waiting for a man to rescue her.
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Çetin, Derya, and Mevlüde Deveci. "A Feminist Reading of an Oriental Tale." In Advances in Media, Entertainment, and the Arts, 77–89. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-0128-3.ch005.

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Tales, which have an important place in the process of socialization, contain various ideological constructions like other narratives. This study aims to analyses an important tale of Turkey's tale corpus named “Crystal Manor and Diamond Ship” by the terms of feminist critics. This tale is considered among the tales of Anatolian field and is similar to some western tales such as Rapunzel. However, in terms of subject positions, which are one of the focal points of feminist criticism, the main female character, unlike most fairy tales, seems to be planning and implementing the actions that advance the plot, rather than waiting for a man to rescue her.
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Grim, Jacob, and Wilhelm Grim. "Rapunzel." In Selected Tales. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199555581.003.00012.

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There once lived a husband and a wife who had long wished for a child, but in vain. At last the wife had hopes that the good Lord would fulfil her wish. In the parlour at the back of their house they had a...
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Benhamou, Eve. "The DreamWorks Formula and the Post-feminist Disney Couple: Tangled ’s Romantic Parodies." In Contemporary Disney Animation, 77–99. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474476126.003.0004.

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First, this chapter analyses Disney’s reappropriation of what can be described as the ‘DreamWorks formula’ in Tangled, combining ‘contra-diegetic intertextuality’ and critical parody. This reappropriation stands out throughout the paratextual and textual portrayal of Flynn Rider, and is particularly notable in the first half of the film. In parallel with Flynn’s double act, this chapter examines how Tangled gradually reveals its formulaic identity, mediating its DreamWorks-style performance through tropes typical of the studio’s sentimental fairy tales and idealised romance. Such a delicate balance between parody and idealisation also characterises the construction of gender and coupledom. The second part of this chapter investigates the typically post-feminist sensibilities characterising Rapunzel’s and Flynn’s portrayal both in Tangled and in the subsequent short Tangled Ever After. From a wider perspective, this chapter uses Tangled as a case study to reflect upon the influence of an animation studio beyond Disney’s cinematic universe (DreamWorks) on the former’s contemporary output and its formula.
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Conference papers on the topic "Rapunzel (Tale)"

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Dumitru, A., C. Tocia, and E. Dumitru. "The Rapunzel Syndrome – A Tale of a Gastric Trichobezoar." In ESGE Days 2023. Georg Thieme Verlag KG, 2023. http://dx.doi.org/10.1055/s-0043-1765544.

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Valero Cuadra, Pino. "Blancanieves, Cenicienta, Rapunzel, Caperucita…: de crueles cuentos de los Hermanos Grimm a películas Disney." In La Traducción y sus meandros: diversas aproximaciones en el par de lenguas alemán-español. Ediciones Universidad de Salamanca, 2022. http://dx.doi.org/10.14201/0aq0320101123.

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En los últimos tiempos están viendo la luz los estudios que abordan la cuestión de la falta de corrección política de algunos de los referentes de literatura infantil y juvenil. En este artículo pretendemos, sin embargo, abordar el punto de vista contrario a raíz de la publicación en inglés, con el título de The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition, de la primera edición de 1812-1815 de los cuentos de los hermanos Grimm, los famosos Kinder- und Hausmärchen, dos tomos en los que los cuentos se presentaban con toda la crudeza con la que circulaban en Alemania de forma oral, versión inglesa a la que se ha unido la reciente traducción al español de esa misma edición primigenia realizada por Helena Cortés Gabaudan y publicada en 2019 con el título de Los cuentos de los hermanos Grimm tal como nunca te fueron contados. Así, nuestra intención con este trabajo es mostrar la evolución de los cuentos más emblemáticos de esta saga, como Rapunzel, Cenicienta, Caperucita o Blancanieves, desde esa primera versión alemana (ahora también en inglés), pasando por la traducción española de la versión de 1857, ya más suavizada, hasta llegar a las versiones cinematográficas de Disney, que a su vez están siendo revisitadas en la actualidad con películas como Mirror, mirror o Maléfica, reivindicando aspectos oscuros de los cuentos originales.
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