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Books on the topic 'Raw files'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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1

Mercer, Dede D. The Mercer files: [raw research data, research yr. 1993. [Houston, Tex.] (5429 Navarro, Houston 77056): D.D. Mercer, 1993.

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2

Canfield, Jon. Raw 101. New York: John Wiley & Sons, Ltd., 2005.

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3

Moss, Kevin L. Camera Raw with Photoshop for dummies. Hoboken, N.J: Wiley, 2006.

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4

Moss, Kevin L. Camera Raw with Photoshop For Dummies. New York: John Wiley & Sons, Ltd., 2006.

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5

Dissanayake, Wimal. Raj Kapoor's films, harmony of discourses. New Delhi: Vikas Pub. House, 1988.

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6

Photoshop CS3 RAW: Transform your RAW images into works of art. Beijing [China]: O'Reilly, 2008.

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7

Adobe Camera Raw for digital photographers only. Hoboken, N.J: Wiley, 2005.

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8

Nanda, Ritu. Raj Kapoor, his life and his films. Bombay: R.K. Films & Studios, 1991.

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9

Andrews, Philip. Complete raw workflow guide: The to get the most from your raw images in Adobe Camera Raw, lightroom, Photoshop and elements. Oxford, UK: Focal Press, 2008.

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10

Andrews, Philip. Complete raw workflow guide: The to get the most from your raw images in Adobe Camera Raw, lightroom, Photoshop and elements. Oxford, UK: Focal Press, 2008.

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11

Andrews, Philip. Complete raw workflow guide: The to get the most from your raw images in Adobe Camera Raw, lightroom, Photoshop and elements. Oxford, UK: Focal Press, 2008.

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12

Long, Ben. Getting Started with Camera Raw. San Jose: Peachpit Press, 2007.

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13

Chen, Mark. Unleashing the raw power of Adobe Camera Raw: Master techniques for professional digital photographers. Buffalo, N.Y: Amherst Media, 2010.

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14

Speaking of films. New Delhi: Penguin Books India, 2005.

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15

Night photography: Finding your way in the dark. Amsterdam: Focal Press, 2010.

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16

King, R. 3D animation for the raw beginner using Maya. Boca Raton: Taylor & Francis, 2015.

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17

Steinmueller, Uwe. The art of raw conversion: How to produce art-quality photos with Adobe Photoshop CS2 and leading raw converters. San Francisco: No Starch Press, 2005.

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18

Fraser, Bruce. Real world Camera Raw with Adobe Photoshop CS4. Berkeley, Calif: Peachpit, 2009.

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19

Jerry, Butler. Raw talent: The adult film industry as seen by its most popular male star. Buffalo, N.Y: Prometheus Books, 1989.

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20

McGechie, Estelle. Getting started with Aperture. Berkeley, CA: Peachpit Press, 2006.

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21

1954-2006, Fraser Bruce, ed. Real world Camera Raw with Adobe Photoshop CS5. Berkeley, Calif: Peachpit Press, 2011.

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22

Garga, B. D. From Raj to Swaraj: The non-fiction film in India. New Delhi: Viking, 2007.

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23

Fraser, Bruce. Real world Camera Raw with Adobe Photoshop CS4. Berkeley, Calif: Peachpit, 2009.

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24

Jall, Hutokshi. Raj Kapoor and Hindi films: Catalysts of political socialization in India. [Calcutta]: Statesman, 1995.

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25

Enrico, Eggert, ed. Architectural rendering with 3ds Max and V-Ray: Photorealistic visualization. Oxford: Focal Press/Elsevier, 2010.

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26

Real world Camera Raw with Adobe Photoshop CS2: Industrial-strength production techniques. Berkeley, Calif: Peachpit, 2005.

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27

1959-, Morin Jean, ed. Ras le pompon! [Terrebonne, Québec]: Boomerang éditeur jeunesse, 2008.

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28

Miyoshi, Kazuhisa. Friction and wear properties of as-deposited and carbon ion-implanted diamond films. Cleveland, Ohio: Lewis Research Center, 1994.

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29

Miyoshi, Kazuhisa. Friction and wear properties of as-deposited and carbon ion-implanted diamond films. [Washington, D.C: National Aeronautics and Space Administration, 1996.

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30

Cinema, emergence, and the films of Satyajit Ray. Berkeley: University of California Press, 2010.

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31

Krogh, Peter. The DAM book: Digital asset management for photographers. 2nd ed. Sebastopol, Calif: O'Reilly, 2009.

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32

Enzmann, Alexander. Ray tracing worlds with POV-Ray. Corte Madera, CA: Waite Group Press, 1994.

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33

James, Dixon, Arnold Furious, and Bob Dahlstrom. Raw Files: 1998. Lulu Press, Inc., 2014.

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34

James, Dixon, Arnold Furious, and Lee Maughan. Raw Files: 1997. Lulu Press, Inc., 2014.

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35

James, Dixon, Rick Ashley, Arnold Furious, Bob Dahlstrom, and Lee Maughan. Raw Files: 1996. Lulu Press, Inc., 2013.

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36

James, Dixon, Arnold Furious, and Bob Dahlstrom. Raw Files: 2000. Lulu Press, Inc., 2015.

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37

James, Dixon, Arnold Furious, and Lee Maughan. Raw Files: 1995. Lulu Press, Inc., 2013.

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38

James, Dixon, Arnold Furious, and Bob Dahlstrom. Raw Files: 1999. Lulu Press, Inc., 2015.

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39

James, Dixon, Benjamin Richardson, Arnold Furious, and Bob Dahlstrom. The Raw Files: 2015. Lulu.com, 2016.

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40

James, Dixon, Benjamin Richardson, Jonathan Sullivan, Arnold Furious, Bob Dahlstrom, Dan Hey, and Andrew Ortman. The Raw Files: 2001. Lulu.com, 2017.

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41

Raw Workflow from Capture to Archives: A Complete Digital Photographer's Guide to Raw Imaging. Focal Press, 2006.

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42

Daly, Tim. Creating Exhibition-Quality Digital Prints: A Photographer's Guide to Developing RAW Files and Optimising Print Quality. Aurum Press, 2008.

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43

Andre Benjamin (Star Files). Raintree, 2005.

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44

The Best of Adobe Photoshop: Techniques and Images from Professional Photographers (Masters (Amherst Media)). Amherst Media, 2006.

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45

Cooper, Martha. Hip Hop Files. From Here to Fame, 2004.

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46

Canfield, Jon. Raw 101. Wiley & Sons, Incorporated, John, 2005.

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47

Freestyle Star Files Andre Benjamin. Raintree Publishers, 2005.

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48

McAlpine, Kenneth B. The Ultimate Soundtracker? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190496098.003.0006.

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Abstract:

In the early days of home computing, writing music was as much a technical as a creative process. This chapter explores how the launch of a software music package, Ultimate Soundtracker, for Commodore’s Amiga created a new, symbolic way to compose and edit music. It was sample-based and structured music using a grid-style interface that could be navigated using the computer keyboard, and its music files distributed both, making it easy to share—and copy—others’ musical ideas. This ‘open-source’ approach allowed nonprogrammers and nonmusicians to experiment with music making and for the sound to promulgate. This was also the period from which the term ‘chiptune’ emerged; the Amiga’s sample-based chipset allowed it to create other sounds beside raw electronic waveforms, and chiptune was used to highlight tracks written in the 8-bit sound chip style.

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49

Moss, Kevin L. Camera Raw with Photoshop For Dummies. For Dummies, 2006.

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50

Moss, Kevin L. Camera Raw with Photoshop for Dummies. Wiley & Sons, Incorporated, John, 2007.

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