Academic literature on the topic 'Rāvaṇa'

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Journal articles on the topic "Rāvaṇa"

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Feller, Danielle. "Puṣpaka in the Vālmīki-Rāmāyaṇa". Asiatische Studien - Études Asiatiques 74, № 2 (2020): 325–48. http://dx.doi.org/10.1515/asia-2019-0043.

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Abstract The story of the divine flying chariot or palace (vimāna) called Puṣpaka, “little flower”, is well-known from the Vālmīki-Rāmāyaṇa. Created by Brahmā for the god of riches Kubera, the wonderful vimāna is then taken by force by the demon Rāvaṇa. Subsequently, it becomes the property of Rāma, who has defeated Rāvaṇa in the war and who uses the chariot to fly back within a day from Laṅkā to Ayodhyā. Puṣpaka has three main functions in the text: narrative – it allows the poet to wind up his story and achieve a quick change of scene, once the war description is over; psychological – Puṣpak
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Zvelebil, K. V. "Rāvaṇa the Great in modern Tamil fiction". Journal of the Royal Asiatic Society of Great Britain & Ireland 120, № 1 (1988): 126–34. http://dx.doi.org/10.1017/s0035869x00164184.

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The title of this brief essay is an echo of the title of a book once famous, nowadays almost forgotten: M. S. Purnalingam Pillai, Ravana the Great: King of Lanka (Munnirpallam, 1928). The same author, in his better-known Tamil Literature (1929) wrote: “The ten-faced and twenty-armed Ravana was apparently a very intelligent and valiant hero, a cultured and highly civilized ruler, knew the Vedas and was an expert musician. He took away Sita according to the Tamilian mode of warface, had her in the Asoka woods companioned by his own niece, and would not touch her unless she consented.” With this
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Woojo Kim. "Images of Rāvaṇa in Vālmīki’s Rāmāyaṇa and Svayambhū’s Paumcariu". Journal of South Asian Studies 15, № 3 (2010): 113–37. http://dx.doi.org/10.21587/jsas.2010.15.3.004.

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Peterson, Indira Viswanathan, та Kamil V. Zvelebil. "Two Tamil Folktales: The Story of King Mataṉakāma, the Story of the Peacock Rāvaṇa". Asian Folklore Studies 49, № 2 (1990): 359. http://dx.doi.org/10.2307/1178061.

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Richman, Paula, та Kamil V. Zvelebil. "Two Tamil Folktales: The Story of King Mataṉakāma and the Story of Peacock Rāvaṇa". Journal of the American Oriental Society 111, № 4 (1991): 846. http://dx.doi.org/10.2307/603450.

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Clines, Gregory M. "Taming the tamed elephant: Rāvaṇa, aesthetics, and the generation of humor in Raviṣeṇa’s Padmapurāṇa". South Asian History and Culture 10, № 3 (2019): 309–23. http://dx.doi.org/10.1080/19472498.2019.1649943.

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Goldman, Sally J. Sutherland. "Against their Will: Sexual Assault and the Uttarakāṇḍa". Studies in History 34, № 2 (2018): 164–81. http://dx.doi.org/10.1177/0257643018772405.

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A close reading of the Uttarakāṇḍa of Vālmīki’s Rāmāyaṇa demonstrates that its author has composed a carefully and logically structured work, one that is haunted by themes of sexual transgression. Not only is the first half of the kāṇḍa occupied with the history and genealogy of Rāvaṇa, who is no less than the sexual predator par excellence, but its latter half tells of Rāma’s seemingly heart-wrenching decision to banish Sītā based on rumours of her own supposed infidelity. Similar themes are reflected in a number of the kāṇḍa’s sub-stories—both those that are understood to be part of the main
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Gillet, Valérie. "Entre démon et dévot : la figure de Rāvaņa dans les représentations pallava." Arts asiatiques 62, no. 1 (2007): 29–45. http://dx.doi.org/10.3406/arasi.2007.1672.

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Marrison, G. E. "Reamker (Rāmakerti), the Cambodian version of the Rāmāyaṇa. a review article". Journal of the Royal Asiatic Society of Great Britain & Ireland 121, № 1 (1989): 122–29. http://dx.doi.org/10.1017/s0035869x00167917.

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Mrs. Jacob has provided us with a translation, for the first time in English, of the most important text in classical Cambodian literature, with an introduction and critical notes and lists, which will be of great help to anyone studying the Cambodian text. The Cambodian Rāmāyaṇa was composed anonymously by at least three authors over three centuries, and is divided into two parts. The earliest writer, of the sixteenth century, accounts for about a fifth of the first part, covering the main events of the Bālakāṇḍa and Ayodhyakāṇḍa. It was continued in the seventeenth century with the story up
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Shen, Hsueh-Man. "Entering the Seemingly Unattainable Citadel of Laṅkā". Archives of Asian Art 74, № 1 (2024): 37–63. http://dx.doi.org/10.1215/00666637-11169073.

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Abstract Among extant sites of stone sutras in China, Mount Gang stands out because of the visuality it creates and the experience it affords. This paper explores how the carving and subsequent placement of an interpolated prologue of the Laṅkāvatāra Sutra across many rocks on the mountain conduce to a multi-sensorial, immersive experience for visitors to contemplate the sutra doctrine of Consciousness Only. It shows that tactics applied to the stone inscriptions induce an onward and upward journey over Mount Gang. Moreover, they conjure Laṅkā while simultaneously negating its existence, as th
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Books on the topic "Rāvaṇa"

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Dineśa, Devarāja. Rāvaṇa. Pustakāyana, 1988.

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Guṇasēkara, Sūriya. Aitihāsika Rāvaṇa. Visidinu Prakāśakayō, 2012.

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3

Pāratvājar, Va. Rāma Rāvaṇa yuttam. Kāvyā, 2014.

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Yogeswar. Rāvaṇa, eka jīvana. Pracāraka Buka Klaba, Hindī Pracāraka Saṃsthāna, 1986.

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Seneviratna, Āriyadāsa. Śrī Laṅkā Rāvaṇa rājadhāniya. Samanti Pot Prakāśakayō, 2012.

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6

Joshī, Dinakara. Ayodhyāno Rāvaṇa ane Laṅkānā Rāma. Pravīṇa Pablikeśana, 2010.

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Ḍāṅge, Aśoka Prabhākara. Laṅgaḍī ājī āṇi Rāvaṇa māmā. Rājahãsa Prakāśana, 2011.

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8

Ñān̲acampantan̲, A. Ca. Irāvaṇan̲ māṭciyum vīl̲cciyum. Kaṅkai Puttaka Nilaiyam, 1995.

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Seneviratna, Āriyadāsa. Śrī Laṅkā Rāvaṇa rājadhāniya saha Sīgiri purāṇaya. Samantī Pot Prakāśakayō, 2014.

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Khuṇṭiā, Sūryyamaṇi. Rābaṇa: Eka tuḷanātmaka addhaẏana. Jñāna Bijñānikā, 2000.

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Book chapters on the topic "Rāvaṇa"

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Gawde, Shakuntala. "Rāvaṇa." In Hinduism and Tribal Religions. Springer Netherlands, 2022. http://dx.doi.org/10.1007/978-94-024-1188-1_17.

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Gawde, Shakuntala. "Rāvaṇa." In Hinduism and Tribal Religions. Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-1036-5_17-1.

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"7. The Raja's New Clothes: Redressing Rāvaṇa in Meghanāiavaiha Kāvya". У Many Rāmāyaṇas. University of California Press, 1991. http://dx.doi.org/10.1525/9780520911758-009.

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Blackburn, Stuart. "Rāvaṇa's First Defeat: The Puppeteers' Oral Commentary." In Inside the Drama-HouseRama Stories and Shadow Puppets in South India. University of California Press, 1996. http://dx.doi.org/10.1525/california/9780520202054.003.0006.

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"6. Rāvaṇa's First Defeat: The Puppeteers' Oral Commentary." In Inside the Drama-House. University of California Press, 1996. http://dx.doi.org/10.1525/9780520916807-010.

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Jordaan, Roy E. "Chapter 8 Sītā as Rāvaṇa’s Daughter at Candi Prambanan." In The Creative South. ISEAS–Yusof Ishak Institute Singapore, 2022. http://dx.doi.org/10.1355/9789814951524-008.

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Gopalakrishnan, Sudha. "Aṅgulīyāṅkam and Mantrāṅkam". У Two Masterpieces of Kūṭiyāṭṭam. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199483594.003.0001.

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It can be said that Aṅgulīyāṅkam and Mantrāṅkam represent the essential features that distinguish Kūṭiyāṭṭam from the other traditions of performance and challenge the norms of abhinaya prescribed in Nāṭyaśāstra and allied texts. Though these plays are vastly dissimilar in theme, scope, and content, the possible correspondences of these two plays as interpretations-in-performance place them in a complementary relationship to one another. Why and how these two plays established a different path is what the author explores during the course of her article. The sixth act of Śaktibhadras Āścaryacū
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Pathak, Shubha. "Gembedded narratives: Jewelled peacetime tales of Rāma’s exile and Rāvaṇa’s domicile as alternative afterlife anticipations in the Vālmīki Rāmāyaṇa." In Visions and Revisions in Sanskrit Narrative. ANU Press, 2023. http://dx.doi.org/10.22459/vrsn.2023.12.

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Conference papers on the topic "Rāvaṇa"

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Gupta, Devendra, та Divyanshu Bisht. "Rāvaṇa Offers Heads to Śiva: Another Aspect of Rāvaṇānugraha-Mūrtis in Indian Art". У The First Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0012499700003792.

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