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Journal articles on the topic 'Rattanakosin Period'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Charoenkijkajorn, Possanunt, and Yoshito Nakano. "Oblique structure in Thai traditional mural painting during the early Rattanakosin period: a composition analysis." Art and Architecture Journal Naresuan University 16, no. 1 (2025): 43–56. https://doi.org/10.71185/ajnu.2025.270312.

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This paper examines the oblique structure in Thai traditional painting during the Early Rattanakosin Era. Using a combination of art historical analysis by analyzing the use of oblique structure in Thai traditional painting by chronological approach and formalist techniques, the study aims to identify and analyze the distinctive features of oblique composition in Thai painting from this period. The paper draws on a wide range of primary sources, including surviving examples of Early Rattanakosin painting, contemporary texts on Thai art, and relevant historical records. Through its analysis, th

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2

Ruengruglikit, Cholada. "Rak Thi Tong Montra: A Modern Interpretation of Phra Lo in the Rattanakosin Period." MANUSYA 4, no. 1 (2001): 18–39. http://dx.doi.org/10.1163/26659077-00401002.

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Rak Thi Tong Montra [Magic Love] is written in the form of novel by Thommayanti. The story line of this novel is still the same as that of Lilit Phra Lo, a well-known traditional Thai literature in the Early Ayutthaya Period. Though the plot is kept, many changes are made to suggest the writerʼs new themes and purpose. Thommayanti tells the story by using the younger princess to narrate the story in the form of a memoir. Due to Thommayantiʼs purpose, some changes in characterization are made and some events are inserted.

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Kim, Hayne, Apichai Chantanakajornfung, and Suppabhorn Suwanpakdee. "Proximity to Daily Life: Parallel Musical Functions in the Austrian Biedermeier and Early Thai Rattanakosin Eras." Malaysian Journal of Music 12, no. 2 (2023): 115–34. http://dx.doi.org/10.37134//mjm.vol12.2.7.2023.

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In every culture and time period, music has always been a medium of expression that gathers people together. In Thailand, the Sadhukarn, ceremonial music from the early Rattanakosin era (1782-1851), expressed a bodily and mental salutation to heavenly spirits, reinforcing a unified belief system before the start of an event. In a parallel era in Central Europe, the music of the Biedermeier period (1815-1848) also had a unifying function as it grew out of societal conditions in which the distinction of classes became less pronounced. In order to more fully engage with these concepts, a concert

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4

Koizumi, Junko. "The Commutation of Suai from Northeast Siam in the Middle of the Nineteenth Century." Journal of Southeast Asian Studies 23, no. 2 (1992): 276–307. http://dx.doi.org/10.1017/s0022463400006196.

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The main characteristic of the Thai economy in the early Rattanakosin period, especially the extent of the development of overseas trade and its effect on the domestic economy and the peasantry in particular, has become one of the points of interest among scholars of Thai history in the past decade. This paper attempts to reconsider this question by examining the existing documents on suai (head tax in kind) sent from northeast Siam to Bangkok between the 1830s and the 1860s. The region canvassed here includes areas on both sides of the Mekong valley, i.e. the Eastern Lao provinces (huamuang l

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Buranaut, Isarachai, and Kreangkrai Kirdsiri. "Buddhism Vernacular Architecture in Songkhla Lake Basin." Journal of Architectural/Planning Research and Studies (JARS) 11, no. 1 (2014): 1–20. http://dx.doi.org/10.56261/jars.v11i1.24701.

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The evidence of the historical development of the Songkla Lake Basin (covering Nakhon Si Thammarat Province, Songkhla Province, and Pattalung Province) has been found since the 5th BE, and clearly noticed during the 12-13th BE as the port of Srivijaya Kingdom. Then in 16th BE, pieces of evidence of relationship with the Song Dynasty of China were found. During the 17-18th BE, Nakhon Si Thammarat played its role as the centre of Tambalinga Kingdom. In the 20th BE, many cities in the South were under the control of Ayudhya and Rattanakosin, the capitals, respectively. Political control and Buddh

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Seviset, Somchai, and Jian Qun Lin. "Cosmology and the Traditional Thai Design of the Royal Throne of Rattanakosin Royal Hall." Applied Mechanics and Materials 409-410 (September 2013): 442–53. http://dx.doi.org/10.4028/www.scientific.net/amm.409-410.442.

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The Royal Throne inside Amarinthara Winictchai Throne Hall built during the early Rattanakosin Period (1782-present day) in Thailand is considered as the utmost essential furniture of the Royal Hall. Due to the fact that it is used for special state occasions as well as royal ceremonies, the Royal Throne was designed and constructed with an exquisite traditional Thai architectural design based on the concept of kingship and cosmology. According to this particular concept, the Royal Throne symbolizes Mount Meru, which is believed to be the center of the universe based on the perception of Thai

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7

Krailassuwan, Somchart. "History of Thai maritime trade." Maritime Technology and Research 1, no. 1 (2018): Proof. http://dx.doi.org/10.33175/mtr.2019.147777.

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The Thai commercial fleet can carry about 10% of the volume of imports and exports. History of Thai maritime trade is divided into 1) Sukhothai period era 2) Ayutthaya and Thonburi period 3) Rattanakosin period 4) The first of the national fleet period. .Sukhothai period era trade with various foreign countries. In the King Ramkhamhaeng era is a prosperous.. 1) The Gulf of Thailand trade with China 2) Trade on the Andaman sea is a merchant ship from India. Ayutthaya and Thonburi period. Traders of various nationalities come to trade. The Gulf of Thailand (South China Sea) and the Indian Ocean.

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Pichaichanarong, Tawipas, Veerawat Sirivesmas, and Rueanglada Punyalikhit. "APPENDING ROLES OF THAI LANNA TEMPLES FOR SUSTAINABLE COMMUNITIES: A CASE STUDY OF WAT PHUMIN, NAN PROVINCE." International Journal of Heritage, Art and Multimedia 3, no. 8 (2020): 01–11. http://dx.doi.org/10.35631/ijham.38001.

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Temples have been important in Thai society for over 700 years. When the Sukhothai Kingdom (1238 -1438 AD) was the capital city of Thailand. The great King Ramkamhang had been accepted Theravada Buddhism to be the strongest religion in the land. Later Lanna kingdom (1296 - 1558 AD) was founded in the mid-13th century by King Mangrai. Indeed, King Ramkamhang was friends with King Mangrai, and King Ngam Muang of Phayao Kingdom (1094–1338 AD), it is possible Theravada Buddhism had been introduced to the kingdoms during the reigns of these three Kings. Indeed, the Lanna Kingdom has accepted Therav

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9

Jiamrungsan, Supamas. "The Ancient Technique of Weaving with the Contemporary Art." International Journal of Creative and Arts Studies 4, no. 1 (2017): 13. http://dx.doi.org/10.24821/ijcas.v4i1.1951.

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This study is a qualitative research method. The purposes are firstly to trial production of Pha Yok Dok which is one of the local handicrafts, found in the north-eastern part of Thailand. It is the guidelines for handling core issues of the creation and must start from studying motif of design, focus on techniques the golden fabric is located at weaving with gold threads, called Yok Thong. Secondly, to improve the pattern of contemporary fabric are the synthesis of Yok Dok texti le design in making fabric. It is a complex process which requires highly skilled weavers. In researcher’s point of

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10

Choompolpaisal, Phibul. "Boran Kammatthan (Ancient Theravada) Meditation Transmissions in Siam from late Ayutthaya to Rattanakosin periods." Buddhist Studies Review 38, no. 2 (2021): 225–52. http://dx.doi.org/10.1558/bsrv.21196.

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This article investigates three distinct lineages of the transmission of the ancient Theravada meditation, boran kammatthan (Thai, Khmer; Pali, purana kammatthana), in Siam from the late Ayutthaya to the Thonburi and Rattanakosin periods, as well as the survival of two of them as living practices. It traces the Ayutthaya lineage of the Supreme Patriarch Suk Kaitheun (1733–1822) back from Wat Ratchasittharam (Thonburi) in the present to Wat Pa Kaew (Ayutthaya) in the sixteenth century. It also looks at the transmission of boran kammatthan from Wat Choengtha and other temples in Ayutthaya via Wa

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Kullavanijaya, Pranee. "A Historical Study of Time Markers in Thai." MANUSYA 6, no. 4 (2003): 87–106. http://dx.doi.org/10.1163/26659077-00604006.

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In general, time markers which mark a sequence of events can be divided into two main types: markers that have locution time of utterance as the referential point, and markers that have the mentioned time in the text as the referential point. Both types of markers range from one word which can be either inherent or derived to such constructions as noun phrases and preposition phrases. The study shows an increase in both the derived words and phrasal constructions in the four studied periods: Sukhothai, Ayutthaya, Mid-Rattanakosin and Modern Thai.

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Chaiyaporn, Pymporn. "Economic Factors Affecting the Changes in Temple Architecture in the Reign of King Rama IX." Nakhara : Journal of Environmental Design and Planning 15 (December 24, 2018): 107–18. http://dx.doi.org/10.54028/nj201815107118.

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Economic factors reflecting the prosperity of foreign trades from the Ayutthaya to the Rattanakosin periods, brought about growth and changes in dwellings. These factors also supported and maintained Buddhism by restoring, reconstructing, and building temples. Traditions changed in the reign of King Bhumibol Adulyadej, Rama IX, due to a capitalist economic system. This system, which has expanded its influence over land use planning, tourism development, and economic revitalization, led to different directions in the development of temple architecture. This article studies the roles of an econo

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13

Pansak, Vandee. "Developing of Thai Classical Music Ensemble in Rattanakosin Period." January 27, 2013. https://doi.org/10.5281/zenodo.1072046.

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The research titled “Developing of Thai Classical Music Ensemble in Rattanakosin Period" aimed 1) to study the history of Thai Classical Music Ensemble in Rattanakosin Period and 2) to analyze changing in each period of Rattanakosin Era. This is the historical and documentary research. The data was collected by in-depth interview those musicians, and academic music experts and field study. The focus group discussion was conducted to analyze and conclude the findings. The research found that the history of Thai Classical Music Ensemble in Rattanakosin Period derived from the Ayutthay

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14

Weena, Eiamprapai. "Art and Culture in the Development Period to Modernization in the Reign of King Rama VI." International Journal of Humanities and Social Sciences 8.0, no. 7 (2014). https://doi.org/10.5281/zenodo.2661233.

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The growth of Thai society in western style in the middle of Rattanakosin period can be defined as modernization /civilization. These terms had an influence on the development of the country in the reign of King Rama V owing to the governance reform, and cultures influenced by the West. Those were passed on until the reign of King Rama VI. The preference was not only for the renovation of architecture and arts based on Thai customs reflecting the prosperity and beauty of handicrafts but also for the acceptance of westernization. The remain of this acceptance includes the concept of such value

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Weena, Eiamprapai. "Art and Culture in the Development Period to Modernization in the Reign of King Rama VI." International Journal of Business, Human and Social Sciences 7.0, no. 8 (2016). https://doi.org/10.5281/zenodo.1339137.

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The growth of Thai society in western style in the middle of Rattanakosin period can be defined as modernization /civilization. These terms had an influence on the development of the country in the reign of King Rama V owing to the governance reform, and cultures influenced by the West. Those were passed on until the reign of King Rama VI. The preference was not only for the renovation of architecture and arts based on Thai customs reflecting the prosperity and beauty of handicrafts but also for the acceptance of westernization. The remain of this acceptance includes the concept of such value

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16

Nasing, Phra Somphop, Chamnan Rodhetbhai, and Ying Kirtiburana. "Royal Buddhist Monasteries in Rattanakosin Period: Potential Development Guidelines for Promoting Cultural Tourism." International Journal of Academic Research in Business and Social Sciences 3, no. 9 (2013). http://dx.doi.org/10.6007/ijarbss/v3-i9/254.

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17

Jaruphan, Supprung. "The Relationship between the Palaces and the Buddhist Temples in Rattanakosin Period: Study on Wat Rajadhivas Vihara." January 5, 2014. https://doi.org/10.5281/zenodo.1091064.

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The aims of this research were to study the relationship between the Palaces (the Kings and the Royalty of the Chakri Dynasty) and the Buddhist temples including Wat Rajadhivas Vihara in Rattanakosin Period of Thailand with the purpose of creating knowledge for Thai lifelong learning, especially for Thai youth and children, and to create positive attitude on Nationalism, Buddhism and Monarchy of Thai people. The findings disclosed that the Palaces have had relationships with 33,902 temples, close relationship with 290 royal temples, and closer relationship with the 8 royal temples regarded as

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18

Jaruphan, Supprung. "The Relationship between the Palaces and the Buddhist Temples in Rattanakosin Period: Study on Wat Rajadhivas Vihara." International Journal of Business, Human and Social Sciences 7.0, no. 1 (2014). https://doi.org/10.5281/zenodo.1337055.

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The aims of this research were to study the relationship between the Palaces (the Kings and the Royalty of the Chakri Dynasty) and the Buddhist temples including Wat Rajadhivas Vihara in Rattanakosin Period of Thailand with the purpose of creating knowledge for Thai lifelong learning, especially for Thai youth and children, and to create positive attitude on Nationalism, Buddhism and Monarchy of Thai people. The findings disclosed that the Palaces have had relationships with 33,902 temples, close relationship with 290 royal temples, and closer relationship with the 8 royal temples regarded as

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19

Assoc., Prof. Jaruphan Supprung. "The Relationship between the Palaces and the Buddhist Temples in Rattanakosin Period: Study on Wat Rajadhivas Vihara." International Journal of Electronics and Communication Engineering 7.0, no. 11 (2013). https://doi.org/10.5281/zenodo.2659399.

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Aims of this research were to study the relationship between the Palaces (the Kings and the Royalty of the Chakri Dynasty) and the Buddhist temples including Wat Rajadhivas Vihara in Rattanakosin Period of Thailand with the purpose of creating knowledge for Thai lifelong learning, especially for Thai youth and children, and to create positive attitude on Nationalism, Buddhism and Monarchy of Thai people. The findings disclosed that the Palaces have had relationships with 33,902 temples, close relationship with 290 royal temples, and closer relationship with the 8 royal temples regarded as the

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20

Patnukao, Areerut, Pannee Cheewinsiriwat, Settawut Bamrungkhul, and Ekkamol Vannametee. "Tracing human settlements: analyzing the spatio-temporal distribution of Buddhist temples in Nakhon Si Thammarat, Thailand." GeoJournal 89, no. 2 (2024). http://dx.doi.org/10.1007/s10708-024-11056-z.

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AbstractBuddhist temples offer invaluable historical insights into the movement of people across different historical periods and their interactions with the environment. This study focuses on the examination of temple locations in Nakhon Si Thammarat Province, with two primary objectives: analyzing the spatial distribution characteristics of temples across periods to trace the development of temples and settlements, and exploring the relationships between temple locations in each period and physical environmental factors/landforms. To achieve these objectives, GIS tools, including average nea

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(Tawan Weerakoon), ตะวัน วีระกุล, та โชติมา จตุรวงศ์ (Chotima Jaturawong). "ความเป็นไปได้ของรูปทรงหลังคามณฑปพระพุทธบาทสระบุรี ในสมัยสมเด็จพระสรรเพชญ์ที่ 8 (Possible roof forms of the Mondop of Phra Phutthabat, Saraburi during the reign of King Sanphet VIII)". Silpakorn University e-Journal (Social Sciences, Humanities, and Arts), 29 червня 2025, 215–27. https://doi.org/10.69598/sujthai.45.3.279611.

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การศึกษาที่ผ่านมาส่วนใหญ่เชื่อว่ารูปแบบของมณฑปพระพุทธบาท สระบุรี ซึ่งเป็นหลังคาย่อมุมดังที่ปรากฏในปัจจุบัน เป็นรูปแบบที่มีมาตั้งแต่สมัยอยุธยา อย่างไรก็ตามมณฑปพระพุทธบาท สระบุรี ได้ผ่านการบูรณะหลายครั้งตั้งแต่สมัยอยุธยาจนถึงสมัยรัตนโกสินทร์ นอกจากนั้นการศึกษาที่ผ่านมายังตั้งข้อสันนิษฐานว่า หลังคามณฑปเดิมอย่างน้อยตั้งแต่สมัยสมเด็จพระสรรเพชญ์ที่ 8 มีลักษณะเป็นมณฑปห้ายอดตามที่บันทึกในพระราชพงศาวดาร บทความนี้จึงนำเสนอความเป็นไปได้ของรูปทรงหลังคามณฑปพระพุทธบาท สระบุรี ที่ได้รับการบูรณะในสมัยสมเด็จพระสรรเพชญ์ที่ 8 หรือพระเจ้าเสือ (ครองราชย์ พ.ศ. 2246-2251) หลังจากแรกสร้างในสมัยพระเจ้าทรงธรรม (ครองราช

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Dusittorn, Ngamying. "The Study of Using Mon Dance in Pathum Thani Province's Tradition." October 1, 2015. https://doi.org/10.5281/zenodo.1109964.

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This investigation is focused on using of Mon dance in Pathum Thani Province's tradition and has the following objectives: 1) to study the background of Mon dance in Pathum Thani Province; 2) to study Mon dance in Pathum Thani Province; and 3) to study of using Mon dance in Pathum Thani province's tradition. This qualitative research was conducted in Pathum Thani province (in the central of Thailand). Data was collected from documentary study and field data by means of observation, interview, and group discussion. Workshops were also held with a total of 100 attendees, comprised of 20 key info

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